Academic literature on the topic 'French noir'
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Journal articles on the topic "French noir":
Gegen, Gegen. "Femme Fatale in French Film Noir." Advances in Humanities Research 1, no. 1 (December 21, 2021): 1–5. http://dx.doi.org/10.54254/ahr.2021001.
Papadopoulos, Leonidas, Anna Poupou, and Eva Stefani. "The reception of American and French film noir in post-war Greece, 1945‐58." Journal of Greek Media & Culture 8, no. 1 (April 1, 2022): 59–82. http://dx.doi.org/10.1386/jgmc_00047_1.
Wygoda, Tsivia Frank. "(Un)Mapping the “Pied-Noir Jew”: Indeterminacy and the Representation of Pied-Noirs and Algerian Jews in Contemporary French Cinema." MLN 138, no. 4 (September 2023): 1337–60. http://dx.doi.org/10.1353/mln.2023.a920094.
Talarmin, Antoine, Bruno Vion, Abel Ureta-Vidal, Guénola Du Fou, Christian Marty, and Mirdad Kazanji. "First seroepidemiological study and phylogenetic characterization of human T-cell lymphotropic virus type I and II infection among Amerindians in French Guiana." Journal of General Virology 80, no. 12 (December 1, 1999): 3083–88. http://dx.doi.org/10.1099/0022-1317-80-12-3083.
Gorrara, C. "French and American Noir: Dark Crossings." French Studies 65, no. 2 (March 25, 2011): 274–75. http://dx.doi.org/10.1093/fs/knr038.
Hollister, Lucas. "The Green and the Black: Ecological Awareness and the Darkness of Noir." PMLA/Publications of the Modern Language Association of America 134, no. 5 (October 2019): 1012–27. http://dx.doi.org/10.1632/pmla.2019.134.5.1012.
Slyomovics, Susan. "A Settler Colonial Memorial Book: The Agricultural School and Museum of Sidi-Bel-Abbès, Algeria." Diaspora: A Journal of Transnational Studies 23, no. 2 (September 1, 2023): 241–60. http://dx.doi.org/10.3138/diaspora.23.2.2023.07.30.
Panuntun, Ari Bagus, and Lysa Osmani. "Romantic Primitivism and Literary Neocolonialism in Camara Laye’s Novel L’Enfant Noir." Poetika 11, no. 2 (October 31, 2023): 61. http://dx.doi.org/10.22146/poetika.v11i2.87730.
Alba, Richard, and Roxane Silberman. "Decolonization Immigrations and the Social Origins of the Second Generation: The Case of North Africans in France." International Migration Review 36, no. 4 (December 2002): 1169–93. http://dx.doi.org/10.1111/j.1747-7379.2002.tb00122.x.
Smith, Steven G. "The Filter and the Viewer: On Audience Discretion in Film Noir." Film-Philosophy 28, no. 2 (June 2024): 375–94. http://dx.doi.org/10.3366/film.2024.0273.
Dissertations / Theses on the topic "French noir":
Ivemark, Biorn. "Bleu blanc noir : assimilation trajectories, identity dynamics and boundary work of French Antilleans, West Africans, and their children in Paris." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/62929.
Arts, Faculty of
Sociology, Department of
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Crepiat, Caroline. "Le sujet lyrique dans la poésie du Chat Noir (1882-1897)." Thesis, Clermont-Ferrand 2, 2016. http://www.theses.fr/2016CLF20008.
The end of the 19th Century is a key period for the « little » literary and artistic journals, produced by avant-garde and bohemian groups. One of them, Le Chat Noir (1882-1897), created by Rodolphe Salis and Émile Goudeau to promote the famous and eponymous cabaret. Tales, humoristic texts, illustrations or poetry appear in its columns. The present thesis aims for a closer study of these poems, in the light of the crisis which troubles the literary production. It is more precisely to analyse how the notion of the lyric subject, which is considered as the « structural principle » (Käte Hamburger) of lyricism, is treated. Indeed, saying « I » seems to lose sense for these poets, not only because of a tradition that is to subvert for the « fumiste » spirit’s sake which they claim, but also because of the collective context in which they find a space of expression. However, those provocations against the lyrical « I » is also for these artists a way to question and dissect it, and even to reappropriate it, for the collective as much as the individual distinction. A mixed reflexion, based on poetic, esthetic and « sociopoétique » analysis, will lead us to define the logics, stakes and strategies of such a position
Pillard, Thomas. "Négociations identitaires : le film noir français face aux bouleversements de la France d’après-guerre (1946-1960)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100066.
