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Books on the topic 'Fredric Westin'

Author: Grafiati

Published: 29 June 2021

Last updated: 5 February 2022

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1

Remington, Frederic. Frederic Remington. Santa Fe, N.M: Gerald Peters Gallery, 1991.

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2

Ballinger, James K. Frederic Remington. New York, N.Y: Abrams in association with the National Museum of American Art, Smithsonian Institution, 1989.

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3

Raboff, Ernest Lloyd. Frederic Remington. New York: Lippincott, 1988.

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4

1861-1909, Remington Frederic, ed. Frederic Remington. New York: Crescent Books, 1989.

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5

Stewart, Rick. Frederic Remington: Masterpieces from the Amon Carter Museum. Fort Worth, Tex: Amon Carter Museum, 1992.

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6

Buckland, Roscoe L. Frederic Remington: The writer. New York: Twayne Publishers, 2000.

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7

Manfred, Frederick Feikema. The Frederick Manfred reader. Duluth, Minn: Holy Cow! Press, 1996.

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8

Hassrick, Peter H. The Frederic Remington Studio. Cody, Wyo: Buffalo Bill Historical Center, 1994.

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9

Remington, Frederic. Frederic Remington: Paintings and sculpture. New York: Wings Books, 1993.

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10

Michelle, Meyers, ed. The American West of Frederic Remington. Kansas City: Andrews and McMeel, 1994.

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11

1861-1909, Remington Frederic, ed. How the West was drawn: Frederic Remington's art. Gretna [La.]: Pelican Pub. Co., 2012.

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12

Frederic Remington & turn-of-the-century America. New Haven: Yale University Press, 1995.

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13

Manfred, Freya. Frederick Manfred: A daughter remembers. St. Paul, Minn: Minnesota Historical Society Press, 1999.

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14

Konsten att avstå: Framställningar av åldrande och visdom i västeuropeisk litteratur från Cicero till Fredrika Bremer. Uppsala: Uppsala universitet, 2009.

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15

1861-1909, Remington Frederic, and Webster Melissa J. 1956-, eds. Frederic Remington: A catalogue raisonne of paintings, watercolors, and drawings. Cody, Wyo: Buffalo Bill Historical Center, 1996.

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16

Varouxakis, Georgios. Happiness and Utility: Essays Presented to Frederick Rosen. London: UCL Press, 2019.

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17

White, G. Edward. The Eastern establishment and the western experience: The West of Frederic Remington, Theodore Roosevelt, and Owen Wister. Austin: University of Texas Press, 1989.

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18

Haskins, Michael. Car wash blues: A Mick Murphy Key West mystery. Waterville, Me: Five Star/Gale, 2012.

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19

Ecelbarger, Gary L. Frederick W. Lander: The great natural American soldier. Baton Rouge: Louisiana State University Press, 2000.

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20

1861-1909, Remington Frederic, Amon Carter Museum of Western Art., and Sid W. Richardson Foundation, eds. Frederic Remington: Paintings, drawings, and sculpture in the Amon Carter Museum and the Sid W. Richardson Foundation collections. New York, NY: Harrison House in association with the Amon Carter Museum of Western Art, 1987.

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21

Hassrick, Peter H. Frederic Remington: Paintings, drawings, and sculpture in the Amon Carter Museum and the Sid W. Richardson Foundation collections. New York, NY: Harrison House in association with the Amon Carter Museum of Western Art, 1987.

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22

Turner, Frederick Jackson. Rereading Frederick Jackson Turner: "The significance of the frontier in American history", and other essays. New Haven, Conn: Yale University Press, 1998.

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23

1945-, Faragher John Mack, ed. Rereading Frederick Jackson Turner: The significance of the frontier in American history, and other essays. New York, N.Y: H. Holt, 1994.

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24

Hagerstown: Railroading around the hub city. Charleston, SC: Arcadia, 2003.

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25

Richard, White. The frontier in American culture: An exhibition at the Newberry Library, August 26, 1994 - January 7, 1995. Chicago: The Library, 1994.

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26

John, Matthews. Warriors of Christendom: Charlemagne, El Cid, Barbarossa, Richard Lionheart. London: Brockhampton, 1998.

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27

1949-, Stewart R. J., ed. Warriors of Christendom: Charlemagne, El Cid, Barbarossa, Richard Lionheart. Poole, Dorset: Firebird Books, 1988.

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28

Hassrick, Peter H. Frederic Remington. Random House Value Publishing, 1988.

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29

Frederic Remington. Knickerbocker Press, 1999.

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30

Remington, Frederic. Frederic Remington's Own West. Promentory Press, 1996.

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31

Phelan, Wynne H., and Emily Ballew Neff. Frederic Remington. Princeton University Press, 2000.

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32

Remington, Frederic. Frederic Remington: Selected Writings. Book Sales, 1986.

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33

Center, Buffalo Bill Historical. Frederic Remington: A Catalogue Raisonne. Roberts Rinehart Publishers, 1996.

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34

Frederic Remington Art Museum Collection. Harry N. Abrams, 2001.

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35

Czichos, Raymond L., and Frederic Remington. Frederic Remington Eighteen Sixty One to Nineteen Nine: He Knew the Horse. Pioneer Museum of Western Art, 1987.

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36

Vorpahl, Ben Merchant. Frederic Remington and the West: With the Eye of the Mind. University of Texas Press, 2014.

