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Journal articles on the topic 'Gallery'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Chiwara, Davison. "Documentation: A Security Tool for the Identification and Repatriation of Illicitly Trafficked Objects from Museums with Particular Reference to the National Gallery of Zimbabwe." Heritage 2, no. 1 (January 28, 2019): 390–99. http://dx.doi.org/10.3390/heritage2010027.

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The aim of the study was to ascertain how documentation assisted in the recovery of stolen and illicitly trafficked objects at the National Gallery of Zimbabwe. The research objectives were to: Assess the adequacy of the gallery’s documentation system; appraise the documentation elements that were key in the tracking and repatriation of stolen objects to the gallery; analyze the gallery’s networks on the documentation and safeguarding of objects against theft; and ascertain challenges faced by the gallery in documenting its objects. Research results indicated that the gallery’s documentation system encompassed both manual and electronic documentation, which addressed vital aspects that have been prescribed by Object ID Standards for the identification and recovery of stolen objects. These include photographs, provenance, and name of objects. This, coupled with networks with key institutions involved in the fight against theft and illicit trafficking of objects, has enabled the gallery to recover its stolen objects from Poland. However, lack of state-of-the-art cameras has led to the production of poor photographs, which compromised the gallery’s claim to its stolen objects. Additionally, lack of ideal software for the gallery’s database is hampering effective documentation efforts. The research recommends that the gallery should acquire appropriate cameras for quality documentation of its objects and purchase database software with backup support for software upgrades to prevent loss of information on its objects.

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2

Neethling, Lynnda. "The Johannesburg Art Gallery Library: Looking to the Future." Art Libraries Journal 20, no. 4 (1995): 16–18. http://dx.doi.org/10.1017/s0307472200009573.

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The Johannesburg Art Gallery opened in 1915. A collection of books intended for the Gallery, but housed elsewhere pending the completion of the building, became the separate Michaelis Art Library; the Gallery gradually formed its own library, for the use of the curators. In 1986 the Gallery Library was accommodated in a new wing. Selection for the Library has reflected the Gallery’s diverse collecting activities. Latterly, the Library has worked closely with the Gallery’s education department, and as a result its resources have been made available to the wider community. In 1994 the Library was given a major art slide collection by the Rand Afrikaans University; in the same year, it received funding for the computerisation of its catalogue, which will be accessible through SABINET. Work is in progress on an index of South African art.

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3

Herijanto, Pudji, Nilawati Fiernaningsih, Widjanarko Wijanarko, Fauzi Ahmad, Maskur Maskur, and Suwarni Evi. "PENATAAN SISTEM, PROSEDUR, DAN ORGANISASI GALERI UMKM KECAMATAN PONCOKUSUMO KABUPATEN MALANG." Dharma: Jurnal Pengabdian Masyarakat 3, no. 2 (December 1, 2022): 28. http://dx.doi.org/10.31315/dlppm.v3i2.7744.

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The purpose of opening the gallery is to add distribution channels for MSME products, in order to increase sales. Most of these MSMEs produce products with local raw materials so they play a role in increasing the added value of the area. Currently, gallery operations are handled by the UMKM Association while still implementing traditional store management. After running for more than a year, they are still unable to carry out their functions effectively. This Community Service Activity aims to organize the Gallery's Organizational, System, and Working Procedures. The m Evi Suwarni method of implementing the activities is done by transferring knowledge, simulation, and implementing the gallery's organization, system, and work procedures. Evaluation of participants' understanding was done by distributing questionnaires. The output of this service is an increase in the knowledge and skills of partners, especially in terms of gallery management and the completeness of gallery operational standards. Another outcome is an increase in the competitiveness of partner human resources, who have knowledge and skills in managing galleries, both in terms of organization and work procedures. Store services also become another competitive advantage in the production process, especially consignment sales services.Keywords: system, procedures, organisation, gallery

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4

Rakhmayanti, Retno, Anna Fitri Hindriana, and Handayani Handayani. "PENERAPAN METODE GALLERY WALK TERHADAP KREATIVITAS SISWA PADA MATERI PENCEMARAN LINGKUNGAN DI KELAS X SMA NEGERI 1 GEGESIK." Quagga : Jurnal Pendidikan dan Biologi 10, no. 2 (July 30, 2018): 20. http://dx.doi.org/10.25134/quagga.v10i2.1252.

