Journal articles: 'Gallantery'

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Hovey, Jaime. "Tyrion's gallantry." Critical Quarterly 57, no. 1 (April 2015): 86–98. http://dx.doi.org/10.1111/criq.12177.

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Watkins, PE. "A white horse in the desert: The life of Dr Thomas Somerville (1887–1941)." Journal of Medical Biography 25, no. 1 (July 7, 2016): 62–69. http://dx.doi.org/10.1177/0967772015619305.

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This article details the remarkable life of Dr Thomas Somerville, who qualified both as a veterinary surgeon and medical practitioner, served in two world wars and was recommended for the nation’s highest award for gallantry. In doing so, it records the life of a man whose repeated gallantry on the battlefield has been overlooked.

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Hamilton, David. "The Gallantry of Form." Iowa Review 30, no. 3 (December 2000): 178–81. http://dx.doi.org/10.17077/0021-065x.5357.

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Ryder, Stuart. "The British gallantry system." RUSI Journal 145, no. 4 (August 2000): 77–80. http://dx.doi.org/10.1080/03071840008446557.

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Linders, Annulla, and Alana Van Gundy-Yoder. "Gall, Gallantry, and the Gallows." Gender & Society 22, no. 3 (February 11, 2008): 324–48. http://dx.doi.org/10.1177/0891243208318029.

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Ilich Razzhivin, Anatolij, Ekaterina Sergeevna Donskova, Aleksej Nikolaevich Pashkurov, Irina Yulievna Dulalaeva, and Li Pengfei. "TRANSITIONAL ERA GALLANTRY CULTURE IN THE FOCUS OF INTERCULTURAL COMMUNICATION PROBLEM (ON THE EXAMPLE OF N. M. KARAMZIN’S PROSE)." Humanities & Social Sciences Reviews 7, no. 6 (January 14, 2020): 1216–24. http://dx.doi.org/10.18510/hssr.2019.76172.

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Purpose of the study: The article focuses on the study of gallantry culture in terms of the theory of intercultural communication on the example of fiction written by N.M. Karamzin, an outstanding representative of European and Russian sentimentalism. Methods and materials: The theoretical aspects of the problem of gallantry are considered in the context of the main provisions of modern concepts of intercultural communication. N.M. Karamzin’s “sensitive” novels are analyzed from the standpoint of gallant secular ceremonies. Main findings: The concept of gallantry is associated with the psychological aspects of the new secular personality. It is correlated with the educational and didactic ideas of the Enlightenment and the chivalry code. The basis of true gallant psychology as a sensitive world view is love, passion, and tenderness, which forms a system of ideas for the gallant education of the younger generation in a new society at the turn of the 18th – 19thcenturies. The article reveals the main features of the gallant gentleman: sensitivity, melancholy, virtue, lack of rational principles. The originality of the study: The ideas about the interrelated gradual comprehension of Beauty and Virtue, Love and the sensory perception of Beauty as a Divine principle are likewise important. The discoveries of N.M. Karamzin, a writer and a psychologist, in the sphere of gallant psychology and the general cultural phenomenon of gallantry are connected with the analysis of the person’s internal rules of behavior, thinking and world perception. The article shows how the writer developed new cultural studies at the joint of literature, everyday life and psychology, which laid the foundation of the studied problem.

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Ryder, Stuart. "The evolution of posthumous gallantry awards." RUSI Journal 144, no. 1 (February 1999): 75–79. http://dx.doi.org/10.1080/03071849908446360.

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Jones, Bruce Vivash. "Should animals be celebrated for gallantry?" Veterinary Record 187, no. 8 (October 15, 2020): 322.1–322. http://dx.doi.org/10.1136/vr.m3886.

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Jones, C. "The football hero: Factors that undermine gallantry." Journal of Science and Medicine in Sport 12 (January 2010): e109. http://dx.doi.org/10.1016/j.jsams.2009.10.223.

