Relevant bibliographies by topics / Franses (Firm)

Academic literature on the topic 'Franses (Firm)'

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Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Franses (Firm)"

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Baarsen, R. J. "'In de commode van Parijs tot Den Haag' Matthijs Horrix (1735 -1809), een meubelmaker in Den Haag in de tweede helft van de achttiende eeuw." Oud Holland - Quarterly for Dutch Art History 107, no. 2 (1993): 161–256. http://dx.doi.org/10.1163/187501793x00171.

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AbstractSince 1988, when this journal carried an article on Andrics Bongen (ca. 1732-1792), probably the first cabinet-maker in Amsterdam to have made marquetry furniture in the French style in the third quarter of the eighteenth century, not one item has been added to his small oeuvre. It is therefore still not clear whether Bongen had a long and successful career, nor whether his production was large. This article deals with the eighteenth-century activities of Matthijs Horrix (1735 -1809), a furniture maker who in certain aspects may be regarded as Bongen's Hague counterpart. He, too, hailed from Germany, set up independently in the Netherlands in the 1760s and worked in the French style from the outset of his career. There are however no doubts as to bis success : he was The Hague's best-known furniture maker in the late eighteenth century, with the largest workshop. In the course of the nineteenth century the firm he founded grew into the largest in the Netherlands (note 4). Whereas it cannot be ascertained whether 'French' cabinet-making was ever a dominant trend in Amsterdam, one gets the impression that such was to some extent the case in The Hague after 1760. In the city where the Stadholder's court and foreign embassies were based, the French-oriented court style had been a significant factor since at least the late seventeenth century (notes 5, 6 and 8). Many patrons in The Hague were probably keen on furniture which actually came from France. In 1771 the guild of furniture makers complained to the city council about the influx of furniture imported from abroad; this probably meant imports from France (notes 9 and 10). Several furniture makers in The Hague began to imitate the French models. As early as 1761 Matthijs Franses (ca. 1726-1788), who came from Kempen near Krefeld, advertized that he made and sold a variety of veneered furniture in the French style. His descriptions are not very clear, but mention is made of commodes and tables inlaid with copper (in the Boulle technique?), commodes 'à la Diligence' with gilded bronze mouldings and marble tops, desks and 'Ouvrages en ébène'. Franses says nothing about marquetry featuring different kinds of wood, the most popular decorative technique in Paris around 1760 and the kind of work with which Bongen made his debut in Amsterdam in 1766. It seems likely that Horrix arrived in The Hague around 1761. He was born in 1735, probably in Lobberich near Krefeld (note 25). In a petition submitted in 1764 he stated that he had been apprenticed to a cabinet-maker in The Hague 'for some years'; the period in question was probably not longer than three years (notes 26 and 27). At the beginning of this period, then, Horrix was already 25 years of age or older. In view of the common practice throughout Europe for boys to be apprenticed to a craftsman at the age of fourteen or thereabouts for a period of some six years (note 28), Horrix may have worked in one or more shops elsewhere after his apprenticeship and before his arrival in The Hague. However, no information about this period is available. On May 15 1764, Horrix was enrolled in the Hague guild as a master cabinet-maker (note 33). On January 9th of that year he had acquired citizenship, and on May 5th he had married Elisabeth de la Fosse of The Hague. The wedding was witnessed by
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Dulk, Allard den. "New Sincerity and Frances Ha in Light of Sartre: A Proposal for an Existentialist Conceptual Framework." Film-Philosophy 24, no. 2 (June 2020): 140–61. http://dx.doi.org/10.3366/film.2020.0136.

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There is a growing discourse on “new sincerity,” and related terms like “quirky” and “metamodernism,” as a movement or sensibility in contemporary cinema developing from the late 1990s onward, exemplified by the work of filmmakers such as Wes Anderson and Charlie Kaufman. However, what this new concept means in the context of cinema has so far remained under-defined and requires further philosophical analysis. This article provides such an analysis by offering a reconceptualization of Jean-Paul Sartre's existentialist-phenomenological notions of good faith and sincerity, which will be connected to developments in film and elaborated in relation to Frances Ha (Noah Baumbach, 2012). I propose, against Sartre's own preference for the problematic term “authenticity,” to understand sincerity as the reflective resumption of good faith's pre-reflective acceptance of human-reality. This conception of sincerity as reflective allows us to accurately understand the combination of self-awareness and affirmation that characterizes new sincerity cinema: its self-awareness does not serve the postmodernist strategy of endless self-ironization; instead, its portrayals affirm the meaningfulness of its filmic reality, while also being aware of film as a medium. An analysis of Frances Ha illustrates how this concept of sincerity might be seen to function both on the level of story world, characters and themes, and on that of narrative structure and audio-visual style, thereby showing how we can meaningfully speak of sincerity in and of film.
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Boubaker, Sabri. "Ownership-Control Discrepancy and Firm Value: Evidence from France." Multinational Finance Journal 11, no. 3/4 (December 1, 2007): 211–52. http://dx.doi.org/10.17578/11-3/4-3.

