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1

Tally, Robert T. "Boundless Mystification." South Atlantic Quarterly 119, no. 4 (October 1, 2020): 779–88. http://dx.doi.org/10.1215/00382876-8663687.

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In Marxist literary criticism—for example, as represented by Fredric Jame-son’s influential study, The Political Unconscious—the interpretation of texts has frequently involved ideology critique, by which the critic attempts to disclose both the ideological content or structural limitations of a given text while also being attuned to the text’s utopian or revolutionary potential. In recent decades, Marxist criticism in particular and what is taken to be the hermeneutics of suspicion more generally have come under attack by literary scholars who favor various forms of postcritique, including surface reading and thin description. This essay suggests that postcritique, and all that it involves, contributes to the radical dismantling of higher education caused by rampant neoliberalism. The vocation of ideology critique and of Marxist criticism is, this essay contends, the most appropriate response to a society so utterly mystified as our own.
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2

Lester, J. C. "ADVERSUS “ADVERSUS HOMO ECONOMICUS”: CRITIQUE OF THE “CRITIQUE OF LESTER’S ACCOUNT OF INSTRUMENTAL RATIONALITY”." MEST Journal 10, no. 2 (July 15, 2022): 124–45. http://dx.doi.org/10.12709/mest.10.10.02.13.

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This essay goes through Frederick 2015 (the critique) in some detail, responding to the various paraphrases and criticisms therein. It is argued that in each case the critique is mistaken about what Lester 2012 (Escape from Leviathan: EfL) says, or about what the critique presents as a sound criticism, or both. Introduction: the three problems with the critique and the philosophical problem that EfL is attempting to solve. “Abstract”: the critique’s confusion about EfL’s aprioristic theory of instrumental rationality. There are then detailed replies (too many and too diverse to summarise) to quotations from the critique’s confused interpretations and criticisms under the following headings (quoted from the critique): “2. Instrumental Rationality”; 3. Weakness of Will”; “4. Desires and Values”; “5. Free Will”; “6. Self-Interest”; “7. Maximisation”; “8. Morals”. Finally, in “9. Conclusion”, the philosophical problem for economics is briefly restated. The philosophical interpretation of homo economicus in EfL (as with its overall philosophical theory of libertarianism) has yet to be given adequate critical consideration.
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3

Ellis, John M. "Fredric Jameson’s marxist criticism." Academic Questions 7, no. 2 (June 1994): 30–43. http://dx.doi.org/10.1007/bf02683154.

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4

Maar, Alexander. "A Metafísica de Copleston e o Debate com Russell." Revista Portuguesa de Filosofia 76, no. 4 (January 31, 2021): 1331–62. http://dx.doi.org/10.17990/rpf/2020_76_4_1331.

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Father Frederick Copleston is best known for his carefully crafted works History of Philosophy and Thomas Aquinas. Copleston’s most notable metaphysical thesis is his interpretation of the argument from contingency, which he sees as the superior choice for theists. He draws on Aquinas and distinguishes between causa fieri and causa esse to argue that God is a higher order (vertical) cause of contingent causal series (horizontal). Copleston presents God not as a temporal first cause, but an ontologically ultimate cause necessary to explain a contingent universe. His contribution changed the way we read Aquinas. Copleston’s willingness to debate his thesis with different philosophical perspectives is illustrated by his acceptance to discuss God’s existence with Bertrand Russell, in 1948. This BBC radio debate epitomises the dispute between theists and atheists from the 1940s onwards. I undertake to expound and comment Copleston’s contribution to metaphysics, present relevant parts of the debate and provide criticism.
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5

Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 2 (October 2017): 188–93. http://dx.doi.org/10.1017/s0017383517000092.

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I still remember the thrill of reading for the first time, as an undergraduate, Frederick Ahl's seminal articles ‘The Art of Safe Criticism’ and the ‘Horse and the Rider’, and the ensuing sense that the doors of perception were opening to reveal for me the (alarming) secrets of Latin poetry. The collectionWordplay and Powerplay in Latin Poetryis a tribute to Ahl, and all twenty-two articles take his scholarship as their inspiration. Fittingly, this book is often playful and great fun to read, and contains some beautiful writing from its contributors, but also reflects the darker side of Latin literature's entanglement with violence and oppression. For the latter, see especially Joy Connolly's sobering discussion of ‘A Theory of Violence’ in Lucan, which draws on Achille Mbembe's theory of the reiterative violence of everyday life that sustains postcolonial rule in Africa (273–97), which resonates bleakly beyond Classical scholarship to the present day. Elsewhere there is much emphasis (ha!) on the practice and effects of veiled speech, ambiguity, and hidden meanings. Pleasingly, Michael Fontaine identifies what he calls ‘Freudian Bullseyes’ in Virgil: a ‘correct word that hits the mark’ (141) that also reveals – simply and directly – the unspoken guilty preoccupations of the speaker: Dido's lust for Aeneas, Aeneas’ grief-stricken sense of responsibility for Pallas’ death. A citation from F. Scott Fitzgerald'sTender is the Nightprovides the chilling final line of Emily Gowers’ delicious article about what ripples out beyond the coincidence of sound of Dido/bubo. The volume explores subversive responses to power (for example, the articles of Erica Bexley and David Konstan), as well as the risk of powerful retaliation (Rhiannon Ash considers the political consequences of poetry as represented by Tacitus). There are also broader methodological reflections on interpretation, from musings on the reader's pleasure at decoding the hidden messages of wordplay such as puns, anagrams, and acrostics (as Fitch puts it, ‘the pleasure of wit, combined with the pleasure of active involvement’ [327]) to exploration of the anxiety of a reader who worries that they may be over-interpreting a text. Contributions variously address the ‘paranoia’ of literary criticism and the drive to try to ground meaning in the text and prove authorial intention: while John Fitch asks if the wordplay ‘really is there’ in the etymological names used by Seneca in his plays (314), Alex Dressler's article (37–68) helps frame the various modes of interpretation that we find in subsequent articles, by putting interpretation itself under scrutiny. His intriguing analysis introduces the helpful motif of espionage (interweaving Syme's possible post-war role in intelligence with Augustan conspiracy and conspiracy theories) and concludes that – like double agents – ‘secret meanings’ need a handler (53) and we readers need to take responsibility for our own partisan readings.
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6

