Academic literature on the topic 'Gallantery'

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Journal articles on the topic "Gallantery"

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Hovey, Jaime. "Tyrion's gallantry." Critical Quarterly 57, no. 1 (April 2015): 86–98. http://dx.doi.org/10.1111/criq.12177.

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Watkins, PE. "A white horse in the desert: The life of Dr Thomas Somerville (1887–1941)." Journal of Medical Biography 25, no. 1 (July 7, 2016): 62–69. http://dx.doi.org/10.1177/0967772015619305.

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This article details the remarkable life of Dr Thomas Somerville, who qualified both as a veterinary surgeon and medical practitioner, served in two world wars and was recommended for the nation’s highest award for gallantry. In doing so, it records the life of a man whose repeated gallantry on the battlefield has been overlooked.
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Hamilton, David. "The Gallantry of Form." Iowa Review 30, no. 3 (December 2000): 178–81. http://dx.doi.org/10.17077/0021-065x.5357.

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Ryder, Stuart. "The British gallantry system." RUSI Journal 145, no. 4 (August 2000): 77–80. http://dx.doi.org/10.1080/03071840008446557.

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Linders, Annulla, and Alana Van Gundy-Yoder. "Gall, Gallantry, and the Gallows." Gender & Society 22, no. 3 (February 11, 2008): 324–48. http://dx.doi.org/10.1177/0891243208318029.

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Ilich Razzhivin, Anatolij, Ekaterina Sergeevna Donskova, Aleksej Nikolaevich Pashkurov, Irina Yulievna Dulalaeva, and Li Pengfei. "TRANSITIONAL ERA GALLANTRY CULTURE IN THE FOCUS OF INTERCULTURAL COMMUNICATION PROBLEM (ON THE EXAMPLE OF N. M. KARAMZIN’S PROSE)." Humanities & Social Sciences Reviews 7, no. 6 (January 14, 2020): 1216–24. http://dx.doi.org/10.18510/hssr.2019.76172.

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Purpose of the study: The article focuses on the study of gallantry culture in terms of the theory of intercultural communication on the example of fiction written by N.M. Karamzin, an outstanding representative of European and Russian sentimentalism. Methods and materials: The theoretical aspects of the problem of gallantry are considered in the context of the main provisions of modern concepts of intercultural communication. N.M. Karamzin’s “sensitive” novels are analyzed from the standpoint of gallant secular ceremonies. Main findings: The concept of gallantry is associated with the psychological aspects of the new secular personality. It is correlated with the educational and didactic ideas of the Enlightenment and the chivalry code. The basis of true gallant psychology as a sensitive world view is love, passion, and tenderness, which forms a system of ideas for the gallant education of the younger generation in a new society at the turn of the 18th – 19thcenturies. The article reveals the main features of the gallant gentleman: sensitivity, melancholy, virtue, lack of rational principles. The originality of the study: The ideas about the interrelated gradual comprehension of Beauty and Virtue, Love and the sensory perception of Beauty as a Divine principle are likewise important. The discoveries of N.M. Karamzin, a writer and a psychologist, in the sphere of gallant psychology and the general cultural phenomenon of gallantry are connected with the analysis of the person’s internal rules of behavior, thinking and world perception. The article shows how the writer developed new cultural studies at the joint of literature, everyday life and psychology, which laid the foundation of the studied problem.
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Ryder, Stuart. "The evolution of posthumous gallantry awards." RUSI Journal 144, no. 1 (February 1999): 75–79. http://dx.doi.org/10.1080/03071849908446360.

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Jones, Bruce Vivash. "Should animals be celebrated for gallantry?" Veterinary Record 187, no. 8 (October 15, 2020): 322.1–322. http://dx.doi.org/10.1136/vr.m3886.

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Jones, C. "The football hero: Factors that undermine gallantry." Journal of Science and Medicine in Sport 12 (January 2010): e109. http://dx.doi.org/10.1016/j.jsams.2009.10.223.

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Ryder, Stuart. "Reform of operational gallantry awards: A missed opportunity?" RUSI Journal 142, no. 1 (February 1997): 41–44. http://dx.doi.org/10.1080/03071849708446110.

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Dissertations / Theses on the topic "Gallantery"

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Lord, Matthew James. "The politics of British concepts of heroic gallantry, 1955-1979." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/21200/.

