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Dissertations / Theses on the topic 'Franz'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Lippmann, Marcel [Verfasser], Franz [Akademischer Betreuer] Baader, and Frank [Akademischer Betreuer] Wolter. "Temporalised Description Logics for Monitoring Partially Observable Events / Marcel Lippmann. Gutachter: Franz Baader ; Frank Wolter. Betreuer: Franz Baader." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://d-nb.info/1068447478/34.

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2

Yu-Oh, Wha-Young. "Franz Kafkas Sendungsbewusstsein /." Basel : A. Francke, 1994. http://catalogue.bnf.fr/ark:/12148/cb357614047.

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3

Müller-Kelwing, Karin. "Franz Schubert." Böhlau Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A75064.

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4

Neuhold, David. "Franz Kardinal König - Religion und Freiheit : Versuch eines theologischen und politischen Profils /." Fribourg : Acad. Press, 2008. http://d-nb.info/986854786/04.

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5

Oh, Young Ran. "The eternal paradox in Franz Liszt's persona : good and evil as illustrated in his piano sonatas /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11392.

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6

Sebald, Andrea Elisabeth. "Der Kriminalbiologe Franz Exner (1881 - 1947) ; Gratwanderung eines Wissenschaftlers durch die Zeit des Nationalsozialismus." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/990483649/04.

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7

Sarfert, Hans-Jürgen. "Franz Kafkas Bibliothek." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2007. http://nbn-resolving.de/urn:nbn:de:swb:14-1168858525068-20973.

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Das Heft 1 des SLUB-Kuriers 1995 präsentierte vier wertvolle Erstausgaben des Prager Dichtergenies als wichtigen Schatz der Bibliothek. "Ein Buch muß die Axt sein für das gefrorene Meer in uns" nannte er den wesentlichen Lektürekatalysator und seine zeitlos eskalierenden eigengesetzlichkeiten des menschlichen Ausgeliefertseins bewegen die Leser atemlos ....
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8

Vavrušová, Andrea. "Franz Liszt: Totentanz." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-261365.

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9

Fernández, Gil Oliver [Verfasser], Franz [Akademischer Betreuer] Baader, Franz [Gutachter] Baader, Gerhard [Akademischer Betreuer] Brewka, Gerhard [Gutachter] Brewka, and Frank [Gutachter] Wolter. "Adding Threshold Concepts to the Description Logic EL / Oliver Fernández Gil ; Gutachter: Franz Baader, Gerhard Brewka, Frank Wolter ; Franz Baader, Gerhard Brewka." Leipzig : Universitätsbibliothek Leipzig, 2016. http://d-nb.info/1240482027/34.

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10

Dürselen, Florian G. "Franz Beyerle (1885-1977) : Leben, Ära und Werk eines Rechtshistorikers /." Frankfurt am Main [u.a.] : Lang, 2005. http://www.gbv.de/dms/spk/sbb/recht/toc/478524749.pdf.

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11

Rother, Andrea. ""Hier muss ich mich festhalten ... ". Die Tagebücher von Franz Kafka : ein literarisches Laboratorium 1909-1923 /." Berlin : Dissertation.de, 2008. http://www.dissertation.de/buch.php3?buch=5708.

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12

Altfelix, Thomas. "Das Pädagogische jenseits von Erfahrung und Denken : ein erkenntnisethischer Begründungsversuch im Sinne Franz Fischers /." Würzburg : Königshausen & Neumann, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3200667&prov=M&dok_var=1&dok_ext=htm.

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13

Holloway, James Dale. "Performance convention and registrational practice in the Weimar organ works of Franz Liszt /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11374.

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14

Protzies, Günther. "Studien zur Biographie Franz Liszts und zu ausgewählten seiner Klavierwerke in der Zeit der Jahre 1828-1846." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972689885.

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15

Leich, Karin. "Herrschaft und Sexualität in Franz Kafkas Romanen "Der Process" und "Das Schloss"." [S.l. : s.n.], 2003. http://archiv.ub.uni-marburg.de/diss/z2004/0713/.

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16

Hartmann, Volker. "Religiosität als Intertextualität : Studien zum Problem der literarischen Typologie im Werk Franz Werfels /." Tübingen : G. Narr, 1998. http://catalogue.bnf.fr/ark:/12148/cb399746305.

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17

Tsai, Meng-Yin. "Franz Liszt's lyricism : a discussion of the inspiration for his first Italy album of "Année de Pèlerinage" /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11312.

