Dissertations / Theses on the topic 'Gallipoli'
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Lee, Savina. "The British press and the Gallipoli campaign /." Title page, contents and introduction only, 1985. http://web4.library.adelaide.edu.au/theses/09AR/09arl481.pdf.
Full textAyhan, Saglam. "Developing A Geographical Information System For The Gallipoli Campaign." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606263/index.pdf.
Full text#8217
s modern armies use GIS effectively for different purposes such as determining strategic points and planning attack and defense. GIS can also be used for past wars, and historical GIS includes these kinds of applications. In this study, GIS have been used for analyzing Gallipoli Campaign in the First World War. This campaign started in February on 1915 and Allied troops left the Gallipoli Peninsula on 9th January 1916. Gallipoli Campaign have very important role in Turkish and World history. This study includes two different parts about Gallipoli Campaign. In the first part, selected battles of the campaign are analyzed with different GIS functions. Selected battles are Naval, Ariburnu, Conkbayiri, and 2nd Kirte Battles, and they are selected based on the availability of graphic and attribute data. In the second part, relationship between martyrs and locations are studied. Distributions of the number of soldiers for different criteria, such as province, district, soldier rank, death location and age are shown on maps and pie charts.
Mackay, Christopher Don, and n/a. "Sepulture perpetuelle : New Zealand and Gallipoli : possession, preservation and pilgrimage 1916-1965." University of Otago. Department of History, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070504.145719.
Full textMacleod, Jennifer Rosalind. "The Gallipoli Campaign as assessed by some British and Australian participants 1915-39." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/251706.
Full textWest, Brad. "Backpacking Gallipoli : international civil religious pilgrimage and its challenge to national collective memory /." St. Lucia, Qld, 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16458.pdf.
Full textGreen, Andrew Samuel. "Sir James Edmonds and the Official Military Histories of the Great War 1915 - 1948." Thesis, University of Leeds, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342286.
Full textYip, Andrew. "A portrait of the nation as a young man : the genesis of Gallipoli : mythologies in Australian and Turkish art." Phd thesis, Department of Art History and Film Studies, 2010. http://hdl.handle.net/2123/7779.
Full textPapoulidis, Kiriakos. "Problèmes de traduction et d'interprétation du Nouveau Testament en grec moderne : le cas de Maxime de Gallipoli, 1638." Paris 4, 2000. http://www.theses.fr/1999PA040101.
Full textPapoulidis, Kiriakos. "Problèmes de traduction et d'interprétation du Nouveau Testament en grec moderne : le cas de Maxime de Gallipoli, 1638 /." Thessalonique (Grèce) : [diff. en France], Éd. des frères Kiriakides, 2004. http://catalogue.bnf.fr/ark:/12148/cb39165894m.
Full textContient le texte de l'Évangile de Jean trad. en grec moderne par Maxime de Gallipoli en 1638. Bibliogr. p. 271-295. Index.
Hanafford, John, and res cand@acu edu au. "Two Australian Pilgrimages." Australian Catholic University. School of Arts and Sciences, 2001. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp5.19072005.
Full textChardaloupas, Catherine. "La communaute grecque de gallipoli. Thrace orientale 1821-1860. Contribution a l'etude de l'hellenisme de l'empire ottoman. Tome i : generalites, tome ii : la communaute grecque, tome iii : 1854-1860." Montpellier 3, 1998. http://www.theses.fr/1998MON30054.
Full textau, petcell@arach net, and Pamela M. Etcell. "Our Daily Bread: The Field Bakery & the Anzac Legend." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20041107.152144.
Full textDavis, George Frederick, and n/a. "Anzac Day meanings and memories : New Zealand, Australian and Turkish perspectives on a day of commemoration in the twentieth century." University of Otago. Department of History, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090519.163222.