Pedersen, Kim Arne. "Grundtvig på anklagebænken. En redegørelse for hovedlinjer i de sidste ti års danske Grundtvig-reception og deres forhold til centrale motiver i Grundtvigs forfatterskab og dets virkningshistorie." Grundtvig-Studier 53, no. 1 (January 1, 2002): 184–251. http://dx.doi.org/10.7146/grs.v53i1.16429.

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Grundtvig på anklagebænken[Grundtvig in the dock]By Kim Arne PedersenThe article opens with a review of Gr’s position after the second World War. The Heretica-era’s positive disposition towards religion and Christianity is inspired by the life-philosophy of Vilhelm Grønbech which in turn serves as a preliminary understanding of Gr’s thinking on the relationship between Christianity and folkelighed, the nourishing of a popular culture. Four significant currents have characterised Danish identity: Grundtvigianism, pietism, Brandes-influenced cultural radicalism and the social-democratic movement. Social-democratic thinking on social equality is examined in connection with the Grundtvigian-tendency’s elevation of the concept of folkelighed.With Reinhart Kosellek’s concept-historical methodology as aprompt, the Grundtvig-based concept offolkelighed is analysed in its association with the concept of liberty, ideas of social equilibrium, the question of a Constitution, and the concept of popular enlightenment (oplysning) in Gr’s authorship. The starting-point is an analysis of Gr’s ideas on Christianity andfolkelighed where it is pointed out that Gr, with his background in a Christian anthropology, emphasises their reciprocal bearing upon each other (vekselvirkning). The chief aim of the article is to demonstrate that the reception of Gr in the period 1883-1983 is characterised by a contest between, on the one hand, a philosophical interpretation of Gr which is linked with an understanding of the folkelighed-concept as an aspiration towards social equality and, on the other hand, a theological interpretation of Gr which concentrates upon humankind’s interaction with God in dialogue as the nub of Gr’s outlook on humankind.The article focuses upon the 1930s, when the social-democratic Education Minister Frederik Borgbjerg seizes upon the egalitarian aspect of Gr’s concept of folkelighed and uses it in the development of Social-Democracy into a national party. Borgberg’s interpretation of Gr embraces those components which characterise the following generation’s image of Gr: he is the supporter of liberty (and thereby tolerance), democracy and social equality, all as understood from their basis in the concept of folkelighed.Borgberg’s and Grønbech’s interpretations of Gr constitute the background to the understanding formed by Professor Hal Koch, church-historian and pillar of the folk-highschool system, of both Gr and the concept offolkelighed. But it is to be emphasised that Koch, in contrast to Borgberg and Grønbech, but in line with the author Jørgen Bukdahl, draws his understanding of the concept offolkelighed from the idea that the interaction between folkelighed and Christianity - that is, between the particular and the universal - is the underpinning perception in Gr’s writings.However, in the post-war period it is the thoughts of Pastor Kaj Thaning concerning the differentiation between Christianity and folkelighed which become dominant. Like Hal Koch, Thaning writes out of inspiration from the life-philosophy of Grønbech, but also like Koch he traces this back to its anchorage within Gr’s Christian universe.Thaning’s differentiation-thesis forms - against his own wishes – a starting-point for the 1970s convergence between the ideas of Gr and left-wing thinking on political emancipation, whereby the tendency from the 1930s now reaches its culmination: grounded in the construction of an adversarial relationship between Gr and grundtvigianism, and in a non-theological interpretation of Gr, the way is clear for Gr to become the leading figure in Danish national self-perception.In 1990 the literary historian and publicist Henning Fonsmark initiated the surge of criticism of Gr which from about 1992 has permeated the Danish public. With its starting-point in the debate over Denmark’s relationship to the European Union and over immigration into Denmark, one may observe a steadily more violent criticism of Gr among intellectuals who have a more or less loose connection to traditional cultural-radical milieus. At the same time the Danish immigration-opposed right wing, identifies itself with Gr - as in the case of the theological ‘Tidehverv’-movement, The Danish Association (Den Danske Forening) and The Danish National Party (Dansk Folkeparti). In contrast to the understanding of Gr hitherto prevailing, Gr is now widely interpreted as hostile to foreigners, intolerant, and the opponent of democracy and social equality.The viewpoint of the article is that both the right-wing use of Gr and the criticism of him are made possible only by an underestimation of his Christian premisses. When Gr’s Christian anthropology - and thereby the fellowship of dialogue between God and humankind - are appreciated as being the very core of his writings, then it becomes possible to maintain an image of Gr as the supporter of liberty, of social equality and of an enlightenment of and for life, which on the one hand appears as a consequence of modernity’s breakthrough in Western Europe and on the other takes its distinctive form from Gr’s understanding of Christianity as the bearer of that universality in whose light the particularity offolkelighed is to be understood. And it is this relationship which renders problematical a nationalistic reading of Gr’s authorship.
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7

