Journal articles on the topic 'Furman University. Visual Arts Center'
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Siry, Joseph M. "Roche and Dinkeloo's Center for the Arts at Wesleyan University." Journal of the Society of Architectural Historians 75, no. 3 (September 1, 2016): 339–65. http://dx.doi.org/10.1525/jsah.2016.75.3.339.
Full textMarble, Scott, and Karen Fairbanks. "Toni Stabile Student Center, Columbia University Graduate School of Journalism - Marble Fairbanks." Architectural Design 79, no. 2 (March 2009): 106–9. http://dx.doi.org/10.1002/ad.863.
Full textMiller, Melissa. "British Theatre Collections in the Harry Ransom Humanities Research Center." Theatre Survey 39, no. 1 (May 1998): 63–72. http://dx.doi.org/10.1017/s0040557400003021.
Full textJames, Stephen. "The Menil Connection: Louis Kahn and the Rice University Art Center." Journal of the Society of Architectural Historians 69, no. 4 (December 1, 2010): 556–77. http://dx.doi.org/10.1525/jsah.2010.69.4.556.
Full textHawkins, Kat. "A Guide to a Somatic Movement Practice: The Anatomy of Center, Nancy Topf and Hetty King (2022)." Journal of Dance & Somatic Practices 15, no. 2 (December 1, 2023): 265–68. http://dx.doi.org/10.1386/jdsp_00113_5.
Full textTanzer, Kim, and Caroline Constant. "Center for Women's Studies and Gender Research, University of Florida, 1994–2000." Journal of Architectural Education 55, no. 2 (November 2001): 81–89. http://dx.doi.org/10.1162/104648801753199509.
Full textClouse, Carey. "Fayetteville 2030: Food City Scenario University of Arkansas Community Design Center, 2014." Journal of Architectural Education 71, no. 1 (January 2, 2017): 128–30. http://dx.doi.org/10.1080/10464883.2017.1260966.
Full textBannova, Olga, and Sandra Häuplik‐Meusburger. "Learning, Teaching, Coexisting, Thriving: The Evolution of Space Architecture in the Posthuman Era." Architectural Design 94, no. 1 (January 2024): 94–99. http://dx.doi.org/10.1002/ad.3019.
Full textBoddy, William. "Statement by William Boddy, Baruch College and Graduate Center, City University of New York." Historical Journal of Film, Radio and Television 16, no. 3 (August 1996): 393–96. http://dx.doi.org/10.1080/01439689600260411.
Full textMaxwell, Ian. "Parallel Evolution: Performance Studies at the University of Sydney." TDR/The Drama Review 50, no. 1 (March 2006): 33–45. http://dx.doi.org/10.1162/dram.2006.50.1.33.
Full textBudhiraja, Geeta. "A Glimpse of Canada in India." Canadian Theatre Review 105 (January 2001): 24–26. http://dx.doi.org/10.3138/ctr.105.005.
Full textDavis, Natalie Zemon. "Shelby Cullom Davis Center for Historical Studies Princeton University: Proof and Persuasion." Renaissance Quarterly 44, no. 1 (1991): 183. http://dx.doi.org/10.2307/2862439.
Full textHamburger, Esther Império, Cecília Mello, and Giuliana Bruno. "Interview with Giuliana Bruno." Significação: Revista de Cultura Audiovisual 50 (December 6, 2023): 1–31. http://dx.doi.org/10.11606/issn.2316-7114.sig.2023.219151.
Full textFei, Faye Chunfang. "Huang Zuolin: Michael Chekhov’s Link to China’s Modern Theatre." New Theatre Quarterly 22, no. 3 (July 11, 2006): 235–48. http://dx.doi.org/10.1017/s0266464x06000443.
Full textRossman, Jae Jennifer. "Build It and S/He Will Come: A Reflection on Five Years in a Purpose-Built Special Collections Space." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 14, no. 2 (September 1, 2013): 111–20. http://dx.doi.org/10.5860/rbm.14.2.405.
Full textWu, Guanda. "Worldly Stage: Theatricality in Seventeenth-Century China. By Sophie Volpp. Cambridge, MA: Harvard University Asia Center, 2011; pp. xii + 371. $44.95 cloth." Theatre Survey 55, no. 2 (April 11, 2014): 279–81. http://dx.doi.org/10.1017/s0040557414000209.
Full textLangley, Julia. "ARTS AND HUMANITIES BRIDGING ACROSS CONTINUUM OF CARE: CASE STUDY, GEORGETOWN LOMBARDI COMPREHENSIVE CENTER." Innovation in Aging 3, Supplement_1 (November 2019): S29—S30. http://dx.doi.org/10.1093/geroni/igz038.114.
Full textGiersdorf, Jens Richard. "Dance, Politics & Co-Immunity." Dance Research Journal 47, no. 3 (December 2015): 106–9. http://dx.doi.org/10.1017/s0149767715000388.
