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Books on the topic 'Franses (Firm)'

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Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

Volpi, Sara. Il costume teatrale sulla scena francese tra Ottocento e Novecento: Le case di moda Lepère e Pascaud. Canterano (RM): Aracne editrice, 2018.

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2

Haitsma Mulier, E. O. G., 1942- and Leyten, A. M. J. T., eds. Het Nederlandse beeld van de Franse Revolutie: In prent en film. Amsterdam: De Bataafsche Leeuw, 1989.

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3

Jérôme Brunet, Eric Saunier (Firm), ed. Brunet Saunier architecture: Monospace and simplexity. Basel: Birkhäuser, 2013.

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4

Olivier, Barry, Leray Christophe, Sueur Colin, and Galerie d'architecture (Paris France), eds. PO & PO: Jean-Luc Calligaro & Bruno Palisson. Paris: Archibooks+Sautereau, 2008.

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5

1895-1970, Giono Jean, ed. Regain: Film. Paris: Editions de Fallois, 1989.

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6

Cocchi, Stefano. Putain de film!: Il cinema erotico francese degli anni Ottanta. Bologna: Dynit, 2008.

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7

Liberty's fire. London: Hot Key Books, 2015.

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8

Moynard, Louis. Weber: Chronologie d'un logo fédérateur = Chronology of a unifying logo. Paris: Somogy, 2004.

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9

Georges, Vallet, and D'Elia Salvatore, eds. Omaggio a Les Belles Lettres: Cultura francese e studi classici. Napoli: M. D'Auria, 1985.

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10

Buss, Robin. French film noir. London: M. Boyars, 1994.

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11

Beauchamp, Cari. Without lying down: Frances Marion and the powerful women of early Hollywood. New York: Scribner, 1997.

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12

Blin, Pascale. Ed, architectes producteurs. Paris: A Tempera éditions, 1991.

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13

Cerval, Marguerite de. Marchak. Paris: Regard, 2006.

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14

France) Hermès (Firm : Paris. "Fushigi no kuni, Erumesu e no tabi" ten: Hermès un voyage au pays des merveilles. [Tokyo, Japan]: Seibu Hyakkaten, 1997.

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15

Bonin, Hubert. Indosuez: L'autre grande banque d'affaires. Paris: Economica, 1987.

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16

Pizano, Víctor Joaquín Castellanos. La responsabilidad civil extracontractual en caso de incendio: Estudio comparado de derecho francés, italiano, español y dominicano. Santiago, República Dominicana: Universidad Católica Madre y Maestra, 1987.

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17

Guidorizzi, Mario. Cinema francese: 1930-1993 : i film, i premi, i doppiatori, le locandine, le videocassette. Verona [Italy]: Casa editrice Mazziana, 1993.

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18

Susan, Hayward, and Vincendeau Ginette 1948-, eds. French film: Texts and contexts. London: Routledge, 1990.

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19

Coleno, Nadine. Le carré Hermès. Paris: Editions du Regard, 2009.

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20

Gustave, Anne-Marie. La saga France Inter: Amour, grèves et beautés : 50 ans de radio. Paris: Pygmalion, 2013.

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21

Faure, Benoit. Faure à Revin, petite histoire familiale et industrielle. Paris: Harmattan, 2011.

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22

Colboc Franzen & associés (Firm). Colboc Franzen & associés: Arquitectura 2004-2014. Valencia, España: General de Ediciones de Arquitectura, 2014.

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23

Johnson, Eyvind. Dreams of roses and fire. Sawtry: Dedalus, 1990.

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24

Séquences: Intermediate French through film. Boston, MA: Heinle Cengage Learning, 2011.

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25

De Gouden tijd van de Franse film. Soesterberg: Aspekt, 2014.

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26

Media, Irb. Summary of Frances FitzGerald's Fire in the Lake. IRB MEDIA, 2022.

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27

Il cinema francese attraverso i film. Roma: Carocci, 2011.