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Schadewaldt, Annika M. "“I’m Not a Real Person Yet”: Queering Coming of Age in Frances Ha." aspeers: emerging voices in american studies 12 (2019): 97–116. http://dx.doi.org/10.54465/aspeers.12-07.

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The 2012 film Frances Ha, portraying twenty-seven-year-old Frances Halladay’s everyday struggles in New York City, poses a problem of genre classification: No critical consensus exists on whether Frances Ha’s portrayal of Frances should be called critical or affirmative. Yet even the sympathetic descriptions of what is perceived as Frances’s arrested development suggest that Frances as a character continually fails at being a ‘proper adult.’ This essay, however, posits that this alleged indecisiveness of the film’s central message should be understood as a conscious strategy insofar as Frances Ha ‘queers’ the genre of coming of age. That is, I suggest that understanding the film in terms of conventional notions of coming of age based on a bildungsroman tradition must necessarily prove insufficient. Drawing on the work of, among others, Susan Fraiman and Jack Halberstam, this essay argues that Frances Ha can be read as an interrogation of heteronormative concepts of maturity by queering notions of matrimony, development, and mastery. In doing this, the film opens up spaces for imagining alternative ‘modes of life.’ Treating Frances’s perceived immaturity as consciously made ‘mistakes’ instead allows us to unpack the film’s subversive intervention into what it means to be a ‘grown up’ in twenty-first-century America.
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Hardiyanti, Ayu Fitri, I. Gusti Agung Sri Rwa Jayantini, and I. Wayan Juniartha. "Analysis of Three Dimensional Aspects of the Main Character in Frances Ha Film." Journal of Language and Applied Linguistics 5, no. 1 (January 30, 2024): 110–19. http://dx.doi.org/10.22334/traverse.v5i1.92.

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In literary works such as short stories, novels, dramas, and films, the characters in the film play a very important role in conveying the story. Having a character with a strong personality can make a good impression on the audience and readers. In this case, the role of the author is very important in creating characters that have strong personalities through character development so that they can create a realistic character. This study aims to determine how the author portrays the main character, Frances Halladay, in terms of three dimensions of characterization, by using the character dimensions theory of Egri (1960). This research uses descriptive qualitative research methods, and the object of study is the film Frances Ha, which was released in 2012 and directed by Noah Baumbach. Observation and documentation methods were used in this study by watching the film, reading the script, and taking notes. The results of the research can be concluded that the main character, Frances Halladay, in the film Frances Ha, shows three dimensions of characterization possessed by the main character, namely physiological, psychological, and sociological. In presenting this dimension, this study presents figures and/or dialogue from the film.
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Brazzoduro, Andrea. "Il nemico interno. La guerra d'Algeria nel cinema francese." PASSATO E PRESENTE, no. 76 (March 2009): 127–42. http://dx.doi.org/10.3280/pass2009-076007.

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- Starts from France, that established the state of emergency according to an act dating back to the Algerian war (1955) to cope with the revolt which set on fire the banlieues in 2005. Siri's L'Ennemi intime, which came out in cinemas shortly afterwards, brought to the big screen exactly the French Algerian conflict. Contextualizing the film in the plentiful French production about this issue, the A. wonders whether we are faced with a new stage of "the Algerian syndrome" 50 years after the event or whether the Algerian war, caught up in a complex device of censorship and self censorship (official as well as by authors, producers, public), still remains the major repressed experience of French society (and its cinema). Keywords: Algeria, War, Memory, Cinema, History. Parole chiave: Algeria, Guerra, Memoria, Cinema, Storia.
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Das, Saswato R. "Review: Catching Fire by Richard Wrangham and Fire by Frances D. Burton." New Scientist 202, no. 2711 (June 2009): 47. http://dx.doi.org/10.1016/s0262-4079(09)61525-6.

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Lally, Joe. "Fire: The Spark That Ignited Human Evolution. Frances D. Burton." Journal of Anthropological Research 66, no. 3 (October 2010): 423–25. http://dx.doi.org/10.1086/jar.66.3.20798843.

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Benjamin, Kallan. "Writing in Sound: Frances Marion at MGM, 1925–1933." Film History: An International Journal 34, no. 4 (2022): 59–82. http://dx.doi.org/10.2979/fih.2022.a900042.

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ABSTRACT: This paper examines screenwriter Frances Marion's use of sound in scripts she wrote during the transitional period from silent to sound film. Engaging feminist historiography, screenwriting studies, and sound studies, I argue that Marion's expressive use of narrativized sound in both sound and silent scripts was remarkably innovative, yet underappreciated. Her skillful use of integrated sound helps account for her success in the early 1930s and aligns with the style of sound filmmaking that later came to dominate.
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POWER, CAMILLA. "Fire: the spark that ignited human evolution - By Frances D. Burton." Journal of the Royal Anthropological Institute 17, no. 2 (May 3, 2011): 409–10. http://dx.doi.org/10.1111/j.1467-9655.2011.01698_12.x.