Vakhrusheva, E. A. "Criticism of Globalization and Fredric Jameson’s Anti-Globalization Strategies." Journal of Political Theory, Political Philosophy and Sociology of Politics Politeia 80, no. 1 (2016): 43–53. http://dx.doi.org/10.30570/2078-5089-2016-80-1-43-53.

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8

Fortini, Franco, and Toscano Alberto. "Introduction to the Italian translation of Fredric Jameson’s Marxism and Form." Historical Materialism 29, no. 1 (January 20, 2021): 235–46. http://dx.doi.org/10.1163/1569206x-29010000.

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Abstract This text is essayist, critic and poet Franco Fortini’s introduction to the Italian translation of Fredric Jameson’s Marxism and Form. Fortini frames his assessment of Jameson in terms of a contrast with the Italian reception of the dialectical criticism assayed in Marxism and Form.
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9

Zaret, David, and Michael Walzer. "Interpretation and Social Criticism." Contemporary Sociology 17, no. 1 (January 1988): 122. http://dx.doi.org/10.2307/2069485.

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10

Senchuk, Dennis M., and Michael Walzer. "Interpretation and Social Criticism." Noûs 26, no. 3 (September 1992): 389. http://dx.doi.org/10.2307/2215966.

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11

Gorski, Philip S. "SCIENTISM, INTERPRETATION, AND CRITICISM." Zygon� 25, no. 3 (September 1990): 279–307. http://dx.doi.org/10.1111/j.1467-9744.1990.tb00793.x.

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12

Rosen, Bernard. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704–6. http://dx.doi.org/10.1080/00221546.1988.11780237.

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13

Rosen, Bernard, and Michael Walzer. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704. http://dx.doi.org/10.2307/1982241.

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14

Galloway, Alexander R. "Meditations on Last Philosophy." South Atlantic Quarterly 119, no. 4 (October 1, 2020): 799–809. http://dx.doi.org/10.1215/00382876-8663711.

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In his 1981 book, The Political Unconscious: Narrative as a Socially Symbolic Act, Fredric Jameson elaborated an influential position on ideology and critique. Jameson stressed the priority of political interpretation, arguing that “the political interpretation of literary texts … [is] the absolute horizon of all reading and all interpretation.” After nearly forty years, we return to this text, situating it within Jameson’s long career, in order to explore form, figuration, and utopia. Does Jameson provide a series of meditations on last philosophy?
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15

Boer, Roland. "Twenty-five Years of Marxist Biblical Criticism." Currents in Biblical Research 5, no. 3 (June 2007): 298–321. http://dx.doi.org/10.1177/1476993x07077963.

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In the context of a renewed interest in Marxism outside biblical studies, this article surveys and critiques the background and current status of a similar renewal in biblical studies. It begins with a consideration of the background of current studies in liberation, materialist and political theologies, and moves on to note the division between literary and social scientific uses of Marxist theories. While those who used Marxist literary methods were initially inspired by Terry Eagleton and Fredric Jameson, more recent work has begun to make use of a whole tradition of Marxist literary criticism largely ignored in biblical studies. More consistent work, however, has taken place in the social sciences in both Hebrew Bible and New Testament studies. In Hebrew Bible studies, debates focus on the question of mode of production, especially the domestic or household mode of production, while in New Testament studies, the concerns have been with reconstructing the context of the Jesus movement and, more recently, the Pauline correspondence. I close with a number of questions concerning the division into different areas of what is really a holistic approach to texts and history.
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Green, Joel B. "Rethinking "History" for Theological Interpretation." Journal of Theological Interpretation 5, no. 2 (2011): 159–73. http://dx.doi.org/10.2307/26421422.