Although the term « film noir » is generally associated with Hollywood cinema, this generic label was originally coined in France in reference to French films made in the 1930s, and the « noir » genre defines a transnational form which circulated between Europe and Hollywood. We intend to study « noir » films in French cinema through this lens, highlighting that the genre is rooted in an old French tradition. Our analysis of the evolution of French film noir foregrounds historical and cultural aspects, positing that film noir articulates a critical discourse on modernity. This doctoral thesis shows that the « noir » form underwent changes which evidenced the ambivalence of identity in a nation in transition between 1946 and 1960, that had to negotiate the cultural shift from Occupation to the Consumer society : the « noir realism » cycle expressed a strong pessimism that has nostalgic, masculinist and nationalist implications, in opposition to the « série noire pour rire » which illustrated a playful reappropriation of History and modernity ; last but not least, gangster films built on the contrast between older characters, marked by the burdens of war, and contemporary mutations, including the development of the American way of life in France. Through its diversity, French film noir reveals the contradictions of post-war French society : the country was keen to dive into the future but obsessed with its traumatic past ; in part seduced by the « American model », it was however determined to keep its « French identity »
Gueneau, Sybila. "Roman noir et critique sociale : réel et violence dans le néo-polar (après mai 1968)." Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0171.
The “Neo-polar” movement or “New French School of Crime Fiction” emerged after the events of May 1968. Its founder Jean-Patrick Manchette coined this term, forging a genre inspired by American noir which incarnates the political shift in French crime fiction. Its main authors, Jean-Patrick Manchette, Pierre Siniac, Frédéric Fajardie, A.D.G., Jean Vautrin, Jean-Bernard Pouy, Hervé Prudent, Thierry Jonquet, and Didier Daeninckx expressed via their writing the violence coming from this political questioning while pushing the boundaries of crime fiction’s conventions. Since the birth of Neo-polar, French crime fiction has centered on questioning the social turmoil of its era. The genre’s social shift favors criticism of consumerism, political institutions, and working-class everyday life, echoing the sociological debates of that time period. Through their narration, Neo-polar writers introduced critical thinking about modernity to crime fiction via the representation of bodies as merchandise and a reflection on physical and symbolic violence, constantly intertwining them. Following the works of Jean Baudrillard, Michel Foucault, Guy Debord, and the influence of cinema and the punk movement, they produce a dialogue between popular literature, social sciences, and political thinking. This thesis, which is the first to treat the Neo-polar as a literary movement, offers a reflection on the different forms of social critique in the genre by examining a corpus of novels written by the movement’s main authors. Through its roots in literary, sociological, and narratological analysis, this thesis articulates three analytical perspectives—the breaking of noir’s genre conventions, the establishment of new narrative structures, and their meaning. Within the scope of situationism, the Neo-polar positions the individual against crime violence and against the violence which comes from a monstrous and alienating society. These representations place violence at the core of this deliberation: in the narrative structure, but also in language. This thesis considers the ambiguity of the political discourse of a genre that is mainly qualified as French noir’s shift to the left, but that we would rather perceive as its deconstructed and nihilistic form, mirroring what the punk movement was for rock at the time. This thesis situates the Neo-polar movement within the historical and literary context of the second half of the 20th century through the literary analysis of works which were never studied before (novels by Hervé Prudon, Pierre Siniac, Jean Vautrin Thierry Jonquet). It aims to emphasize the impact that this movement had on popular culture from that era. Neo-polar is from being a mere fad; it demonstrates a renewed vision of this literary genre, which in the context of May 1968, questions literature as much as it questions political institutions
Morgan, Daniel. "Du crime de guerre au fait divers ˸ la justice pénale, un enjeu politique dans le cinéma français, 1945-1958." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA124.
