Journal articles: '(François Louis)'

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Frugoni, Chiara. "Saint Louis et saint François." Médiévales 17, no. 34 (1998): 35–38. http://dx.doi.org/10.3406/medi.1998.1411.

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Lyon, Bryce, and Ludo Milis. "François Louis Ganshof : Medieval Historian and Friend." Bulletin de la Commission royale d'histoire. Académie royale de Belgique 173, no. 1 (2007): 5–14. http://dx.doi.org/10.3406/bcrh.2007.1061.

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Douard, Christel. "Région Bretagne. Dessins de Louis- François Cassas." Bulletin Monumental 144, no. 1 (1986): 45. http://dx.doi.org/10.3406/bulmo.1986.2769.

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Mazauric, Claude. "Nicolas Louis François de Neufchâteau, Les Vosges." Annales historiques de la Révolution française, no. 360 (June 1, 2010): 244–45. http://dx.doi.org/10.4000/ahrf.11813.

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Meyer, Christian. "Éloge de Louis-François Hollender (1922-2011)." Bulletin de l'Académie Nationale de Médecine 196, no. 3 (March 2012): 567–71. http://dx.doi.org/10.1016/s0001-4079(19)31791-1.

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EVENHUIS, NEAL L. "François-Louis Comte de Castelnau (1802–1880) and the mysterious disappearance of his original insect collection." Zootaxa 3168, no. 1 (January 23, 2012): 53. http://dx.doi.org/10.11646/zootaxa.3168.1.4.

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A brief biography of François Louis Comte de Castelnau is presented, correcting his birthdate and surname, and the ultimate fate of his original personal collection of insects and other natural history material is discussed.

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Denis, Béatrice. "Représenter Austerlitz : le système icono-textuel napoléonien." RACAR : Revue d'art canadienne 47, no. 1 (August 30, 2022): 23–41. http://dx.doi.org/10.7202/1091819ar.

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This article examines how the battle of Austerlitz (December 2, 1805) became a symbol of Napoleonic power. It argues that this happened through deliberate propaganda efforts, with a carefully crafted written version of the events leading to the battle, found in the 30th bulletin de la Grande Armée, as well as three paintings commissioned by Napoleon in March 1806, not long after the close of the successful 1805 campaign. The fame of the battle was forged by Napoleon himself by way of a text/image system that constructs its own authority and veracity. The images commissioned and created repeat what was read in the bulletin in different genres. The bulletin and the three paintings, by Louis-François Lejeune, Louis-Albert-Guislain Bacler d’Albe, and François Gérard successfully work together to sanction a unique version of events intended for posterity, one in which the eve of the battle occupies a prominent place.

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Cellauro, Louis, and Gilbert Richaud. "Thomas Jefferson and François Cointereaux, Professor of Rural Architecture in Revolutionary Paris." Architectural History 48 (2005): 173–206. http://dx.doi.org/10.1017/s0066622x00003774.

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Little is known about the contacts Thomas Jefferson (1743–1826), Minister to the Court of Louis XVI between 1784 and 1789 and future President of the United States, had with French architects during his residence in Paris, except those with Charles-Louis Clérisseau (1721–1820), who collaborated with him on the design of the Capitol of Virginia in Richmond from 1785. We know, however, that, at the end of his stay in France, Jefferson was in close touch with the French architect and agriculturalist François Cointereaux (1740–1830), as is proven by several unpublished letters written by each of them.

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Murdoch, Tessa. "The business practice of Louis François Roubiliac, 1752-62." Sculpture Journal: Volume 30, Issue 3 30, no. 3 (November 1, 2021): 285–301. http://dx.doi.org/10.3828/sj.2021.30.3.3.

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Evidence for the organization of Roubiliac’s workshop in the last ten years of his life is provided by the ledgers of his bank account opened with Drummond’s, Charing Cross, in the year of the sculptor’s third marriage to the Deptford heiress Elizabeth Crosby in 1752. The resulting financial confidence, albeit short-lived, enabled Roubiliac’s visit to Italy with Thomas Hudson, also in 1752. The ledgers reflect the sculptor’s expanding business between 1755 and 1760 and document his assistants Christian Carlsen Seest from 1756 to 1759, Nicholas Read from 1756 to 1760 and Nathaniel Smith between 1755 and 1761. Other payees can be identified as masons assisting with installation and suppliers of marble. Payments to and from silversmiths and jewellers indicate Roubiliac’s close connection with those of French origin trading in the London luxury market, including Thomas Harrache, who served as the sculptor’s executor. Roubiliac’s ledgers also provide negative evidence - he was not always paid in full for his work, as his will drawn up six days before his death indicates: ‘all my book debts which is due to me to be equally divided into four parts’. This suggests that Roubiliac’s reputation for taking an excessively long time to complete commissions resulted in his forfeiting full payment, and explains why he died in debt. A letter from the sculptor to the agent of the 4th Earl of Gainsborough in 1751, requesting settlement of a bill for plaster busts supplied four years earlier, published for the first time, demonstrates Roubiliac’s poor grasp of the English language as well as his lack of business acumen.