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Ryder, Stuart. "Reform of operational gallantry awards: A missed opportunity?" RUSI Journal 142, no. 1 (February 1997): 41–44. http://dx.doi.org/10.1080/03071849708446110.

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Kroll, Richard. ""Tales of Love and Gallantry": The Politics ofOroonoko." Huntington Library Quarterly 67, no. 4 (December 2004): 573–605. http://dx.doi.org/10.1525/hlq.2004.67.4.573.

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Salcido, Richard "Sal." "A Decade of War, Wounds, Wisdom, and Gallantry." Advances in Skin & Wound Care 24, no. 9 (September 2011): 392. http://dx.doi.org/10.1097/01.asw.0000405218.72792.fc.

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TAYLOR, BARBARA. "Feminists Versus Gallants: Manners and Morals in Enlightenment Britain." Representations 87, no. 1 (2004): 125–48. http://dx.doi.org/10.1525/rep.2004.87.1.125.

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ABSTRACT Mary Wollstonecraft is usually portrayed as an Enlightenment thinker. But in A Vindication of the Rights of Woman (1792) she denounced ““modern philosophers”” for purveying prejudicial images of women masked in a rhetoric of sexual compliment. This essay explores the relationship between Enlightenment attitudes to women and feminism in Britain, showing the gap that opened up between mainstream enlightened opinion (““modern gallantry””) and women's-rights egalitarianismin the 1790s.

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Pavlova, Svetlana Yu. "Moliere’s Reflections on the Concept of “Honnête Homme” in The Misanthrope." Studia Litterarum 7, no. 2 (2022): 102–19. http://dx.doi.org/10.22455/2500-4247-2022-7-2-102-119.

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The author of the article examines Molière’s comedy The Misanthrope (1666) within the context of the 17th century courtly and salon culture, where the idea of “honnête homme” was one of the most significant. Under Louis XIV, gallantry became a norm for aristocracy following its defeat in the Fronde, which marked the loss of aristocracy’s political independence. The article shows how the rise of gallantry influenced “the honnête homme” ideal and how Molière’s reflections on transformations of this modes of behavior guide the objects and nature of his comedy. The article reveals the ambiguity in the play’s content and in the central character with review of the space, the plot, and characters of The Misanthrope in the light of “the honnêteté” concept. Molière, though not questioning the ethical basis of the concept and generally sharing the court standard of behavior, nevertheless by means of irony and mockery shows how easily “the art to please”, cultivated in the gallant society, turns into hypocrisy, deception, complicity in vice. The Misanthrope is the evidence of the fact that in the second half of the 17th century gallant aesthetics was winning over the ethics of “honnête homme”, which in its turn was gradually fading out.

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Pavlova, Svetlana Yuryevna. "Two Models of Gallantry in Bussy-Rabutin’s «Les Mémoires»." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 12, no. 4 (2012): 40–46. http://dx.doi.org/10.18500/1817-7115-2012-12-4-40-46.

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Runge, L. L. "Beauty and Gallantry: A Model of Polite Conversation Revisited." Eighteenth-Century Life 25, no. 1 (January 1, 2001): 43–63. http://dx.doi.org/10.1215/00982601-25-1-43.

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Fraser, K. C. "Lifeboat Gallantry:98394Barry Cox. Lifeboat Gallantry: The Complete Record of the Royal National Lifeboat Institution Gallantry Medals and How They Were Won 1824‐1996. London: Spink 1998. viii + 454 pp, ISBN: 0 907605 89 3." Reference Reviews 12, no. 7 (July 1998): 36–37. http://dx.doi.org/10.1108/rr.1998.12.7.36.394.

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Fisher, Richard. "Weapons of Valour: A Review of the Small Arms & Light Weapons Identified in Victoria Cross Citations of the Second World War." Armax: The Journal of Contemporary Arms VII, no. 2 (2021): 95–108. http://dx.doi.org/10.52357/armax34339.