Although French cinema from the period following World War Two is known for being largely apolitical, its images of criminal justice allow for a glimpse of the difficult questions that the postwar society was forced to ask itself about its return to the rule of law. As a point of conflict between the individual and the state—in a state attempting to reestablish its legitimacy—criminal justice was a delicate subject for filmmakers to address, especially since the cinematic medium, still seen as a means of propaganda and associated with totalitarian regimes, was strictly monitored and censored by public authorities. Using a corpus of 40 feature-length fiction films, this study attempts to analyze the representations of law enforcement, courts, prisons, crime, and punishment in the most important mass media of the era, before the transformation of the film industry by the New Wave and the spread of television to a substantial audience. A range of primary sources, from film reviews in the press to public censorship archives and newsreels dealing with similar themes, help to place the feature films’ images of criminal justice in their historical context. Often depoliticized, sometimes propagandistic, occasionally subversive, the films reveal the possibilities and the limits of expression on an intrinsically political topic, in the film industry and more broadly in 1940s and 1950s French society. They expose the morals, ideals, taboos, hopes and fears of a nation that had recently reestablished democracy but faced difficult questions about the violence of its own methods of maintaining order
Fossé, Noëmie. "Libération, délinquance et trafics en Seine-et-Oise : restrictions, consommation et marché noir des produits de l'U.S. Army (1944-1950)." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010588.
At the Liberation, in circumstances of scarcity and restrictions, barter between civilians and American servicemen developed quite naturally. But the U.S. Army goods quickly became the object of illicit sales, mainly for cash. In Seine-et-Oise, during the first months of freedom, this economic phenomenon developed rapidly, facilitated by the installation of American troops and infrastructures as well as by the disillusionment that followed Liberation. In 1945, given the military, economic and social context, the expansion of black market traffic was sensational. Moreover, the gangsterization of relations between some civilians and servicemen and the inertia of Franco-American policing and French justice contributed significantly to this expansion. The professional and occasional traffickers stole, received stolen goods and dealt mainly in clothing, shoes, textiles, foodstuffs, gasoline or tires. With the redeployment of the American troops and the return of the free market, these convenience transactions lost their importance abruptly. The year 1946 marked the last surge of this illicit market. From 1947 to 1949, the traffickers saw the decline of black market traffic and the end of a golden era. Despite local misunderstandings and mutual antipathy, this traffic was phenomenally successful. The civilians and the American servicemen were aware that this opportunity would be brief. However, in 1950, in a very different economic context, the traffic in U.S. Army goods would reappear around the American military bases established as part of NATO
Arthéron, Axel. "Les théâtres afro-caribéens d'expression française au XXème siècle face à la Révolution de Saint-Domingue : dramaturgies révolutionnaires et enjeux populaires." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030161.
The appearance in the 50’ of afro-Caribbean’s pieces setting up the Dominican Revolution proves to be symbolic. Announced by the creation of La Tragedie du Roi Christophe from Aimé Césaire by Jean-Marie Serreau and the Toucan Troupe, these theatricals expressions will go towards defining a proper theatrical type- possessing his own characteristics, his writing codes, his connection with history and historical characters, and above all, his purpose, his finality : his political and popular function. The articulation between the choice of theater, the political theme of the Dominican Revolution and the stakes of the second half of the 20th Century will constitute the insignia of the historical revolutionary theater, both political and popular
Shango, Lokoho Tumba. "Roman et écriture de l'espace en Afrique (noire) francophone." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://books.google.com/books?id=sZxcAAAAMAAJ.
Murdock, Mark Cammeron. "In the Company of Cheaters (16th-Century Aristocrats and 20th-Century Gangsters)." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1775.
Cain, Anthony Christopher. "Neither decadent, nor traitorous, nor stupid : the French Air Force and air doctrine in the 1930s /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu148819515435815.