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Mathis, Rémi. "Louis-Jean-François Lagrenée a-t-il jamais gravé ?" Nouvelles de l'estampe, no. 258 (March 1, 2017): 74–75. http://dx.doi.org/10.4000/estampe.422.

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Plinval de Guillebon, Régine de. "Une manufacture de faïence à Paris. De François Genest à Louis François Ollivier (1734 - 1808)." Sèvres. Revue de la Société des amis du Musée national de la céramique 27, no. 1 (2018): 44–63. http://dx.doi.org/10.3406/sevre.2018.1168.

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Lignereux, Yann. "Le visage du roi, de François Ier à Louis XIV." Revue d’histoire moderne et contemporaine 57-4, no. 4 (2010): 30. http://dx.doi.org/10.3917/rhmc.574.0030.

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Faucherre, Nicolas. "Louis XII, François Ier et la défense des côtes provençales." Bulletin Monumental 151, no. 1 (1993): 293–301. http://dx.doi.org/10.3406/bulmo.1993.3343.

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GOLDIE, MARK, and CHARLES-ÉDOUARD LEVILLAIN. "FRANÇOIS-PAUL DE LISOLA AND ENGLISH OPPOSITION TO LOUIS XIV." Historical Journal 63, no. 3 (March 18, 2019): 559–80. http://dx.doi.org/10.1017/s0018246x19000025.

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AbstractBetween the Restoration in 1660 and the Revolution in 1688 the English public abandoned its century-long animus against Spain and began to identify France as its chief enemy. Historians often hold that the most significant intervention in shifting the balance of public opinion was the Dutch-inspired pamphlet,England's appeal from the private cabal at Whitehall(1673), written by the Huguenot Pierre du Moulin. It is argued here that an immensely influential earlier intervention was made by François-Paul de Lisola, in hisBuckler of state and justice(1667), which, at a critical juncture, presented a rhetorically powerful body of arguments about the nature of the European state system. A Catholic in the service of the Habsburg emperor, who spent nearly two years in England in 1666–8, Lisola was an accomplished and versatile diplomat and publicist. This article interweaves diplomatic history with the history of geopolitical argument, tracing paths which led to Europe's Grand Alliance against Louis XIV.

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Zunz, Olivier. "Tocqueville and the Writing of American History in the Twentieth Century: A Comment." Tocqueville Review 7, no. 1 (January 1986): 131–35. http://dx.doi.org/10.3138/ttr.7.1.131.

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The two papers we have just heard ask us to think anew about Tocqueville’s work, especially to pay attention to the origins of his thought. Both François Furet and François Bourricaud insist that no intellectual work regardless its brilliance—should ever be read out of context. It is especially true of Tocqueville’s work, which has often been invoked, on this side of the Atlantic, as the embodiment of the “liberal tradition,” a tradition that perhaps owes more to Louis Hartz’s concept of the typically American consensus produced by the absence of an aristocracy and the importance of small-producer capitalism than to Tocqueville’s intellectual project. François Furet, in particular, suggests that the endless commentary on Tocqueville as a witness and a forecaster is tangential to Tocqueville’s intellectual project. I should like to build on this particular point to address the issue of Tocqueville’s current relevance to the writing of American history.

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Zunz, Olivier. "Tocqueville and the Writing of American History in the Twentieth Century: A Comment." Tocqueville Review 7 (January 1986): 131–35. http://dx.doi.org/10.3138/ttr.7.131.