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Tujuan penelitian ini adalah untuk mengetahui pengaruh penerapan metode Gallery Walk terhadap kreativitas siswa dengan menggunakan metode True Eksperimen post-test Only Control Design. Penelitian ini juga menggunakan Peer Assesment untuk menilai proses pembuatan produk antar teman, Angket digunakan untuk mengetahui respon siswa terhadap metode pembelajaran Populasi �penelitian adalah seluruh siswa kelas X IPA SMA Negeri 1 Gegesik Tahun ajaran 2016/2017 yang berjumlah 194 siswa. Pengambilan sampel dilakukan dengan menggunakan Cluster Random Sampling, dibagi menjadi 2 kelompok kelas, yaitu kelas metode Gallery Walk sebanyak 40 siswa dan kelas metode Proyek sebanyak 40 siswa. Instrumen yang digunakan adalah lembar observasi penilaian kreativitas produk, lembar observasi penilaian antar teman dan angket. Hipotesis diuji menggunakan uji statistik nonparametrik wilcoxon, Peer Assesment dan angket menggunakan presentasi hasil . Hasil penelitian menunjukkan bahwa nilai uji wilcoxon adalah R# 820 > Z 7,7 yang artinya ada pengaruh penerapan metode Gallery Walk terhadap kreativitas siswa. Hasil Peer Assesment menunjukkan presentasi 100 % untuk semua indikator pada kelas ekspeimen yang artinya peer assesment ini sangat baik digunakan pada metode Gallery Walk. Sedangkan untuk hasil Angket menunjukkan presentasi 90% untuk proses pembelajaran, 88,75% untuk kecocokan Metode Galley Walk terhadap materi, 87,5% untuk kelebihan metode Gallery Walk, 5% untuk kekurangan metode Gallery Walk. Kata kunci : Gallery Walk, Kreativitas

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5

Anastasiei, Iolanda. "Reconfigurations of the Exhibition Space – Case Study: Cristi Rusu Exhibition at the Plan B Gallery." Studia Universitatis Babeș-Bolyai Philosophia 65, Special Issue (November 20, 2020): 145–57. http://dx.doi.org/10.24193/subbphil.2020.spiss.11.

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"Reconfigurations of the Exhibition Space – Case Study: Cristi Rusu Exhibition at the “Plan B” Gallery. In this paper I focus on a case study concerning the Cristi Rusu exhibition, The Only Thing I Am Sure about in This Life Lies above My Head, from the Plan B Gallery in Berlin (March 6 – April 11 2020). By integrating some interventions specific to land art in the gallery space (and, therefore, transforming it), Cristi Rusu manages to transgress the conventional limits imposed by the idea of a white cube gallery neutral space. The art gallery’s space functions as a medium for developing artistic discourse as the project tries to detach from the tradition and ideologies already incorporated in a certain place and time, in search for the sublime. Keywords: Plan B Gallery, Cristi Rusu, sublime, the archive, “profane space”, non-site "

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6

Gaudens, Asunción, and Jorge Morales. "Poster Gallery." Culture & History Digital Journal 3, no. 2 (December 30, 2014): e011. http://dx.doi.org/10.3989/chdj.2014.011.

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7

Ardhiati, Yuke, Ashri Prawesthi D, Diptya Anggita, Ramadhani Isna Putri, L. Edhi Prasetya, Widya Nur Intan, Muhammad Wira Abi, et al. "An Adaptive Re-use of Cultural Heritage Buildings in Jabodetabek (Greater Jakarta) as the National Gallery of Indonesia's Satellites." International Journal of Built Environment and Scientific Research 4, no. 2 (December 28, 2020): 115. http://dx.doi.org/10.24853/ijbesr.4.2.115-126.

