Journal articles: 'Gallipoli'

1

Hamilton, W. Mark. "Gallipoli." Mariner's Mirror 102, no. 4 (October 2016): 488–89. http://dx.doi.org/10.1080/00253359.2016.1241010.

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Topçu, Ulvi Cenap. "Consuming history in a political context: Motivations of Turkish visitors of the Gallipoli Battlefields." Journal of Global Business Insights 5, no. 2 (September 2020): 103–19. http://dx.doi.org/10.5038/2640-6489.5.2.1123.

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Certain unconventional tourism activities such as visiting battlefields, old prisons, or crash sites encompass dark tourism and have become the focus of scholarly pursuit. The term was established in relation to the Gallipoli Battlefields; which has been examined mostly in the context of its importance to Australian and New Zealander national identities. As represented by numerous memorials and well-established historical narration, the Battle in Gallipoli is credited as one of the most important representations of Turkish nationality. This research aims to investigate the motivations of Turkish visitors to Gallipoli in terms of consumption experiences and to clarify empirically motivations of Turkish visitors to Gallipoli. An explorative questionnaire was directed to respondents via e-mail, and analyses were conducted with 236 valid forms. Data supports that rather than personal motivation, visiting Gallipoli reflects politically constructed meanings for Turkish visitors. Gallipoli narration is therefore eligibly expounded as national rhetoric and motivations for visiting the site are compatible with group consumption behavior.

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Cobb, Adam. "Electronic Gallipoli?" Australian Journal of International Affairs 53, no. 2 (July 1999): 133–49. http://dx.doi.org/10.1080/00049919993926.

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Arthur, Paul. "Gallipoli Online." History Australia 7, no. 1 (January 2010): 14.1–14.2. http://dx.doi.org/10.2104/ha100014.

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Potter, Mark A. "Before Gallipoli." History Australia 7, no. 3 (January 2010): 69.1–69.2. http://dx.doi.org/10.2104/ha100069.

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Slade, Peter. "Gallipoli thanatourism." Annals of Tourism Research 30, no. 4 (October 2003): 779–94. http://dx.doi.org/10.1016/s0160-7383(03)00025-2.

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7

Lee, John, and Tim Travers. "Gallipoli 1915." Journal of Military History 66, no. 3 (July 2002): 869. http://dx.doi.org/10.2307/3093395.

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Ziino, Bart. "Who owns gallipoli? Australia's Gallipoli anxieties 1915–2005." Journal of Australian Studies 30, no. 88 (January 2006): 1–12. http://dx.doi.org/10.1080/14443050609388071.

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9

Çakar, Kadir. "Experiences of visitors to Gallipoli, a nostalgia-themed dark tourism destination: an insight from TripAdvisor." International Journal of Tourism Cities 4, no. 1 (March 5, 2018): 98–109. http://dx.doi.org/10.1108/ijtc-03-2017-0018.

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Purpose The purpose of this paper is to examine and understand the experiences of travelers to Gallipoli, by analyzing their online comments and reviews. Design/methodology/approach The data were garnered from the well-known online user blog TripAdvisor. Data, concerning visiting the Gallipoli Peninsula, were retrieved from (n=330) travelers’ reviews and comments, and were examined using content analysis to elicit and identify their experiences. Findings Overall, the travelers’ reviews and comments mostly conveyed emotional and nostalgic experiences. Further, the travelers’ nostalgic experiences of Gallipoli emerged as historical nostalgia deriving from the personal attachment of travelers to the site. Research limitations/implications The data have shown that the experiences of travelers to Gallipoli can mostly be identified as emotional, which are generally consistent with the current literature. This paper utilized traveler reviews and comments on TripAdvisor, left by tourists who had previously visited Gallipoli, and this represents the limitation of the present study. Thus, to better understand the experiences of travelers visiting Gallipoli, with regard to their psychological aspect, future research should be conducted with travelers either through face-to-face interviews or via a survey. Originality/value Despite its significance for dark tourists, limited research has been carried out that deals with the experiences of travelers visiting the Gallipoli battlefield. As such, this is the first research project designed to highlight the experience of dark tourism, under the concept of nostalgic tourism, by providing valuable data and a deeper understanding of the field.