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Abstract In recent years, theological interpretation of Christian Scripture has often been distinguished by its wholesale antipathy toward history and/or to historical criticism. Working with a typology of different forms of "historical criticism," this essay urges (1) that historical criticism understood as reconstruction of "what really happened" and/or historical criticism that assumes the necessary segregation of "facts" from "faith" is inimical to theological interpretation; (2) that this form of historical criticism is increasingly difficult to support in light of contemporary work in the philosophy of history; and (3) that contemporary theological interpretation is dependent on expressions of historical criticism concerned with the historical situation within which the biblical materials were generated, including the sociocultural conventions they take for granted.
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Green, Joel B. "Rethinking "History" for Theological Interpretation." Journal of Theological Interpretation 5, no. 2 (2011): 159–73. http://dx.doi.org/10.2307/jtheointe.5.2.0159.

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Abstract In recent years, theological interpretation of Christian Scripture has often been distinguished by its wholesale antipathy toward history and/or to historical criticism. Working with a typology of different forms of "historical criticism," this essay urges (1) that historical criticism understood as reconstruction of "what really happened" and/or historical criticism that assumes the necessary segregation of "facts" from "faith" is inimical to theological interpretation; (2) that this form of historical criticism is increasingly difficult to support in light of contemporary work in the philosophy of history; and (3) that contemporary theological interpretation is dependent on expressions of historical criticism concerned with the historical situation within which the biblical materials were generated, including the sociocultural conventions they take for granted.
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18

Morrow, Jeffrey L. "The Politics of Biblical Interpretation: A ‘Criticism of Criticism’." New Blackfriars 91, no. 1035 (August 12, 2010): 528–45. http://dx.doi.org/10.1111/j.1741-2005.2009.01342.x.

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19

Coetser, J. L. "Drama en geskiedenis: ’n voorlopige verkenning." Literator 14, no. 2 (May 3, 1993): 63–82. http://dx.doi.org/10.4102/lit.v14i2.701.

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This article attempts to establish a theoretical framework within which the relationship between drama and history may be traced. The theoretical framework is provided by the juxtaposition of Keir Elam's interpretation of possible worlds in drama and Fredric Jameson's three horizons of interpretation. The framework is subsequently applied to Afrikaans playwright N.P. van Wyk Louw's commissioned drama, Die pluimsaad waai ver. But, Jameson's interpretation of an ‘ideology of form’ (ascribed to his third horizon of interpretation) is partly modified by the inclusion of postcolonial theory of literature. It is, consequently, possible to deduce that Die pluimsaad waai ver is, at least in part, a post-colonial text.
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20

Rosenberg, Ruth, and Jerome J. McGann. "Textual Criticism and Literary Interpretation." South Central Review 3, no. 4 (1986): 119. http://dx.doi.org/10.2307/3189693.

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21

Clare, Anthony W. "Commentary on: “Training in psychodynamic psychotherapy: the psychiatric trainee's perspective”." Irish Journal of Psychological Medicine 12, no. 2 (June 1995): 59–60. http://dx.doi.org/10.1017/s0790966700004213.

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The concerns expressed by Dr. Trigwell and his colleagues are not new. They have been expressed by many critics of psychoanalysis and psychodynamic psychotherapy including within the past decade Frederick Crews and Robert Wilcocks. What gives them a particular relevance and urgency is the fact that they have been articulated by young psychiatrists in training, individuals exposed to the actual practical application of psychoanalytic theory as distinct from theoretical explorations of it. The depressing thing is the reaction of one of the course supervisors. It may well serve only to reinforce their critical view.The criticisms can be summarised as follows. First, the theories of Freud and his successors were taught on this course at any rate as scientifically established facts rather than as theories or constructs concerning human behaviour, helpful insights in certain instances but not always relevant. These theories and related interpretations were formulated in a way that made it impossible to refute them. They tended to be used in a way that suggested that they explain everything from the most trivial and reflex of thoughts and responses to the most complex and profound.These criticisms, it might be said, relate to the actual content of psychoanalysis and psychodynamic psychotherapy, to what is being taught. Raymond Tallis has put the same general criticism with somewhat more force, observing that the manner in which psychoanalytic conclusions are drawn from clinical case histories “is reminiscent of how a first year medical student or a hypochondriac, using a few observations to light a gunpowder trail of inference primed with his own preconceptions, might arrive at a wrong diagnosis”.
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22

Stephen D. Carter. "The Dialectic of War and Utopia: Systemic Closure and Embattled Social Life in the Work of Fredric Jameson." Criticism 58, no. 2 (2016): 177. http://dx.doi.org/10.13110/criticism.58.2.0177.

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23

Davies, Paul, Greta Gaard, and Patrick D. Murphy. "Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy." Modern Language Review 95, no. 4 (October 2000): 1174. http://dx.doi.org/10.2307/3736723.

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24

Woodward, Michael. "Dictionary of Biblical Criticism and Interpretation." Theological Librarianship 2, no. 1 (April 27, 2009): 113–14. http://dx.doi.org/10.31046/tl.v2i1.74.

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25

Robbins, Vernon K. "New Testament Interpretation through Rhetorical Criticism." Rhetorica 3, no. 2 (1985): 145–49. http://dx.doi.org/10.1525/rh.1985.3.2.145.