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Dissertations / Theses on the topic "Franses (Firm)"

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Bengtsson, Daniel. "Kvinnosynen i Jesús Francos skräckfilmer 1962-1971." Thesis, Växjö University, School of Humanities, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-443.

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Kimasa, Bihemo Francis [Verfasser]. "Essays on Firm Dynamics and Labor Market Flows / Bihemo Francis Kimasa." Konstanz : KOPS Universität Konstanz, 2021. http://d-nb.info/1236846338/34.

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Delbianco, Clarice. "Il francese del Québec attraverso l'analisi del film Mommy di Xavier Dolan." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020.

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L'elaborato presenta un approfondimento sul francese del Québec attraverso l'analisi del film Mommy del regista canadese Xavier Dolan nella versione originale, nella versione sottotitolata in francese di Francia e nella versione doppiata in italiano. Il primo capitolo introduce la storia della lingua quebecchese, la sua evoluzione dal francese dei coloni e quello attuale e gli aspetti linguistici che caratterizzano questa varietà. Il secondo capitolo presenta il regista canadese Xavier Dolan, la sua biografia, il suo stile e introduce il film Mommy. Il terzo e ultimo capitolo analizza il concetto di turpiloquio contestualizzato nella cultura quebecchese, francese e italiana, e lo esamina attraverso l'analisi del tipo di turpiloquio, della frequenza e delle scelte traduttive realizzate nelle tre versioni del film Mommy.
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Xu, Mengya. "Les stratégies d'expansion des firmes transnationales : le cas des entreprises françaises en Chine." Thesis, Paris Est, 2020. http://www.theses.fr/2020PESC0004.

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Dans un contexte international marqué par une mondialisation économique et culturelle de plus en plus généralisée, par une concurrence se jouant à l'échelle de la planète et par d'une forme d'obligation de croissance pour les marchés, l’internationalisation de l’entreprise est devenue une priorité et un défi pour des firmes qui en ont le potentiel, l’obligation et la volonté d'avoir un accès en dehors de leurs territoires continentaux. Dans ce cadre, on peut observer l’augmentation des échanges commerciaux bilatéraux entre la France et la Chine ces dernières années. Les firmes françaises cherchent à développer le marché chinois – un marché de 1,375 milliard de consommateurs et considéré comme prometteur. Dans le même temps, les firmes chinoises investissent en France et s’implantent sur le marché européen.Ma thèse a ciblé une catégorie de ces entreprises – les entreprises transnationales françaises – pour étudier leurs stratégies d’expansion vers la Chine. En effet, nous pouvons constater en Chine le dynamisme d’un grand nombre des entreprises transnationales françaises qui sont présentes dans des divers domaines d’activités. Ces stratégies d’expansion développées par ces firmes transnationales contribuent de manière très importante à la croissance d’une économie devenue mondialisée. De plus, elles peuvent servir de modèles de développement pour des grandes entreprises et des PMEs qui ont la volonté de se lancer à l’international et qui cherchent des moyens et des méthodes expérimentés pour s’accélérer dans leurs internationalisations.Cette thèse consiste à documenter ces stratégies adoptées par ces entreprises transnationales françaises aussi bien du point de vue pratique que du point de vue théorique, et repérer la manière dont elles se structurent en s’adaptant à l’environnement local qui représente un grand nombre de spécificités économiques, sociétales, culturelles et de réglementations législatives
In an international context marked by an increasingly generalized economic and cultural globalization, by competition playing out on a global scale and by a form of growth obligation for the markets, the internationalization of business has become a priority and a challenge for firms that have the potential, the obligation and the will to have access outside their continental territories. In this context, we can observe the increase in bilateral trade between France and China in recent years. French firms are seeking to develop the Chinese market - a market of 1.375 billion consumers and considered to be promising. At the same time, Chinese firms are investing in France and establishing themselves on the European market.My thesis targeted a category of these companies - French transnational companies - to study their strategies for expansion towards China. Indeed, we can see in China the dynamism of a large number of French transnational companies which are present in various fields of activity.These expansion strategies developed by these transnational firms contribute significantly to the growth of an economy that has become globalized. In addition, they can serve as development models for large companies and SMEs that are willing to go international and who are looking for experienced means and methods to accelerate their internationalization.This thesis consists of documenting these strategies adopted by these French transnational companies from both a practical and a theoretical point of view, and identifying the way in which they are structured by adapting to the local environment which represents a large number of economic, societal, cultural and legislative specificities
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Spedicato, Giorgia. "Analisi del doppiaggio del film francese "Qu'est-ce qu'on a fait au bon Dieu"." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8805/.