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Cakir, Burcin, and Berkan Ulu. "“Sons of Two Empires”: The Idea of Nationhood in Anzac and Turkish Poems of the Gallipoli Campaign." Revista Alicantina de Estudios Ingleses, no. 31 (December 15, 2018): 83. http://dx.doi.org/10.14198/raei.2018.31.06.

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An unexpected failure of the Allied forces and a monumental victory for the Turks, the Gallipoli Campaign (1915) is thought to be the first notable experience for Australians and New Zealanders on their way to identify themselves as nations free from the British Empire. For the war-weary Turks, too, the victory in Gallipoli was the beginning of their transformation from a wreck of an empire to a modern republic. Despite the existence of a substantial body of research on the military, political, and historical aspects of the campaign, studies on the literature of Gallipoli are very few and often deal with canonised poets such as Rupert Brooke or national concerns through a single perspective. Aiming to bring to light underappreciated poets from Gallipoli, this paper is a comparative study of less known poems in English and Turkish from Gallipoli. While doing this, the study traces the signs of the nation-building processes of Australia, New Zealand, and Turkey with emphasis on national identity. To this end, the paper examines a number of Gallipoli poems in English and Turkish that were composed by combatant or non-combatant poets by using close reading analysis in search of shifts in discourse and tone. The study also underlines how poets from the two sides identified themselves and the ways the campaign is reflected in these poems. At length, the study shows that Gallipoli poems display similar attitudes towards the idea of belonging to an empire although they differ in the way warfare is perceived. With emphasis on less known poems and as one of the very few comparative studies of the poetry of the Gallipoli Campaign, this paper will contribute to the current research into the legacy and literature of the First World War.

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Bourke, Martin. "Jenny Macleod. Gallipoli." Asian Affairs 47, no. 2 (May 3, 2016): 308–10. http://dx.doi.org/10.1080/03068374.2016.1171617.

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L'Estrange, Michael. "Annual Gallipoli Lecture." RUSI Journal 148, no. 3 (June 2003): 58–65. http://dx.doi.org/10.1080/03071840308446890.

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Yanıkdağ, Yücel. "The battle of Gallipoli: The politics of remembering and forgetting in Turkey." Comillas Journal of International Relations, no. 2 (February 13, 2015): 99–115. http://dx.doi.org/10.14422/cir.i02.y2015.008.

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Las diferencias entre las versiones opuestas del recuerdo público de la Batalla de Gallipoli se han vuelto más pronunciadas al acercarnos al 18 de marzo de 2015 (en Turquía es el 18 de marzo, la batalla naval, el que marca el aniversario, no el desembarco del 25 de abril). Durante muchas décadas la narrativa nacionalista oficial representaba Gallipoli como un «ensayo» de, o incluso parte de, la Guerra de la Independencia (1919-1922). La victoria se debió casi prácticamente al ingenio militar de MustafaKemal. Este recuerdo público puede haber sido el dominante durante décadas, pero también se han desarrollado versiones rivales. Este artículo tratará en gran medida de lo que se puede denominar el recuerdo islamizado o «religionizado» de Gallipoli. Para algunos que se aferran a este punto de vista, Gallipoli es donde el soldado «turco» contuvo a los últimos Cruzados. Para otros, su versión de la batalla no incluye a MustafaKemal. Aún así, ambas partes tienen algo en común mientras se preparan para celebrar la victoria. Tanto los recuerdos nacionalistas como los islamistas ignoran las posibles conexiones con otro acontecimiento que se rememora el 24 de abril, el día antes del desembarco de la Entente en Gallipoli: la orden dada para deportar a los armenios anatolios. La «celebración» del uno posiblemente supere el recuerdo y el duelo del otro.

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Branach-Kallas, Anna. "The Gallipoli Mission, landscape and the changing meanings of heritage: On Dangerous Ground (2012), by Bruce Scates." Journal of New Zealand & Pacific Studies 10, no. 1 (June 1, 2022): 25–36. http://dx.doi.org/10.1386/nzps_00090_1.