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The ‘Sixties’ value shift in Britain – often referred to as the ‘cultural revolution’ – has long been shrouded in generalisation, stereotype and misunderstanding. Countless studies have considered many aspects of this timeframe, often concluding in support of either its revolutionary progressiveness or conservative stasis. This thesis aims primarily to shed new light on the nature, extent and timing of cultural and political transition through focusing on a concept overwhelmingly rooted in conservative, military and state-orientated culture: the concept of heroic ‘gallantry’. It does so by concentrating on the interaction between the Sixties value shift and government policies relating to British gallantry awards. The thesis concludes that, in an area in which moral and political ‘conservatives’ – namely Tory ministers and MPs, civil servants, military servicemen and ex-servicemen’s associations, combined with right-wing journalists and their readership – held a dominant emotional stake, it was they who pioneered ‘progressive’ reform to gallantry awards policy in order to maintain the relevancy and acceptability of these decorations in evolving British politics and culture. The transformation of concepts of gallantry, therefore, provides evidence of how ‘conservatives’ engaged proactively and constructively with the broader liberal Sixties transition, whilst preserving the conservative essence of gallantry throughout this transition. Through investigating this interaction, the thesis also considers what the Sixties reveal about interconnected themes such as ‘militarism’ and ‘militarisation’ in Britain; the material culture of medals; the socio-political agenda of the Honours System and the place of the ‘hero’ within British politics and society. This study therefore provides a fresh perspective, through an often militarised and conservative lens, on an important milestone transition in postwar British history.
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Bonnefoy, Aurélie. "Portraits et rhapsodie : les figures de femmes dans Les Historiettes de Tallemant des Réaux." Electronic Thesis or Diss., Montpellier 3, 2023. http://www.theses.fr/2023MON30033.

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Notre thèse se propose de faire la lumière la composition des Historiettes de Tallemant des Réaux, entre portraits et rhapsodie, au prisme de la figuration des femmes. Il ne s’agit pas là d’une juxtaposition de sens qui serait fortuite ou contingente : notre postulat est à l’inverse que la relation des deux modes de récit et de représentation est essentielle et profondément dynamique. Tallemant des Réaux est assurément le produit d’une culture metis et la fréquentation des salons mondains, espaces où s’exerce l’empire des femmes, le détermine en partie ; les femmes abondent au sein des Historiettes, mais en retour les figures féminines nourrissent et légitiment la parole d’un auteur qui cherche sa voix.L’enjeu de ce travail est de montrer que les figures féminines, telle qu’elles sont évoquées, font saillir les représentations et les voix contradictoires qui forment les fils de la contexture du texte. Profondément ambiguës, les Historiettes oscillent entre la belle galanterie, art de complaire aux femmes, et la gauloiserie plus masculine qui raille volontiers leurs faiblesses. De telles tensions posent à nouveaux frais la question de la galanterie et interrogent le rôle des femmes dans le changement de régime dans les modes de représentation. Situées au mitan du siècle, les Historiettes opèrent une adaptation galante de la tradition antique des vies, essentiellement masculines, qui ne va pas sans tensions. On ne saurait imaginer que seule la gauloiserie domine dans l’ouvrage et si l’obscénité n’est pas absente, il s’agit de chercher les correspondances invisibles tissées avec l’épopée. En effet l’usage des figures de l’évidence et la transfiguration d’une triade de femmes modèles de l’esthétique galante impliquent la reconfiguration par Tallemant de la cartographie sociale androcentrique et androcratique
Our thesis proposes to shed light on the composition of Tallemant des Réaux's Historiettes, between portraits and rhapsody, through the prism of the figuration of women. This is not a juxtaposition of meaning that would be fortuitous or contingent : our postulate is on the contrary that the relationship of the two modes of narrative and representation is essential and profoundly dynamic.. Tallemant des Réaux is certainly the product of a metis culture and the attendance of social salons, spaces where the empire of women is exercised, partly determines it ; women abound in the Historiettes, but in return female figures nourish and legitimize the word of an author who seeks his voice.The issue at hand is to show that female figures, as they are evoked, highlight the representations and contradictory voices that form the threads of the contexture of the text. Deeply ambiguous, the Historiettes oscillate between beautiful gallantry, the art of pleasing women, and the more masculine Gauloiserie that gladly mocks their weaknesses. Such tensions raise the question of gallantry anew and question the role of women in regime change in modes of representation. Set in the middle of the century, the Historiettes operate a gallant adaptation of the ancient tradition of lives, essentially masculine that does not go without tensions. One cannot imagine that only Gauloiserie dominates in the work and if obscenity is not absent, it is a question of looking for the invisible correspondences woven with the epic. Indeed, the use of figures of evidence and the transfiguration of a triad of women models of gallant aesthetics implies Tallemant's reconfiguration of androcentric and androcratic social cartography
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Oddleifson, Willa D. ""A Facade of Most Exquisite Gallantry": The French Educational Reforms of the Late Nineteenth Century and their Impact on Women's Education." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/290.