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26

Fowler, Robert M., and George A. Kennedy. "New Testament Interpretation through Rhetorical Criticism." Journal of Biblical Literature 105, no. 2 (June 1986): 328. http://dx.doi.org/10.2307/3260415.

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27

Slater, Niall W. "‘Against Interpretation’: Petronius and art Criticism." Ramus 16, no. 1-2 (1987): 165–76. http://dx.doi.org/10.1017/s0048671x00003295.

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For forty years a debate has raged in Petronian studies between the moralists and, for want of a better term, the anti-moralists. From Highet in the 1940's to Bacon and Arrowsmith in the 1950's and 60's, the moralists held a certain advantage. Whatever important divergences there were among these critics, all agreed on a Petronius who stood in some critical relation to his society. The dissenting voices have grown much louder of late. Ironically, the literary brilliance of Arrowsmith's New Critical reading of the Satyricon helped to turn the tide against the moralist viewpoint. The more apparent the literary sophistication of the Satyricon has become, the less willing late twentieth century readers have been to see a programmatic moral critique as its main purpose. Sullivan's view of Petronius as a ‘literary opportunist’ has come to dominate the field.With Graham Anderson's book, Eros Sophistes: Ancient Novelists at Play, the retreat from the position of Highet is now complete. We have finally reached the logical, New Critical conclusion that the Satyricon is an entirely self-contained literary game without any message whatsoever; in effect we are told that, like any serious piece of literature, the Satyricon ‘should not mean, but be’. Anderson is eager to disavow ‘the unproven conviction that every work must have a message, however diffusely or perversely expressed’.
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Herbert, T. Walter, Roberta Rubenstein, and Amy Schrager Lang. "Feminist Literary Criticism and Cultural Interpretation." American Quarterly 39, no. 4 (1987): 656. http://dx.doi.org/10.2307/2713134.

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Evans, R. L. S., and George A. Kennedy. "New Testament Interpretation through Rhetorical Criticism." Classical World 80, no. 3 (1987): 222. http://dx.doi.org/10.2307/4350026.

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30

Arutynyan, J. I. "Contemporary art criticism: judgment and interpretation." Vestnik of Saint Petersburg State University of Culture, no. 1 (30) (March 2017): 177–80. http://dx.doi.org/10.30725/2619-0303-2020-3-177-180.

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An important question of contemporary art studies is the problem of expanding the methodological base of the discipline. Modern art criticism refl ects the fundamental problems of contemporary art. Clash of the axiological approaches and the principle of interpretation, subjectivity, the infl uence of requests of the art market and commercialization are the main problems of formation of the expressive language of art criticism in the 20th–21st centuries
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Perry, John Oliver, and G. N. Devy. "Indian Literary Criticism: Theory and Interpretation." World Literature Today 77, no. 1 (2003): 95. http://dx.doi.org/10.2307/40157830.

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32

Dietrich, Richard S. "Book Review: Interpretation and Social Criticism." Interpretation: A Journal of Bible and Theology 42, no. 3 (July 1988): 310–11. http://dx.doi.org/10.1177/002096438804200315.

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Taylor, James E. "Hume on Miracles: Interpretation and Criticism." Philosophy Compass 2, no. 4 (July 2007): 611–24. http://dx.doi.org/10.1111/j.1747-9991.2007.00088.x.

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34

Goudarzi, Abdolreza. "Jamesonian Interpretation of Post Postmodernism: David Foster Wallace’s Infinite Jest and The Pale King." International Journal of Contemporary Research and Review 9, no. 02 (February 27, 2018): 20310–17. http://dx.doi.org/10.15520/ijcrr/2018/9/02/446.

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Postmodernism and Post Postmodernism have dominated culture and literature since the late-20th-century and in basic features, they contradict each other. In Postmodernism, or the period known as the late capitalism by Fredric Jameson, some sort of fragmentation rather than totality is intended to control again the life of the people through the same media in a process known as consumerism; However, in Post Postmodernism, a new sort of humanism seems to be emerging by David Foster Wallace who shows not only the pain but also the cure. In fact, the subjectivity of man is given a niche, and also he is given a voice to express his thought, like the opportunity he has gained in the social networks like Facebook and Telegram, having made it paradoxically possible for him to have a sort of sharing among the fragmented individuals. In fact, every fragmented man can be an active agent, communicator, and finally a producer to bring meaning and discipline back to the life rather than a sole passive watcher, reader, and one way communicator controlled by the system as presented in the modern and postmodern works. Focusing on David Foster Wallace’s (1962-2008) novels—Infinite Jest (1996) and The Pale King (2011), the aim of this article is to study these three novels through the critical gates of the philosopher, Fredric Jameson to open up the concepts of Post Postmodernism.
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La Berge, Leigh Claire. "The Future Perfect, Otherwise: Narrative, Abstraction and History in the Work of Fredric Jameson." Historical Materialism 29, no. 1 (February 26, 2021): 211–20. http://dx.doi.org/10.1163/1569206x-12342003.