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Bringing together history, heritage studies, conflict archaeology, ecocriticism and literary analysis, this article contends that the 2012 novel On Dangerous Ground: A Gallipoli Story provides an important reflection on the multiple meanings of Australian national heritage and its fluctuations at the First World War centenary. As I argue, its author, Bruce Scates, recognizes the different heritages of the Gallipoli peninsula by including a multiplicity of voices and perspectives in the 1915 layers of his novel. The whole tradition of Australian historiography, to which Scates himself has largely contributed, finds its echoes in the text. The article demonstrates how Scates undermines the myth of the glorious Gallipoli campaign and the heroism of the Anzacs, revisiting the mythologized site of conflict from a Turkish perspective. The Gallipoli peninsula is approached as an affective landscape, which deeply transforms the protagonists. However, the fabricated nature of this site of the conflict, and the construction of its special place in the national mythology, are also emphasized in the analysis. Synchronously, On Dangerous Ground problematizes the obligation of the nation towards those missing in action, and the cultural malaise accompanying exhumations.

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Kopyryulin, Stanislav V. "Gallipoli poet N.V. Stanyukovich’s collection “From the ashes”: image-motive structure." Neophilology, no. 27 (2021): 495–502. http://dx.doi.org/10.20310/2587-6953-2021-7-27-495-502.

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We consider the structure of unrenowned poetry collection “From the ashes” (1929) by undeservedly forgotten Gallipoli poet N.V. Stanyukovich. The relevance of the study is due to the need to address little-known phenomenon of the Russian literature abroad – writers’ creative activity in the Gallipoli camp of the Russian Army of Baron P.N. Wrangel in 1920–1921. The purpose of the study is to examine the features of image-motive structure of the collection “From the ashes” by N.V. Stanyukovich. Based on the use of biographical, structural-typological, cultural-historical approaches, we analyze the image-motive dominants of the collection “From the ashes”, which include the motives of war, death, life, fate, homesickness, hearts, creativity, images of the steppe, graves , war horse, train station, etc. We pay attention on the fact how N.V. Stanyukovich uses sound, color, compositional, rhythmic techniques in his works, which testifies to the maturity of the writer’s creative manner. We suggest that the Gallipoli sitting became the most tragic page in N.V. Stanyukovich’s life, despite the fact that it contributed to the beginning of his creative career. After the collection “From the ashes”, poet avoids Gallipoli theme, although military problems remain relevant.

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Orr, Philip, and Shirley Kelly. "Doomed Thousands of Gallipoli." Books Ireland, no. 278 (2005): 174. http://dx.doi.org/10.2307/20632811.

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Hickey, Michael. "Gallipoli—a British perspective." RUSI Journal 140, no. 6 (December 1995): 47–53. http://dx.doi.org/10.1080/03071849508445972.

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Robin Prior. "The Myths of Gallipoli." Historically Speaking 11, no. 4 (2010): 33–35. http://dx.doi.org/10.1353/hsp.2010.0009.

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19

Johnson, Bruce. "From Gallipoli to Gundagai." Journal of Australian Studies 23, no. 60 (January 1999): 66–72. http://dx.doi.org/10.1080/14443059909387450.

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Yilmaz, Ahenk. "Memorialization on War-Broken Ground." Journal of the Society of Architectural Historians 73, no. 3 (September 1, 2014): 328–46. http://dx.doi.org/10.1525/jsah.2014.73.3.328.

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Memorialization on War-Broken Ground: Gallipoli War Cemeteries and Memorials Designed by Sir John James Burnet focuses on the problems posed by the endeavor to memorialize the Gallipoli campaign of World War I and the memorials designed by the principal architect of the Imperial (now Commonwealth) War Graves Commission, Sir John James Burnet. The commission’s work in Gallipoli is different from the memorials on the western front not only because its location is on “enemy” land but also because Burnet’s modifications of the commission’s design principles were developed to represent a coherent imperial identity around the world. AhenkYılmaz analyzes these modifications and the motives behind them to demonstrate the process by which the landscape and the stories of the campaign shaped the techniques of commemoration on this war-broken ground.