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The two papers we have just heard ask us to think anew about Tocqueville’s work, especially to pay attention to the origins of his thought. Both François Furet and François Bourricaud insist that no intellectual work regardless its brilliance—should ever be read out of context. It is especially true of Tocqueville’s work, which has often been invoked, on this side of the Atlantic, as the embodiment of the “liberal tradition,” a tradition that perhaps owes more to Louis Hartz’s concept of the typically American consensus produced by the absence of an aristocracy and the importance of small-producer capitalism than to Tocqueville’s intellectual project. François Furet, in particular, suggests that the endless commentary on Tocqueville as a witness and a forecaster is tangential to Tocqueville’s intellectual project. I should like to build on this particular point to address the issue of Tocqueville’s current relevance to the writing of American history.

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Zunz, Olivier. "Tocqueville and the writing of American History in the Twentieth Century." Tocqueville Review 26, no. 1 (January 2005): 141–47. http://dx.doi.org/10.3138/ttr.26.1.141.

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The two papers we have just heard ask us to think anew about Tocqueville’s work, especially to pay attention to the origins of his thought. Both François Furet and François Bourricaud insist that no intellectual work - regardless its brilliance - should ever be read out of context. It is especially true of Tocqueville’s work, which has often been invoked, on this side of the Atlantic, as the embodiment of the “liberal tradition,” a tradition that perhaps owes more to Louis Hartz’s conception of the typically American consensus produced by the absence of an aristocracy and the importance of small-producer capitalism than to Tocqueville’s intellectual project. François Furet, in particular, suggests that the endless commentary on Tocqueville as a witness and a forecaster is tangential to Tocqueville’s intellectual project. I should like to build on this particular point to address the issue of Tocqueville’s current relevance to the writing of American history.

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18

Valensise, Francesca. "Jean-Louis de Cordemoy." Architectura 47, no. 1-2 (July 24, 2019): 38–53. http://dx.doi.org/10.1515/atc-2017-0003.

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AbstractFirst published in Paris in 1706, the ›Nouveau Traité de toute l’architecture ou l’art de Bastir‹ by Jean-Louis de Cordemoy marked a provocatively unprecedented point of view in the panorama of 18th century architectural theories. Through a critical revision of the excesses of the Baroque, which was considered the last rhetorical public manifestation of the Ancien Régime, and in the name of a logical renewal of design, the work immediately became the focus of a broad cultural debate, which continued until 1713 in a polemic with Amédée François Frézier. Revolutionary in its challenge to the Vitruvian orthodoxy, the Nouveau Traité developed the search for a Greek-Gothic architectural ideal, which, in a comparison between classical and modern, was realized in the querelle des Anciens et des Modernes and developed in France in the effort to define a ›national‹ architectural style. As precursor and inspiration for the aesthetics of Marc-Antoine Laugier, Cordemoy subjected adornment to the laws of bienséance and was a harbinger of the modern functionalist language – the principles of simplification of surfaces, a rigorous volumetric study that anticipated what in later decades would result in stereometric purity of Enlightenment experiments.

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Livernois, Jonathan. "Papineau, « celui qui n’écrit pas »." Étude 42, no. 1 (January 10, 2017): 97–111. http://dx.doi.org/10.7202/1038591ar.

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Cette étude s’attache à la présence de Louis-Joseph Papineau dans les manuels et essais d’histoire littéraire du Québec ainsi qu’aux incidences idéologiques de sa représentation en tant qu’écrivain. Elle s’attache, notamment, au Manuel d’histoire de la littérature canadienne-française (1918 et 1939) et à l’Histoire de la littérature canadienne (1930) de Mgr Camille Roy ; à l’Histoire de la littérature canadienne-française (1957) de Samuel Baillargeon ; au Manuel de littérature canadienne-française (1967) de Roger Duhamel ; à l’Histoire de la littérature française du Québec, en quatre volumes (Beauchemin, 1967-1969), dirigée par Pierre de Grandpré ; à La littérature québécoise depuis ses origines (1974-1997) de Laurent Mailhot ; à La vie littéraire au Québec (premier volume paru en 1991) ; et à l’Histoire de la littérature québécoise (2007) de Michel Biron, François Dumont et Élisabeth Nardout-Lafarge. Nous verrons s’y jouer les stratégies alternatives d’intégration et de refus de la charge symbolique et politique de « l’écrivain » Papineau. Cela permettra de mieux comprendre pourquoi ces stratégies sont étonnamment récurrentes au fil de l’histoire littéraire, malgré les tours et détours idéologiques et historiographiques du xxe siècle.