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The Nasional Gallery of Indonesia is a reputable art gallery owned by Indonesian State. It roles as the venue for exhibitions and art events on International scale. To maintain the reputation then it employed the Independent Curators to cary out exhibitions. In recent years, the phenomenon of the proffesional Fine Art Artists show the hing spirits. To enrich their international publication then they began to realize their opportunity to exhibit at this gallery. Unfortunately, the gallery building is an adaptive reuse of the Cultural Heritage Building. The National Gallery building which has a distinctive Dutch Colonial architectural style has not been optimally utilized. So, it has existence has wide limitations and space limitation that unable to accommodate such high interests. On the other hand, Jabodetabek is stands for Jakarta-Bogor-Depok-Tangerang-Bekasi are the Greater City of Jakarta, has Cultural Heritage Buildings. There are many of architectural style of heritage buildings that has chance to be the exhibition spaces. The study is an idea to aim solutions of the availability of exhibition area in Jabodetabek to accommodate the Fine Art Artists interest of exhibiting. According to the Adaptive-Reuse of the National Gallery’s case, and by refers to the Grounded Theory Research method and Case Studies related to the Jabodetabek’s Cultural Heritage buildings. A Working Hyphotesis is Jabodetabeks’s Cultural Heritage Buildings opportunities as The National Gallery’s Satellites. The findings are the Satellite Galleries Rank, and the Properties Display recommendation based on the Cultural Heritage’s rules that can be offered to make them as the “Satellite” as well as the ICOM as the National Gallery of Indonesia’s standard.

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8

Lydon, Andrea. "The right space: 150 years of housing a national gallery's library and archive collection." Art Libraries Journal 43, no. 1 (December 8, 2017): 24–30. http://dx.doi.org/10.1017/alj.2017.44.

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The National Gallery of Ireland is the country's premier art institution. It houses the nation's collection of fine art in addition to a collection of library and archive material relating to the visual arts. The library and archive collections play an invaluable role supporting the work of the gallery and are regularly consulted by external researchers. Surprisingly, for more than a century there was no dedicated library space allocated to this collection. This article explores the development of the collection and the space it has occupied within the Gallery over the last 150 years, chronicling the challenges the gallery has faced housing this growing collection. This article outlines the situation today and concludes with an outline of the gallery's future plans for the library and archive in its efforts to create a space that will be a fitting home for this remarkable collection.

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9

Yanuardi, Yanuardi, Ahmad Soleh, and Eska Prima Monique Damarsiwi. "Analysis of Radix Guitar Marketing Strategy on Queen Guitars Gallery, Bengkulu City." Journal of Indonesian Management (JIM) 1, no. 1 (June 20, 2021): 19–27. http://dx.doi.org/10.53697/jim.v1i1.114.

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In conducting marketing activities a company has several objectives to be achieved, both short-term goals and long-term goals. In the short term it is usually to win the hearts of consumers, especially for newly launched products. Whereas in the long term it is carried out to maintain existing products in order to exist. Likewise, the Queen Guitars Gallery of the City of Bengkulu, of course, requires the role of marketing activities and strategies. Based on this, then to find out the exact strategy used by the Queen Guitars Gallery of the City of Bengkulu, a SWOT analysis is needed. The purpose of this study was to find out the marketing strategy of the Radix guitar at the Queen Guitars Gallery in the City of Bengkulu.From the results of IFAS and EFAS research in this study, there was a strength factor possessed by the Bengkulu City Queen Guitars Gallery of 25, while the weakness was 6.69. So the internal quadrant of the factor is 25-6.69 = 18.31, while the opportunity factor that is owned is 19.125 and for the threat factor is 7,15. So the external quadrant is a factor of 19.125-7,15 = 11,975. Based on this analysis, Queen Guitars Gallery of the City of Bengkulu is in quadrant 1 in the SWOT diagram. Based on the results of research carried out at the Bengkulu City Queen Guitars Gallery, it can be concluded that the appropriate strategy is an aggressive strategy or Strength opportunity (SO) strategy, because the Bengkulu City Queen Guitars Gallery currently has great strength and opportunity, so this strategy which can be used for the progress of the Queen Guitars Galllery City of Bengkulu.

