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Books on the topic 'French 500-1400 History and criticism'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Louis, Nádas John, and Cuthbert Michael Scott, eds. Ars nova: French and Italian music in the fourteenth century. Farnham, England: Ashgate, 2009.

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2

Voices and instruments of the Middle Ages: Instrumental practice and songs in France, 1100-1300. London: J.M. Dent & Sons, 1987.

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3

Voices and instruments of the Middle Ages: Instrumental practice and songs in France, 1100-1300. Berkeley: University of California Press, 1986.

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4

The polyphony of Saint Martial and Santiago de Compostela. Berkeley: University of California Press, 1992.

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5

Karp, Theodore. The polyphony of Saint Martial and Santiago de Compostela. Oxford: Clarendon Press, 1992.

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6

Everist, Mark. French motets in the thirteenth century: Music, poetry, and genre. Cambridge, UK: Cambridge University Press, 2004.

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7

French motets in the thirteenth century: Music, poetry, and genre. Cambridge [England]: Cambridge University Press, 1994.

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8

LeBlanc, Yvonne. Va lettre va: The French verse epistle (1400-1550). Birmingham, Alabama: Summa Publications, 1995.

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9

The owl and the nightingale: Musical life and ideas in France, 1100-1300. Berkeley: University of California Press, 1990.

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10

Page, Christopher. The owl and the nightingale: Musical life and ideas in France 1100-1300. London: Dent, 1989.

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11

The song in the story: Lyric insertions in French narrative fiction, 1200-1400. Philadelphia: University of Pennsylvania Press, 1993.

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12

Huot, Sylvia. Allegorical play in the Old French motet: The sacred and the profane in thirteenth-century polyphony. Stanford, Calif: Stanford University Press, 1997.

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13

Wimsatt, James I. Chaucer and his French contemporaries: Natural music in the fourteenth century. Toronto: University of Toronto Press, 1991.

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14

Krueger, Roberta L. Women readers and the ideology of gender in old French verse romance. Cambridge [England]: Cambridge University Press, 2005.

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15

Women readers and the ideology of gender in old French verse romance. Cambridge [England]: Cambridge University Press, 1993.

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16

The familiar enemy: Chaucer, language, and nation in the Hundred Years War. Oxford: Oxford University Press, 2009.

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17

The French fetish from Chaucer to Shakespeare. Cambridge, UK: Cambridge University Press, 2004.

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18

Cattin, Giulio. Music of the Middle Ages. Cambridge: Cambridge University Press, 1985.

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19

The modern invention of medieval music: Scholarship, ideology, performance. Cambridge: Cambridge University Press, 2002.

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20

Medieval Music-Making and the Roman de Fauvel. Cambridge University Press, 2008.

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21

Music in the French Secular Theater, 1400-1550. Harvard University Press, 2013.

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22

Nelson, Holly Faith, Kelsey L. Haskett, and Katharine Bubel. French Women Authors: The Significance of the Spiritual, 1400-2000. University of Delaware Press, 2012.

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23

French Women Authors: The Significance of the Spiritual, 1400-2000. University of Delaware Press, 2012.

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24

Nelson, Holly Faith, Kelsey L. Haskett, and Katharine Bubel. French Women Authors: The Significance of the Spiritual, 1400-2000. University of Delaware Press, 2012.

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25

Nelson, Holly Faith, Kelsey L. Haskett, and Katharine Bubel. French Women Authors: The Significance of the Spiritual, 1400-2000. University of Delaware Press, 2012.

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26

Haskett, Kelsey, and Holly Faith Nelson. French Women Authors: The Significance of the Spiritual, 1400 2000. University of Delaware Press, 2012.

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27

Refrain and the Rise of the Vernacular in Medieval French Music and Poetry. Boydell & Brewer, Limited, 2013.

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28

Saltzstein, Jennifer. Refrain and the Rise of the Vernacular in Medieval French Music and Poetry. Boydell & Brewer, Limited, 2013.

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29

The Refrain And The Rise Of The Vernacular In Medieval French Music And Poetry. Boydell & Brewer Ltd, 2013.

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30

Musica Naturalis Speculative Music Theory And Poetics From Saint Augustine To The Late Middle Ages In France. Johns Hopkins University Press, 2013.

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31

Boulton, Maureen Barry McCann. Song in the Story: Lyric Insertions in French Narrative Fiction, 1200-1400. University of Pennsylvania Press, 2016.

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32

FRENCH WOMEN AUTHORS : THE SIGNIFICANCE O: The Significance of the Spiritual, 1400-2000. University of Delaware Press, 2014.

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33

Demonic Possession, Vulnerability, and Performance in Medieval French Drama. Lang Publishing, Incorporated, Peter, 2018.

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34

Marculescu, Andreea. Demonic Possession, Vulnerability, and Performance in Medieval French Drama. Lang AG International Academic Publishers, Peter, 2018.

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35

Marculescu, Andreea. Demonic Possession, Vulnerability, and Performance in Medieval French Drama. Lang AG International Academic Publishers, Peter, 2018.

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36

Marculescu, Andreea. Demonic Possession, Vulnerability, and Performance in Medieval French Drama. Lang AG International Academic Publishers, Peter, 2018.

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37

Wimsatt, James I. Chaucer and His French Contemporaries. University of Toronto Press, 2016.

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38

Quainton, Malcolm, and Adrian Armstrong. Book and Text in France, 1400-1600: Poetry on the Page. Taylor & Francis Group, 2016.

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39

(Editor), Adrian Armstrong, and Malcolm Quainton (Editor), eds. Book and Text in France 1400-1600: Poetry on the Page. Ashgate Publishing, 2007.

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40

Quainton, Malcolm, and Adrian Armstrong. Book and Text in France, 1400-1600: Poetry on the Page. Taylor & Francis Group, 2016.

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41

Evans, Paul. Early Trope Repertory of Saint Martial de Limoges. Princeton University Press, 2016.

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42

Evans, Paul. Early Trope Repertory of Saint Martial de Limoges. Princeton University Press, 2015.

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43

Evans, Paul. Early Trope Repertory of Saint Martial de Limoges. Princeton University Press, 2015.

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44

Wimsatt, James I. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. University of Toronto Press, 1993.

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45

Butterfield, Ardis. The Familiar Enemy: Chaucer, Language, and Nation in the Hundred Years War. Oxford University Press, 2013.

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46

Butterfield, Ardis. Familiar Enemy: Chaucer, Language, and Nation in the Hundred Years War. Oxford University Press, 2009.

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47

(Editor), Donald Maddox, and Sara Sturm-Maddox (Editor), eds. The Medieval French Alexander (S U N Y Series in Medieval Studies). State University of New York Press, 2002.

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48

Music and the moderni, 1300-1350: The ars nova in Theory and Practice. Cambridge University Press, 2018.

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49

Music and the Moderni, 1300-1350: The Ars Nova in Theory and Practice. University of Cambridge ESOL Examinations, 2020.

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50

Gallo, F. Alberto. Music of the Middle Ages. Cambridge University Press, 1985.

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