Dissertations / Theses on the topic 'Gardens, European Australia History'

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1

Murray, Narisara. "Lives of the zoo charismatic animals in the social worlds of the Zoological Gardens of London, 1850--1897 (England) /." [Bloomington, Ind.] : Indiana University, 2004. http://wwwlib.umi.com/dissertations/fullcit/3162254.

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Thesis (Ph.D.)--Indiana University, 2004.
Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0316. Chair: Thomas F. Gieryn. Title from dissertation home page (viewed Oct. 12, 2006).
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2

Ohren, Dana M. "All the Tsar's men minorities and military conscription in Imperial Russia, 1874-1905 /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3203866.

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3

Afinogenov, Gregory. "The Eye of the Tsar: Intelligence-Gathering and Geopolitics in Eighteenth-Century Eurasia." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493450.

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This dissertation argues for the importance of knowledge production for understanding the relationship between the Russian Empire, the Qing Dynasty, and European actors, from the mid-seventeenth to the early nineteenth century. It focuses specifically on intelligence-gathering, including espionage, as a genre of intellectual work situated in state institutions, oriented toward pragmatic goals, and produced by and for an audience of largely anonymous bureaucrats. It relies on archival sources from Moscow, St. Petersburg, Paris, London, and Rome, as well as published materials. The dissertation begins by investigating how seventeenth-century Siberians compiled information about China, and how maps and documents were transmitted first to Moscow and then to Western Europe to be republished for wider audiences. It then examines the post-Petrine shift to more specialized forms of intelligence-gathering, focusing on industrial espionage in the Moscow-Beijing trade caravan. As the dissertation shows, the changing priorities of the Russian intelligence gathering apparatus shaped and often crippled the ability of Russian Qing experts to address wider audiences. On the mid-eighteenth-century Russo-Qing border, the dissertation follows the building of a robust Russian intelligence network in Qing Mongolia amid unprecedented inter-imperial tension, and its ultimate failure to achieve desired geopolitical ends. These intelligence failures are then shown to provide a compelling new explanation for the collapse of European imperial attempts at diplomacy in East Asia in the last third of the eighteenth century. Finally, the dissertation concludes by showing how, by means of strategic forgetting, intelligence was reconstructed into academic sinology during the reign of Alexander I.
History
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4

Marinescu, Jocelyn M. N. "Defending Christianity in China : the Jesuit defense of Christianity in the lettres edifiantes et Curieuses & Ruijianlu in relation to the Yongzheng proscription of 1724." Diss., Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/606.

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5

Ujma, Susan. "A comparative study of indigenous people's and early European settlers' usage of three Perth wetlands, Western Australia, 1829-1939." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2012. https://ro.ecu.edu.au/theses/547.

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This study takes as its focus the contrasting manner in which the Nyoongar indigenous people and the early European settlers utilised three wetland environments in southwest Australia over the century between 1829 and 1939. The thesis offers both an ecological and a landscape perspective to changes in the wetlands of Herdsman Lake, Lake Joondalup and Loch McNess. The chain of interconnecting linear lakes provides some of the largest permanent sources of fresh water masses on the Swan Coastal Plain. This thesis acknowledges the importance of the wetland system to the Nyoongar indigenous people. The aim of this research is to interpret the human intervention into the wetland ecosystems by using a methodology that combines cultural landscape, historical and biophysical concepts as guiding themes. Assisted by historical maps and field observations, this study offers an ecological perspective on the wetlands, depicting changes in the human footprint on its landscape, and mapping the changes since the indigenous people’s sustainable ecology and guardianship were removed. These data can be used and compared with current information to gain insights into how and why modification to these wetlands occurred. An emphasis is on the impact of human settlement and land use on natural systems. In the colonial period wetlands were not generally viewed as visually pleasing; they were perceived as alien and hostile environments. Settlers saw the land as an economic commodity to be exploited in a money economy. Thus the effects of a sequence of occupances and their transformation of environments as traditional Aboriginal resource use gave way to early European settlement, which brought about an evolution and cultural change in the wetland ecosystems, and attitudes towards them.
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6

Davis, Laurel F. "Voyage to Terra Australis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/1648.