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18

Kölbel, Martin. "Die Erzählrede in Franz Kafkas "Das Schloss" /." Basel : Stroemfeld, 2006. http://catalogue.bnf.fr/ark:/12148/cb410126030.

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19

Kim, Ah Young. "A Guide to Franz Liszt's Piano Transcriptions of Franz Schubert's Songs." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984280/.

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Franz Liszt (1811-1886) made fifty-six transcriptions of Schubert's songs over a period of eight years (1838-46) to introduce the name of the composer, who was little known both in and outside Vienna during his lifetime. Because Liszt intentionally preserved all the details of the original songs, these transcriptions present challenges for a pianist, such as how to produce a vocal line on the piano, as well as interpretive issues such as ornamentation, style, and conveying the meaning of the lyrics on the piano. The purpose of this study is to introduce pianists to study practices employed by singers, with the goal of interpreting the vocal aspects of Liszt's Schubert song transcriptions. The composer Robert Schumann once remarked that Liszt's transcriptions were perhaps the most difficult pieces written for the piano up to that time, and only an intelligent artist could satisfy Liszt's high level of virtuosity without destroying the identity of the original work. This could be considered a warning to pianists not to focus on the technical aspects only. The pedagogical guide presented in the study, based on singers' approaches to the actual songs, should help pianists to "see beyond the notes" and achieve a performance closer to the heart of the songs.
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20

Mussard, Timothy S. "Embellishing Schubert's Songs : a performance practice /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11217.

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21

Wiese, René. "Orientierung in der Moderne : Großherzog Friedrich Franz II. von Mecklenburg in seiner Zeit /." Bremen : Ed. Temmen, 2005. http://www.loc.gov/catdir/toc/fy0611/2005474826.html.

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22

Merod, Franz Rudolf Verfasser], Franz [Akademischer Betreuer] [Gutachter] [Petermann, and Meinolf [Gutachter] Noeker. "Messung der Prozessqualität in der ambulanten Kinder- und Jugendlichenpsychotherapie / Franz Rudolf Merod. Betreuer: Franz Petermann. Gutachter: Franz Petermann ; Meinolf Noeker." Bremen : Staats- und Universitätsbibliothek Bremen, 2016. http://d-nb.info/1102308919/34.

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23

Zilcosky, John. "Kafka's travels : exoticism, colonialism and the traffic of writing /." New York : Palgrave Macmillan, 2003. http://catalogue.bnf.fr/ark:/12148/cb41352859h.

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24

Madsen, Charles Arthur. "The Schubert-Liszt transcriptions : text, interpretation, and Lieder transformation /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080592.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 477-487). Also available for download via the World Wide Web; free to University of Oregon users.
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25

Grabenmeier, Isolde. "Schreiben als Beruf : zur Poetik Franz Kafkas auf dem Hintergrund der Herrschaftstheorie und Methodenreflexion Max Webers /." Freiburg im Breisgau : Rombach, 2007. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783793094630.

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26

Hartmann, Anselm. "Kunst und Kirche : Studien zum Messenschaffen von Franz Liszt /." Regensburg : G. Bosse, 1991. http://catalogue.bnf.fr/ark:/12148/cb36955765h.

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27

Mahmody, Susan. "Hubert Lampo - Franz Kafka : Wechselbeziehungen /." Marburg : Tectum-Verlag, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783828896918.

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28

Del, Prete Michele. "Erlösung als Werk : zur offenbarten Ontologie Franz Rosenzweigs /." Freiburg im Breisgau : K. Alber, 2009. http://d-nb.info/990907805/04.

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29

Bodendorff, Werner. "Die kleineren Kirchenwerke Franz Schuberts /." Augsburg : B. Wissner, 1997. http://catalogue.bnf.fr/ark:/12148/cb36996011q.

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30

Hoja, Stefanie [Verfasser], Franz [Akademischer Betreuer] [Gutachter] Hoffmann, and Olaf [Gutachter] KeßLer. "Schmiedegerecht nitrierte Gesenke / Stefanie Hoja ; Gutachter: Franz Hoffmann, Olaf Keßler ; Betreuer: Franz Hoffmann." Bremen : Staats- und Universitätsbibliothek Bremen, 2017. http://d-nb.info/1141862018/34.