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Abstract There has long been a tension in Fredric Jameson’s work regarding the extent to which it is possible or warranted to develop transhistorical categories for literary interpretation across of the whole of the capitalist mode of production. In my contribution to this symposium, I take up the problem of how Jameson’s Allegory and Ideology participates in such questions in its consideration of periodisation and narrativisation through the particular construction of allegory, from the early modern age to our financial present.
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CAN GÜRBÜZ, Gülsevim. "Araştırıcı Sanat Eleştirisi ve Bir Sanat Eleştirisi Örneği." Journal of Social Research and Behavioral Sciences 7, no. 14 (December 10, 2021): 150–64. http://dx.doi.org/10.52096/jsrbs.7.14.7.

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Art criticism can be described as an examination, determination, and mental activity that seeks the value of an art work. In an art criticism, different analysis strategies and methods can be chosen for the related artwork. Edmund Burke Feldman's “researching art criticism” criticism model, which is determined as a method in thearticle, is one of them. In th earticle, it is aimed to examine the method of “researching art criticism” in general, and in particular, to criticize Paula Rego’s artwork called “The Maids” with this method. For this criticism, “description, analysis, interpretation and judgment-evaluation” phases for the work were formed. Description and analysis subheadings are included in the “results section”. The other two subheadings, which include the relationship, interpretation and evaluation of the results section’s informations, are also considered as the “discussion section”. Keywords: Art criticism, Feldman model of criticism, Description, Analysis, İnterpretation, Judgment, Evaluation, Paula Rego, The Maids
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37

Ridwan, MK. "TRADISI KRITIK TAFSIR: Diskursus Kritisisme Penafsiran dalam Wacana Qur’anic Studies." Jurnal THEOLOGIA 28, no. 1 (September 14, 2017): 55. http://dx.doi.org/10.21580/teo.2017.28.1.1418.

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<div class="Section1"><p class="Iabstrak"><strong>Abstract: </strong><em>This paper aims to discuss the methodology of interpretation criticism in the qur'anic studies discourse. As new plots in the Qur'an studies, the interpretation criticism has not been much sought after by Qur’anic scholars. As a consequence, in methodological discourse has not yet found a definite method can be used to criticize an interpretation. As for the thought-provoking critique of the interpretation for this still are sporadic and likely are political-ideological. For that, it needs special attention in developing area studies the Quran towards the study criticism of interpretation. Finally, this paper gives the conclusion that, in the discourse of criticism the methodological framework needed interpretation, as a step towards the operational interpretation of criticism. So, the criticism was done not nuanced political-ideological, but able to uphold the values of objectivity, comprehensiveness, scientific and systematic. There are at least four operational steps in carrying out work interpretation of criticism of the region of ontology, epistemology, and axiology i.e; Firstly, the critic must understand the substance of exegesis are an interpretation as process and interpretation as a product. Secondly, understand the construction of criticism interpretation, namely the construction of the historicity of the critique, the base of criticism, the purpose of criticism, as well as the principles and parameters of criticism. Thirdly, start working with two regions exegesis critique work i.e; intrinsic and extrinsic criticism. Fourthly, give the evaluation and assessment of the object of study of criticism that is good and decent, or perverted and unworthy of being used.</em></p><p class="Iabstrak"><strong>Abstrak:</strong> Tulisan ini bertujuan untuk mendiskusikan metodologi kritik tafsir dalam diskursus wacana Qur’anic Studies. Sebagai wilayah garapan baru dalam studi al-Qur’an, kritik tafsir belum banyak diminati oleh kalangan sarjana al-Qur’an. Akibatnya, dalam wacana metodologis belum banyak ditemukan metodebaku yang dapat digunakan untuk mengkritisi sebuah tafsir. Adapun pemikiran kritik tafsir selama ini masih bersifat sporadis dan cenderung bersifat politis-ideologis. Untuk itulah dibutuhkan perhatian khusus dalam mengembangkan wilayah studi al-Qur’an ke arah studi kritik tafsir. Akhirnya, tulisan ini memberi­kan kesimpulan bahwa, dalam diskursus kritisisme penafsiran, dibutuhkan kerangka metodologis sebagai langkah operasional kritik tafsir. Sehingga, kritik yang dilakukan tidak bernuansa politis-ideologis, namun mampu menge­depan­kan nilai-nilai objektivitas, komprehensivitas, ilmiah dan sistematis. Setidaknya terdapat empat langkah operasional dalam melaksanakan kerja kritik tafsir yang bermuara pada wilayah ontologis, epistemologis, dan aksiologis yaitu; Pertama, kritikus harus terlebih dahulu memahami hakikat tafsir yakni tafsir sebagai proses (<em>interpretation as process</em>) dan tafsir sebagai produk (interpretation as product). Kedua, memahami konstruksi kritik tafsir, yaitu historisitas kritik, landasan kritik, tujuan kritik, serta prinsip dan parameter kritik. Ketiga, memulai kerja kritik tafsir dengan dua wilayah kerja yaitu; kritik intrinsik dan kritik ekstrinsik. Keempat, memberikan evaluasi dan penilaian terhadap objek kajian kritik yaitu, baik (<em>maḥmūd</em>) dan layak pakai (<em>maqbūl</em>), atau menyeleweng (<em>munḥarif</em>) dan tidak layak digunakan (<em>mardūd</em>).</p></div>
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38

JEON, Kyung-Jin. "A Criticism of Immoralistic Interpretation of Nietzsche." Journal of the Daedong Philosophical Association 77 (December 31, 2016): 23–52. http://dx.doi.org/10.20539/deadong.2016.77.02.

