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Books on the topic 'French Jewish poetry'

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Author: Grafiati
Published: 26 July 2024

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1

Jacques, Eladan, ed. Poètes juifs de langue française. Paris: N. Blandin, 1992.

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2

Eladan, Jacques. Poètes juifs de langue française. 2nd ed. [Paris?]: Courcelles publishing, 2010.

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3

Berdah, David. Shirat Daṿid: Ḳovets shirim. Bene Beraḳ: Yeshivat Kise raḥamim, 2000.

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4

Jacques, Eladan, ed. Esperance poétique, chalom-salam: Anthologie de poètes pacifistes juifs et arabes de l'antiquité à nos jours. Paris: L'Harmattan, 1997.

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5

Harris, Robert A. Discerning parallelism: A study in northern French medieval Jewish biblical exegesis. Providence, R.I: Brown Judaic Studies, 2004.

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6

Daniel, Beauvois, ed. Poètes de l'apocalypse: Anthologie de poésie en polonais, hébreu et yiddish (1939-1945). [Lille]: Presses universitaires de Lille, 1992.

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7

Ertel, Rachel. Dans la langue de personne: Poésie yiddish de l'anéantissement. [Paris]: Editions du Seuil, 1993.

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8

Ben-Ḥasin, David. Tehilah le-Daṿid: Ḳovets shirato shel r. Daṿid Ben-Ḥasin, zatsal, payṭanah shel Yahadut Maroḳo ; mah. madaʻit be-tseruf mevoʾot, heʻarot u-viʾurim. Lod: Be-hotsaʾat Orot Yahadut ha-Magreb, 1999.

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9

Eladan, Jacques. Poètes de la Shoah. Paris: Caractères, 1989.

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10

Walther, Ingo F. Marc Chagall, 1887-1985: Painting as poetry. Cologne: Benedikt Taschen, 1993.

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11

Walther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen, 1987.

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12

Walther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen Verlag GmbH & Co, 1990.

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13

Walther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen Verlag GmbH & Co, 1987.

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14

Walther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen Verlag GmbH & Co, 1990.

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15

Walther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen Verlag GmbH & Co, 1993.

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16

Walther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen, 1987.

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17

Poème judéo-hellénistique attribué à Orphée: Production juive et réception chrétienne. Paris: Belles lettres, 2010.

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18

Granoff, Katia. Juifs et chrétiens, liens impérissables. [Paris]: C. Bourgois, 1986.

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19

Ronny, Someck, Lagny Isabelle, and Eckhard Elial Michel, eds. Bagdad - Jérusalem: À la lisière de l'incendie. Paris: Bruno Doucey, 2012.

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20

Wiesel, Elie. Night. 7th ed. New York, USA: Bantam Books, 1986.

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21

Wiesel, Elie. Night (Oprah's Book Club). New York: Hill and Wang, 2006.

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22

Wiesel, Elie. Night (Oprah's Book Club). New York: Hill and Wang, 2006.

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23

Night. New York, USA: Bantam Books, 1989.

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24

Marion, Wiesel, ed. Night. New York, NY: Hill and Wang, a division of Farrar, Straus and Giroux, 2005.

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25

Wiesel, Elie. Night. 2nd ed. New York, USA: Bantam Books, 1986.

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26

Wiesel, Elie. Night. 3rd ed. New York, USA: Bantam Books, 1986.

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27

Wiesel, Elie. Night. 2nd ed. New York: Bantam Books, 1989.

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28

Wiesel, Elie. Night. 7th ed. New York, USA: Bantam Books, 1986.

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29

Night. Austin: Holt, Rinehart and Winston, 1999.

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30

JARON, STEVEN. Edmond Jabès: The hazard of exile. Oxford: Legenda, 2003.

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31

Poetes de l'apocalypse: Anthologie de poesie en polonais, hebreu et yiddish (1939-1945). Presses universitaires de Lille, 1991.

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32

Exodus: The face of poetic resistance under the Holocaust. Toronto: J. Norman Eds., 2008.

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33

Max Jacob: A Life in Art and Letters. Norton & Company, Incorporated, W. W., 2020.

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34

Warren, Rosanna. Max Jacob: A Life in Art and Letters. Norton & Company Limited, W. W., 2020.

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35

La Shoah et son ombre. Strasbourg: Arthenon, 2009.

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36

Walther, Ingo F. Marc Chagall, 1887-1985: Painting As Poetry (Taschen Art Series). Sunflower Books, 1990.

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37

Chagall, Marc, Rainer Metzger, and Ingo F. Walther. Marc Chagall 1887-1985: Painting As Poetry (Basic Series : Art). Benedikt Taschen Verlag, 1996.

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38

Rodgers, Helen, and Stephen Cavendish. City of Illusions. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197619414.001.0001.