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During the Second World War, the Victoria Cross—the highest award for gallantry in the face of the enemies of the British Empire—was awarded 182 times to 181 recipients. In many of these cases, the accompanying citation describes a recipient engaged in armed combat. This article reviews those citations and, where possible, specifies the small arms and light weapons used in each case, with the aim of presenting data to inform future research.

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JAMES A. DAVIS. "Music and Gallantry in Combat During the American Civil War." American Music 28, no. 2 (2010): 141. http://dx.doi.org/10.5406/americanmusic.28.2.0141.

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DEAN, CAROLYN J. "MYSTICISM AND MOURNING IN RECENT FRENCH THOUGHT." Modern Intellectual History 11, no. 2 (June 26, 2014): 479–90. http://dx.doi.org/10.1017/s1479244314000109.

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There has been a lot of ink spilled lately regarding the various symptoms generated in French intellectual, cultural, and political life by a malady diagnosed as the triumph of neoliberalism and American consumerism at the end of the Cold War. In recent years, some French scholars afflicted with the disease have revisited and revised well-worn political models, and others returned defensively to the tradition of French secular republicanism as an antidote to “multiculturalism” and “communitarianism” (what Americans would call identity politics), which French authors often envision as American imports. This defensiveness on both the French left and right responds to the apparent exhaustion of nationalism, of revolutionary ideals, and of French identity. Joan Scott's recent book onThe Fantasy of Feminist Historydoes a particularly incisive job of revealing the various investments in secular republicanism as themselves forms of sexism and racism or nostalgia, especially on the right. She cites a discussion in which Mona Ozouf, Phillipe Raynaud, and others argue that the particularly “French” form of “seduction” and heterosexual coupling encourages men to exercise dominance through gallantry if they want to win over women. Gallantry civilizes society by using sexual difference as armor against an imagined leveling and sameness represented by those who cannot understand seduction as a means metaphorically of reconciling the differences that inevitably arise in democracies—feminists, “militant homosexuals,” and Muslims who refuse to play by French rules. Here the play of difference relies on a rigid gender difference—and the subordination of women—that sells itself as natural and quintessentially French.

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Birchenall, Javier A., and Thomas G. Koch. "“Gallantry in Action”: Evidence of Advantageous Selection in a Voluntary Army." Journal of Law and Economics 58, no. 1 (February 2015): 111–38. http://dx.doi.org/10.1086/682906.

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Struk, Barbara Ewa, and Adrianna Białecka. "Not All Gallantry, Gongs and Glory: Wartime in popular American novels." Rozprawy Społeczne 17, no. 1 (September 5, 2023): 143–50. http://dx.doi.org/10.29316/rs/169168.

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Pakhsarian, Natalia T. "A doll as a character of the Rococo novel “La Poupée” (1747) by Jean Galli de Bibiena." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (November 23, 2022): 409–14. http://dx.doi.org/10.18500/1817-7115-2022-22-4-409-414.

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The article analyzes the novel “La Poupée” (“Doll”) by a French writer of Italian origin Jean Galli de Bibiena, which introduced into the literature of the 18th century the theme of the doll mentoring an adult. The doll character combines, on the one hand, the ideas of the era about “man-machine”, the fascination with “live” automations, on the other hand, the tradition of depicting fairy-tale creatures, concentrated in Montfaucon de Villar’s book “Count Gabalis”. The writer sets up a kind of an artistic experiment through the play of sensuality and sensitivity. The sylph doll gives lessons in gallantry to a young Abbot who has tried in vain to succeed in love by imitating the coxcombs (petit-maîtres) Libertines. She explains to the hero the difference between love generated by feeling and simple sensual attraction. Libertines’ tactics turn out to be untenable. In the end, the reformed Abbot falls in love with the doll, who, while the student was acquiring the norms of sensitive gallantry, reached the natural size of a living being. The ambiguous game of gallant eroticism simultaneously in the field of reality and imagination is emphasized by the novel features of narrative, including the chain of narrators: the Abbot – the “author”-observer of the story, the Abbot, the narrator of the doll story, the doll as a narrator. The layering of narrators creates an uncertain discourse, makes the readers doubt the truth of the story and at the same time makes them suspect that it is real. Despite the fact that later romantics sharply deepen the relationship of the “mechanical” and the “natural”, in Rococo there was already a conflict between these concepts. However, this conflict in Bibiena’s novel does not achieve the contrasting absolute confrontation characteristic for the romantic vision. In this text Rococo poetics demonstrates its compromising nature.