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Questa tesi ha come obiettivo l’analisi contrastiva della versione originale francese e di quella doppiata in italiano del film “Qu’est-ce qu’on a fait au bon Dieu”, del regista Philippe de Chauveron. Partendo da alcuni aspetti teorici spiegati nel primo capitolo, parlerò della traduzione audiovisiva e delle sue due tecniche maggiormente utilizzate, ossia doppiaggio e sottotitolaggio, oltre che ad accennare il contesto storico-sociale in cui è nata e si è sviluppata. In seguito mi concentrerò sull’analisi vera e propria del doppiaggio del film, prendendo in considerazione gli aspetti culturali di più difficile adattamento per i dialoghisti, quali il cibo, gli odonimi, il mondo dello spettacolo, l’ironia e gli aspetti extra-testuali di immagini e suoni. Infine, l’elaborato si concluderà con l’analisi degli aspetti linguistici più complessi per gli adattatori, come il dialetto, il turpiloquio e le espressioni idiomatiche, con un’attenzione particolare anche alla traduzione dei titoli.
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Cardoso, Francisco. "Stratégies d'entreprises et nouvelles formes de rationalisation de la production dans le bâtiment au Brésil et en FranceT." Marne-la-vallée, ENPC, 1996. http://www.theses.fr/1996ENPC9604.

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La recherche de « l’efficacité » de l’entreprise de construction, à partir des gains « d’efficience », nous a conduit à étudier les « nouvelles formes de rationalisation de la production – NFRP » dans le Bâtiment, en France et au Brésil. Nous entendons ici « l’efficacité » comme la capacité à maintenir, ou à augmenter le niveau d’activité de la firme. A son tour, « l’efficience » s’associe à la capacité de rendement, de « performance » de l’entreprise au long des différentes étapes du « processus de production ». L’un des résultats de cette recherche est la construction d’une démarche particulière. Celle-ci permet d’abord d’identifier et de caractériser les « facteurs clés d’efficacité » à partir desquels se joue la compétition dans les deux pays. Elle permet, ensuite, d’identifier et d’analyser les NFRP que les entreprises peuvent mettre en œuvre pour être « efficaces » dans cette compétition. Le travail place au centre de la réflexion les stratégies d’entreprises, et plus particulièrement les « stratégies concurrentielles », définies par PORTER. Pour survivre, l’entreprise doit l’emporter dans la compétition soit en produisant « mieux », soit en produisant « moins cher ». Notre thèse centrale est que « l’efficacité » de l’entreprise de construction, dans le contexte contemporain, est fortement associée aux gains « d’efficience » obtenus selon une logique technico-économique. Des gains sont acquis en agissant tout au long des différentes étapes du « processus de production » en général, et du « système de production » en particulier. Ces actions s’articulent autour des « procès », entendus comme des regroupements cohérents dans le temps des activités qui mènent à l’obtention d’une véritable valeur ajoutée au produit-bâtiment Elles se matérialisent à travers des outils et des méthodes d’organisation et de gestion. Elles portent non seulement sur des aspects locaux, mais aussi transversaux, exigeant d’intervenir aussi bien au sein de l’entreprise de construction elle-même, qu’au niveau des acteurs du secteur et de leurs rapports. Tous les acteurs doivent s’interroger sur leurs rôles, leurs stratégies, leur organisation et leur gestion, ainsi que sur leurs rapports ou formes de coopération avec les autres acteurs. De la maîtrise de ces points dépend la survie et la prospérité de chacun et de tous à la fois. Les nouveaux enjeux concurrentiels et de « marché » dans le Bâtiment/Logement constituent donc l’occasion de revenir sur la problématique de l’entreprise de construction face à l’efficacité. Les pays comme le Brésil, où l’efficacité commerciale et l’efficience financière primaient traditionnellement sur l’efficience technique, n’échappent pas à cette règle
In order to improve the « effectiveness » of building construction firms, we have studied the « new types of rationalisation of production » in France and in Brazil. For us, effectiveness is the capacity of the firm to hold constant or even to increase its level of activities. Efficiency is the firm’s capacity of performance through the entire « production process ». One of the results of this research is the construction of a special procedure that allows us to identify and to characterise the « main factors of effectiveness » that are at play in competition between firms in both countries. Thereby, the procedure allows us to identify and to analyse the « new types of rationalisation of production » that firms put into practice in order to be efficient in this competition. The investigation described in this thesis centers around the strategies of the firms, especially the « generic competitive strategies » developed by PORTER. To survive, the firm must win the competition by producing « better » or by producing « cheaper ». Our main thesis is that building construction firm’s « effectiveness », nowadays, is closely associated with the gains in « efficienty » achieved by the application of technical and economic approaches. Savings are obtained by improving the phases of the « production process » in general of the phases of « production system » in particular. These improvements are articulated by mans of the « processes », sets of activities that are put together in a coherent way, that lead to a real gain in the value of the building-product. These « processes » are put into practice through tools and methods used by the organization and the management. They concern both local and transversal aspects, that act both on the struture of the building construction firm and on the other actors of the building industry. All actors must question their roles, their strategies, the form of their organization and managemet, and either their relationship of their collaborations with the other actors. The survival and the prosperity of each actor and the industry depends on of all these issues. This new competitive stakes of the building market represent the occasion of rethinking the construction firm’s policies in regards to « effectiveness ». In this respect, even countries like Brazil, where commercial « efficiency » and financial « effectiveness » has always commanded over technical « effectiveness », are concerned
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Berthé, Gaffiero Catherine. "Le cinéma policier français (1910-1950) : du film à énigme au film criminel." Paris 1, 2003. http://www.theses.fr/2003PA010559.