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Granada is a deceptive city, concealing a layered past and a complex character. The last Muslim capital in Western Europe, over the centuries it has captured hearts and imaginations, inspiring countless myths and legends. Yet its history reveals even more fascinating tales: secrets and follies, victory and failure, poetry and art. City of Illusions brings together Granada's many stories - the archaeological forger, the renegade French general, the garroted liberal heroine, the Jewish poet who served two Muslim rulers. This colorful cast of characters takes us from the founding eleventh-century dynasty and the building of the Alhambra, through the Reconquista, French occupation and Spanish Civil War, right up to the present day. Granada's history has long been fought over, rewritten, idealized or buried. This rich, elegant book sets the record straight on a beautiful, elusive city, with all its quirks, mysteries, intrigues and triumphs.
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39

Horsley, Adam. Libertines and the Law. British Academy, 2021. http://dx.doi.org/10.5871/bacad/9780197267004.001.0001.

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Following the assassination of Henri IV in 1610, the political turbulence of Louis XIII's early reign led to renewed efforts to police the book trade. Yet it also witnessed a golden age of 'libertine' literature, including a plethora of sexually explicit and irreverent poetry as well as works of free-thinking that cast doubt on the dogma of Church and State. As France moved towards absolutism, a number of unorthodox writers were forced to defend themselves before the law courts. Part I offers a conceptual history of libertinism, as well as an exploration of literary censorship and the mechanics of the criminal justice system in this period. Part II examines the notorious trials of three subversive authors. The Italian philosopher Giulio Cesare Vanini was brutally executed for blasphemy by the Parlement de Toulouse in 1619. Jean Fontanier was burned at the stake two years later in Paris for authoring a text to convert Christians to Judaism. The trial of the infamous poet Théophile de Viau for irreligion, obscenity, and poems describing homosexuality was a landmark in French literary and social history, despite him eventually escaping the death penalty in 1625. Drawing from rarely explored sources, archival discoveries and legal manuals, it provides new insights into the censorship of French literature and thought from the perspectives of both the defendants and the magistrates. Through a diverse corpus including poetry, philosophical texts, religious polemics, Jewish teachings, and private memoirs, it sheds new light on this crucial period in literary, legal, and intellectual history.
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40

Steinlauf, Michael C., and Antony Polonsky, eds. Polin: Studies in Polish Jewry Volume 16. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774730.001.0001.

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Scholarship on the civilization of Polish Jews has tended to focus on elite culture and canonical literature. This volume focuses on the less explored theme of Jewish popular culture and shows how it blossomed into a complex expression of Jewish life. In addition to a range of articles on the period before the Second World War, there are studies of the traces of this culture in the contemporary world. The volume aims to develop a fresh understanding of Polish Jewish civilization in all its richness and variety. Subjects discussed in depth include klezmorim and Jewish recorded music; the development of Jewish theatre in Poland, theatrical parody, and the popular poet and performer Mordechai Gebirtig; Jewish postcards in Poland and Germany; the early Yiddish popular press in Galicia and cartoons in the Yiddish press; working-class libraries in inter-war Poland; the impact of the photographs of Roman Vishniac; contemporary Polish wooden figures of Jews; and the Kraków Jewish culture festival. In addition, a Polish Jewish popular song is traced to Sachsenhausen, the badkhn (wedding jester) is rediscovered in present-day Jerusalem, and Yiddish cabaret turns up in blues, rock ‘n’ roll, and reggae. There are also translations from the work of two writers previously unavailable in English. Space is given to new research into a variety of topics in Polish Jewish studies. The review section includes an important discussion of what should be done about the paintings in Sandomierz cathedral which represent an alleged ritual murder in the seventeenth century, and an examination of the ‘anti-Zionist’ campaign of 1968.
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41

Eidevall, Göran. Amos. Doubleday a division of Bantarn Doubleday Dell Publishing Group, Inc., 2017. http://dx.doi.org/10.5040/9780300262162.

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The poetry found in the "Book of Lamentations" is an eloquent expression of one man's, and one nation's, despair. The poet is deep in mourning as a result of the fall of Jerusalem to the Babylonians in the sixth century b.c.e. He looks to Israel's own sins to explain the catastrophe, and yet he recites poignant examples of Israel's suffering in wondering aloud if God has abandoned his people altogether. Thus his lament is both a confession and a prayer for hope in spite of the horrible defeat. "Lamentations" is traditionally thought to have been written by the prophet Jeremiah; today the question is whether one man wrote it or many. In his Introduction, Delbert Hillers gives the evidence against Jeremiah's authorship and suggests that the poems should be treated as an intelligible unity, most likely written by an eyewitness to the events described."The Book of Lamentations" has been taken up through history both as poetry and as an expression of boundless grief. It has become part of the Jewish and Christian liturgies, as well as a source of comfort far beyond the time in which it was written. This commentary fills in the book's literary and historical background, and we emerge with a fresh respect for the artistry with which it was composed. The poetry itself demands this respect, with a translation here that carries the emotion and heartbreak of the original Hebrew. This new edition by Delbert R. Hillers is a thorough revision of his earlier Anchor Bible commentary, incorporating new literary theories and textual discoveries connected with the very latest Dead Sea Scrolls scholarship.
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42

Morel, Olivier. The “German Illusion”. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9798765107409.