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28

Architecture As Material Culture The Work Of Francisjones Morehen Thorp. Oro Editions, 2012.

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29

Orbach, Susie, Penny Woolcock, and Frances Aviva Blane. Who Is Frances Aviva Blane?: The Making of a Film. Starmount, 2020.

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30

(Editor), Susan Hayward, and Ginette Vincendeau (Editor), eds. French Film. Routledge, 1990.

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31

Ducatez, Isabelle, Pierre Philippe, and Saskia Ooms. Montmartre: A Film Set. Somogy Editions d'Art, 2018.

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32

Bowman, Paul. Rancière and Film. Edinburgh University Press, 2013.

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33

Bowman, Paul. Rancière and Film. Edinburgh University Press, 2013.

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34

Bowman, Paul. Rancière and Film. Edinburgh University Press, 2013.

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35

Scott, Manda. Into the Fire. Penguin Random House, 2015.

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36

Feeld, Julian. Fire Hides Everywhere. Hunt Publishing Limited, John, 2017.

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37

Architecture sur mesure: ECDM architectes. Santarcangelo di Romagna (RN) [i.e. Rimini, Italy]: Maggioli, 2009.

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38

Rollet, Brigitte. Coline Serreau (French Film Directors). Manchester University Press, 1999.

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39

Geyer, Beth. Heart Of Fire. Xlibris Corporation, 2004.

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40

Stealing the fire: Adaptation, appropriation, plagiarism, hoax in French and Francophone literature and film. Amsterdam: Rodopi, 2010.

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41

French Film Noir. Marion Boyars Publishers, 2001.

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42

Fire In The Blood. Vintage Books USA, 2008.

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43

Godfrey, Donald G. Early Film Experiments. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0003.

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This chapter focuses on C. Francis Jenkins' early film experiments. The large-screen projector and the concept of intermittent motion remain Jenkins' most lasting contributions to the industries of film and motion pictures in television. His projector was the first to freeze a frame of film for a fraction of a second, as it flowed past the lamp and lens of the projector. The late 1870s into the early 1900s was a time of growing industrial opportunity. Still photography was becoming a popular hobby, while inventors such as Louis and Auguste Lumiere, Emile Reynaud, Thomas A. Edison, George Eastman, and Thomas J. Armat were working on ways to add motion. This chapter discusses Jenkins' early demonstrations of his inventions, including the Phantoscope camera-projector, as well as his growing popularity as an inventor.

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44

Lewis, Hannah. Imagining Sound Film. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0002.

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Chapter 1 focuses on writings in the French press by filmmakers, composers, and critics about sound film and its arrival in France. From sound film’s first successes in Hollywood, French critics paid careful attention to the new technology, and they wrote prolifically and prescriptively about how they believed the French film industry should respond to it. Many filmmakers expressed concern that sound film would upset cinema’s aesthetic development, but many others approached the new technology with excitement, particularly when it came to its musical applications. The debates in the French press surrounding sound film reveal how the new medium, and music’s role within it, was by no means a fixed entity for composers, directors, journalists, or audiences.

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45

Bonin, Hubert. Indosuez: L'autre grande banque d'affaires (Collection Histoire de l'entreprise). Economica, 1987.

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46

Hollweg, Brenda, and Igor Krstic, eds. World Cinema and the Essay Film. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474429245.001.0001.

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World Cinema and the Essay Film examines the ways in which essay film practices are deployed by transnational filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalisation. With case studies of essayistic works by John Akomfrah, Frances Calvert, José Luis Guerín, Jonas Mekas, David Perlov, Apichatpong Weerasethakul and Zhao Liang, amongst many others, and with a photo-essay by Trinh T. Minh-ha, the book expands current research on the essay film and presents transnational perspectives on what is becoming a global film practice.

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47

Into the Fire. Penguin Random House, 2016.

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48

Scott, Manda. Into the Fire. Transworld Publishers Limited, 2015.

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49

Rancire And Film. Edinburgh University Press, 2013.

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50

Into the fire. London: Bantam Press, 2015.

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