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A critical study of the education reform laws of the 1880s in France; specifically the Ferry laws and the Camille See law. How these laws affected women's education and more broadly, the place of women in French society. The ideologies of universalism and laicite and how they affected women's education, specifically the exclusion of women from French society based on the suppression of difference inherent in universalism.
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Veret, Elsa. "L’énigme de l’automne de la Renaissance à la Régence : pratiques et poétique d’un genre ingénieux." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL165.

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L’objet de cette thèse est de rendre compte des spécificités d’un genre poétique ingénieux, l’énigme, devenu caduc et qui a longtemps été dédaigné par la critique littéraire en raison de sa dimension ludique. Elle n’en a pas moins connu une ample carrière tout au long de la première modernité, comme en attestent de nombreux manuscrits et séries éditoriales. Nous abordons cette forme procédant du genre de discours de la devinette, dont l’étude a longtemps été réservée à l’anthropologie, du point de vue de l’histoire littéraire et de l’histoire des formes. Cette thèse expose les nombreuses filiations littéraires de l’énigme en langue française ainsi que ses enjeux pragmatiques dans le contexte des salons, où elle est adaptée aux règles du jeu de la conversation et de la civilité mondaine. L’analyse poétique et rhétorique démontre que, loin d’être une forme hermétique, l’énigme subordonne l’effet obscur de la parole poétique à l’éclat ingénieux. Genre à contrainte et genre sériel, elle constitue un laboratoire de la création poétique de l’Ancien régime, donnant lieu à de nombreuses inventions facétieuses et galantes. L’étude des collections d’énigmes publiées entre les années 1570 et 1720 rend compte, au-delà de la répétition des thèmes et des formes, de possibilités d’énonciation originale des « mystères ingénieux ». Elle révèle aussi le rôle central de l’allusion dans l’invention du discours littéraire de la première modernité
The purpose of this work is to present the characteristics of an ingenious poetic genre, the enigma, which is nowadays considered obsolete and has long been underestimated by critics on account of its recreational dimension. However, the early modern times have made an extensive use of it, as many manuscripts and print series show. We tackle this form, linked to the riddle genre, which study has long been the field of anthropology, from the perspective of the history of literature and of the history of literary form. We highlight the numerous literary sources of the French enigma, as well as the practical questions at stake in the framework of high society salons that adapted it according to the rules of conversation and politeness. The poetical and rhetorical analysis shows that, far from being an arcane form, the enigma uses obscurity in order to create an ingenious brightness. Despite being strictly rule-bound and serial, the genre makes space for a huge diversity of poetical creation and provides facetious and gallant inventions. Studying the collections of enigmas published between 1570 and 1720 shows that, beyond the repetitive themes and forms, it is still possible to think up genuine “ingenious mysteries”. It also reveals the fundamental part played by allusion in the invention of a literary discourse in the early modern times
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Schuwey, Christophe. "Jean Donneau de Visé, « fripier du Parnasse ». Pratiques et stratégies d’un entrepreneur des lettres au XVIIe siècle." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040071.

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L’histoire littéraire connaît Jean Donneau de Visé (1638-1710) pour trois raisons : il a fondé le Mercure galant, a pris part à des débats théâtraux autour de Molière et de Corneille et a collaboré avec Thomas Corneille. Pour le reste, les étiquettes de « polygraphe » ou de « journaliste » ont confiné sa production au purgatoire de la critique. Ce travail se propose de réétudier cette production afin de lui donner sens et de comprendre l’apparente étrangeté de ces ouvrages. Donneau de Visé serait ainsi un entrepreneur des lettres, toujours à l’affût de l’occasion, entreprenant différents projets éditoriaux et recyclant, en « fripier du Parnasse », des matériaux textuels disponibles. Centré sur la période allant de sa première incursion dans le monde des lettres (1660) à la mise en place d’une formule pérenne pour le Mercure galant (1678), ce travail aborde les ouvrages de Donneau de Visé comme autant d’entreprises. Il en déconstruit la mécanique, étudie les marchés qu’ils visent (notamment celui de l’actualité) et révèle les actions qu’ils réalisent. Les résultats doivent éclairer non seulement l’activité de l’entrepreneur des lettres, mais également, des pratiques paradigmatiques pour le livre et la librairie au XVIIe siècle
Jean Donneau de Visé (1638-1710) is still known for three main achievements: he founded the Mercure galant, took part in theatrical quarrels about the plays of Molière and Corneille and collaborated with Thomas Corneille on some machine plays. Labeled a « polygraphe » or a « journalist » he has long been condemned to critical limbo. This research would like to provide a new outlook on Donneau de Visé. The purpose is to shed light on the wide variety of the production of Donneau de Visé and to explain the reasons behind the complex structure of his books. This dissertation aims to show that Donneau de Visé can be considered a literary entrepreneur, perpetually seeking business opportunities, undertaking massive editorial projects and recycling available materials (he was nicknamed « le fripier du Parnasse »). This work is dedicated to a period spanning from 1660 to 1678 (from his first publication to the creation of a lasting business model for the Mercure galant) and approaches Donneau de Visé’s books as business ventures. It deconstructs the mechanics of these works by studying them through the lense of book history, studies the target market (especially, current events) and reveals which actions the books aim to undertake. The results should shed light not only on Donneau de Visé’s activities as a literary entrepreneur, but also on some widespread practices in the seventeenth century
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Holas, Josef. "Fair play jako jádro sportovní etiky v obecném povědomí i z hlediska genderové diference." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-323760.