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Catégorie peu étudiée, le Whodunit ou film à énigme a cependant fait les beaux jours du cinéma français de l'avènement du parlant jusqu'aux années cinquante. Ce type de récit peut se définir comme la restitution d'un récit absent, celui d'un crime à reconstituer, auquel il faut assigner un auteur : par cette déconstruction et reconstruction narrative, le film à énigme, tout comme son pendant littéraire le roman policier à énigme, peut être considéré comme l'émergence d'un regard critique moderne sur le bastion réaliste qui domine nos modes narratifs tant littéraires que cinématographiques. L'on se rend compte que cette forme, de marginale dans le cinéma muet, s'installe dès 1929 au sein de notre cinématographie et se verra balayée dans les années cinquante par l'émergence d'un nouveau type de cinéma policier que nous qualifions de " film criminel ". Il importe donc de savoir quelles furent les raisons, avant 1929, de la rareté du film à énigme au sein du cinéma français, quelles furent celles qui contribuèrent, pendant une vingtaine d'années, à l'essor du Whodunit et enfin celles qui contribuèrent à son déclin et à son remplacement, dans le cadre de la perception de la catégorie, par le film criminel. Partant de l'hypothèse que le film à énigme est un révélateur des modes narratifs en vigueur par la déconstruction qu'il opère afin d'un faire émerger un sens caché (Qui a tué ?) ce parcours, qui démarre aux années dix pour s'achever aux années cinquante nous donne l'occasion de visiter les modes narratifs successifs qui ont sous-tendu le cinéma français et de nous interroger sur la place laissée à une certaine modernité, voire post-modernité, dans le cadre d'une écriture cinématographique encore largement dominée par le réalisme de la représentation.
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FOSCHINI, DANIELE. "L' ANALISI DELLA PERFORMANCE E DEL VALORE DELLE FAMILY FIRMS PRIMA E DOPO L' IPO: REALTA' ITALIANA E FRANCESE A CONFRONTO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/851.

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FOSCHINI, DANIELE. "L' ANALISI DELLA PERFORMANCE E DEL VALORE DELLE FAMILY FIRMS PRIMA E DOPO L' IPO: REALTA' ITALIANA E FRANCESE A CONFRONTO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/851.

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Gomes, Francis Oliver Vinay [Verfasser], Veit [Akademischer Betreuer] Wagner, Veit [Gutachter] Wagner, Thomas [Gutachter] Heine, and Ralf [Gutachter] Anselmann. "Film growth and characterization of solution processed MoS2 semiconductor films for thin film transistors / Francis Oliver Vinay Gomes ; Gutachter: Veit Wagner, Thomas Heine, Ralf Anselmann ; Betreuer: Veit Wagner." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2019. http://d-nb.info/1190888181/34.

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Books on the topic "Franses (Firm)"

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Volpi, Sara. Il costume teatrale sulla scena francese tra Ottocento e Novecento: Le case di moda Lepère e Pascaud. Canterano (RM): Aracne editrice, 2018.

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Haitsma Mulier, E. O. G., 1942- and Leyten, A. M. J. T., eds. Het Nederlandse beeld van de Franse Revolutie: In prent en film. Amsterdam: De Bataafsche Leeuw, 1989.

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Jérôme Brunet, Eric Saunier (Firm), ed. Brunet Saunier architecture: Monospace and simplexity. Basel: Birkhäuser, 2013.

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Olivier, Barry, Leray Christophe, Sueur Colin, and Galerie d'architecture (Paris France), eds. PO & PO: Jean-Luc Calligaro & Bruno Palisson. Paris: Archibooks+Sautereau, 2008.

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1895-1970, Giono Jean, ed. Regain: Film. Paris: Editions de Fallois, 1989.

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Cocchi, Stefano. Putain de film!: Il cinema erotico francese degli anni Ottanta. Bologna: Dynit, 2008.

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Liberty's fire. London: Hot Key Books, 2015.

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Moynard, Louis. Weber: Chronologie d'un logo fédérateur = Chronology of a unifying logo. Paris: Somogy, 2004.