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This thesis in Writing is composed of two parts, a creative work for stage, and an essay that both informs the writing of the drama and reflects upon it. The creative work, entitled Ann Flinders Remembers, a musical drama based on the life and journals of Matthew Flinders, navigator and cartographer, and his wife, Ann Flinders. The drama consists of lyrics, letters, extracts, dialogue, monologue, and stage directions, the story told from the point of view of Ann Flinders remembering, and by the all-knowing Chorus, of early Greek theatre. The essay, entitled 'Reflections on and of the Pastoral', traces the genre from the early Greek plays through to more recent theatre, and precedes the creative work to show how I came to the point of writing a musical drama based on the Pastoral genre, and what literature and theory might have been an influence. In the essay, I challenge some widely held conceptions of the Pastoral, at the same time re-acquainting myself with the techniques used by dramatists throughout history. Such a course enables me to reveal the habit of mind that lies at the source of the ancient genre.
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7

Dunbar, Cameron A. "Walking a Fine Line: Britain, the Commonwealth, and European Integration, 1945-1955." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1505144142763366.

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8

Prentice, David L. "Ending America's Vietnam War: Vietnamization's Domestic Origins and International Ramifications, 1968-1970." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1384512056.

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9

Turner, Phyllis. "The colonisation of Australia prior to European settlement." 2007. http://hdl.handle.net/2440/39800.

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This thesis presents a view of multiple human contacts with Australia, using a variety of data from the literature; linguistic, ethnographic, geographic, physical anthropology and art history. It will be shown that successive groups of people arrived in Australia before its settlement by Europeans. These people made their presence felt in various ways, which have been considered. Some in ancient and later times may have arrived from Africa, perhaps being blown off course and carried by the currents and winds of the Indian Ocean. Later migrations came from Asia, and finally technologically advanced peoples of Indonesia and China came to Australia. Some of these people left artefacts, practices and language that became part of some Aboriginal languages and some religious beliefs and practice, along with some physical biological traces. The peoples named “Aborigines” by European settlers were a diverse set of groups with a diverse set of physical and cultural influences. In particular the Batak people of Sumatra over a period of time contributed a large component of these diverse influences.
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Thesis (M.Sc.) -- School of Medical Sciences, 2007.
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10

Turner, Phyllis. "The colonisation of Australia prior to European settlement." Thesis, 2007. http://hdl.handle.net/2440/39800.

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This thesis presents a view of multiple human contacts with Australia, using a variety of data from the literature; linguistic, ethnographic, geographic, physical anthropology and art history. It will be shown that successive groups of people arrived in Australia before its settlement by Europeans. These people made their presence felt in various ways, which have been considered. Some in ancient and later times may have arrived from Africa, perhaps being blown off course and carried by the currents and winds of the Indian Ocean. Later migrations came from Asia, and finally technologically advanced peoples of Indonesia and China came to Australia. Some of these people left artefacts, practices and language that became part of some Aboriginal languages and some religious beliefs and practice, along with some physical biological traces. The peoples named “Aborigines” by European settlers were a diverse set of groups with a diverse set of physical and cultural influences. In particular the Batak people of Sumatra over a period of time contributed a large component of these diverse influences.
Thesis (M.Sc.) -- School of Medical Sciences, 2007.
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11

Bird, Louise. "The interwar gardens of Elsie Marion Cornish: a comparative and contextual analysis." Thesis, 2006. http://hdl.handle.net/2440/70159.

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A study on Adelaide landscape designer Elsie Cornish who mostly worked in an English Arts and Crafts garden style that was interpreted for Australian conditions and the needs of her clientele. Influencing her stylistic designs was a philosophical understanding of the interconnection between house and garden and the need for the space to be designed as an integrated whole.
Thesis (M.L.Arch.) -- University of Adelaide, School of Architecture, Landscape Architecture and Urban Design, 2006.
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12

Pierre, Mikaël. ""France of the Southern Hemisphere": transferring a European wine model to colonial Australia." Thesis, 2020. http://hdl.handle.net/1959.13/1421977.

