Academic literature on the topic 'Frankenstein (fictional character) – fiction'
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Journal articles on the topic "Frankenstein (fictional character) – fiction"
Shen, Fanxi. "Freud’s Psychoanalysis Perspective on the Characteristics of the Monster in Frankenstein." IRA International Journal of Education and Multidisciplinary Studies 20, no. 1 (March 13, 2024): 36. http://dx.doi.org/10.21013/jems.v20.n1.p3.
Full textEnsslin, Astrid. "The Interlocutor in Print and Digital Fiction: Dialogicity, Agency, (De-)Conventionalization." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 3 (August 10, 2018): 21–34. http://dx.doi.org/10.14195/2182-8830_6-3_2.
Full textPikun, Lesia. "The Frank Einstein Books by Jon Scieszka as a Variant of the Literary Game with Cultural Heritage." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 79–86. http://dx.doi.org/10.34079/2226-3055-2021-14-25-79-86.
Full textOpreanu, Lucia. "Word Havens: Reading One’s Way out of Trauma in Contemporary Fiction." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 2 (November 19, 2020): 93–102. http://dx.doi.org/10.31178/ubr.9.2.10.
Full textAkhmedov, Rafael Sh. "The concept of “robotics” in Isaac Asimov’s science fiction: clash of traditions and innovations." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2022): 114–23. http://dx.doi.org/10.20339/phs.4-22.114.
Full textSaddik, Annette J. "Exploring the Line between Creation and Creator in Mabou Mines’s Glass Guignol: The Brother and Sister Play." Journal of Contemporary Drama in English 11, no. 2 (November 1, 2023): 298–307. http://dx.doi.org/10.1515/jcde-2023-0024.
Full textAl-Shamali, Farah. "The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin." Middle East Research Journal of Linguistics and Literature 3, no. 02 (December 9, 2023): 12–24. http://dx.doi.org/10.36348/merjll.2023.v03i02.002.
Full textRomanyshyn, Robert D. "Diagnostic Fictions." Journal of Humanistic Psychology 59, no. 1 (July 26, 2018): 107–20. http://dx.doi.org/10.1177/0022167818790300.
Full textMilerius, Nerijus. "UTOPIJOS IR ANTIUTOPIJOS VIZIJOS KINE. FILOSOFINĖS BANALAUS ŽANRO PRIELAIDOS." Problemos 79 (January 1, 2011): 81–89. http://dx.doi.org/10.15388/problemos.2011.0.1325.
Full textVaris, Essi. "The Monster Analogy: Why Fictional Characters are Frankenstein's Monsters." SubStance 48, no. 1 (2019): 63–86. http://dx.doi.org/10.1353/sub.2019.0005.
Full textDissertations / Theses on the topic "Frankenstein (fictional character) – fiction"
Griswold, Amy Herring. "Detecting Masculinity: The Positive Masculine Qualities of Fictional Detectives." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3971/.
Full textCrosier, Erik R. "Character development through non-linear story format : its creation, use, and applications." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1390655.
Full textDepartment of Telecommunications
Goile, Joanne Elizabeth. "Fascinations of fiction an examination of devices used within the television programme Buffy the Vampire Slayer that succeed in blurring the boundaries between viewers and the fictional diegesis of the show : thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design, 2003." Full thesis. Abstract, 2003.
Find full textLarrivé, Véronique. "Du bon usage du bovarysme dans la classe de français : développer l'empathie fictionnelle des élèves pour les aider à lire les récits littéraires : l'exemple du journal de personnage." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30044/document.
Full textWith mirror neurons and simulation theories, recent findings in neuroscience on inter-subjective relations offer new data to literary theory about fictional narrative. They help restore literary bovarysm of which cognitive version, the fictional empathy, is the subject of this thesis. It appears that, in a world created by fiction, the fictional empathy that the reader feels for characters allows him to understand their mental states and anticipate their behavior. Thus, the fictional emotions, real catalyst of the simulation process that allows the reader to physically experience the perspective of the character, fully participate in the process of understanding and interpreting the story. The objective is therefore to rethink the mental activity of the reader of fiction, with a focus on how the reader grasps the fictional world and gets involved emotionally. The capacity for fictional empathy then becomes a reader’s skill, essential to immerse himself in the fictional universe. This approach raises a question about the teaching of literary reading. When reading fiction, in which way and how is it advisable to seek the students’ fictional empathy for the characters? To address this issue, this thesis proposes that a reading-cum-writing support mechanism be envisaged: the "character’s diary". The experiment conducted in CM2 and 6th grade classes, relates to the diary of Gilgamesh, mythological hero whose adventure stories belong to our founding texts. Through the observation of students' written along with the analysis of interviews and individual questionnaires, it would appear that fictional writing requested from students in the first person are a means to exercise their capacity for fictional empathy and as a corollary develop their skills in literary reading
Cosgrove, Shady Ellen. "The fictional character as a site of agency : a theoretical and practical exploration." Phd thesis, 2002. http://hdl.handle.net/1885/148657.