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Hibbitt, Richard, and Berkan Ulu. "Double palimpsest: History and myth in the poetry of the Gallipoli campaign." Journal of European Studies 51, no. 3-4 (November 2021): 273–91. http://dx.doi.org/10.1177/00472441211033411.

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The Ottoman defeat of the British and French imperial forces during the Gallipoli campaign of 1915, known in Turkish as the Çanakkale Wars, had already shown how the theatres of war would extend beyond Europe. While much of the poetry in English that came from Gallipoli is well known in the Anglophone world, the Turkish poetry from Çanakkale is less well known outside Turkey itself. This article analyses selected Gallipoli poems written in both languages in order to show how they had similar recourse to overlapping narratives of history and myth in their efforts to place the experience of war within a wider transhistorical and transcultural framework. By reflecting on the different uses of this double palimpsest, it aims to show how a transnational and transcultural approach to memorial culture can develop our understanding of how the Great War was written.

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Aktar, Ayhan. "The Struggle between Nationalist and Jihadist Narratives of Gallipoli, 1915–2015." Forum for Modern Language Studies 56, no. 2 (March 18, 2020): 213–28. http://dx.doi.org/10.1093/fmls/cqaa003.

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Abstract There have been a number of milestones in the (re-)writing of the history of the Gallipoli campaign (1915). First, the dominant Turkish nationalist historiography ‘Turkified’ the victory of the Ottoman Imperial Army. Narratives of the 1930s were also constructed in such a way that the presence of Mustafa Kemal (later Atatürk) was used as a bridge to attach the Gallipoli campaign of 1915 to the Turkish War of Independence (1919–1922). In later years, Islamist poets such as Mehmet Akif wrote poems presenting the campaign as a kind of ‘Resistance of Islam against the Infidel’. However, it was not until the mid-1990s that the Gallipoli campaign came to be framed as an ‘Invasion of Crusaders into the House of Islam’. This new narrative reflects a jihadist revision. In this article, these trends will be analysed within the framework of operations of political power in both civil society and the state.

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Sosnizkaja, Margarita S. "Gallipoli theme in Russian literature." Neophilology, no. 24 (2020): 776–82. http://dx.doi.org/10.20310/2587-6953-2020-6-24-776-782.

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We consider the history of Russian refugees who found themselves on the territory of Turkey. They were placed in the Naked Field. Despite the conditions that are difficult to compatible with life, they maintained discipline and led an active social life within the settlement, however, the profits and achievements of this activity went far beyond these limits and, thanks to the works of I.S. Lukash and G.I. Gazdanov, became the property of Russian classical literature. The fate of these two pen masters is sometimes literally parallel, sometimes exactly the opposite. Not all the writers of the Naked Field had such a lucky literary star as they had: the young poet junker V. Rutkovsky died of wounds in the “Valley of Roses and Death”. I.S. Lukash and G.I. Gazdanov never write about each other, but the analogies in their prose coincide, sometimes word for word. We carry out an indicative analysis of several pages. They write about the same events that be-came part of their personal and collective experience. We analyze the book “Gazdanov” by O.M. Orlova from the “Life of Wonderful People” series. The work contains evidence of the Gal-lipoli standing of Russian refugees practically from first hand, provides information about the chronicle of their everyday life.

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Beckett, Ian F. W. "Film, storia e Gallipoli (1981)." MEMORIA E RICERCA, no. 49 (August 2015): 87–105. http://dx.doi.org/10.3280/mer2015-049007.

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Henschke, Philip J., and Diana Trickett. "The final assault — Gallipoli 1990." Medical Journal of Australia 153, no. 10 (November 1990): 618–21. http://dx.doi.org/10.5694/j.1326-5377.1990.tb126275.x.

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Busch, Peter. "Gallipoli: Attack from the Sea." International Journal of Environmental Studies 66, no. 3 (June 2009): 393–95. http://dx.doi.org/10.1080/00207230902965262.

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GÜLLÜBAĞ, MUSTAFA. "AN INNISKILLING FUSILIER AT GALLIPOLI." Journal of International Social Research 8, no. 40 (October 20, 2015): 62. http://dx.doi.org/10.17719/jisr.20154013875.