Books on the topic "French noir":
Buss, Robin. French film noir. London: M. Boyars, 1994.
Rolls, Alistair, and Deborah Walker. French and American Noir. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825.
Deforges, Régine. Noir tango. Paris, France: Fayard, 1993.
Laye, Camara. L' Enfant noir: Visages de l'Afrique noire. Paris: Hatier, 1992.
Ernaux, Annie. L'atelier noir. Paris]: Busclats, 2011.
1941-, Barcelo François, Blais Marie-Claire, and Truand André, eds. Montréal noir. Montréal: 400 coups, 2003.
Major, Françoise. Dans le noir jamais noir: Nouvelles. Montréal, Québec: La Mèche, 2013.
Major, Françoise. Dans le noir jamais noir: Nouvelles. Montréal (Québec): La Mèche, 2015.
Noguez, Dominique. Amour noir: Roman. [Paris]: Gallimard, 1997.
Rochon, Esther. L'archipel noir. Beauport, Québec: Alire, 1999.
Book chapters on the topic "French noir":
Rolls, Alistair. "Liberation Noir: Boris Vian and the Série Noire (1)." In French and American Noir, 30–49. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_3.
Rolls, Alistair. "Allegorical Noir: Boris Vian and the Série Noire (2)." In French and American Noir, 50–71. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_4.
Rolls, Alistair, and Deborah Walker. "Introduction." In French and American Noir, 1–5. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_1.
Walker, Deborah. "From Honest Thief to Media Sociopath." In French and American Noir, 168–83. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_10.
Walker, Deborah. "Double-Crossings: Reversing the Remake." In French and American Noir, 184–99. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_11.
Rolls, Alistair, and Deborah Walker. "Erratum." In French and American Noir, E1. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/9780230244825_12.
Rolls, Alistair. "Fetishistic Noir: Charles Baudelaire and Léo Malet." In French and American Noir, 6–29. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_2.
Rolls, Alistair. "Noir Strangulation (1): Terry Stewart and Vernon Sullivan." In French and American Noir, 72–93. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_5.
Rolls, Alistair. "Noir Strangulation (2): Amélie Nothomb and Intertextuality." In French and American Noir, 94–114. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_6.
Walker, Deborah. "Jazz: Classic French Film Noir as Transatlantic Exchange." In French and American Noir, 115–31. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_7.
Conference papers on the topic "French noir":
Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.
SOLCAN, Angela. "Heterogeneity of the class and differentiated teaching of the French language." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p219-226.
IBRAHIM, Ulfet. "Translating socio-political texts from French into Azerbaijani: challenges and subtleties." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p261-264.
SAVA, Anastasia. "Strategies for professional training of students in the study of the French language." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p232-236.
Carnevali, J. "Venezuela Nor-Oriental: Exploracion en Frente de Montaña." In 3rd Simposio Bolivariano - Exploracion Petrolera en las Cuencas Subandinas. European Association of Geoscientists & Engineers, 1988. http://dx.doi.org/10.3997/2214-4609-pdb.114.003.
AVORNICЕSĂ, Natalia. "Praxeological perspectives of literature at the a2 level in the teaching of french as a foreign language in the Republic of Moldova." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p237-241.
CELPAN-PATIC, Natalia. "Pedagogical translation in grammar class as a remedial tool." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p242-249.
COPACINSCHI, Angela. "The delimitation between functional and semantic transposition." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p255-260.
BOUVET AGNELLI, Cécile. "Prioritizing repairs using risk analysis and its application to masonry structures." In IABSE Conference, Copenhagen 2018: Engineering the Past, to Meet the Needs of the Future. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2018. http://dx.doi.org/10.2749/copenhagen.2018.290.
Arnold, J. F., G. Tremouliere, N. Langlois, and H. Chafouk. "Fuzzy Controller Without Feed-Forward for the Air System of a Diesel Engine." In ASME 2006 Internal Combustion Engine Division Spring Technical Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/ices2006-1381.