Full textGirardová, de Villars Hana. "Rozlišování fikce a skutečnosti ve filmu." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306940.
Full textDires, Demeke Tassew. "Narrative strategies in selected Amharic novels from 2000 until 2010." Thesis, 2014. http://hdl.handle.net/10500/18483.
Full textAfrikaans & Theory of Literature
D. Litt. et Phil. (Theory of Literature)
Books on the topic "Frankenstein (fictional character) – fiction"
Sellwood, Richard. Frankenstein. London: Macmillan, 1989.
Find full textHammond, Ray. The modern Frankenstein: Fiction becomes fact. Poole: Blandford Press, 1986.
Find full textMilligan, Spike. Frankenstein. London: Virgin, 1997.
Find full textPullman, Philip. Frankenstein. Oxford: Oxford University Press, 1990.
Find full textZimmerman, Phyllis. Shelley's fiction. Los Angeles: Darami Press, 1998.
Find full textWeinberg, Larry. Frankenstein. Carmel, CA, USA: Hampton-Brown, 1993.
Find full textWeinberg, Larry. Frankenstein. New York, NY, USA: Random House, 1988.
Find full textWeinberg, Larry. Frankenstein. New York, NY, USA: Random House, 2005.
Find full textWeinberg, Larry. Frankenstein. New York: Random House, 2005.
Find full textWeinberg, Larry. Frankenstein. New York, NY, USA: Random House, 2005.
Find full textBook chapters on the topic "Frankenstein (fictional character) – fiction"
Lüdeke, Roger. "The Sublime Character of Gothic Fiction (1764-1847)." In Therapie der Dinge?, 249–74. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839464762-014.
Full textTranter, Kieran. "From Law and Technology to Law as Technology." In Living in Technical Legality, 17–42. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420891.003.0002.
Full textHarmes, Marcus K. "Cinema Part 2: Heritage and Horror." In The Curse of Frankenstein, 77–92. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733858.003.0006.
Full textFriend, Stacie. "The Fictional Character of Scientific Models." In The Scientific Imagination, 102–27. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190212308.003.0005.
Full textEllis, Kate Ferguson. "Subversive Surfaces: The Limits of Domestic Affection in Mary Shelley’s Later Fiction." In The Other Mary Shelley, 220–34. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195077407.003.0012.
Full textFreedgood, Elaine. "Hetero-Ontologicality." In Worlds Enough, 99–114. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691193304.003.0005.
Full textMitchell, Lee Clark. "Dialogue Scaffoldings." In Noir Fiction and Film, 73–98. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844767.003.0004.
Full textRyan, Susan. "Blurring Lines and Intersecting Realities in Barbara Kopple’s Fictional Work." In ReFocus: The Films of Barbara Kopple, 159–77. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.003.0010.
Full textBudelmann, Felix. "Metalepsis and Readerly Investment in Fictional Characters." In Metalepsis, 59–78. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846987.003.0003.
Full textMitchell, Lee Clark. "Hard-Boiled Intimations." In Noir Fiction and Film, 9–32. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844767.003.0002.
Full textConference papers on the topic "Frankenstein (fictional character) – fiction"
Pawlowski, Camila, and Rosilane Ribeiro da Mota. "Do You Choose Him or Does He Choose You? - Analyzing Character Archetypes in Otome Games." In Anais Estendidos do Simpósio Brasileiro de Jogos e Entretenimento Digital. Sociedade Brasileira de Computação, 2022. http://dx.doi.org/10.5753/sbgames_estendido.2022.224865.
Full textNikolić, Andrijana A. "MOTIVI FANTASTIKE U ROMANU „NA PUTU ZA DARDEL“ SLOBODANA ZORANA OBRADOVIĆA I U PRIPOVJEDNOJ PROZI „ZAPISI IZ HODNIKA VREMENA“ ALEKSANDRA OBRADOVIĆA." In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.113n.
Full textRibeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.
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