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Van Assche, Astrid. "L’hybridité de la lettre galante, ou la transgression innovante." Quêtes littéraires, no. 6 (December 30, 2016): 9–17. http://dx.doi.org/10.31743/ql.206.

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This essay concentrates on early modern expressions of literary hybridity in the 17th-century gallant letters of Vincent Voiture (1597-1648), Charles Cotin (1604-1681) and Antoine Godeau (1605 -1672), circulating in the Parisian salon L’Hôtel de Rambouillet. Firstly, we look at the hybridity of the letter form an sich, within the context of salon sociability and early gallantry. Secondly, we study the multiplicity of both the authorial voice and the audience of the gallant letter. Thirdly, we highlight the intriguing exchange between genres within the gallant letter, as well as their confrontation and, finally, cross-fertilisation. This tripartite case study substantiates our conviction that literary hybridity functions as an intriguing indicator and catalyst of literary evolution and creation.

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Pierce, Robin. "Gallantly fighting windmills? Complexity of a 21st century challenge." Lancet Neurology 13, no. 5 (May 2014): 451. http://dx.doi.org/10.1016/s1474-4422(14)70014-6.

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Dupas, Matthieu. "Gallantry and Matrimonial Heterosexuality: Love and Friendship in Scudéry’s Carte de Tendre (1654)." Exemplaria 32, no. 2 (April 2, 2020): 130–44. http://dx.doi.org/10.1080/10412573.2020.1810969.

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Dupas, Matthieu. "Gallantry and Matrimonial Heterosexuality: Love and Friendship in Scudéry’s Carte de Tendre (1654)." Exemplaria 32, no. 2 (April 2, 2020): 130–44. http://dx.doi.org/10.1080/10412573.2020.1810969.

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McRae, Joan E. ":Agnès Sorel and the French Monarchy: History, Gallantry, and National Identity." Speculum 99, no. 1 (January 1, 2024): 183–84. http://dx.doi.org/10.1086/728382.

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Popovic, Radomir. "Notes from the life of Janko Veselinovic by Dragutin Dj. Tufegdzic." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 85 (2019): 59–69. http://dx.doi.org/10.2298/pkjif1985059p.

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Dragutin Dj. Tufegdzic (1881-1960), a teacher, priest and writer, was Janko Veselinovic's son-in-law. After graduation from Sabac Grammar School (in 1897) and Teacher Training School in Aleksinac (in 1900), he first found employment as a teacher. In 1906 Tufegdzic married Persida, Janko Veselinovic's daughter, and in 1908 he was ordained priest. He served in Badovinci in Macva District, and beginning in 1936, at St Mark's Church in Belgrade, where he was dean (1941-1954). During 1931 he visited the holy places in Palestine and became a pilgrim (hajji). Tufegdzic was a prolific writer, contributor to Orthodoxy, The Voice of the Church, The Wreath, The Bosnian Fairy, The Wheel Dance, The New Spark (Pravoslavlje, Glas crkve, Venac, Bosanska vila, Kolo, Nova iskra) and other journals, the author of a brochure, two novellas and a short story collection. As the heir to Veselinovic?s manuscript legacy, during his lifetime D. Tufegdzic took meticulous care of his father-in-law?s heritage. In The Wreath during 1913 and 1914 he published four notes from Veselinovic?s life (?Janko and the Operator?, ?Janko and the Animal Doctor?, ?Janko?s Lottery Ticket? and ?Janko Responds to the Sergeant?), and they resemble the notes we present here: ?From Janko?s Childhood?, ?Janko?s Last Christmas?, ?Janko?s Gallantry? and ?Janko?s Last Living Moments?). The manuscripts are preserved in the Intermunicipal Historical Archives in Sabac within the Presents and Purchases Collection. The notes were edited according to their date of origin and their call numbers in the Sabac Archives: ?From Janko?s Childhood?, Belgrade, February 9, 1950, Collection (No. 18), ?Janko?s Last Christmas?, Belgrade, February 9, 1950 (No. 19), ?Janko?s Gallantry?, Belgrade, February 12, 1950 (No. 20), and ?Janko?s Last Living Moments?, Belgrade, February 13, 1950 (No. 21). The notes were written on chequered paper 21x33,5 cm in size. Although Tufegdzic wrote his memoirs of Janko Veselinovic from a considerable time distance, his testimonies can be considered authentic, because he got them directly from Janko?s daughter and his wife Persida.