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Costa, Patrícia Rodrigues. "Traduire –." Belas Infiéis 4, no. 1 (August 19, 2015): 239–44. http://dx.doi.org/10.26512/belasinfieis.v4.n1.2015.11327.

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Escritor, jurista e filósofo belga, François Ost é diretor do Seminário Interdisciplinar de Estudos Jurídicos3 da Université Saint-Louis, em Bruxelas - Bélgica, bem como da Revue interdisciplinaire d’études juridiques4. É membro-fundador do Instituto de Estudos sobre a Justiça5, Bélgica, foi membro do Conselho superior da língua francesa6 e é membro da Academia Real de Ciências, Letras e Belas Artes da Bélgica.

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Faiers, Julia. "Louis XI of Valois (1423–1483)." Encyclopedia 2, no. 2 (May 25, 2022): 1059–68. http://dx.doi.org/10.3390/encyclopedia2020069.

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Louis XI (1423–1483) was the sixth king of the Valois branch of the Capetian dynasty in France; he ruled from 1463 until his death in 1483. Louis was the son of Charles VII (1403–1461) and Marie of Anjou (1404–1463). While Dauphin, he married first Margaret of Scotland (1424–1445) and then Charlotte of Savoie (c.1441–1483), who bore him four surviving children: Anne de France, Jeanne de France, François de France, and the future Charles VIII. Louis’ key challenge as monarch was to pick up the pieces of a kingdom ravaged by the Hundred Years War between England and France (1337–1453). His legacy was to have repaired the kingdom’s depleted coffers through a combination of frugality and territorial expansion. His historiography paints him as a paranoid, manipulative, and obsessively pious ruler, a simplistic portrait that is undermined by a close examination of his artistic patronage. This entry will focus on the iconography he employed across a variety of media to promote the sacred legitimacy of his rule and to unify the peoples of France’s newly acquired territories.

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Zazzo, Antoine. "Jean-François Saliège (1943–2012)." Radiocarbon 54, no. 3-4 (2012): xi—xiii. http://dx.doi.org/10.1017/s0033822200047068.

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Jean-François Saliège passed away on Friday, 1 June 2012, following a heart attack at age 68. Jean-François was born in Chartres and spent his entire career in Paris, a city that he particularly enjoyed. He was hired in 1965 as a junior technician at the Laboratoire de Géologie Dynamique de la Faculté des Sciences de Paris at La Sorbonne University (Director Louis Glangeaud), where he participated in the creation of the radiocarbon and mass spectrometry laboratory under supervision of René Létolle, Jean-Charles Fontes, and Colette Vergnaud-Grazzini. In 1975, he moved to the University of Paris VI and worked more specifically with J-C Fontes in the 14C laboratory as an engineer. In 1981, he helped J-C Fontes to create the Hydrology and Isotope Geochemistry lab at Orsay University. The following year, he returned to the University of Paris VI and joined the team led by Colette Vergnaud-Grazzini at the Laboratoire de Géologie Dynamique, where Jean-François set up the new stable isotope and radiocarbon lab. Between 1990 and 2008, he continued to work at the University of Paris VI at the LODYC lab (Dir. Lilianne Merlivat), then at the LOCEAN lab (Dir. Laurence Eymard) on Catherine Pierre's team.

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Maas, Harro. "Monitoring the self: François-Marc-Louis Naville and his moral tables." History of Science 58, no. 2 (October 16, 2019): 117–41. http://dx.doi.org/10.1177/0073275319876851.

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This paper examines the self-measurement and self-tracking practices of a turn-of-the-nineteenth-century Genevese pastor and pedagogical innovator, François-Marc-Louis Naville, who extensively used Benjamin Franklin’s tools of moral calculation and a lesser known tool, Marc-Antoine Jullien’s moral thermometer, to set a direction to his life and to monitor and improve his moral character. My contribution sheds light on how technologies of quantification molded notions of personal responsibility and character within an emerging utilitarian context. I situate Naville’s use of these tools within his work as a pastor in a parish of the (then occupied) Republic of Geneva and within the Genevese and Swiss pedagogical reform movement of the early nineteenth century. I provide a detailed examination of how Naville used and adapted Franklin’s and Jullien’s tools of moral accounting for his own moral and religious purposes. Time, God’s most precious gift to man, served Naville as the ultimate measure of his moral worth.