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Hughes, Matthew. "The French army at Gallipoli." RUSI Journal 150, no. 3 (June 2005): 64–67. http://dx.doi.org/10.1080/03071840508522907.

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Burgmann, Meredith. "The Women Against Rape in War Collective’s protests against ANZAC Day in Sydney, 1983 and 1984." Cosmopolitan Civil Societies: An Interdisciplinary Journal 6, no. 3 (February 18, 2015): 116–22. http://dx.doi.org/10.5130/ccs.v6i3.4222.

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İşler, Didem. "Un rapporto di Ferigo Foscari, Bailo veneto a Costantinopoli nel 1795: “l’Arsenale dei Dardanelli”." Oriente Moderno 100, no. 3 (April 23, 2021): 409–18. http://dx.doi.org/10.1163/22138617-12340235.

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Abstract The report of Bailo Ferigo Foscari dated April 10, 1795, protect in the Venetian State Archive today, includes an unpublished architectural drawing about the renovation of Gallipoli Shipyard that with its strategic location and production capacity one of the most important naval bases of the Ottoman Empire. The drawing, which is among the “Senato Dispacci Costantinopoli” documents that not only provides contributions to the history studies by shedding light on the political and military developments of the periods in terms of Venetian-Ottoman relations in archival studies, but also is an extremely valuable evidence that contributes to the art and architectural history as a visually documenting the Gallipoli shipyard, which has not survived to the present day.

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Mikhailov, V. V. "THE AUSTRALIAN AND NEW ZEALAND CORPS IN EGYPT BEFORE LANDING AT GALLIPOLI IN 1915." Scientific Notes of V.I. Vernadsky Crimean Federal University. Historical science 6 (72), no. 4 (2020): 86–96. http://dx.doi.org/10.37279/2413-1741-2020-6-4-86-96.

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The history of the Australian and new Zealand corps (ANZAC) in preparation for the landing on the Gallipoli Peninsula in the Egyptian training camps is studied. The relationship between the rank and file of the corps is analyzed. The study examines the living conditions and relationships of Australians and new Zealanders with the local population in and around Cairo. The study examines the training of corps units in training and exercises, the attitude of soldiers and officers to the quality of training of corps troops, as well as the participation of troops of the Australian-new Zealand army corps in the repulse of the Turkish offensive on the Suez canal in February 1915. An overview of the actions of the landing command to concentrate ANZAC forces in Mudros Bay (Lemnos) before the start of the landing at Gallipoli is given. The article makes extensive use of archival materials of the Australian War Memorial and British archives, the official history of Australia’s participation in world war I, diary entries and letters of Australians and new Zealanders who participated in the first convoy from Australia to Alexandria (Egypt), Russian and foreign research on the initial stage of the Gallipoli operation of the allied forces of the Entente against the Ottoman Empire..

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Coskun, Halise. "Healthcare Services during the Gallipoli Wars." TAF Preventive Medicine Bulletin 13, no. 2 (2014): 93. http://dx.doi.org/10.5455/pmb.1-1370260347.

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Fathi, Romain. "Beyond Gallipoli. New Perspectives on Anzac." Australian Journal of Politics & History 63, no. 3 (September 2017): 480–81. http://dx.doi.org/10.1111/ajph.12390.

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Kuday, Cengiz, and Fatma Ozlen. "A medi̇cal class lost at Gallipoli." Journal of Clinical Neuroscience 10, no. 1 (January 2003): 37–39. http://dx.doi.org/10.1016/s0967-5868(02)00280-1.

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35

Knox, Sara L. "On Dangerous Ground: A Gallipoli Story." Journal of Australian Studies 37, no. 1 (March 2013): 136–37. http://dx.doi.org/10.1080/14443058.2012.757276.

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Macleod, Jenny. "Gallipoli: The end of the myth." First World War Studies 2, no. 1 (March 2011): 131–32. http://dx.doi.org/10.1080/19475020.2011.555504.

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Meu-Chun, Wang. "Mustafa Kemal usage of Mission Command Principles in the Gallipoli Campaign." Safety & Defense 4 (October 5, 2018): 5–9. http://dx.doi.org/10.37105/sd.2.