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McGeary, Thomas. "Verse Epistles on Italian Opera Singers, 1724–1736." Royal Musical Association Research Chronicle 33 (2000): 29–88. http://dx.doi.org/10.1080/14723808.2000.10540990.

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Writing from Dublin in February 1724, Jonathan Swift responded to some London gossip and joked about the ‘gallantry’ of the aged military hero the Earl of Peterborough, who had publicly commanded an apology from the castrato Senesino for his impugning the honour of the soprano Anastasia Robinson. This scandal set off a series of obscene, misogynistic, satiric epistles written to or about Mrs Robinson, Senesino, Faustina, Mrs Barbier, and Farinelli that accuse the female singers, British prudes, and others of a variety of deviant, sexually subversive practices. This article introduces and presents annotated texts of this group of epistles written between 1724 and 1736. Several have been discussed by historians of opera and literary scholars, but the whole corpus has not been identified or made readily available to opera scholars.

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Sarah Knott. "Female Liberty? Sentimental Gallantry, Republican Womanhood, and Rights Feminism in the Age of Revolutions." William and Mary Quarterly 71, no. 3 (2014): 425. http://dx.doi.org/10.5309/willmaryquar.71.3.0425.

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Danchenko, Mariia. "French Prose of Early Rococo: Theme of Island in the Tradition of New Gallantry." NaUKMA Research Papers. History and Theory of Culture 3 (November 21, 2020): 84–89. http://dx.doi.org/10.18523/2617-8907.2020.3.84-89.

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BERGES, SANDRINE. "Why Women Hug their Chains: Wollstonecraft and Adaptive Preferences." Utilitas 23, no. 1 (February 15, 2011): 72–87. http://dx.doi.org/10.1017/s0953820810000452.

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In a recent article,1Amartya Sen writes that one important influence on his theory of adaptive preferences is Wollstonecraft's account of how some women, though clearly oppressed, are apparently satisfied with their lot. Wollstonecraft's arguments have received little attention so far from contemporary political philosophers, and one might be tempted to dismiss Sen's acknowledgment as a form of gallantry.2That would be wrong. Wollstonecraft does have a lot of interest to say on the topic of why her contemporaries appeared to choose what struck her as oppression, and her views can still help us reflect on contemporary problems such as the ones identified and discussed by Amartya Sen. In this article I will argue that a close look at Wollstonecraft's arguments may lead us to rethink some aspects of Sen's discussion of the phenomenon of adaptive preferences.

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Borshuliak, Alona. "Interpretation of Musical Topos in W. A. Mozart’s Sonata Cycles." Studia Universitatis Babeş-Bolyai Musica 69, no. 1 (June 10, 2024): 135–48. http://dx.doi.org/10.24193/subbmusica.2024.1.10.

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The article represents an important problem of modern musicology and aims to reveal the specifics of the functioning of musical topos in the piano sonatas of W. A. Mozart. The concept of topos is interpreted as a field of abstract ideas and concrete images embodied by certain musical means. It is argued that the model of the functioning of musical topos in the sonata cycles of W. A. Mozart consists of the following main topos: gallant, heroic, pastoral, pathetic, comic, which include lesser, similar modifications. The main role in the sonatas is played by the topos of gallantry, which focuses on communicative forms of secular interchange. Therefore, revealing the semantic depth of the musical topos of Mozart’s sonatas will allow us to discover the musical cosmos of the composer’s artistic imagery. Keywords: sonata cycle, topos, semantics, style, principles of thinking, classicism.