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39

JEON, Kyung-Jin. "A Criticism of Immoralistic Interpretation of Nietzsche." Journal of the Daedong Philosophical Association 77 (December 31, 2016): 23–52. http://dx.doi.org/10.20539/deadong.2016.77.2.

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40

Jabborova, Dilafruz. "Interpretation of Fitrat Dramas in Literary Criticism." International Journal for Research in Applied Science and Engineering Technology 9, no. 12 (December 31, 2021): 2437–40. http://dx.doi.org/10.22214/ijraset.2021.39332.

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Abstract: This article examines the fact that after the independence of Uzbekistan, the works of modern literature began to be reevaluated on the basis of new approaches. Literary scholar Ilhom Ganiev's monograph "Poetics of Fitrat dramas" is analyzed and the poetic world of the playwright is covered. The article is based on the analysis of the physicist's focus on Fitrat's character creation skills, the symbolic and figurative motives used in dramas, and the use of artistic language. Keywords and word expressions: drama, jadid literature, criticism, natural science, jadid studies, jadid writers, playwright, drama, symbolism, theater, tragedy, soviet ideology, “Abulfayzkhan”, confection, “Hindu ihtilotonzhon”, conflict, independence ideas, poetic thought, hermeneutic thinking, vulgar-sociological approach, principle, reassessment, new scientific and aesthetic thinking, systematic approach, analysis and interpretation, hermeneutics, synergetics, structuralism, historical-biographical approach, historical-cultural approach, modernism, absurdity, existentialism.
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41

Pelias, Ronald J. "Schools of interpretation thought and performance criticism." Southern Speech Communication Journal 50, no. 4 (December 1985): 348–65. http://dx.doi.org/10.1080/10417948509372640.

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42

NANNICELLI, TED. "Ethical Criticism and the Interpretation of Art." Journal of Aesthetics and Art Criticism 75, no. 4 (October 2017): 401–13. http://dx.doi.org/10.1111/jaac.12395.

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43

Kaufman, Daniel A. "Interpretation and the “Investigative” Concept of Criticism." Angelaki 17, no. 1 (March 2012): 3–12. http://dx.doi.org/10.1080/0969725x.2012.671635.

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44

West, David W. "Practical Criticism: I.A. Richards' experiment in interpretation." Changing English 9, no. 2 (October 2002): 207–13. http://dx.doi.org/10.1080/1358684022000006311.

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45

Wicaksono, Arif. "Pandangan Kekristenan Tentang Higher Criticism." FIDEI: Jurnal Teologi Sistematika dan Praktika 1, no. 1 (June 23, 2018): 115–31. http://dx.doi.org/10.34081/fidei.v1i1.6.

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The interpretation of the Bible in the present continues to grow rapidly. This progress has both positive and negative effects in the realm of biblical interpretation. The positive impact that is with the progress of interpretation, it was found many truth values that were not understood and now start out one by one. The negative as the progress of biblical interpretation is the loss of boundaries. With the method of high-criticism interpretation makes the Bible originally believed to be the infallible Word, and now it is equated with another book of lesser value than the scriptures. The Bible is aligned with the ordinary book, even the authority of the Bible as God's Word is in doubt, denied and demeaned to an ordinary literary work.This is a challenge for Christianity today. It takes a firm stance in the face of the Higher Criticism interpretation movement. Christians need to determine a position to deflect any allegations that undermine the authority of the Bible and any allegations that cast doubt on the inspiration and revelation of the existing Scriptures. This paper is expected to give a little apologetic response to the Higher Criticism movement Keywords: Higher Criticism, Apologetic, Bible AbstrakPenafsiran Alkitab dalam masa kini terus mengalami perkembangan dengan pesat. Kemajuan ini memberikan dampak positif maupun negative dalam ranah dunia tafsir Alkitab. Positive karena dengan kemajuannya banak nilai-nilai kebenaran yang dul tidak dipahami mulai keluar satu persatu. Negatifnya saat kemajuan penafsiran Alkitab kehilangan batasan, dengan metode penafsiran higher Critism menjadikan Alkitab yang awalnya diyakini sebagai Firman yang tanpa salah, layaknya buku lain yang nilainya lebih rendah dari kitab suci. Aklitab disejajarkan dengan buku biasa. Bahkah otoritas Alkitab sebagai Firman Allah diragukan, disangkal dan direndahkan sebatas karya sastra biasa.Ini merupakan tantangan bagai kekristenan saat ini. Diperlukan sikap yang tegas dalam menghadapi pergerakan penafsiran Higher Critism. Orang Kristen perlu menentukan posisi dalam menangkis segala tuduhan yang merendahkan otoritas Alkitab. Segala tuduhan yang meragukan pengilhaman dan pewahyuan penulisan kitab Suci yang ada. Tulisan ini diharapkan memberikan sedikit sikap apologetika terhadap gerakan Higer Critism Kata Kunci: Higer Critism, Apologet, Alkitab
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Roberts, Bill. "Unnaming the System? Retrieving Postmodernism's Contemporaneity." ARTMargins 4, no. 2 (June 2015): 3–23. http://dx.doi.org/10.1162/artm_a_00116.

