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Books on the topic 'Futur au cinéma'

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Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

Alfonsi, Laurence. Le cinéma du futur: Les enjeux des nouvelles technologies de l'image. [Québec]: Presses de l'Université Laval, 2005.

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2

J, Fox Michael. Quelque chose d'étrange s'est produit en route vers le futur--: Tournants, revirements et leçons apprises. Varennes, Québec: AdA, 2011.

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3

Azarian, Viviane, and Aminata C. Mbaye. L'archéologie du futur: Cinémas Africains et utopies = Archeology of the future : African cinemas and utopias. München: AVM.edition, 2018.

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4

Filmoteca de Catalunya, passat i futur del cinema: Filmoteca de Catalunya, the past and future of the cinema. Barcelona: Filmoteca de Catalunya, 2014.

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5

Media, Kagan World. The future of digital cinema. Carmel, CA: Kagan World Media, 2002.

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6

Isaacs, Bruce. Orientation of future cinema: Technology, aesthetics, spectacle. New York: Bloomsbury, 2014.

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7

Jeffrey, Shaw, Weibel Peter, and Zentrum für Kunst und Medientechnologie Karlsruhe., eds. Future cinema: The cinematic imaginary after film. Cambridge, Mass: MIT Press, 2003.

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8

Nagib, Lúcia. Realist Cinema as World Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987517.

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This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

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9

Dabashi, Hamid. Close up: Iranian cinema, past, present, and future. London: Verso, 2001.

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10

Dabashi, Hamid. Close up: Iranian cinema, past, present, and future. London: Verso, 2001.

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11

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival: Le nuove tecnologie del cinema d'animazione = new technologies in animation cinema. Bologna: Pendragon, 2003.

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12

Le cinéma de Jia Zhang-ke: No future (made) in China. Rennes: Presses universitaires de Rennes, 2009.

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13

Centre, India International, ed. Is it back to the future for Bengali cinema? New Delhi: India International Centre, 2013.

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14

Cosulich, Oscar, and Giuletta Fara. Future film festival, 2009: New technologies in animation cinema. [Bologna]: Comma 22, 2009.

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15

Moscati, Italo. 2001: Un'altra odissea : quando il futuro sedusse il cinema. Venezia: Marsilio, 2000.

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16

Incontri: Cinema, scienza, cultura e fede per costruire il futuro. Milano: Paoline, 2007.

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17

Il giuda digitale: Il cinema del futuro dalle ceneri del passato. Roma: Carocci, 2008.

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18

Nardin, Massimo. Il giuda digitale: Il cinema del futuro dalle ceneri del passato. Roma: Carocci, 2008.

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19

Walker, John. The once and future film: British cinema in the seventies and eighties. London: Methuen, 1985.

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20

Portuguesa, Cinemateca, Fundação Calouste Gulbenkian, and United States Embassy (Portugal), eds. Ciclo de cinema de ficção científica: 1984 "o futuro é já hoje?". [Lisbon]: A. Cinemateca, 1985.

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21

The Once and Future Film: British Cinema in the Seventies and Eighties. London: Methuen, 1985.

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22

The future of an illusion: Film, feminism, and psychoanalysis. Minneapolis: University of Minnesota Press, 1989.

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23

Agnihotri, Ram Awatar. Social and political study of modern Hindi cinema: Past, present, and future perspectives. New Delhi, India: Commonwealth Publishers, 1990.

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24

Khoo, Gaik Cheng, Thomas Barker, and Mary Ainslie, eds. Southeast Asia on Screen. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989344.

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After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today’s burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.

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25

K, Davis Dennis, ed. Mass communication theory: Foundations, ferment, and future. Belmont, Calif: Wadsworth Pub. Co., 1995.

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26

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 3rd ed. Australia: Wadsworth/Thomson, 2003.

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27

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 2nd ed. Australia: Wadsworth, 2000.

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28

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 3rd ed. Belmont, CA: Thomson/Wadsworth, 2003.

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29

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 4th ed. Belmont, CA: Thomson/Wadsworth, 2006.

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30

Pacini, Matteo. Buio in sala: Rilevazione dei cine-teatri Lilli e Turreno di Perugia in attesa di un futuro. Foligno: Il formichiere, 2020.

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31

1939-, Williams Christopher, ed. Cinema: The beginnings and the future : essays marking the centenary of the first film show projected to a paying audience in Britain. London: University of Westminster Press, 1996.

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32

Markaz Dirāsāt al-Waḥdah al-ʻArabīyah (Beirut, Lebanon) and Svenska institutet i. Alexandria, eds. al-Sīnimā al-ʻArabīyah: Tārīkhuhā wa-mustaqbaluhā wa-dawruhā al-nahḍawī = Arab cinema : its history, its future and its role of renaissance. Bayrūt, Lubnān: Markaz Dirāsāt al-Waḥdah al-ʻArabīyah, 2014.

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33

Thanatourism and Cinematic Representations of Risk: Screening the End of Tourism. Taylor & Francis Group, 2016.

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34

Tzanelli, Rodanthi. Thanatourism and Cinematic Representations of Risk: Screening the End of Tourism. Taylor & Francis Group, 2016.

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35

Cinema futuro. [Rome]: Nero, 2021.

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36

Cinema Futura [jhc]. PS Publishing, 2010.

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37

SAVOLDELLIE, Reto Andrea. Future Art of Cinema. Temple Lodge Publishing, 2020.

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38

Barjavel, René. Cinema Totale: Saggio Sulle Forme Future Del Cinema. 2001.

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39

Isaacs, Bruce. The Orientation of Future Cinema. Bloomsbury Publishing Plc, 2013. http://dx.doi.org/10.5040/9781628929102.

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40

Rabley. Dossier: Cinema (PHR). Prentice-Hall, 1996.

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41

Williams, Christopher. Cinema: The Beginnings and the Future. University of Westminster Press, 1996.

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42

Erikson, Steven, Joe R. Lansdale, Lucius Shepard, Brian Stableford, Steve Rasnic Tem, Ian R. MacLeod, Christopher Golden, Mike Resnick, Mark Morris, and Sarah Pinborough. Cinema Futura (edited by Mark Morris). PS Publishing Ltd, 2011.

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43

Naremore, James. Invention Without a Future: Essays on Cinema. University of California Press, 2013.

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44

Naremore, James. Invention Without a Future: Essays on Cinema. University of California Press, 2014.

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45

Yellow future: Oriental style in Hollywood cinema. Minneapolis: University of Minnesota Press, 2010.

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46

Africa for the future: Sortir un nouveau monde du cinéma. Achères, France: Dagan, 2009.

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47

Dabashi, Hamid. Close Up: Iranian Cinema, Past, Present, and Future. Verso, 2001.

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48

Copeland, Joanne. Film and Cinema: Past, Present and Future Perspectives. Nova Science Publishers, Incorporated, 2017.

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49

An Invention Without A Future Essays On Cinema. University of California Press, 2014.

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50

Dabashi, Hamid. Close Up: Iranian Cinema, Past, Present, and Future. Verso, 2001.

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