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Research Doctorate - Doctor of Philosophy (PhD)
The development of viticulture in Australia in the nineteenth century mostly drew on European models to spread both wine production and consumption in the colonial societies during the nineteenth century. Among these models, France gradually appeared as a specific choice due to the reputation of its wines and its cultural practices in the British world. This thesis intends to analyse the transfers of skills, technologies, vine grapes and experts from various French regions to the Australian colonies of New South Wales, Victoria and South Australia. These three colonies collectively represented the most productive wine district during the nineteenth century and the most evident marks of a French influence. This circulation of knowledge mostly relied on wealthy British colonists’ initiatives in order to develop economically and culturally the colonies. This thesis presents new evidence of the importance of the cross-cultural and transnational aspects which shaped the world wine industry in the nineteenth century. It also shows how Australia instigated these transfers of French practices and ideas and reshaped them to fit its natural, economic, political and socio-cultural environment. Overall, this thesis, situated at the intersection of wine history and transnational history, gives a new insight on the effects of the first wave of globalisation which facilitated the circulation of knowledge, technologies and production models from Europe to the New World. It highlights the importance of interpersonal and interinstitutional exchanges occurring across national boundaries in the development of agricultural production, commodity trade and scientific knowledge. It also questions Franco–Australian transfers as a reflexivity process peculiar to histoire croisée. As such, this research project has been conducted both in Australia and in France as a transnational investigation mixing perspectives from the English-speaking world and the French-speaking world.
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13

Payne, Pauline. "Dr. Richard Schomburgk and Adelaide Botanic Garden, 1865-1891 / Pauline Payne." 1992. http://hdl.handle.net/2440/20317.

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xvii, 667, [18] leaves : ill ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, Dept. of History, 1992
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14

"Myths and realities of French imperialism in India, 1763-1783." Tulane University, 1989.

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The epochs of Indian History have been determined from time to time by the appearance of foreign influences. Of immeasurable significance for India was the coming of the Europeans, for it eventually transformed the political destiny of the country. Inevitably, France, one of the five great European maritime powers of the time, had been vitally involved in this historic process. Yet, though there exists a cornucopia of material on French commercial history in the East Indies and on the various military and commercial phases of the Anglo-French rivalry in India, no one has so far undertaken to study the true character of the French presence in India from 1763 to 1783, within the setting of French global policy after the Seven Years' War. This is what the present study has endeavored to do According to conventional wisdom, and even scholarly opinion, the French were imperialistic in India. Yet a review of the French government's policy from 1763 to 1783 shows that, on the contrary, the French were, with remarkable consistency, non-expansionist in India. The Indian policy of the French government constituted only one part of its wider strategy to unseat British predominance throughout the world, and to retrieve France's position as a first-rank Power in Europe. The French government schemed to attack the founts of British power in India and in North America, not to succeed to British domination in these regions, but to liberate them In India, the French through a policy of diplomatic intrigue, labored to expel their rivals from the country. The story of the French presence in India post-1763 is largely the story of a desperate struggle by Frenchmen to block the extension of British imperialism in the region. The ultimate end was to restore freedom and liberty on the Indian soil. The French government may have aspired to establish in India a network of trade but not an empire of conquest. The prevailing belief that the French conflict with the English in India was primarily a conflict for an 'Indian Empire' may now be revealed for what it always was: a myth
acase@tulane.edu
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15

"The cultivation of patriotism and the militarization of citizenship in late imperial Russia, 1906--1914." Tulane University, 2001.

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Following the military defeat in the Russo-Japanese War and the political upheaval of the Revolution of 1905, the tsarist regime began a campaign to create a new, embedded patriotic culture within society that would recognize the historical legitimacy of the ruling regime and fervently support that regime in times of crisis. Many in the army's senior ranks as well as in the civilian ministries of the regime believed that an almost complete lack of ideological connection between the regime and the people caused both the revolution and the military disaster in Manchuria In 1906, the regime began to shape a coordinated and aggressive campaign of cultural transformation that would help mobilize popular attitudes in support of the empire. This effort consisted of three programs. In 1908, the Ministry of Education introduced compulsory military education to Russia's schools to teach drill and gymnastics as preparation for devoted service to the Fatherland. In that same year, the regime began encouraging the growth of paramilitary youth groups throughout the empire. Most striking, however, was the general staff's decision to make use of three immediately forthcoming national anniversaries to drive home the lessons of patriotism, national glory and civic duty. The celebrations of these anniversaries were unprecedented in scale and purpose and introduced a new type of national patriotic festival to Russian culture By bringing the efforts to instill a new patriotic and civic consciousness into focus, this dissertation expands our understanding of the late imperial period. It reveals tsarist institutions as active agents of change attempting to revitalize the relationship between the regime and the population. The results, they hoped, would be increased social stability and enhanced military might. These objectives were traditional. Yet the methods employed to achieve them were new. In its twilight, the regime grasped the importance of mobilizing popular attitudes and reacted by crafting a sophisticated effort to shape the identities of its subjects. Instead of being immobilized by revolution and military defeat, this study has documented how the tsarist regime responded to the events of 1905 with an impulse to innovate that can only be characterized as modern
acase@tulane.edu
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16