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Lund, Hannah Lotte. ",,Sie schenkte mir drei Tassen Spruch...“ Wilhelm von Humboldt und die Anfänge der deutsch-jüdischen Geselligkeit in den Briefen der Berliner Salongesellschaft." Zeitschrift für Religions- und Geistesgeschichte 62, no. 3 (2010): 227–47. http://dx.doi.org/10.1163/157007310792513388.

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AbstractThe Berlin Jewish Salons of 1800 have often been discussed as places for emancipation and even as moments of ,,German-Jewish Symbiosis”, a phrase that has been questioned ever since Gershom Scholem's verdict, that there was no such thing as a German-Jewish dialogue. This article explores the ways and the tone of the communication in the Berlin salon of the 1790s as it can be traced in their papers and letters. On the basis of mainly unpublished ,,billets” it can be shown that members of the salon society upheld a somewhat ,,enlightened” tone. A specific blend of irony, wit, gallantry and gossip helped to deal with conflicting issues such as differences in background or conversion. On the example of Wilhelm von Humboldt, the paper discusses to what extent the networking relationships of the 1790s changed and were still relevant at the beginning of the 19th century.

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Purcell, Jennifer J. "‘Enthusiasm, Experiment and Gallantry in Action’: Developing Light Entertainment on the Fledgling BBC, 1922–1932." Cultural and Social History 15, no. 3 (May 27, 2018): 415–32. http://dx.doi.org/10.1080/14780038.2018.1492786.

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Kassim, Jainabee, Jamil Ahmad, Mohd Izham Mohd Hamzah, and Jamalullail Abdul Wahab. "Developing Management Models In Malaysian Context For The Gallantry Of National Schools In West Malaysia." Procedia - Social and Behavioral Sciences 28 (2011): 217–21. http://dx.doi.org/10.1016/j.sbspro.2011.11.041.

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Müller, Sabine. "Asceticism, Gallantry, or Polygamy? Alexander's Relationship with Women as a Topos in Medieval Romance Traditions." Medieval History Journal 11, no. 2 (October 2008): 259–87. http://dx.doi.org/10.1177/097194580801100204.

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Falkenstein, Lorne. "Without Gallantry and Without Jealousy: The Development of Hume's Account of Sexual Virtues and Vices." Hume Studies 41, no. 2 (2015): 137–70. http://dx.doi.org/10.1353/hms.2015.0007.

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Elsaesser, Luise. "‘Dashing about with the greatest gallantry’: polo in India and the British metropole, 1862–1914." Sport in History 40, no. 1 (May 23, 2019): 1–27. http://dx.doi.org/10.1080/17460263.2019.1620319.

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Shin, Yangsook. "Education and Marriage Culture: Jane Austen’s Mansfield Park as an Anti-Romantic Novel." Korean Society for Teaching English Literature 26, no. 2 (August 30, 2022): 207–32. http://dx.doi.org/10.19068/jtel.2022.26.2.08.

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The article argues at the center of Mansfield Park is the “mental superiority” of its heroin. Her intellectual education is what makes her a woman of mental superiority and, as its natural consequence, good taste and correct moral judgment. She as such is presented as an ideal spouse for the so-called rational man. As a way of promoting her as an ideal spouse, the novel adopts a negative approach. Instead of a romantic story involving its protagonists, the novel develops two romantic stories, each constructed around an “elegant” “alluring” woman and a young man with pleasant but essentially false “gallantry”. Both of them, not the protagonists, are trashed away in the end as embodiments of the ‘wrong’ traditional education for women and the courtship culture closely related to it. Together with the negative approach, the novel adopts the retrograde storytelling technique for conveying its main message for women’s education, imparting an anti-romantic nature to the novel.