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Title: Fair play as the Core of Sports Ethics in General Awareness and in Terms of the Gender Gap Objectives To look at the concept of fair play from various points of view, and not only that of sports. Analysing fair play not only as appropriate behaviour in sports but also as conduct to which we ascribe a certain moral value and towards which something motivates us. To interpret the actions rewarded with the top prize of the Czech Fair Play Club. To compare the view of fair play among active athletes and people who play sports recreationally or not at all. To discover whether there is a difference in the male and female understanding of fair play - whether in terms of sports or not. Method The theoretical section is based on relevant research and consists of a conceptual analysis and comparison of texts. The practical section includes an investigation by questionnaire among 65 respondents, from active athletes, to recreational sportsmen of greater or lesser intensity, to those who hardly play sports at all. Interpretation of the answers to 15 of the questions is focused on breaking down the target group according to age, gender and their attitude towards sports. The selection of the respondents was made entirely randomly, with questionnaires sent out to people from the region of Prague and their...
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Olguin, Suyin. "Revisiting the gentleman : a study of hegemonic masculinity in the works of Jane Austen." Thèse, 2013. http://hdl.handle.net/1866/10671.

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L’augmentation grandissante de l’attention portée dans les études sur la masculinité tant à la littérature féminine qu’à ses auteurs incite les chercheurs à se pencher de nouveau sur l’icône qu’est le gentilhomme, sur la réponse qu’offre la littérature du XVIIIe siècle face à cette idéalisation de la masculinité, et comment ces standards ont contribué à façonner nos propres perceptions des différenciations des rôles sexuels. Ce mémoire présente une analyse des personnages masculins des romans de Jane Austen, Emma, Persuasion et Mansfield Park, à travers le concept de « masculinité hégémonique » de R.W. Connell, concept qui a eu un impact certain dans les recherches retraçant comment l’histoire et l’hégémonie ont fabriqué les attentes sociales et nationales envers l’homme anglais. Les livres expliquant la conduite à avoir pour être un gentilhomme viril ont sans aucun doute perpétué ces idéaux. À travers l’étude de la politesse, de la sincérité et de l’héroïsme, perpétuellement renouvelés afin de correspondre aux nouveaux idéaux de la masculinité, cette thèse étudie les livres éducatifs influents, notamment de Locke, Knox et Secker, afin de comprendre de quelle façon la masculinité hégémonique est devenue une partie intégrante du discours et de l’éducation à l’époque de la Régence anglaise. Les œuvres d’Austen ne cesse de rappeler la vulnérabilité de l’hégémonie en rappelant constamment au lecteur l’importance des expériences et de la croissance personnelle, et ce, peu importe le sexe. Néanmoins, ses romans correspondent tout de même à ce que devrait être une éducation appropriée reposant sur les règle de conduite, l’autonomie, le travail et la sincérité; lesquels, tel que l’histoire analysée dans ce mémoire le démontrera, appartiennent également aux idéaux du nationalisme anglais et de la masculinité.
The increasing amount of attention to literature and female novelists in masculinity studies invites academics to revisit iconic figures like the gentleman in order to explore how literature responds to idealizations of manliness in eighteenth-century society and how these standards contribute to our own view of gender differentiation. This thesis analyses male characters in Jane Austen’s Emma, Persuasion and Mansfield Park under the scope of R.W. Connell’s concept of “Hegemonic Masculinity,” a concept that has been influential in the study of how history and hegemony influence social and national expectations of English masculine character. Conduct books that instructed genteel men how to be a manly gentleman perpetuated these ideals. Through the study of how politeness, sincerity, and heroism were continuously transformed to incorporate new ideals of manhood, this thesis examines influential conduct books by Locke, Knox, and Secker in order to understand how hegemonic masculinity became an essential part of Regency masculine education and discourse. Austen’s works highlight the vulnerability of hegemony by reminding the reader about the importance of human experience and growth regardless of gender. Nevertheless, her novels respond to appropriate education that instructs on principle, self-governance, industry, and sincerity, all of which, as the history addressed in this thesis demonstrates, also belonged to ideals of English nationalism and masculinity.
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VELICKÁ, Olga. "Minnesang a dvorská literatura na dvoře posledních Přemyslovců a prvních Lucemburků." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-119457.