Roberts, Glenn L. "The evolution of Soviet Muslim policy, 1917-1921." Thesis, 1990. http://hdl.handle.net/1911/17028.

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During the revolutionary period the Soviets came into political and cultural conflict with Russia's Muslims. Despite indications that the majority of Muslims desired political unification based on their Islamic heritage, the Party divided them into separate "nationalities" along narrow ethnic lines, incorporated most into the RSFSR, and attempted to uproot traditional Islamic institutions and customs under the aegis of class war. Resistance took the form of pan-Muslim nationalism, a reformist political conception with roots in the Near East. This conflict not only aborted the export of revolution to the Islamic world, contributing to the passing of the revolutionary era in Russia, but aided Stalin's rise to power. Soviet policy succeeded politically, defining the terms of interaction between Russians and Soviet Muslims for the next 70 years, but failed culturally in 1921-22, when the Party was forced to suspend its "war on Islam" as the price of political control.
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17

"Asia loves Prometheus: Shelley's ""postcoloniality"" and the discourses of India." Tulane University, 1995.

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Taking Percy Bysshe Shelley's A Philosophical View of Reform as its key document, this dissertation makes two contributions to nineteenth-century studies. First, it locates Shelley in the context of England's colonial venture in British India, a context new to Shelleyan study, although several scholars have investigated his Orientalist elements. Second, it ties together several major, seemingly disparate--even competing--late-eighteenth- /early-nineteenth-century discourses on India, illustrating how these discourses were later enlisted to serve the English Raj. Beyond reviewing Orientalism, Utilitarianism, Evangelicalism, and Imperialism, this dissertation also treats related contemporary issues of class, gender, race, and nationalism and finds that subjectivities that middle-class males established for the Indian 'other' were later re-imported to England to further subjugate women, workers, and non-English Britishers. The View demonstrates both Shelley's knowledge of these debates and his internalized contradictions concerning India. Although chiefly concerned with Shelley's lifetime, this study also reviews late-eighteenth-century origins of the discourses and their Victorian distillation into the new imperialism Chapter One surveys period issues of class, gender, race, and nationalism; their relationship to British India; and Shelley's personal and literary treatment of these issues. Chapter Two reviews overall English Orientalism concerning India and Indic elements in Shelley's Mab through Triumph. Chapter Three treats Utilitarian projects in India and England, and outlines Shelley's mastery and later rejection of Utilitarianism (Defence) as limited rationalism. Chapter Four studies Evangelical Indian and English projects, and reviews Shelley's seeming contradictions between attacking Christianity (Essay on Christianity; View) yet approving of missionaries in India (View). Chapter Five illustrates the coalescing of the discourses into Victorian manifest imperialism in India and ideological imperialism at home. It also tests Shelley as early 'reluctant imperialist' (Brantlinger) or unwitting pre-1857 collaborator (Said). Finally, nothing Shelley's hatred of tyranny (Cenci; Prometheus Unbound) and his theories on transience of empire (Hellas), and individual progress as sole means of breaking history's repeating cycles, this study posits that Shelley, although highly conflicted, could not have guessed England's future imperialism and that he offers Jesus the anarchist as model to show Indians how to reject their 'paralysing' caste system
acase@tulane.edu
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18

Ryan, Michael Francis. "Does early colonial art provide an accurate guide to the nature and structure of the pre-European forests and woodlands of South-Eastern Australia? : a study focusing on Victoria and Tasmania." Master's thesis, 2009. http://hdl.handle.net/1885/147606.

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19

Bowan, Kate. "Musical mavericks : the work of Roy Agnew and Hooper Brewster-Jones as an Australian counterpart to European modern music 1906-1949." Phd thesis, 2007. http://hdl.handle.net/1885/109691.