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10

Tulloch, Pamela. "Integrating art – a Glasgow style." Art Libraries Journal 28, no. 3 (2003): 42–46. http://dx.doi.org/10.1017/s0307472200013237.

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Glasgow’s Mitchell Library is one of the largest public reference libraries in Europe. Recently, the City Council’s Cultural and Leisure Services staff have implemented an innovative approach to providing art information for the general public in the ‘Library @ GoMA – the learning gallery’, which opened in 2002 within the Gallery of Modern Art. In addition to the support the library offers to the Gallery’s activities, an ambitious programme of digitisation is under way to enable access to more of the Mitchell’s treasures.

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11

Neave, Richard. "Gallery." Journal of Audiovisual Media in Medicine 8, no. 1 (January 1985): 2. http://dx.doi.org/10.3109/17453058509155954.

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12

Preece, Clive. "Gallery." Journal of Audiovisual Media in Medicine 8, no. 2 (January 1985): 42. http://dx.doi.org/10.3109/17453058509155966.

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13

Neave, Richard. "Gallery." Journal of Audiovisual Media in Medicine 8, no. 3 (January 1985): 82. http://dx.doi.org/10.3109/17453058509155978.

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14

Priest, Christopher. "Gallery." Journal of Audiovisual Media in Medicine 8, no. 4 (January 1985): 122. http://dx.doi.org/10.3109/17453058509155992.

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15

Preece, Clive. "Gallery." Journal of Audiovisual Media in Medicine 9, no. 1 (January 1986): 2. http://dx.doi.org/10.3109/17453058609156006.

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16

Preece, Clive. "Gallery." Journal of Audiovisual Media in Medicine 9, no. 2 (January 1986): 42. http://dx.doi.org/10.3109/17453058609156021.

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17

Anderson, Mel. "Gallery." Journal of Audiovisual Media in Medicine 9, no. 3 (January 1986): 82. http://dx.doi.org/10.3109/17453058609156034.

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18

White, Nicholas. "Gallery." Journal of Audiovisual Media in Medicine 10, no. 1 (January 1987): 2. http://dx.doi.org/10.3109/17453058709149871.

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19

Lee, Gillian. "Gallery." Journal of Audiovisual Media in Medicine 10, no. 2 (January 1987): 42. http://dx.doi.org/10.3109/17453058709150286.

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20

McFadden, John. "Gallery." Journal of Audiovisual Media in Medicine 10, no. 3 (January 1987): 82. http://dx.doi.org/10.3109/17453058709150301.

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21

Aanderkerk, Albert L. "Gallery." Journal of Audiovisual Media in Medicine 10, no. 4 (January 1987): 122. http://dx.doi.org/10.3109/17453058709150466.

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22

Sehmi, Kulwant S. "Gallery." Journal of Audiovisual Media in Medicine 11, no. 4 (January 1988): 114. http://dx.doi.org/10.3109/17453058809021620.

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23

Grencis, Peter W. "Gallery." Journal of Audiovisual Media in Medicine 11, no. 2 (January 1988): 38. http://dx.doi.org/10.3109/17453058809051352.

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24

Wilson, Philip. "Gallery." Journal of Audiovisual Media in Medicine 11, no. 3 (January 1988): 78. http://dx.doi.org/10.3109/17453058809051362.

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25

Statham, Ann. "GALLERY." Journal of Audiovisual Media in Medicine 12, no. 2 (January 1989): 42. http://dx.doi.org/10.3109/17453058909055060.

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26

MMAA, GILLIAN OLIVER. "GALLERY." Journal of Audiovisual Media in Medicine 12, no. 3 (January 1989): 86. http://dx.doi.org/10.3109/17453058909055070.

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27

Abipp, Nicholas GEDDES. "GALLERY." Journal of Audiovisual Media in Medicine 12, no. 4 (January 1989): 126. http://dx.doi.org/10.3109/17453058909055083.

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28

FMAA, PETER CULL. "GALLERY." Journal of Audiovisual Media in Medicine 13, no. 1 (January 1990): 31. http://dx.doi.org/10.3109/17453059009055100.

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29

Sellins, Frances. "Gallery." Journal of Audiovisual Media in Medicine 13, no. 3 (January 1990): 78. http://dx.doi.org/10.3109/17453059009055104.