Full textZubrzycki, Anna, and Grzegorz Bral. "Song of the Goat Theatre: Finding Flow and Connection." New Theatre Quarterly 26, no. 3 (August 2010): 248–60. http://dx.doi.org/10.1017/s0266464x10000448.
Full textAkalaitis, JoAnne. "Releasing the ‘Profound Physicality of Performance’." New Theatre Quarterly 13, no. 52 (November 1997): 329–38. http://dx.doi.org/10.1017/s0266464x00011453.
Full textKwei-Armah, Kwame. "‘Know Whence You Came’: Dramatic Art and Black British Identity." New Theatre Quarterly 23, no. 3 (August 2007): 253–63. http://dx.doi.org/10.1017/s0266464x07000152.
Full textTarantino, Mary. "UNCOVERING GEMS: THEATRICAL DESIGN COLLECTIONS AT THE WISCONSIN HISTORICAL SOCIETY." Theatre Survey 50, no. 2 (November 2009): 327–35. http://dx.doi.org/10.1017/s004055740999010x.
Full textHughes, Holly. "Left Wanting." TDR/The Drama Review 58, no. 4 (December 2014): 120–25. http://dx.doi.org/10.1162/dram_a_00403.
Full textPunt, Michael. "Toward a Science of Consciousness Tucson Convention Center, Tucson, Arizona, 8–12 April 2002. Sponsored by the Center for Consciousness Studies, University of Arizona." Leonardo 36, no. 1 (February 2003): 89–90. http://dx.doi.org/10.1162/leon.2003.36.1.89.
Full textRoach, Joseph. "The History of the Future." Theatre Survey 45, no. 2 (November 2004): 275–78. http://dx.doi.org/10.1017/s0040557404000250.
Full textWood, Gerald C. "Orphans' Home: The Voice and Vision of Horton Foote. By Laurin Porter. Baton Rouge: Louisiana State University Press, 2003; pp. 233. $49.95 cloth, $22.95 paper." Theatre Survey 45, no. 2 (November 2004): 286–88. http://dx.doi.org/10.1017/s0040557404240261.
Full textTian, Min. "Worldly Stage: Theatricality in Seventeenth-Century China. By Sophie Volpp. Cambridge, MA: Harvard University Asia Center, Distributed by Harvard University Press, 2011. Pp. xi + 371. $44.95 Hb." Theatre Research International 38, no. 2 (May 31, 2013): 172–73. http://dx.doi.org/10.1017/s0307883313000163.
Full textAllen, Peter. "The End of Modernism?" Journal of the Society of Architectural Historians 70, no. 3 (September 1, 2011): 354–74. http://dx.doi.org/10.1525/jsah.2011.70.3.354.
Full textMulligan, John, Matthew Wettergreen, Ying Jin, Benjamin Rasich, and Isaac Phillips. "The Electronic Vesalius: Embodying Anatomy Atlases." Leonardo 52, no. 1 (February 2019): 62–63. http://dx.doi.org/10.1162/leon_a_01700.
Full textBond, Chrystelle Trump. "Southern Dance Traditions—Communities in Motion (Center for Appalachian Studies and Services, Tennessee Humanities Council, and Congress on Research in Dance; East Tennessee State University, 1–3 March 1990)." Dance Research Journal 22, no. 2 (1990): 45–47. http://dx.doi.org/10.1017/s0149767700002631.
Full textKöth, Anke. "Verortung in der Zeit." Architectura 46, no. 2 (July 11, 2019): 176–89. http://dx.doi.org/10.1515/atc-2016-2003.
Full textLizondo-Sevilla, Laura, Zaida García-Requejo, and Jos´e Santatecla-Fayos. "Exposición de arquitectura de Ludwig Miës van der Rohe. Art Institute of Chicago, 1938-1939." EGA Revista de Expresión Gráfica Arquitectónica 28, no. 48 (July 24, 2023): 86–99. http://dx.doi.org/10.4995/ega.2023.18901.
Full textBrown, Lorraine A. "Pointing to the Future." Theatre Survey 36, no. 2 (November 1995): 83–87. http://dx.doi.org/10.1017/s0040557400001216.
Full textGluck, Robert J. "Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York." Leonardo 45, no. 1 (February 2012): 50–56. http://dx.doi.org/10.1162/leon_a_00325.
Full textLee, Younseon. "A Study of Plans to Supplement the Operations of Curricular and Extracurricular Writing Programs in University: Focusing on Writing Center in University." Korean Society of Culture and Convergence 44, no. 11 (November 30, 2022): 243–55. http://dx.doi.org/10.33645/cnc.2022.11.44.11.243.
Full textHadjinicolaou, Nicos. "Art Centers and Peripheral Art [A Lecture at the University of Hamburg, October 15, 1982]." ARTMargins 9, no. 2 (June 2020): 119–40. http://dx.doi.org/10.1162/artm_a_00267.