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In 1920 the Lone Hand reported that Sydney composer Roy Agnew (1891-1944) had “after much anxious consideration been forced to abandon the limitations of key and tonal relationship.” For this transgression, he was branded, among other things, a musical Bolshevik. Three years later in Adelaide, Hooper Brewster-Jones (1887-1949) wrote the first of his “formula” pieces which are part of a larger body of works that experiment with various aspects of musical language. In this thesis, I will argue that together certain works of these two isolated composers constitute an instance of what is known in conventional music history terms as “progressive” or “innovative” music. As such it can be seen as part of the wider international scene concerned with developing new means of musical expression at this time. This significant fact has been overlooked by musicologists and historians dealing with this interwar period, long dismissed as stagnant, producing only second-rate work: a pale imitation of British pastoralism and “light” salon music. This study seeks to revise that longaccepted story and show that there was an Australian musical intelligentsia in the early decades of last century. Drawing from a wide array of primary sources, including contemporary newspapers, journals, letters, memoirs, unpublished music manuscripts and other archival material, I will first, through analysis of selected works, demonstrate how the music fits into a broader international framework, then, using biography as a lens, reconstruct their worlds in Sydney, Adelaide and London, describing networks and important relationships that provide a context for this music, and finally examine aspects of the two composers’ public output such as performance, radio broadcasts and newspaper criticism that strengthen the picture of these two composers as individuals who enthusiastically engaged with international modernism. Central themes that emerge to underpin the study of these two figures are: the relationship between exoticism, occultism and modernism (demonstrating that exoticism and occultism were driving forces behind the development of early modernism); exoticism as a process by which that from the outside is brought into and reinterpreted for the local and particular; an interpretation of the diverse meanings and uses of that much-contested term modernism; and the broad informal network of dissemination, communication and bi-directional influence offered by the transnational British world and direct engagement with America and Europe.
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20

Krichauff, Skye. "The Narungga and Europeans: cross-cultural relations on Yorke Peninsula in the nineteenth century." 2008. http://hdl.handle.net/2440/50133.

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The Narungga are the Aboriginal people of Yorke Peninsula, South Australia. This thesis explores cross-cultural encounters and relations between the Narungga and Europeans in the nineteenth century. Contemporary Narungga people, hoping to learn about the lives of their forebears, instigated this research. The Narungga have not previously been the focus of serious historical or anthropological investigation. This thesis therefore fills a significant gap in the historiography. This thesis seeks to re-imagine the past in a way which is empathetic and realistic to Narungga people who lived in the nineteenth century. To understand the impact of the arrival and permanent settlement of Europeans upon the lives of the Narungga, it is necessary to look closely at the cultural systems which orientated and encompassed both the Narungga and the newcomers. The two groups impacted on and shaped the lives of the other and neither can be looked at in isolation. This work has been inspired by the writings of historical anthropologists and ethno-historians. The findings of anthropologists, linguists, geographers, botanists and archaeologists are drawn upon. First hand accounts which provide graphic and immediate depictions of events have been closely analysed. The primary sources that have been examined include local and Adelaide newspapers, official correspondence between settlers, police, the Protector of Aborigines, the Governor and the Colonial Secretary, and private letters, diaries, paintings, photographs and sketches. The archives continuously reveal great injustices committed against the Narungga, and this thesis does not seek to minimize the brutality of ‘white’ settlement nor the devastating outcomes of British colonialism on the Narungga. But the records also reveal the majority of Narungga people living in the nineteenth century were not helpless victims being pushed around by autocratic pastoralists or disengaged bureaucrats. On Yorke Peninsula in the nineteenth century, the future was unknown; the Narungga were largely able to maintain their autonomy while Europeans were often in a vulnerable and dependent position. The Narungga were active agents who adapted to and incorporated the new circumstances as they were able and as they saw fit. Rather than living in a closed or static society, the Narungga readily accommodated and even welcomed the Europeans, with their strange customs and exotic animals, plants and goods. The Narungga responded to the presence of Europeans in a way which made sense to them and which was in keeping with their customs and beliefs.
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Thesis (M.A.) - University of Adelaide, School of History and Politics, 2008
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21

Krichauff, Skye Mary Jean. "The Narungga and Europeans: cross-cultural relations on Yorke Peninsula in the nineteenth century." Thesis, 2008. http://hdl.handle.net/2440/50133.

