Academic literature on the topic 'Gautier de Coinci (117X-1236)'
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Journal articles on the topic "Gautier de Coinci (117X-1236)":
Elíbio, Antônio Manoel, and Leonardo De Santos Nascimento. "O patrimônio da vida: uma análise da iluminura “A morte do Usurário e do Mendigo” de Gautier de Coincy." Revista Territórios e Fronteiras 8, no. 1 (July 22, 2015): 165. http://dx.doi.org/10.22228/rt-f.v8i1.264.
Dissertations / Theses on the topic "Gautier de Coinci (117X-1236)":
Garnier, Annette. "Péché, pénitence et rédemption chez Gautier de Coinci." Paris 4, 1994. http://www.theses.fr/1994PA040194.
This thesis examines the progress of the sinner from his terrestrial exile to the celestial home. The Gregorian classification of capital sins, constituting the basic structure of the work, is underpinned by the very life of the words which find their roots in the lexical and semantical fields peculiar to any sin. The study of vocabulary is carried out through the stories of individuals as well as through general observations on vice. A subtle construction allows for the inclusion of all of these reflexions, renders the variety and originality of Gautier’s approach whilst preserving the spirituality of the miracles. All forms of damnation, penitence or redemption are singular. They are nevertheless the precious account of an early thirteenth century monk and a contribution to the study of mentality. The redemptive virgin stands at the center of individual destiny. She illuminates the soul, she intercedes and, in a lavish manner, radiates the energy that each one of us requires to compensate for our weaknesses and to regain free will. She constitutes a place of freedom. She is the meaning of true life
Okubo, Masami. "La peinture du diable dans les Miracles de Nostre Dame de Gautier de Coinci." Paris 4, 1987. http://www.theses.fr/1987PA040128.
Through the vocabulary and the representation of the devil in the Miracles de Nostre Dame of Gautier de Coinci, one image of devil appears, at the frontier of the culture scholary - theological or monastic - and the culture secular. He has the traditional elements and the popular elements. The author paints, by mean of his imagination, the devil, incarnation of the evil, who terrifies the men in the middle age. His role as tempter and his temptation always failes in the face of the virgin mary interpret one sentiment of people who are not philosophers. For the men simple and weak, the evil and the sin come out of them, and the misericord of the mother of god can produce the miracles. The miniatures of the miracles show us one of the acceptances of the devil's image described by Gautier de Coinci. We recognize rather the originality of the artists than the fidelity for the text
Benoit, Jean-Louis. "L'art littéraire dans les Miracles de Nostre Dame, de Gautier de Coinci." Paris 4, 1997. http://www.theses.fr/1997PA040327.
In a first part entitled "art in the service of faith", the author's project is brought to light. Beyond the translation and versification of the Latin miracles the purpose is to pass a religious message centered round incarnation and Mary’s mercy. Narration is in the service of preaching. It transmits and illustrates a popular catechism on the essential points of faith. The aesthetics of the miracles by Gautier is related to "the art of the cathedrals" (G. Duby). The satire is linked to this didactic and reforming project. It is in keeping with the moral tradition of criticism of "estats du siècle". The clergy is the first to be aimed at. The search for truth is accompanied by a lyrical commitment in which the past time is brought back to life. The writer is involved in a violent controversy with the profane literature of his time. He nevertheless borrows from it its processes and its set of themes to convert them to the service of Mary. In a second part "a literature to the service of pleasure", we study the different types of plots, the characters, comedy and irony, the forms of pathos and of the supernatural, which have made the success of a both sacred and popular literature. The poetic techniques, in which an unrivalled virtuosity is played, reveal a humorous writer and a mystical artist. In "the delights of the verb" (ch. IX), faith and pleasure are joined together
Bodenheimer, Marie-Odile. "Contribution à l'étude de l'art et du style de Gautier de Coinci dans "Les Miracles de Nostre Dame"." Paris 4, 1985. http://www.theses.fr/1985PA040090.
Menozzi, Andrea. "Studio della tradizione dei Miracles de Nostre Dame di Gautier de Coinci, con edizione critica dei miracoli di Laon." Electronic Thesis or Diss., Université Paris sciences et lettres, 2024. http://www.theses.fr/2024UPSLN002.