Full textNasir, Evleen. "Staging Fashion, 1880–1920: Jane Hading, Lily Elsie, Billie Burke. Edited by Michele Majer. Exh. cat. Bard Graduate Center, 2012. Distributed by Yale University Press; pp. 208, 168 illustrations. $40 paper." Theatre Survey 55, no. 1 (December 16, 2013): 128–30. http://dx.doi.org/10.1017/s0040557413000653.
Full textBhattacharjee, Partha, and Priyanka Tripathi. "Interview with Argha Manna." Studies in Comics 11, no. 2 (November 1, 2020): 405–21. http://dx.doi.org/10.1386/stic_00038_7.
Full textEmeljanow, Victor. "Pleasure Gardens. Performing Arts Resources, vol. 21. Edited by Stephen M. Vallillo and Maryann Chach. New York: Theatre Library Association, 1998; pp. 105. $30 cloth; Their Championship Seasons: Acquiring, Processing, and Using Performing Arts Archives. Performing Arts Resources, vol. 22. Edited by Kevin Winkler. New York: Theatre Library Association, 2001; pp. 142. $30 cloth." Theatre Survey 45, no. 1 (May 2004): 133–35. http://dx.doi.org/10.1017/s0040557404290081.
Full textSamchuk, Taras. "Fine art in the St. Vladimir University students‘ everyday life in the context of artistic life of Kyiv and nearby region (1834-1863)." Text and Image: Essential Problems in Art History, no. 2 (2018): 84–97. http://dx.doi.org/10.17721/2519-4801.2018.2.05.
Full textWolner, Edward W. "Art: Architecture. Joint Conference Sponsored by the Wexner Center for the Visual Arts. The Ohio State University Department of Architecture and the ACSA East Central Region, Fall 1990." Journal of Architectural Education (1984-) 44, no. 4 (August 1991): 248. http://dx.doi.org/10.2307/1425151.
Full textIone, Amy. "A Different Kind of Animal: How Culture Transformed Our Species by Robert Boyd. Princeton University Press, 2017. The University Center for Human Values Series. 248 pp. Trade. ISBN: 978-0691177732; 978-0691177731." Leonardo 53, no. 1 (February 2020): 103–6. http://dx.doi.org/10.1162/leon_r_01845.
Full textJagielska-Burduk, Alicja. "Alicja Jagielska-Burduk talks with Patty Gerstenblith, professor of law at DePaul University and director of its Center for Art, Museum & Cultural Heritage Law." Santander Art and Culture Law Review 9, no. 1 (September 27, 2023): 9–12. http://dx.doi.org/10.4467/2450050xsnr.23.001.18113.
Full textMinton, Gretchen E., and Mikey Gray. "The Ecological Resonance of Imogen’s Journey in Montana’s Parks." New Theatre Quarterly 38, no. 4 (October 18, 2022): 299–318. http://dx.doi.org/10.1017/s0266464x22000227.
Full textSham, James, Patrick Killoran, Neil Rubens, and Brian A. Korgel. "Patent-Bot." Leonardo 52, no. 3 (June 2019): 290–91. http://dx.doi.org/10.1162/leon_a_01719.
Full textPerkins, Kathy A. "Center Stage: An Anthology of Twenty-One Contemporary Black-American Plays. Edited by Eileen Joyce Ostrow. Champaign: University of Illinois Press, 1991. Pp. 328 + illus. $19.95." Theatre Research International 18, no. 1 (1993): 76. http://dx.doi.org/10.1017/s0307883300017788.
Full textQuatember, Ursula. "The Bouleuterion and its environs in Early Imperial Aphrodisias." Journal of Roman Archaeology 32 (2019): 516–28. http://dx.doi.org/10.1017/s104775941900028x.
Full textGoossaert, Vincent. "Franciscus Verellen, Imperiled Destinies. The Daoist Quest for Deliverance in Medieval China, Cambridge (Mass.), Harvard University Asia Center (Harvard-Yenching Institute Monograph Series, 118), 2019." Cahiers de civilisation médiévale, no. 260 (December 1, 2022): 439–41. http://dx.doi.org/10.4000/ccm.10705.
Full textGoossaert, Vincent. "Franciscus Verellen, Imperiled Destinies. The Daoist Quest for Deliverance in Medieval China, Cambridge (Mass.), Harvard University Asia Center (Harvard-Yenching Institute Monograph Series, 118), 2019." Cahiers de civilisation médiévale 260, no. 4 (June 19, 2023): 439–41. http://dx.doi.org/10.3917/ccm.260.0439.
Full textBest, Makeda. "Margaret Sartor and Alex Harris, eds., with a foreword by Deborah Willis. Where We Find Ourselves: The Photographs of Hugh Mangum, 1897–1922. Durham: University of North Carolina Press and the Center for Documentary Studies, 2019. Books of the Center for Documentary Studies. xiv+166 pp.; 118 color illustrations, notes, afterword, bibliography. $45.00." Winterthur Portfolio 55, no. 2-3 (June 1, 2021): 202–3. http://dx.doi.org/10.1086/717148.
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