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The Narungga are the Aboriginal people of Yorke Peninsula, South Australia. This thesis explores cross-cultural encounters and relations between the Narungga and Europeans in the nineteenth century. Contemporary Narungga people, hoping to learn about the lives of their forebears, instigated this research. The Narungga have not previously been the focus of serious historical or anthropological investigation. This thesis therefore fills a significant gap in the historiography. This thesis seeks to re-imagine the past in a way which is empathetic and realistic to Narungga people who lived in the nineteenth century. To understand the impact of the arrival and permanent settlement of Europeans upon the lives of the Narungga, it is necessary to look closely at the cultural systems which orientated and encompassed both the Narungga and the newcomers. The two groups impacted on and shaped the lives of the other and neither can be looked at in isolation. This work has been inspired by the writings of historical anthropologists and ethno-historians. The findings of anthropologists, linguists, geographers, botanists and archaeologists are drawn upon. First hand accounts which provide graphic and immediate depictions of events have been closely analysed. The primary sources that have been examined include local and Adelaide newspapers, official correspondence between settlers, police, the Protector of Aborigines, the Governor and the Colonial Secretary, and private letters, diaries, paintings, photographs and sketches. The archives continuously reveal great injustices committed against the Narungga, and this thesis does not seek to minimize the brutality of ‘white’ settlement nor the devastating outcomes of British colonialism on the Narungga. But the records also reveal the majority of Narungga people living in the nineteenth century were not helpless victims being pushed around by autocratic pastoralists or disengaged bureaucrats. On Yorke Peninsula in the nineteenth century, the future was unknown; the Narungga were largely able to maintain their autonomy while Europeans were often in a vulnerable and dependent position. The Narungga were active agents who adapted to and incorporated the new circumstances as they were able and as they saw fit. Rather than living in a closed or static society, the Narungga readily accommodated and even welcomed the Europeans, with their strange customs and exotic animals, plants and goods. The Narungga responded to the presence of Europeans in a way which made sense to them and which was in keeping with their customs and beliefs.
Thesis (M.A.) - University of Adelaide, School of History and Politics, 2008
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22

Stuart, Amanda Graham. "The Dingo in the colonial imagination." Phd thesis, 2013. http://hdl.handle.net/1885/109295.

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This thesis is comprised of two parts: a Studio Research component with accompanying Exegesis (66%), and a Dissertation (33%). The Dissertation provides the historical theoretical component that informs the Studio Research and Exegesis, entitled The Dingo in the Colonial Imagination.This body of work investigates the tensions between humans and animals that share boundaries. It focuses on the terse relations between humans, dingoes and wild dogs in southeastern Australia. Ideological and practical themes emerged through the studio-based and theoretical research, which spans a range of disciplines including art, science, culture and history. At its core is how humans and undomesticated animals share arbitrary boundaries and suffer the transgression of these boundaries. Primary field research informed the studio and theoretical aspects of the project. It involved consultation with individuals and agencies affected by dingoes and wild dogs in interface zones where private and government managed lands intersect. The 30,000 word dissertation traces colonial visual representations of the Australian native dog during the century that spans early European settlement to Federation. It follows perceptions of the dingo as it is imagined and encountered by European settlers. The dingo's guise ranges from scientific curiosity, object of desire, symbol of wilderness, metaphor for a dying race and as an enemy that threatens the social and economic fabric of the colonial project. The studio work amplifies the influence of these colonial perceptions on contemporary attitudes to dingoes. It follows a trajectory of the disappearing dingo in its representational form, to its implied remnant presence within the farmers' psyche. Early studio work explored a range of materials and practices, encompassing sculptural and drawing strategies, and took its cue from a macabre ritual of animal shaming in remote regional Australia, the so-called 'dog trees', that display the carcasses of one or multiple dingoes and wild dogs. The studio work has culminated in a large-scale sculptural installation, designed to pare back the visual language to its essential elements. This work incorporates the dissolution of the dingo form, which becomes absorbed into the personal objects embedded into the farmers' private territory. The poetic objects that form the final sculptural work presented for examination, Lines of desire, become metaphors for the dingo's capacity to survive and unsettle the rural subconscious.
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