Full textMallett, Ross A. History Australian Defence Force Academy UNSW. "The Interplay between Technology, Tactics and Organisation in the First AIF." Awarded by:University of New South Wales - Australian Defence Force Academy. School of History, 1999. http://handle.unsw.edu.au/1959.4/38710.
Full textMillar, John Dermot History Australian Defence Force Academy UNSW. "A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918." Awarded by:University of New South Wales - Australian Defence Force Academy. School of History, 1993. http://handle.unsw.edu.au/1959.4/38742.
Full textYoung, Samuel. "ANZAC- “Coined out of Material More Precious than Gold”: A Look at How the Australian Home Front Understood the Gallipoli Campaign." Thesis, 2019. http://hdl.handle.net/2097/39468.
Full textDepartment of History
Andrew Orr
This thesis will examine the home front of Australia during the Gallipoli campaign of 1915 in order to better understand how Australians conceived of the battle. It argues that individuals within the office of the prime minister self-consciously interpreted the battle in an attempt to establish a uniform national identity that was separate from British imperialism. It also argues that the campaign reinforced prewar gender roles for men and women. Historians have largely ignored the Australian home front during World War I and the immediate postwar period, focusing instead on how Gallipoli has been memorialized over time or on traditional military aspects of the campaign. Analyzing such themes as gender, identity, and race brings questions of citizenship and male and female gender roles into a perspective not yet adequately explored in historical literature. Applying these perspectives to the subject of Australia and Gallipoli, helps us to understand that the campaign was far more than merely a military engagement. It was a social experience that enabled the executive powers of the Australian government the ability to formulate a national identity and restructure society into the image it desired.
Hurst, James Peter. "Dissecting a legend : reconstructing the landing at Anzac, Gallipoli, 25 april 1915, using the experience of the 11th Battalion, Australian Imperial Force." Phd thesis, 2014. http://hdl.handle.net/1885/150129.
Full textAraújo, Miguel Ângelo de Brito. "Campanha de Galípoli O Estreito de Dardanelos no contexto político-militar internacional." Master's thesis, 2016. http://hdl.handle.net/10400.26/15064.
Full textThe Gallipoli campaign was an offensive operation conducted by Great Britain, which took place at the Gallipoli Peninsula in Turkey (which was part of the Ottoman Empire at the time) between February 1915 and January 1916. Considered one of the most wearing campaigns of the Great War. It involved a combination of British, French, Australian and New Zealand forces in an attempt to dominate the Dardanelles and subjugate the Ottoman Empire in order to force the German army to extend to another war front and get a safe route with Russia through the Black Sea to connect the Allies by south, the disclosure of which could only be done through the strait. On the side of the defenders, the Turks, this battle was a major victory in the military aspect, which raised the pride and patriotic value of the Turkish people, which were seen as a weak opponent during the World War, underestimated by their ability to defend the Dardanelles. One of the predominant aspects in the outcome would be that at the time the technology used on the battlefield favoured mostly the defending side.
WANG, SZU-TING, and 王思婷. "The Use of Film Narrative in Exhibition Design: A Study on an exhibition of the Museum of New Zealand Te Papa Tongarewa “Gallipoli: The Scale of Our War”." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/qqnb8j.