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Georges, Vallet, and D'Elia Salvatore, eds. Omaggio a Les Belles Lettres: Cultura francese e studi classici. Napoli: M. D'Auria, 1985.

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Buss, Robin. French film noir. London: M. Boyars, 1994.

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Book chapters on the topic "Franses (Firm)"

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Eling, Kim. "Film Policy." In The Politics of Cultural Policy in France, 103–27. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780333982365_6.

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Abreu-Torres, Dania, Rosana Blanco-Cano, and Rita E. Urquijo-Ruiz. "Brincando el Charco: Portrait of a Puerto Rican (Frances Negrón-Muntaner. 1994, U.S./Puerto Rico)." In Latinidad and Film, 15–26. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56118-4_2.

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Cardullo, R. J. "Thought, Feeling, and The Cinema of Francis Ford Coppola: The Rain People As Exemplum." In Teaching Sound Film, 125–34. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-726-9_12.

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Fink, Liz. "Institutional Terra Non Firma: Representative Democracy and the Chieftaincy in French West Africa." In France's Modernising Mission, 31–57. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55133-7_2.

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Semple, Jeanie. "Ambiguities in the Film Le Ciel Est a Vous." In Vichy France and the Resistance, 123–32. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003190387-10.

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Messerlin, Patrick, and Isabelle Vanderschelden. "France’s Protected and Subsidised Film Industry: Is the Subsidy Scheme Living Up to Its Promises?" In Handbook of State Aid for Film, 311–32. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71716-6_18.

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Sorlin, Pierre. "What Made a Popular Film in France in the 1950s." In France and the Mass Media, 68–84. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-11208-1_6.

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Bertrand, Ina. "Francis Birtles:." In Australian Film Theory and Criticism, 19–28. Intellect Books, 2018. http://dx.doi.org/10.2307/j.ctv36xw41t.6.

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Sterne, Laurence. "CHAPTER XXI." In The Life and Opinions of Tristram Shandy, Gentleman. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199532896.003.0111.

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As Francis the first of France3 was one winterly night warming himself over the embers of a wood fire, and talking with his first minister of sundry things for the good of the state*—it would not be amiss, said...
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Fuentes-Fernández, Rosana, Armand Gilinsky, Joshua Aboah, Sharon Forbes, Coralie Haller, and Marc Dressler. "The Impact of Firmographics on Philanthropic Engagement in the Global Wine Industry." In Advances in Business Strategy and Competitive Advantage, 315–33. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-2149-2.ch017.

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The pursuit of community engagement and support is commonly considered to be essential to the achievement of corporate social responsibility goals, irrespective of a firm's age, size, legal formation, or industry sector. Less well understood are the firmographic characteristics that may influence these philanthropic pursuits, namely, firm formation, firm closure, firm growth or decline, and firm relocation. This investigation into philanthropic engagement seeks to understand the impact of firmographics across the global wine industry. Data were collected via survey from 302 firms in the Old and New World wine sectors: Spain, France, Germany, New Zealand, and the United States. Ordinal logistic and multiple linear regressions were applied. Findings reveal that the cultural heritage of a wine business, and, to a lesser extent, its form of ownership, appear to be the two major determinants of philanthropic engagement.
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Conference papers on the topic "Franses (Firm)"

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Woo, Changsu. "Thermoelectric Properties of Zinc Antimonide Thin Film." In Nanotech France 2017 International Conference. SETCOR Conferences and Events, 2018. http://dx.doi.org/10.26799/cp-nanotechfrance2017.6.

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Ribotta, Claudio, José Maria Costa-Saura, Valentina Bacciu, Costantino Sirca, and Donatella Spano. "Mapping Fire Ignition Probability through a Two-Level Approach in a Mediterranean Area: The Corse (France) Case Study." In The Third International Conference on Fire Behavior and Risk. Basel Switzerland: MDPI, 2022. http://dx.doi.org/10.3390/environsciproc2022017115.

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Datry, Jean-Bernard, Audrey Zonco, Etienne Combescure, Zakaria Kertaoui, Clement Le Dem, and David Masse. "The hyperion tower, an audacious demonstration of the use of materials." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.1144.

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<p>With a total height of 55m, the Hyperion residential Tower is located near the Saint Jean train Station in Bordeaux France and was designed by the engineering firm Terrell in association with the architectural practice Jean-Paul Viguier &amp; Associates. The structure is braced with a reinforced concrete core, made of cross laminated timber floors, laminated timber beams along the periphery of the building, wood frame walls on the façades, and prefabricated steel balconies placed in situ with cranes. Detailed design of the composite tower was carried out by engineering firm Setec Tpi, through a large use of BIM software’s (Revit and Tekla) from which shop drawings were generated. The main contractor Eiffage had to face many challenges during construction to erect what is now the tallest wooden tower in France.</p>
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Datry, Jean-Bernard, Audrey Zonco, Etienne Combescure, Zakaria Kertaoui, Clement Le Dem, and David Masse. "The hyperion tower, an audacious demonstration of the use of materials." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.1144.