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31

Rother, Andrea. ""Hier muss ich mich festhalten ..." die Tagebücher von Franz Kafka ; ein literarisches Laboratorium 1909 - 1923." Berlin dissertation.de, 2007. http://d-nb.info/991850513/04.

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32

Sasaki, Yuka. "Cellular construction in the piano Concerti of Franz Liszt /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/11414.

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33

Kim, Younshin. "An analytical study of Liszt's "Grandes études de Paganini", nos. 3 and 6 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11363.

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34

Wolfradt, Jörg. "Der Roman bin ich : Schreiben und Schrift in Kafkas "Der Verschollene /." Würzburg : Königshausen und Neumann, 1996. http://catalogue.bnf.fr/ark:/12148/cb37670813c.

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35

Wakounig, Marija. "Ein Grandseigneur der Diplomatie die Mission von Franz de Paula Prinz von und zu Liechtenstein in St. Petersburg 1894 - 1898." Wien Berlin Münster Lit, 1996. http://deposit.d-nb.de/cgi-bin/dokserv?id=3006271&prov=M&dok_var=1&dok_ext=htm.

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36

Schneider, Gesa. "Das Andere schreiben : Kafkas fotografische Poetik /." Würzburg : Königshausen & Neumann, 2008. http://d-nb.info/989754812/04.

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37

Ruano, Roldán Manuel. "Los dibujos de Franz Kafka." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/363208.

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El presente trabajo surge de mi pasión por la obra de Franz Kafka. Pasión que se remonta a lejanos años cuando quedé prendado, ya para siempre, de la prosa, para mí mágica, del autor praguense. Consistía el proyecto de investigación, en su intención primera, en confrontar la obra literaria de Kafka con sus dibujos. Pensaba entonces, y hoy estoy firmemente convencido de ello, que algunas de las características, cualidades y estados de sus personajes literarios –humanos o animales– y, lógicamente, tratándose de Kafka, del autor de los mismos, que- daban reflejados en esos expresivos dibujos. Consideraciones sobre la escasez de material con que me era posible contar –prácticamente se reducía a lo reproducido en la biografía de Max Brod sobre su amigo, Kafka, Madrid, 1974, y en algunas publicaciones de Klaus Wagenbach, la dificultad para conocer, en aquel momento, si existían, o no, más dibujos realizados por Kafka, y lo complejo de la empresa, me hicieron entonces desistir de ella. Sin embargo, continúo pensando, como he escrito más arriba, que la relación entre lo que Kafka escribió y dibujó es indubitable –aunque acaso en un ámbito próximo a lo no decible. Esta idea, a modo de oleaje, pervivió. Y, como algo vivo, con el decurso de los años fue creciendo, avanzando, retrocediendo, es decir, transformándose. Pero siempre, con la misma persistencia con que las olas, siempre iguales, siempre diferentes, llegan a la playa, resonó en mi interior la idea primigenia: en Kafka, hay algo que hermana a la palabra escrita con, permítaseme la expresión, la palabra pintada; algo que une su discurso literario con su «discurso» gráfico. De ahí a considerar que existe un vínculo entre pintura y literatura solo había un paso. Paso que ya fue dado, como sabemos, en la antigüedad clásica por Simónides, Platón, Aristóteles, Horacio... A través de los siglos y de una producción teórica ingente, esta idea llega a nuestros días. Así, decidí ampliar este trabajo al estudio de la relación entre pintura y literatura de una manera más vasta. De esta manera el proyecto derivó hacia una mayor amplitud teórica: si existe un nexo entre literatura y pintura, también existe una unión entre las diferentes artes. Me concentré en el estudio de las relaciones entre ellas. De este modo, tras idas y venidas varias alrededor de la relación entre producción literaria y obra gráfica, vine a centrarme en tres autores coetáneos que escribieron y dibujaron y cuya obra guarda cierto paralelismo: Alfred Kubin, Bruno Schulz y Franz Kafka. Partía de la idea de que la obra de cada uno de ellos, la literaria y la gráfica, mantenían un vínculo mayor de lo que hasta entonces se había venido considerando. Tras dudas conceptuales y metodológicas, al fin, este estudio desembocó en lo que ahora se ofrece: una reflexión sobre los dibujos de Franz Kafka. También sobre las relaciones y nexos que estos dibujos mantienen con sus textos. Atendiendo además al contexto en que unos y otros surgen. Franz Kafka vivió durante un periodo álgido en la Europa del siglo pasado. Dejó una producción literaria que marca una profunda huella en la narrativa del siglo XX hasta nuestros días y una obra gráfica a la que a menudo no se ha prestado la debida atención. Si bien esta situación ha venido estudiándose y ampliándose, de manera lenta, desde la década de los 50 del pasado siglo hasta el momento actual con estudios cada vez más amplios y rigurosos. Finalmente, creo fundamental una consideración: el estudio que sigue es una investigación a presentar en la Facultad de Bellas Artes redactada por «alguien que pinta» para ser leída ante «pintores». Que nadie busque en ella nada que sobrepase los límites de mi formación. Y, aunque elaborado con sumo rigor y esmero, no exento de pasión, este trabajo pretende alcanzar con sencillez una sola cosa: poner en valor los dibujos de nuestro autor, estudiarlos; evidenciar nexos existentes entre sus dibujos y sus textos; y analizar, aunque de manera limitada, el contexto en que unos y otros surgen y cómo se interrelacionan conformando un corpus único, la obra de Franz Kafka. Si el autor consigue este propósito, que no es poco, ya se dará por satisfecho.
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38