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Lambert, Andrew. "Book Review: Utmost Gallantry: The U.S. and Royal Navies at Sea in the War of 1812." International Journal of Maritime History 24, no. 1 (June 2012): 505–7. http://dx.doi.org/10.1177/084387141202400182.

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Conor, Liz. "‘A species of rough gallantry’: bride capture and settler-colonial print on Australian Aboriginal gender relations." Settler Colonial Studies 3, no. 1 (February 2013): 6–26. http://dx.doi.org/10.1080/18380743.2013.761933.

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Pauwels, Heidi. "Stealing a Willing Bride: Women's Agency in the Myth of Rukmiṇī's Elopement." Journal of the Royal Asiatic Society 17, no. 4 (October 2007): 407–41. http://dx.doi.org/10.1017/s1356186307007523.

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‘Krishna and Rukmini’ is the title of Amar Citra Kathā comic vol. 516, with artwork by Pratap Mulick. The front page has a muscular Kṛ⋅ṇa gallantly helping an entranced lady mount his chariot. Or is he that gallant? A closer look reveals that Kṛ⋅ṇa is actually grabbing her by the wrist; yet the lady seems more than willing, she is coquettishly lifting her skirt as she mounts the vehicle, and her eyes look adoringly, somewhat naively, at her hero as she smiles coyly. The only hint of opposition is in the background where we see angry mustached warriors coming after them. Is this a case of abduction, or is it better called an elopement?

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Musiał, Aleksandra. "“It’s a War I Still Would Go To”: The American War in Vietnam and Nostalgic Re-Imaginings of World War II." Jednak Książki. Gdańskie Czasopismo Humanistyczne, no. 9 (April 24, 2018): 9–20. http://dx.doi.org/10.26881/jk.2018.9.01.

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In this article, I trace the process through which World War II (WWII) has become the „good war” in American culture. Drawing on a range of books and articles published on the subject —and often written by the war’s veterans—I summarize their findings considering the essentially mythical nature of the conflict’ common memory. The well-known aspects of this myth include the view that WWII was a straightforward struggle between good and evil, that the U.S. soldiers who fought it belonged to “the greatest generation,” and that it was ultimately an expression and activization of American honor, heroism, and gallantry. Further on, I argue that beginning in the 1980s, a resurgence of cultural interest in WWII becomes evident, but now tinged not only with the emerging image of “the good war,” but also with nostalgia—and that the “nostalgization” of the conflict was caused directly by, and indeed possible only because of, the U.S. experience in Vietnam. I trace the multifaceted and multiple references to WWII in Vietnam War narratives—but also to Vietnam in some nostalgic representations of WWII.

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І., Vakulyk. "PECULIARITIES OF INTERPERSONAL COMMUNICATION AND SOCIAL BEHAVIOR (ON THE EXAMPLE OF AFFILIATION MOTIVATION)." HUMANITARIAN STUDIOS: PEDAGOGICS, PSYCHOLOGY, PHILOSOPHY 12, no. 1 (2021): 43–47. http://dx.doi.org/10.31548/hspedagog2021.01.043.

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The paper presents one's own vision of the motive of affiliation as a complex psychological process in which the behavior of actions is built and the types of interpersonal communication are promoted. Peculiarities of communicative behavior in historical retrospect are revealed on the material of the traditional student anthem, known all over the world; found out how the verbalization of emotions and the coding of feelings in the student environment of the early and late Middle Ages was held. The article raises issues related to universal values, personal attitude to the partner in the process of communication, politeness and gallantry. It is investigated by means of which effects the strengthening of expressiveness of poetic images is reached. In the analyzed text, joy presents the highest level of intensity of emotions, it is a source of feeling, i.e. a code sign that helps to decode the context of the value system of the historical period. The author's concept demonstrates a complex and multifaceted phenomenon – a product of communicative activity, focused on the modern reader.