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30

Hyams, Barbara E. "GALLERY." Journal of Audiovisual Media in Medicine 14, no. 1 (January 1991): 2. http://dx.doi.org/10.3109/17453059109055115.

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31

Staub, P., and Andres Giedion. "GALLERY." Journal of Audiovisual Media in Medicine 14, no. 1 (January 1991): 20. http://dx.doi.org/10.3109/17453059109055122.

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32

Willis, R. A. "GALLERY." Journal of Audiovisual Media in Medicine 14, no. 1 (January 1991): 22. http://dx.doi.org/10.3109/17453059109055124.

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33

Aimi, Neil Papworth. "GALLERY." Journal of Audiovisual Media in Medicine 14, no. 2 (January 1991): 42. http://dx.doi.org/10.3109/17453059109055337.

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34

Duguid, Keith P. "Gallery." Journal of Audiovisual Media in Medicine 14, no. 3 (January 1991): 80. http://dx.doi.org/10.3109/17453059109055349.

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35

Mireylees, Bruce. "Gallery." Journal of Audiovisual Media in Medicine 15, no. 2 (January 1992): 50. http://dx.doi.org/10.3109/17453059209018339.

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36

Gifford, David. "Gallery." Journal of Audiovisual Media in Medicine 15, no. 2 (January 1992): 76. http://dx.doi.org/10.3109/17453059209018346.

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37

Newman, Adrian. "Gallery." Journal of Audiovisual Media in Medicine 15, no. 3 (January 1992): 90. http://dx.doi.org/10.3109/17453059209018353.

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38

Snow, Kathleen. "Gallery." Journal of Audiovisual Media in Medicine 15, no. 1 (January 1992): 2. http://dx.doi.org/10.3109/17453059209051374.

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39

McLean, Dee. "Gallery." Journal of Audiovisual Media in Medicine 17, no. 1 (January 1994): 2. http://dx.doi.org/10.3109/17453059409018368.

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40

Wilson, Philip. "Gallery." Journal of Audiovisual Media in Medicine 17, no. 2 (January 1994): 80. http://dx.doi.org/10.3109/17453059409063663.

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41

Wilson, Philip. "Gallery." Journal of Audiovisual Media in Medicine 17, no. 2 (January 1994): 88. http://dx.doi.org/10.3109/17453059409063667.

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42

Blankevort, Sebastaan. "Gallery." Journal of Audiovisual Media in Medicine 17, no. 4 (January 1994): 174. http://dx.doi.org/10.3109/17453059409087705.

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43

Tyler, Marshall E. "Gallery." Journal of Audiovisual Media in Medicine 17, no. 4 (January 1994): 195. http://dx.doi.org/10.3109/17453059409087712.

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44

Aanderkerk, Albert L. "Gallery." Journal of Audiovisual Media in Medicine 18, no. 3 (January 1995): 100. http://dx.doi.org/10.3109/17453059509021631.

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45

Barabe, Joseph G. "Gallery." Journal of Audiovisual Media in Medicine 18, no. 2 (January 1995): 52. http://dx.doi.org/10.3109/17453059509022993.

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46

Swann, Garry. "Gallery." Journal of Audiovisual Media in Medicine 18, no. 1 (January 1995): 40. http://dx.doi.org/10.3109/17453059509040801.

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47

Crompton, Paul. "Gallery." Journal of Audiovisual Media in Medicine 19, no. 1 (January 1996): 54. http://dx.doi.org/10.3109/17453059609018392.

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48

Candlin, H. Jason. "Gallery." Journal of Audiovisual Media in Medicine 19, no. 2 (January 1996): 112. http://dx.doi.org/10.3109/17453059609023017.

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49

Aandekerk, Albert L. "Gallery." Journal of Audiovisual Media in Medicine 19, no. 4 (January 1996): 205. http://dx.doi.org/10.3109/17453059609056279.

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50

Cravo, Christian. "Gallery." Afterimage 31, no. 5 (March 2004): 24. http://dx.doi.org/10.1525/aft.2004.31.5.24.

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