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This article discusses the ongoing pertinence to the present of Fredric Jameson's work on postmodernism in the context of recent elaborations of “the contemporary” and “contemporaneity” in art history, theory and criticism. It is argued that, while postmodernism is fraught with contradiction and in any case irretrievable by now as a periodization of the present, it nonetheless remains crucially instructive for a fuller understanding and politicization of contemporaneity. In particular, both the nature of the relationship between culture and capital, as well as the theoretical imperative to totalize remain central to Jameson's problematic in ways that the discourse on the contemporary threatens to undo, in its resistance to historicism, and in its tendency to insist, not merely upon the heterogeneity, but upon the incommensurability of global cultures and space-times.
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47

Rabbany T, Al-Faiz M., and Indal Abror. "TAFSIR PROGRESIF ATAS KISAH-KISAH DALAM AL-QUR’AN KARYA EKO PRASETYO." Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis 19, no. 1 (October 12, 2019): 85. http://dx.doi.org/10.14421/qh.2018.1901-05.

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Kitab Pembebasan is Eko Prasetyo’s first work in the field of interpretation contains the stories of prophets and friends in the Qur'an. For him, the stories of the prophets no longer have the power to change circumstances, then progressive logic brings Eko to an interpretation of the stories of the prophet to the surrounding social problems. When many commentators who interpret the Quran relate to the social community, then interpreting the Quran leads to social criticism being unique to discuss. So this paper is focused on discussing social criticism in the Book of Liberation. In this paper, there are indications of the content of social criticism Eko Prasetyo then grouped them into five fields, namely economics, religion, education, politics and society. Then explained based on the theme specifically. Then develop social criticism based on each theme. Among them is a criticism of the economic system of capitalism, interpretation of the meaning of Satan, tyranny, seditious and idolatrous, religious and financiers, criticism of Suharto and the New Order, the case of the murderous activist Salim deer. Also, Eko's other works were reviewed to develop his criticisms. The interpretation for Eko through the Book of Liberation is the contextualization of the problems that occur around him, Eko does not care about the interpretation of the interpretation, because for Eko, the Qur'an is a book of movements that must be practiced.Keyword: Eko Prasetyo, Progressive Interpretations, Qissah, al-Qur’an
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Mcclish, Glen. "Frederick Douglass and the Consequences of Rhetoric: The Interpretive Framing and Publication History of the 2 January 1893 Haiti Speeches." Rhetorica 30, no. 1 (2012): 37–73. http://dx.doi.org/10.1525/rh.2012.30.1.37.

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This study features the interpretative framing and publication history of Frederick Douglass's 2 January 1893 Haiti orations. Beginning with the initial accounts and discussions of the speeches carried in white and African American newspapers, then moving to their publication in pamphlet form, I explore the rhetorical consequences of authors' and editors' efforts to reproduce, interpret, praise, criticize, frame, and reframe Douglass's words in the months following the delivery of the speeches. To conclude, I consider twentieth- and twenty-first-century efforts to edit and publish Douglass's Haiti speeches.
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Moberly, R. W. L. "Biblical Criticism and Religious Belief." Journal of Theological Interpretation 2, no. 1 (2008): 71–100. http://dx.doi.org/10.2307/26421447.

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Abstract Moberly discusses John Barton's Nature of Biblical Criticism and takes issue with Barton's portrayal of theological interpretation as hostile to the values of biblical criticism. After showing how Barton misrepresents theological interpretation, not least because of a failure to do justice to the changing frames of reference of critical scholarship, Moberly extends the discussion to include the preunderstandings that interpreters inevitably bring to the Bible in ways analogous to how one reads a classic; the way in which appreciation of deep literature relates to personal maturity; and the way in which theological dogma, rightly understood, can make truer one's perception of reality.
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50

Moberly, R. W. L. "Biblical Criticism and Religious Belief." Journal of Theological Interpretation 2, no. 1 (2008): 71–100. http://dx.doi.org/10.2307/jtheointe.2.1.0071.

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Abstract Moberly discusses John Barton's Nature of Biblical Criticism and takes issue with Barton's portrayal of theological interpretation as hostile to the values of biblical criticism. After showing how Barton misrepresents theological interpretation, not least because of a failure to do justice to the changing frames of reference of critical scholarship, Moberly extends the discussion to include the preunderstandings that interpreters inevitably bring to the Bible in ways analogous to how one reads a classic; the way in which appreciation of deep literature relates to personal maturity; and the way in which theological dogma, rightly understood, can make truer one's perception of reality.
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