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<p>With a total height of 55m, the Hyperion residential Tower is located near the Saint Jean train Station in Bordeaux France and was designed by the engineering firm Terrell in association with the architectural practice Jean-Paul Viguier &amp; Associates. The structure is braced with a reinforced concrete core, made of cross laminated timber floors, laminated timber beams along the periphery of the building, wood frame walls on the façades, and prefabricated steel balconies placed in situ with cranes. Detailed design of the composite tower was carried out by engineering firm Setec Tpi, through a large use of BIM software’s (Revit and Tekla) from which shop drawings were generated. The main contractor Eiffage had to face many challenges during construction to erect what is now the tallest wooden tower in France.</p>
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Dumnernpanich, Weerapad. "Effects of electrical breakdown on the photocurrent generation in thin - film single - walled carbon nanotubes." In Nanotech France 2017 International Conference. SETCOR Conferences and Events, 2018. http://dx.doi.org/10.26799/cp-nanotechfrance2017.7.

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Karamti, Chiraz. "Hedonic Study on Mobile Telephony Firms' Pricing-Quality Strategies in France." In 2007 6th Conference on Telecommunication Techno-Economics. IEEE, 2007. http://dx.doi.org/10.1109/ctte.2007.4389880.

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Ciocan, Gabriel Dan, Franc¸ois Avellan, and Elena Lavinia Berca. "Wall Friction Measurements: Application in a Francis Turbine Cone." In ASME 2002 Joint U.S.-European Fluids Engineering Division Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/fedsm2002-31333.

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The boundary layers at a turbine runner outlet and their evolution with the operating points are unknown and represent an important factor for the pressure recovery of the elbow diffuser. To characterize the boundary layer, a hot film probe is used. The measurement accuracy is an important aspect of this study and the measurement procedure is exposed. An experimental campaign is realized in a turbine cone in order to characterize the wall friction evolution for 4 operating points. Both steady and transient analysis of the experimental results are presented.
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Sorkhani, Hamidreza Afrand, Mohammad Avatefi Hemmat, Taghi Shamekhi, Elaheh Mohseni, and Osman Devrim Elvan. "Forest Laws and Wildfire: A Comparative Legal Study of Iran, France, Türkiye and South Africa." In 3rd International Congress on Engineering and Life Science. Prensip Publishing, 2023. http://dx.doi.org/10.61326/icelis.2023.17.

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Global warming and climate changes have caused an increase in the frequency and intensity of forest fires in recent years, which in turn exacerbates the climate change speed with the emissions of carbon from burned plant biomass. This paper deals with the comparative study of forest fire in the forest laws of Iran, France, Türkiye and South Africa countries to identify the national solutions in dealing with wildfires and to suggest the best solutions. Comparative law is among the best ways to study the legal solutions of specific countries to learning from each other’s and improve the laws. Comparative law has five steps: the first step is the determination of the scope and delimitations of the study, which in this research includes the selection of the mentioned four countries and the topic of forest fires; The second step is the description and analysis of legal materials; The third step is the Comparison of laws and show the similarities and differences; The fourth step is the explanation of the reasons for similarities and differences and the fifth step is the evaluation of laws and provide best solutions of the studied countries in the field of wildfire control. The categories extracted from the content of legal articles and the classification of categories with a common meaning together showed that the legal measures of combat wildfire can be classified into four main pillars as well as the following sub pillars: 1- Measures before fire include a) limitations, regulations and preventive measures, b) cleansing, c) screening, firebreak and prescribed fire, d) fire protection associations, e) determination of high-risk areas and fire risk rating. 2- Measures during fire outbreaks include a) Custodian of fighting fire and providing equipment, b) right of way, servitude, possession, intervention, c) firefighting tactics and use of controlled fire. 3- Measures after the fire include a) Improvement and sanitation measures, b) Prohibitions, regulations, evaluation and review, c) Revival and restoration, d) Incentives, compensation, and 4- Crimes and punishments. Evaluation of the legal solutions of the studied countries showed that some countries have performed well in some pillars and sub-pillars and poorly in some others. South Africa provides considerable provisions by establishing a law specific to fire. However, French legislators have done well in this field by setting up appropriate legal requirements and prohibitions during fire season. While the forest firefighting laws of Türkiye and Iran are scattered throughout the text of the forest law and are not sufficient. Finally, by using the strengths of the laws of the studied countries, the weak points of the national forest laws are identified and recommendations suggest to modify. Also, this research introduces a legal framework to classify national forest laws in the field of forest fire management.
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Blazquez, Desamparados, Josep Domenech, José A. Gil, and Ana Pont. "Automatic detection of e-commerce availability from web data." In CARMA 2016 - 1st International Conference on Advanced Research Methods and Analytics. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/carma2016.2016.3603.