Full text國立臺灣藝術大學
藝術管理與文化政策研究所
107
Walking into the museum is like entering a unique space that is frozen in time. From the selection and sequencing of the objects, to the design of the exhibition hall, every detail is a deliberate, careful decision on the part of the museum, which gives new context and value to the objects; The museum itself has also transformed into an institution that needs to interact with society, a condition that will inevitably affect the museum's collection concept and strategy. Therefore, exhibition design needs to have a new method of communication that is well-developed and keeps pace with the times. With the aforementioned context in mind, this study will discuss the issue of war, a difficult topic to manage for a museum, and also how the case in this study brought about changes in historical interpretation by presenting a new look in their exhibition design. Move time backwards by a hundred years, and there one would find a turbulent period in modern history. The First World War was sparked by long-term disputes in Europe. The Allies, led by Britain and France, wanted to control passage through the Dardanelles and to cut off the Ottoman Empire’s supply line and capture Istanbul. Australia and New Zealand became needlessly entangled in the cruel and ruthless war, even though they were far away in the South Pacific. The Australian and New Zealand Army Corps (ANZAC) were ordered to join what was the largest landing operation at the time — the Battle of Gallipoli. In 2015, Museum of New Zealand Te Papa Tongarewa planned and implemented a strategy for collaborative creation with external parties. It joined forces with the famous Weta Workshop for the exhibition — Gallipoli: The Scale of Our War. It has become the most popular exhibition in the history of the museum. This study will use this special exhibition as an example, through the research methods of display observation and analysis, written data and archive research, semi-structured interview and E-mail interview, to explore how the Gallipoli campaign influenced New Zealand in such a significant way that the government of New Zealand was willing to sponsor the special exhibition. Then it will explore the influence on the museum exhibition of the collaborative mode between a museum and a movie workshop as well as how the narrative text of exhibitions and the movie narrative were used in the exhibition design. Finally, the study will focus on how a new-style exhibition allowed the visitors to accept the serious topic of war while raising resonance. The study brings forth 3 research findings: 1. The sense of identity of the people of New Zealand exudes from the war experiences of many soldiers. Numerous battles cost a price of high casualties while raising the patriot awareness of the people. This viewpoint was recognized by the general public at the end of the 20th century. The society of New Zealand today has been shaped by the experiences of the Gallipoli campaign. 2. The exhibition design incorporated the movie production methods, such as actor auditioning, character dubbing, specific incidental music, and vivid large-scale and miniature sculptures. A large amount of images and music served as important design elements. The exhibition title texts were written in the first-person viewpoint, aiming to bring sentimental power through the personal narrative. 3. In order to clearly state the standpoint of the museum, the exhibition avoided using the typical war commemorative emblems and beautifying war excessively so that the reality of the Gallipoli campaign and the New Zealand family history may be truthfully presented.
Головченко, Юрій Ігорович, and Yurii Ihorovych Holovchenko. "Дарданелльська операція в театрі бойових дій Першої світової війни." Master's thesis, 2021. http://repository.sspu.edu.ua/handle/123456789/12002.
Full textThe analysis of historiography and source base of the research is carried out in the work. The question of the reasons that before the entry of the Ottoman Empire in the First World War on the side of the German Empire. Circumstances due to which the British Empire initiated the beginning of the Dardanelles operation are highlighted, the participation and role of W. Churchill in these events are revealed. The reasons why British and French ships failed to break through the Dardanelles were analyzed, as well as the reasons and features of the defeat of the British army and their allies in the Gallipoli campaign.
Blair, Dale James. "'An army of warriors, these Anzacs' : legend and illusion in the first AIF." Thesis, 1998. https://vuir.vu.edu.au/15568/.
Full textHodges, Ian Leslie. "'He belonged to Wagga': The Great War, the AIF and returned soldiers in an Australian country town." Phd thesis, 2017. http://hdl.handle.net/1885/131446.
Full textPavils, Janice Gwenllian. "ANZAC culture : a South Australian case study of Australian identity and commemoration of war dead / Janice Gwenllian Pavils." Thesis, 2004. http://hdl.handle.net/2440/22186.
Full textBibliography: leaves 390-420.
vii, 420 leaves : ill., maps, photos. (col.) ; 30 cm.
Thesis (Ph.D.)--University of Adelaide, School of History and Politics, Discipline of History, 2005
Pavils, Janice Gwenllian. "ANZAC culture : a South Australian case study of Australian identity and commemoration of war dead / Janice Gwenllian Pavils." 2004. http://hdl.handle.net/2440/22186.
Full textBibliography: leaves 390-420.
vii, 420 leaves : ill., maps, photos. (col.) ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, School of History and Politics, Discipline of History, 2005