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The main goal of the paper is to present the leadership of Mustafa Kemal (also known as Mustafa Kemal Atatürk) during the Gallipoli Campaign in the context of mission command principles as defined by the U.S. Army Doctrine (2014). After itemizing the six mission command principles, the paper provides a brief overview of the Gallipoli Campaign, which serves as a context for further analysis of Mustafa Kemal’s leadership during the campaign. Next, four of the six principles are discussed in detail, namely (1) providing a clear commander’s intent, (2) using mission orders, (3) creating shared understanding, and (4) building cohesive teams through mutual trust. The paper is concluded with a reflection on the connectivity of the discussed principles and their current relevance for successful military leadership.

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Erbaş Gürler, Ebru, Ebru Yetişkin, and Başak Özer. "Narrative Landscape: The Transformation of Memory(scape) making in Gallipoli Peninsula." Space and Culture 21, no. 3 (December 12, 2017): 274–90. http://dx.doi.org/10.1177/1206331217735299.

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This article studies the transformation of commemoration and memorialization and the effects of this transformation on memory(scape) making in Turkey. The article focuses on the case study of the Gallipoli Peninsula where the most concentrated examples and intensive instances of commemoration and memorialization practices are represented. The article exposes contemporary political and social change in terms of landscape architecture and sociology by analyzing the transformation process in memory and memory(scape) making in Turkey. The article is based on ethnographic research patterns and concludes that the centralized secular memorialization practices in Gallipoli starting from the early 2000s until today were transformed into distributed narrative-based memorialization through religious and traditional values by using landscape as a fundamental element of memory(scape) making.

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Aktaş, A. Ziya, and Emre R. Orçun. "A real-time strategy game, “GALLIPOLI WARS,” as a centennial tribute to the Gallipoli Campaign (1915–2015)." Journal of Defense Modeling and Simulation: Applications, Methodology, Technology 14, no. 3 (June 6, 2016): 285–301. http://dx.doi.org/10.1177/1548512916649455.

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Lindstrom, Lamont. "ANZAC Nations: The Legacy of Gallipoli in New Zealand and Australia 1965–2015, Rowan Light (2022)." Journal of New Zealand & Pacific Studies 11, no. 1 (May 1, 2023): 75–77. http://dx.doi.org/10.1386/nzps_00138_5.

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Jones, Adrian. "A Note on AtatÜrk’s Words About Gallipoli." History Australia 2, no. 1 (January 2005): 10–1. http://dx.doi.org/10.2104/ha040010.

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Yıldız, Burcu. "Commemorating Gallipoli through music: remembering and forgetting." Ethnomusicology Forum 28, no. 1 (January 2, 2019): 119–22. http://dx.doi.org/10.1080/17411912.2019.1588764.

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Lambert, Andrew. "Book Review: Gallipoli: Attack from the Sea." International Journal of Maritime History 20, no. 2 (December 2008): 470–71. http://dx.doi.org/10.1177/084387140802000287.

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Alvarez, Jose E. "Between Gallipoli and D-Day: Alhucemas, 1925." Journal of Military History 63, no. 1 (January 1999): 75. http://dx.doi.org/10.2307/120334.

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West, Brad. "Dialogical Memorialization, International Travel and the Public Sphere: A Cultural Sociology of Commemoration and Tourism at the First World War Gallipoli Battlefields." Tourist Studies 10, no. 3 (December 2010): 209–25. http://dx.doi.org/10.1177/1468797611407756.

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As part of a larger ethnographic research project, this article analyses the history of memorialization on the First World War Gallipoli battlefields and its relationship with international travel and tourism. It contrasts the original Australian and New Zealand memorialization on the site with Turkish memorials constructed there in the late 20th century, a significant proportion of which are characterized by direct symbolic recognition of the ‘other’. Drawing on Bakhtin’s writings on referential discourses I refer to these as being dialogical. At Gallipoli this dialogical memorialization facilitated the rise of Australian tourism to the battlefields by allowing for a cosmopolitan reimagining of the military campaign, which included emphasizing extraordinary cases of humanity and framing soldiers as tourists. A cultural sociology of the public sphere is proposed as a way of comprehending such tourism, one that avoids assumptions about the severing of meaningful cultural ties with the events and institutions of modernity.