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In the transition to the digital economy, the implementation of e-commerce strategies contributes to foster economic growth and obtain competitive advantages. Indeed, national and supranational statistics offices monitor the adoption of e-commerce solutions by conducting periodic surveys to businesses. However, the information about e-commerce adoption is often available online in each company corporate website, which is usually public and suitable for being automatically retrieved and processed.In this context, this work proposes and develops an intelligent system for automatically detecting and monitoring e-commerce availability by analyzing data retrieved from corporate websites. This system combines web scraping techniques with some learning methods for Big Data, and has been evaluated with a data set consisting of 426 corporate websites of manufacturing firms based in France and Spain.Results show that the proposed model reaches a classification precision of about 85% in the test set. A more detailed analysis evidences that websites with e-commerce tend to include some specific keywords and have a private area. Our proposal opens up the opportunity to monitor e-commerce adoption at a large scale, with highly granular information that otherwise would have required every firm to complete a survey.
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Fernández-Ginés, FD, TB Rodriguez-Cuadros, P. Nieto-Guindo, F. Sierra-García, and E. Cuadrado-Molina. "CP-037 Use of chitosan film for refractory pain in periostomal ulcer." In 22nd EAHP Congress 22–24 March 2017 Cannes, France. British Medical Journal Publishing Group, 2017. http://dx.doi.org/10.1136/ejhpharm-2017-000640.36.

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Reports on the topic "Franses (Firm)"

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Acemoglu, Daron, Claire LeLarge, and Pascual Restrepo. Competing with Robots: Firm-Level Evidence from France. Cambridge, MA: National Bureau of Economic Research, February 2020. http://dx.doi.org/10.3386/w26738.

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Garicano, Luis, Claire LeLarge, and John Van Reenen. Firm Size Distortions and the Productivity Distribution: Evidence from France. Cambridge, MA: National Bureau of Economic Research, February 2013. http://dx.doi.org/10.3386/w18841.

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Mitaritonna, Cristina, Gianluca Orefice, and Giovanni Peri. Immigrants and Firms' Outcomes: Evidence from France. Cambridge, MA: National Bureau of Economic Research, November 2016. http://dx.doi.org/10.3386/w22852.

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Savignac, Frédérique, Erwan Gautier, Yuriy Gorodnichenko, and Olivier Coibion. Firms' Inflation Expectations: New Evidence from France. Cambridge, MA: National Bureau of Economic Research, October 2021. http://dx.doi.org/10.3386/w29376.

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To, Maxime, Sophie Maillard, and Elise Coudin. Family, firms and the gender wage gap in France. The IFS, January 2018. http://dx.doi.org/10.1920/wp.ifs.2018.w1801.

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Brochard, Celine. Desempeño del Contrato de Asistencia Técnica Operacional para los Servicios de Agua en Puerto Príncipe, Haití. Inter-American Development Bank, October 2013. http://dx.doi.org/10.18235/0010064.

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En abril del 2011, la Dirección Nacional de Agua Potable y Saneamiento (DINEPA, por sus siglas en francés) de Haití firmó un contrato de Asistencia Técnica Operacional (ATO) por tres años con el consorcio Lyonnaise des Eaux-Agbar-United Water ("el equipo ATO"), filiales del grupo Suez Environment. El contrato busca mejorar de manera rápida la calidad de los servicios de agua de la Región Metropolitana de Puerto Príncipe (RMPP) y de transformar a la entidad responsable del servicio "Centro Técnico de Explotación (CTE-RMPP)" en una entidad eficaz y sostenible para la prestación de servicios de agua potable y saneamiento. Dos años y medio después de la firma del contrato de ATO, el BID contrató a Castalia para evaluar el desempeño del mismo. El presente informe presenta los resultados del análisis realizado.
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Mulkay, Benoit, Bronwyn Hall, and Jacques Mairesse. Firm Level Investment and R&D in France and the United States: A Comparison. Cambridge, MA: National Bureau of Economic Research, December 2000. http://dx.doi.org/10.3386/w8038.

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Khan, B. Zorina. Invisible Women: Entrepreneurship, Innovation and Family Firms in France during Early Industrialization. Cambridge, MA: National Bureau of Economic Research, January 2015. http://dx.doi.org/10.3386/w20854.

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Nimier-David, Elio, David Sraer, and David Thesmar. The Effects of Mandatory Profit-Sharing on Workers and Firms: Evidence from France. Cambridge, MA: National Bureau of Economic Research, October 2023. http://dx.doi.org/10.3386/w31804.

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Mairesse, Jacques, Bronwyn Hall, and Benoit Mulkay. Firm-Level Investment in France and the United States: An Exploration of What We Have Learned in Twenty Years. Cambridge, MA: National Bureau of Economic Research, December 1999. http://dx.doi.org/10.3386/w7437.

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