Gautier de Coinci’s Miracles de Nostre Dame are one of the masterpieces of the genre of the miracles of the Virgin in medieval literature. Written between 1215 and 1230 by Gautier de Coinci, a monk from Saint-Médard in Soissons, the Miracles form a symmetrically-organised two-book collection which also includes songs, prayers and two treatises in verse. This thesis opens with an introduction primarily focused at creating a fresh biographical portrait of the author and exploring the connections between the Miracles and the Cantigas of Alfonso X. Nearly a century after A. Ducrot-Granderye’s 1932 book centred on the manuscripts of the Miracles, this dissertation provides a catalogue of the 40 complete manuscripts of the Miracles, including an analytical description of their textual content and a re-assessment of their dating, location, and early owners. The manuscript catalogue is supplemented by tables (Appendix I) containing information (headings, Latin glosses, illustrations) for each text in the collection. This section devoted to the Miracles manuscripts serves as a basis for chapter 3, which revolves around the tradition of the collection. The main contributions of this chapter concern the multiple redactions of the Miracles (with the identification of a new redactional phase attested by manuscripts D and I). The second part of the thesis presents the critical edition of the miracles of Laon (II Mir 14-17 and II Mir 26). It is introduced by a chapter aimed at study all the Latin and Romance versions of the miracles of Laon and is accompanied by a discussion of the relationships between the manuscripts and philological notes. Finally, Appendix II presents the edition of two previously unpublished texts discovered during the preparation of the manuscript catalogue
Joubert, Claude-Henry. "Musique dans les Miracles de Nostre Dame et la Vie de sainte Christine, de Gautier de Coinci." Paris 4, 2001. http://www.theses.fr/2001PA040010.
Couderc, Claire. "Memoria et intervocalité dans les "Miracles de Notre Dame" de Gautier de Coinci." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040179.
The Miracles de Nostre Dame forms 2 books of miracles framed with several cycles of songs of devotion. They were written by Gautier de Coinci, a monk and a poet called Father Superior of Vic-Sur-Aisne monastery in 1214. As a monk, Gautier de Coinci devoted himself to the Lectio Divina which was a meditation on biblical texts and a demonstration of the memory arts known under the name of memoria. The first part of our study leads us to the analysis of the influence of these arts of the memory on the Miracles de Nostre Dame and on the songs of devotion which alternate with the narratives.The medieval compositio is seen as the appropriation and valorization of a former work. As a poet and a musician, Gautier de Coinci calls for songs of troubadours which are contemporary to him, particularly Blondel de Nesle. Our study aims at explaining why these works could be seen as specific forms of auctoritas. This second part develops the way the composer of the Miracles de Nostre Dame uses Blondel’s songs thanks to the analysis of the intertextual and intervocal links.Finally, as a monk, Gautier de Coinci creates a work of devotion the inner conversion and improvement of which, represent the ultimate goal. Our last part is a summary of the memorial and intervocal approach of the songs of devotion. It deals with the way singing is a significant application of the inner conversion thanks to its composition and performance
Seláf, Levente. "La Chanson pieuse vernaculaire au Moyen Age : Essai de contextualisation." Paris 4, 2003. http://www.theses.fr/2003PA040015.
This thesis examines the entire corpus of French, Occitan and Galician religious poetry composed by the troubadours and the trouvères from the 12th to 14th century. Critics, past and present, have largely ignored these poems and considered them poetically poor and uninteresting. Although, the poetry of the troubadours has for the last two decades been a popular object of intertextual analyses, both for the writing and for the interpretation of medieval poetry, religious poetry fails to get the attention it deserves. Through careful analysis, inventory, and comparison of the poems, and by combining different critical positions, I demarcate the corpus, and conceptualise the problems that this poetry presents. To contribute to the accessibility and "readability" of Early Medieval poetry, I try to propose a definition of Lyrical Poetry in its integrity
Tarayre, Michel. "Miracles et merveilles chez Vincent de Beauvais et comparaisons avec des textes en langue vernaculaire." Montpellier 3, 1997. http://www.theses.fr/1997MON30005.
The speculum maius by vincent de beauvais (vincentius bellouacensis) offers a vast field for investigation and gives the possibility of setting up a study of mirabilia and miracula in the works of a 13th century encyclopaedist writing in latin for a public of clerics. In the first part of the study, an analytical survey of those concepts (to which must be added that of portentum) through the theoretical texts in the speculum doctrinale and speculum naturale shows that the most extensive notion is that of miraculum. The second part focuses on the miracula and mirabilia in the tales of the speculum historiale, so as to show how they operate. Then starting from the elements gathered in the first two parts, a third phase compares four of the tales by vincent with four other texts in the vernacular about the same issues. It appears that the latin texts have a great interest in themselves, but may be used too to create comprehensive corpora (problem of the exemplum). The comparative study of latin and old french texts reveals how different the public, the means and the purposes were. Appended are thematic indexes of the extraordinary events in the speculum historiale which have been used as a basis in the second part of the study
Books on the topic "Gautier de Coinci (117X-1236)":
Bonnaventure, Lydia. La maladie et la foi au Moyen Âge: D'après "Les miracles de Nostre Dame" de Gautier de Coinci (1178-1236). Cahors: Louve, 2011.
Bonnaventure, Lydia. La maladie et la foi au Moyen Âge: D'après "Les miracles de Nostre Dame" de Gautier de Coinci (1178-1236). Cahors: Louve, 2011.