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Qualifying work has interdisciplinary charakter. This work is concentrate on knowledge of history and culture of age last members of Přemysl´s dynasty and the first members of Luxembourg´s dynasty. The primary aim of work is to identify the conditions under which there is courtly literature and minnesing on the courts of these rulers. Next aim is using the comparative method to define the basic topics in prose and poetry. The secondary aim is recognizing influence of German and Latin literature domestic and foreign on literature written in Czech. The work ?Minnesing and court literature at the court of last members of Přemysl's dynasty and the first members of Luxembourg's dynasty? deals with years 1283?1306 and 1310?1333 taking into account also past years.
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Züll, Stephanie. "Romane als Sittenlehren - Zum Verhältnis zwischen galantem und empfindsamem Roman." Doctoral thesis, 2019. http://hdl.handle.net/21.11130/00-1735-0000-0005-146C-C.

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Books on the topic "Gallantery"

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Davis, Susan Page. The gunsmith's gallantry. Uhrichsville, OH: Barbour Pub., 2010.

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Davis, Susan Page. The gunsmith's gallantry. Waterville, Maine: Thorndike Press, 2012.

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Harvey, David. Monuments to Courage: Victoria Cross headstones and memorials. Bahrain, Arabian Gulf: Kevin & Kay Patience, 1999.

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Cooper, Alan W. In action with the enemy: The holders of the Conspicuous Gallantry Medal (Flying). London: Kimber, 1986.

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McNeill, Elisabeth. A woman of gallantry. London: Knight, 1998.

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McNeill, Elisabeth. A women of gallantry. London: Century, 1989.

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Clarke, John D. Gallantry medals & awards of the world. Sparkford, Somerset: P. Stephens, 1993.

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A, Brown George. Commando gallantry awards of World War II. [London]: [Stamp Exchange Ltd], 1991.

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Abela, A. E. Malta's George Cross and war gallantry awards. [Valetta,]: Progress Press, 1989.

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George, Brown. Commando gallantry awards of World War II. [London: London Stamp Exchange, 1991.

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Book chapters on the topic "Gallantery"

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Curran, Louise. "2 Gallantry and The Rape of the Lock Reconsidered." In Anniversary Essays on Alexander Pope's 'The Rape of the Lock', edited by Don Nichol, 31–52. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442669673-008.

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Cuthbertson, Guy. "Gallantry." In Wilfred Owen, 267–90. Yale University Press, 2014. http://dx.doi.org/10.12987/yale/9780300153002.003.0015.

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"Great gallantry." In War and Diplomacy in the Napoleonic Era. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781838600938.ch-003.

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"III. Gallantry." In Stories for Saturday, 89–142. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824864477-004.

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"14. Gallantry." In Wilfred Owen, 267–90. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300198553-015.

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"gallantry, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/3527977493.

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"Cuckoldry and Gallantry." In The First English Translations of Molière, 85–104. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv1wsgqn6.9.

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Lord, Matthew J. "Gallantry and Decolonisation." In British Concepts of Heroic “Gallantry” and the Sixties Transition, 175–227. Routledge, 2021. http://dx.doi.org/10.4324/9781003169161-5.

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Lord, Matthew J. "Gallantry and Welfare." In British Concepts of Heroic “Gallantry” and the Sixties Transition, 25–74. Routledge, 2021. http://dx.doi.org/10.4324/9781003169161-2.

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Lord, Matthew J. "Gallantry and Standardisation." In British Concepts of Heroic “Gallantry” and the Sixties Transition, 75–126. Routledge, 2021. http://dx.doi.org/10.4324/9781003169161-3.

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