Ciernoch-Kujas, Cora Massfeller Franz. "Ministerialrat Franz Massfeller 1902 - 1966 /." Berlin : Wiss. Verl., Gaudig & Veit, 2003. http://www.gbv.de/dms/spk/sbb/recht/toc/367209438.pdf.

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39

Bird-Pollan, Stefan. "Franz Kafka : a dialectical approach." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288910.

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40

Carey, Jean. "Franz Marc as an Ethologist." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4005.

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Keywords: Animalisierung, Einfühlung, Ethology, Expressionism, Painting, German Modernism In this study I deploy the perspective of ethology to examine Franz Marc's paintings of animals. To perceive animals ethologically means acknowledging that animals feel, think, experience, and imagine the world. Ethology has come to include interpretive pursuits as well as traditional field studies, and as I show, Marc's practice encompassed both aspects of this evolving discipline. To establish the presence of ethology in the humanities I give a "case study" of what I call "retroactive ethology" in the work of J.M. Coetzee. I present an account of Marc's deep knowledge about real live animals. I offer an assessment of the inspiration Marc drew from Post-Impressionism and Egyptian art and show how Marc modernizes animal painting by demolishing long-standing conventions of the genre. I offer some ideas to more fully explain two important terms Marc uses, Animalisierung and Einfühlung. Throughout my paper I keep conceptual and historical observations closely tied to Marc's own words and images. Thus by reading and looking closely, we are able to see Marc as a dedicated and innovative ethologist whose implicit environmental commitment offers great comment upon contemporary discussions of the representation of the animal.
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41

Bjurström, John. "Skriva improvisationsmusik med Franz Schubert." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2814.

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During this project I have studied piano music by Franz Schubert (1797-1828) to thereafter use a couple of his harmonic structures as a foundation for composing music for piano trio. To write music that encourages improvisation and interaction between the band members has been a central focus while the broad goal of the project has been to develop myself as a musician and person. The project started in the fall of 2017, a senior recital was performed in Lilla Salen at KMH the 28th of February and was followed by time for reflection which can be found documented in my paper.             Something I wanted to try with this project was to create according to a partially predetermined method. I wanted Schubert’s music to have an impact on my compositions and from there I decided to transcribe harmonic structures on four of his works to rework these into new compositions. I hoped that this method would bring a forward motion to the work and in retrospect I believe it did. Composing with a few guidelines contributed with a sense of comfort to the process and made me stay on track through passages of low inspiration.             Reflecting on my work I feel that it became a good closure to my studies at KMH. A hybrid process showcasing different musical expressions, skills and sides to my personality with a work method that felt exciting.

Examenskonsert

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42

Kabisch, Thomas. "Zur Bach-Rezeption Franz Liszts." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37253.

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43

Grund, Karin. "Franz Hessel : une vie d'écriture." Paris 3, 1994. http://www.theses.fr/1994PA030093.