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Pashkin, Nikolai G. "Aims of the Byzantine Attack on Gallipoli in 1410." Античная древность и средние века 48 (2020): 156–71. http://dx.doi.org/10.15826/adsv.2020.48.010.

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This research suggests an interpretation of the reasons behind the Byzantine attack on the Turkish fort of Gallipoli in spring 1410. The citadel that controlled Dardanelles was attacked by a squadron of eight ships. This operation is considered not successful. However, there are reasons to consider that initially Greeks did not plan to take the town. The search for the proofs should be in the sphere of international relations. In the period in question, the Byzantine policy was influenced by contradictions between Venice and Hungarian king Sigismund of Luxembourg concerning Dalmatia. Their interests were also connected with Gallipoli, so the question of the status of the fort could only aggravate their relations. The incipient conflict was dangerous for Byzantium. The Turkish factor was also important in this conflict: one more time, it turned against Byzantium and did not allow it to maintain the peace with the Ottomans concluded in 1403. The Byzantine emperor’s reaction to the crisis can be considered as an attempt of meditation by renewal of the treaty with the Turks, with participation of Western states. The main problem was king Sigismund’s position: a contact with him became necessary. In spring 1410, Byzantine diplomats along with the Pope prepared conditions for the meeting with the Hungarian ambassador in Italy. However, Sigismund’s desirable reaction followed just after the Byzantine attack on Gallipoli. From the analysis of the facts and chronology, there are reasons to conclude that the military operation in question was planned specifically to provoke the king to negotiations, which took place in Bologna in June of the same year.

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Vincent, Emma. "Gallipoli: Year of Love and Duty Sargeant Rachel Gallipoli: Year of Love and Duty202pp £2.20 Abbeymead Books 9780993214707 B00V4VO3GQ." Emergency Nurse 23, no. 4 (July 10, 2015): 10. http://dx.doi.org/10.7748/en.23.4.10.s11.

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Cengiz, Özgür. "Estimation of growth parameters of the Atlantic chub mackerel (Scomber colias Gmelin, 1789) off Gallipoli Peninsula (Northern Aegean Sea, Turkey)." Momona Ethiopian Journal of Science 14, no. 2 (December 26, 2022): 113–26. http://dx.doi.org/10.4314/mejs.v14i2.1.

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Abstract:

This study was carried out to reveal the age and growth of the atlantic chub mackerel (Scomber colias Gmelin, 1789) in Gallipoli Peninsula (northern Aegean Sea, Turkey). The individuals of sampled S. colias from commercial fishmongers randomly each month were taken during the period January 2016-December 2016. A total of 348 otoliths were aged successfully. The total length and weight of aged specimens ranged from 16.0 to 28.0 cm and from 31.72 to 222.68 g, with a mean of 22.0 cm and 101.23 g, respectively. The length-weight relationship was estimated as W = 0.0060TL3.20 (R2 = 0.97). The von Bertalanffy growth equations were computed to be 𝐿∞ = 32.0 cm, k = 0.30 year-1, 𝑡0 = -1.72 year for all samples. The growth performance index (𝛷′) was found as 2.49. The present study provides the first information on the growth parameters of the species so as to define the current state Scomber colias population for Gallipoli Peninsula (northern Aegean Sea, Turkey).

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Goodall, Heather. "Gallipoli & Coniston: conflict, colonialism and spatial power." Cosmopolitan Civil Societies: An Interdisciplinary Journal 6, no. 3 (March 9, 2015): i—vii. http://dx.doi.org/10.5130/ccs.v6i3.4351.

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Franc, Claude. "Histoire militaire – Les Dardanelles (suite) : échec à Gallipoli." Revue Défense Nationale N° 809, no. 4 (April 1, 2018): 125–27. http://dx.doi.org/10.3917/rdna.809.0125.

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Journal articles on the topic 'Gallipoli'

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