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Examines Jewish-German “tropes” in Hélène Cixous’s oeuvre and life and their impact on her work as a feminist, poet, and playwright. Hélène Cixous is a poet, philosopher, and activist known worldwide for her manifesto on Écriture feminine (feminine writing) and for her influential literary texts, plays, and essays. While the themes were rarely present in her earlier writings, Germany and Jewish-German family figures and topics have significantly informed most of Cixous’s late works. Born in Algeria in June 1937, she grew up with a mother who had escaped Germany after the rise of Nazism and a grandmother who fled the racial laws of the Third Reich in 1938. In her writing, Cixous refines the primitive scene of a “German” upbringing in French-occupied colonial, antisemitic Algeria. Scholar and filmmaker Olivier Morel delves into the signs and influences that “Germany,” “German,” and “Osnabrück” have exerted over Cixous’s work. Featuring an exclusive interview with Hélène Cixous and stills from their travel together to Osnabrück in Morel’s 2018 documentary, Ever, Rêve, Hélène Cixous, Morel’s The “German Illusion” examines the unique literary meditation on the Holocaust sustained throughout her later texts. Morel helps us to understand an uncannily original oeuvre that embodies the complexities of modernity’s genocidal history in a new way.
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43

Pifer, Michael. Kindred Voices. Yale University Press, 2021. http://dx.doi.org/10.12987/yale/9780300250398.001.0001.

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By the mid-thirteenth century, Anatolia had become a region of stunning cultural diversity, home not only to Armenians and Greeks but also to Persians, Turks, Arabs, Mongols, Jews, and others. Kindred Voices explores how the Muslim and Christian poets of Anatolia grappled with the multilingual and multireligious worlds they inhabited, attempting to impart resonant forms of religious instruction to their intermingled communities. This unique, under-studied convergence produced fresh poetic styles and sensibilities, native to no single people or language, that enabled the period’s literature to reach new and wider audiences. This is the first book to study the era’s major Persian, Armenian, and Turkish poets, from roughly 1250 to 1340, against the canvas of this broader literary ecosystem. Although these poets were later constructed as foundational figures in their own “national” literary histories, they first emerged, before the rise of the Ottomans, from a shared and fraught terrain.
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44

Jahner, Jennifer. Literature and Law in the Era of Magna Carta. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198847724.001.0001.

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Literature and Law in the Era of Magna Carta traces the fortunes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. Geoffrey of Vinsauf’s phenomenally popular Latin compositional handbook, the Poetria nova, finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste’s Anglo-French devotional poem, the Château d’Amour, is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself and that later scholars tell about the origins of English constitutionalism.
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45

Wiesel, Elie. Night. Recorded Books, 2002.

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46

Wiesel, Elie. Night. Bantam Books, 1987.

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47

Wiesel, Elie. Night: Biography & Memoir. Recorded Books, 1999.

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48

Wiesel, Elie. La nuit. Editions de Minuit, 1988.

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49

Keeling, Kara K., and Scott T. Pollard. Table Lands. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828347.001.0001.

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Table Lands: Food in Children's Literature surveys food’s function in children’s texts, showing how the socio-cultural contexts of food reveal children’s agency through examining texts that vary from historical to contemporary, non-canonical to classics, the Anglo-American to multicultural traditions, including a variety of genres, formats, and audiences: realism, fantasy, cookbooks, picture books, chapter books, YA novels, and film. The first chapter tracks children’s cookbooks over 150 years to show how adults’ expectations change based on shifting ideologies of child capability. Subsequent chapters survey canonical authors. Social work theory, British rural and urban cultures, and poverty inform the analysis of the foodways that underlie Beatrix Potter’s animal tales. Investigating Jewish immigration and foodways, food manufacturing, and roadside/programmatic architecture reveals Maurice Sendak’s In the Night Kitchen as an immigrant Jewish and natively American work. A.A. Milne’s Winnie-the-Pooh books work as a künstlerroman; Mary Douglas’s semiotic analysis and the history of honey and bees show Pooh as a poet who celebrates food. Laura Ingalls Wilder’s Little House books contrast with Louise Erdrich’s Birchbark series: differing foodways showcase competing cultural and environmental values. The final chapters examine intersections of geography, history, and food in contemporary texts. Francesca Lia Block’s Dangerous Angels reflects Los Angeles culture. Disney•Pixar’s Ratatouille showcases French haute cuisine in its story of otherness. In One Crazy Summer and its sequels, Rita Williams-Garcia tracks the movement of African American internal diasporas, through southern foodways, soul food, and the Black Panthers’ breakfast program. Refugee Studies demonstrate how food is a primary signifier of the difficulties posed by forced migration in Thanhha Lai’s Inside Out & Back Again.
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50

Night. New York, USA: Hill and Wang, 2011.

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