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37

1928-, Nolan William F., ed. Max Brand, western giant: The life and times of Frederick Schiller Faust. Bowling Green, Ohio: Bowling Green State University Popular Press, 1985.

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38

1946-, Nelson Nancy Owen, ed. The lizard speaks: Essays on the writings of Frederick Manfred. Sioux Falls, S.D: Center for Western Studies, 1998.

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39

1909-, Charles John Fredrick, Baker Bruce R, and Fischer John E. 1939-, eds. Exegisti monumentum aere perennius: Essays in honor of John Frederick Charles. Indianapolis, IN: Guild Press of Indiana, 1994.

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40

Nature, truth, and value: Exploring the thinking of Frederick Ferré. Lanham, MD: Lexington Books, 2005.

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41

1935-, Allan George, and Allshouse Merle F. 1935-, eds. Nature, truth, and value: Exploring the thinking of Frederick Ferré. Lanham, MD: Lexington Books, 2005.

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42

Allan, George, and Merle F. Allshouse. Nature, Truth, and Value: Exploring the Thinking of Frederick Ferre. Lexington Books, 2005.

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43

Allan, George, and Merle F. Allshouse. Nature, Truth, and Value: Exploring the Thinking of Frederick Ferre. Lexington Books, 2005.

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44

Lurie, Peter. “Orders from the House”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0003.

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This chapter takes its title from an essay about The Shining by Fredric Jameson, “Historicism in the Shining,” which, for all its acuity about the film’s awareness of economic history, demonstrates a notable blind spot around issues of race and the violence subtending America’s past in regions like the U.S. west. It shows a troubling alliance between Jack Torrance’s will to mastery and director Stanley Kubrick’s unique wielding of cinematic omniscience, suggesting the film’s awareness of the frontier as both a space of supposed white sovereignty and aesthetic spectacle. It employs key visual tropes and verbal details as well as the film’s stylistic excesses to suggest the history of genocide embedded in both the Overlook Hotel’s history and in American historical concepts such as manifest destiny. Its conclusion utilizes Gilles Deleuze’s model of the time-image to describe an apprehensible historicity in the film’s dual ending.

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45

Saylor, Eric. Race, “Realism,” and Fate in Frederick Delius’s Koanga. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0005.

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This chapter examines how race intersects with questions of “realism” and fate in Frederick Delius's Koanga, which features black characters as its protagonists as well as examples of African American folk music. Based on an episode from George Washington Cable's novel The Grandissimes, Koanga is a nineteenth-century story of love, jealousy, and betrayal centered on Koanga, an enslaved West African prince and voudon priest, and Palmyra, a quadroon maidservant. This chapter first provides a background on Koanga's genesis and textual variations before discussing its seeming contradiction: the dramatic portrayal of Koanga and Palmyra as a reflection of period beliefs about the Otherness of blacks; and its treatment of the exoticism of “blackness,” both physical and musical, as an attractive quality integral to achieving its dramatic and musical aims. It argues that Koanga revives many familiar tropes of racial exoticism and manifests troubling new resonances concerning questions of destiny and free will.

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46

Coward, John M. Remington’s Indian Illustrations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0008.

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This chapter examines the Indian illustrations of Frederic Remington, widely acclaimed today as the most famous Western illustrator and painter. Remington, who was too young to cover the major Indian wars, nevertheless created a number of significant Indian war images, including important but highly fictionalized Last Stand illustrations that shaped ideas about Indian fighting for several generations of Americans. Remington's Indian illustrations were clearly shaped by his belief in a racial hierarchy that placed whites atop the ladder of civilization. For Remington, Indians were a barbarous and inferior people doomed to disappear if they did not adopt civilized habits and beliefs. However, Remington was not absolute in his negative views of Indians; he praised Indian men for their fierceness and admired their bravery and masculine power. In short, Remington thought of Indian men as colorful, living symbols of a savage race and he was fascinated by their mysterious ways.

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47

Nelson, Nancy Owen. The Lizard Speaks: Essays on the Writings of Frederick Manfred (The Prairie Plains Series) (The Prairie Plains Series). Center for Western Studies, 1998.

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48

Ecelbarger, Gary L. Frederick W. Lander: The Great Natural American Soldier. Louisiana State University Press, 2001.

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49

Scott, Tom. The Burgundian Wars. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198725275.003.0016.

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Debate over the origins of the Burgundian Wars now recognizes that the imperial cities of Alsace alongside Bern, Fribourg, and Solothurn, encouraged by Emperor Frederick III’s declaration of the hostilities as an ‘imperial war’, launched a pre-emptive strike against Duke Charles the Bold of Burgundy in 1474/5. At the same time the western Swiss cities were equally keen to deter participation by the eastern cantons which might simply be an excuse for plunder. The early campaigns were led by the Bernese councillor and diplomat Niklaus von Diesbach, but after his death (August 1475) the campaigns continued, directed against the Savoy governor of the Vaud (a Burgundian partisan). Only then did Charles the Bold retaliate, leading to the famous Swiss victories at Grandson, Morat, and Nancy. A principal beneficiary were the Valais communes who annexed the Savoyard Lower Valais, while Bern and Fribourg took temporary control of the Vaud.

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50

Grossman, James R., Richard White, and Patricia Nelson Limerick. Frontier in American Culture. University of California Press, 1994.

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