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En etudiant le lien etroit entre la vie et l'oeuvre de l'auteur allemand franz hessel. Cette these se presente en meme temps comme une rehabiliation de cet auteur des annees vingt tombe dans l'oubli apres les annees passees en exil en france. Ce travail utilise un grand nombre de sources inedites, de temoignages oraux, de memoires et de journaux de contemporains : l'oeuvre de hessel lui-meme est interpretee pour y degager les elements autobiographiques. Ainsi, ce travail represente-t-il la premiere biographie complete de franz hessel. Par ailleurs, il propose une interpretation d'ensemble de l'oeuvre en en degageant les themes caracteristiques : perspective enfantine, bonheur sans raison, philiosophie vitaliste, flanerie dans la grande ville comme expression mythologique de l'espace et du temps. A travers le personnage de franz hessel est brosse un tableau des milieux litteraires et artisitques de munich, paris et berlin depuis le debut du siecle jusqu'a l'avenement de la deuxieme guerre mondiale
In examining the close relationship between the life and the works of the german writer franz hessel, this dissertation attempts to reappraise this author of the 1920s who has been forgotten after spending several years in exile in france. This thesis has consulted many unpublished sources, oral histoires. Memories and diaries of hessels's contemporaries; the actual works by hessel are interpreted here with special reference to their biographical elmements. Thus, this thesis constitutes the first comprehensive biographie of franz hessel. Furthermore, il offers an overview of hessel's work through analysies of specific characteristic themes: pueril perspective. Irrational happiness, vitalist philosophy, meandering through the big city as mythological expression of space and time. Through the persona of hessel a tableau may be sketched of the literary and artistic milieu of munich, paris and berlin from the turn of this century to the outbrake of world war ii
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44

Mahmody, Susan. "Hubert Lampo - Franz Kafka Wechselbeziehungen." Marburg Tectum-Verl, 2005. http://d-nb.info/989861368/04.

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45

Ciernoch-Kujas, Cora. "Ministerialrat Franz Massfeller 1902-1966 /." Berlin : Wvb, Wiss. Verl. Berlin, 2003. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010469749&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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46

Baron, Michael David. "The songs of Franz Liszt." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234717504.

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47

Adam, Marcia Regina Cândido Otto. "Clarice Lispector e Franz Kafka." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/103105.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.
Made available in DSpace on 2013-07-16T02:56:33Z (GMT). No. of bitstreams: 1 221951.pdf: 583680 bytes, checksum: 964a689fcbe08b1f8658381bcda3d258 (MD5)
Neste trabalho privilegio o argumento de que as personagens de Clarice entram repentina, estranha e surpreendentemente num estado de revelação de seu ser, ganhando assim, existência de humanos. Na busca dessa existência, Clarice assimilou a herança kafkiana que se refere a um mundo de opressão e angústia. Clarice e Kafka, através do poder narrativo projetam suas inquietações, externam seus anseios e compõem sua visão de mundo, sempre em busca do mistério, da essência, por meio das indagações sobre a vida e a morte em si mesmos. Porém, numa fração de segundo, seus personagens deparam-se com uma revelação fulminante capaz de os arrancar da inércia, do contato frio com o miserável cotidiano. O caminho percorrido nesse trabalho passa inicialmente pelo momento inaugural de Clarice Lispector e pela forma como foi recebida pela crítica nacional e estrangeira, bem como pelo fato de a escritora também ter se dedicado à pintura como forma de reproduzir a realidade no desenho. Em seguida, percorro a trilha das singularidades entre Kafka e Clarice: o primeiro cresceu sob as influências de três culturas: a judaica, a tcheca e a alemã. Clarice era ucraniana-judia e escrevia em português, deste modo toda a sua obra ergue-se num espaço entre sua origem judaica e sua condição de brasileira. Ainda seguindo a trilha das singularidades entre os dois escritores, aparece a função da animalidade como meio de contraste com a existência humana. Na última parte alguns contos de Clarice e Kafka são analisados para comprovar que através da linguagem acontece o mergulho, a viagem apenas de ida para Kafka e de ida e volta para Clarice.
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48

Chamling, Rosy. "Existential Crisis in Franz Kafka." Thesis, University of North Bengal, 2010. http://hdl.handle.net/123456789/1542.

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49

Zimmer, Christina. "Leerkörper Untersuchung zu Franz Kafkas Entwurf einer medialen Lebensform." Würzburg Königshausen und Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872858&prov=M&dok_var=1&dok_ext=htm.

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50

Plylar, David. "The dynamic contextual nexus and the composition of self : Franz Liszt's Trois odes funèbres : a case study in intertextuality /." Digitized version, 2008. http://hdl.handle.net/1802/7670.

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Abstract:
Thesis (Ph. D)--University of Rochester, 2008.
Includes abstract and vita. Accompanies: Reliquary : for piano and orchestra / by David Plylar. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/7670
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