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Kashlyavik, K. Y. "A. V. Golubkov. Préciosité and the gallant tradition in French salon literature of the 17th c. A monograph." Voprosy literatury, no. 4 (August 22, 2019): 274–79. http://dx.doi.org/10.31425/0042-8795-2019-4-274-279.

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The monograph deals with a subject that is rarely covered by Russian philologists: préciosité and the gallant tradition of 17th c. French culture. The author singles out the French and Russian approaches to interpreting preciousness, noting their differences and the fact that Russian scholars are lagging behind the French on the subject of salon literature. A. V. Golubkov rejects the principle of ‘neutrality’ towards the subject of the study, which is evident from his context-based use of psychoanalytical tools, including the term ‘frigidity’ to describe the social genesis of the gallant tradition and the habitus of préciosité. In his examination of the sources of these French cultural phenomena (‘academy’, ‘préciosité’, ‘gallantry’, and ‘salon’) the author shows their association with types of creative activity, Baroque and Classicism, and oral and written practices of salon culture, and portrays linguistic and genre-specific experiments of the précieuses. He stresses their preference of the salon literary genres over rhetorical skills, identifies elements of dialogue-based poetics, and reveals the principal indicators of a new language art.

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SAKWE MASUMBE, Peter. "Foreign Policy-making, Immorality, Public Opinion, Russia-Ukraine War and a Looming 3rd World War: Challenges, Prospects and Stakes for International Relations and Human Security." Advances in Social Sciences Research Journal 9, no. 10 (October 28, 2022): 292–332. http://dx.doi.org/10.14738/assrj.910.12897.

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The Russia-Ukraine war would hardly shirk the philosophy that, historically, wars are created and fought but hardly have they ended without meaningful, multilateral and multifaceted diplomatic shuttling in roundtable conferences and dialogues between belligerents and their sympathisers. Usually, the aftermaths are the unavoidable humiliation or gallantry gives and takes in irreparable damages of human and material resources. In the Russia-Ukraine war, given the politics, amorality and public opinion orchestrated by Western media with incessant calls for NATO to declare a No Fly Zone over Ukraine, and informed by the Rational Actor Model, which assumes that, the main actor in foreign policymaking is a rational individual or group of individuals, who can make informed, calculated decisions that maximise value and perceived benefits to the state, (Allison, 1971, Zerbe 2021), and using the historical research methodology, this paper examines the challenges, prospects and stakes for international relations and humanity, in terms of the global insecurity intrinsic in the Russian-Ukraine War. Consequently, it advocates the international community’s refraining and dissuasion of escalation of a looming 3rd World War.

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Kosykh, Tatiana. "“Insiders Among Outsiders”: Representation of Enemies and Allies in the Texts of British Prisoners of War on the Iberian Peninsula 1808—1814." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840023841-4.

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The article is devoted to the peculiarities of the perception of enemies and allies by the British combatants who found themselves in French captivity during the war on the Iberian Peninsula in 1808—1814. The undertaken analysis of sources, including both British officers’ published memoirs, letters and diaries and the manuscript of the British soldier’s memoirs, demonstrated the multidimensionality of the images of the Spaniards and the French in the British “captivity narratives”. The authors of such narratives tended to dwell not only on the positive characteristics of the French, such their politeness or gallantry, but also on their cruelty towards the locals, as well as the tendency of French soldiers to theft and looting. The image of the Spaniards in the British “captivity narratives” on the contrary turns out to be more complimentary than in other sources left by British soldiers who were not captured. In the POWs’ texts the Spaniards are presented as good-natured and hospitable, but their two qualities — cruelty and religious fanaticism — reduce the locals from the British point of view to semi-civilized people.

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Hovey, Jaime E. "Gallantry and its discontents: Joan of Arc and virtuous transmasculinity in Radclyffe Hall and Vita Sackville-West." Feminist Modernist Studies 1, no. 1-2 (October 13, 2017): 113–37. http://dx.doi.org/10.1080/24692921.2017.1374586.

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Journal articles on the topic 'Gallantery'

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