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Bogojević, Dragan. "Le voyage pittoresque et historique de l’Istrie et de la Dalmatie de Joseph Lavallée : l’enchâssement textuel tardif (1802) des dessins de Louis François Cassas réalisés en 1782." Convergences francophones 5, no. 2 (May 1, 2018): 92–105. http://dx.doi.org/10.29173/cf483.

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L'œuvre de Louis François Cassas (1756-1827) voyageur peintre et dessinateur retient de plus en plus l'attention des historiens d'art et des pratiques culturelles. Nous tenterons tout d'abord de comprendre comment les soixante-neuf dessins réalisés en 1782 lors du voyage de Cassas en Istrie et en Dalmatie s'inscrivent dans une dynamique originale d'extension et de redéfinition du Grand Tour. Ce n'est pourtant que vingt années plus tard et à Paris (1802, dans la France du Consulat) que ces dessins seront publiés, enchâssés dans le livre de Joseph Lavallée. Nous tenterons de comprendre comment le récit-commentaire de Joseph Lavallée s'articule sur les gravures de Cassas et nous interrogerons plus précisément les écarts et décalages constitutifs d'un transfert culturel à bien des égards paradoxal : du voyage de l'artiste français disposant de multiples protections et de la commande de l'Autriche de Joseph II à l'accompagnement "littéraire" et à la publication dans la France révolutionnée.

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Monférier, Jacques. "Pier Luigi Pinelli, François Mauriac et la Maison Grasset. Lettres de François Mauriac à Louis Brun (1913-1939)." Studi Francesi, no. 198 (LXVI | III) (December 1, 2022): 722–23. http://dx.doi.org/10.4000/studifrancesi.51698.

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Peyrefitte, Alain. "Éloge de Leszek Kolakowski." Tocqueville Review 15, no. 2 (January 1994): 179–83. http://dx.doi.org/10.3138/ttr.15.2.179.

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Cher Leszek Kolakowski, vous venez prendre rang parmi les lauréats de ce prix. Et quels lauréats : Raymond Aron, David Riesman, Alexandre Zinoviev, Karl Popper, Louis Dumont, Octavio Paz, François Furet ! À vous seul, vous êtes essayiste, sociologue, dissident, logicien, ethnologue, dramaturge, historien. Par la diversité de vos talents, vous récapitulez toute cette lignée pluridisciplinaire. Aussi le jury international que j'ai l'honneur de présider a-t-il considéré, cette année, que ce prix vous revenait de droit.

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Mihram, Danielle. "The University of Southern California Voltaire Letters: A polymathic multimodal digital project." College & Research Libraries News 78, no. 11 (December 4, 2017): 592. http://dx.doi.org/10.5860/crln.78.11.592.

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In spring 2015 one catalog record in the University of Southern California (USC) Special Collections came to my attention: Voltaire correspondence, 1741–1777. The correspondence consists of 30 original autograph letters and four poems authored by Voltaire (François-Marie Arouet, 1694–1778) and his circle, including leading figures of the Enlightenment such as Jean le Rond d’Alembert (1717–1783), Frederick II of Prussia (1712–1786), and Madame de Pompadour (1721–1764)—the acknowledged mistress of Louis XV (1710–1774).

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Moser-Verrey, Monique. "La tragédie de la conquête du Mexique selon Louis d’Ussieux1." Études littéraires 37, no. 3 (January 31, 2007): 77–95. http://dx.doi.org/10.7202/014105ar.

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Résumé Auteur, traducteur, éditeur et publiciste très prolifique juste avant la Révolution, Louis d’Ussieux (1744-1805) a signé à Paris une production variée et largement diffusée à travers l’Europe, mais peu étudiée. Cet article offre un survol des nouvelles illustrées de son Décaméron françois dont l’action se situe à l’extérieur de l’Europe, en Orient ou en Amérique, pour montrer ensuite comment, en homme des Lumières, il transforme dans Thélaïre, nouvelle mexicaine (1775) l’image idyllique des Aztèques, véhiculée au cours des années 1750 dans l’Histoire générale des voyages de l’abbé Prévost, en scène tragique. Les gloires coupables de Cortés, des Espagnols et des Européens s’en trouvent ternies.

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Durand, Jean-Paul. "Concordat avorté de Louis XI, concordat de François I^er." L'Année canonique Tome LIX, no. 1 (January 1, 2018): 13–33. http://dx.doi.org/10.3917/cano.059.0013.

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Tailland, Michel. "La Politique au village : Louis François Bouis, un proscrit anonyme de 1852." Rives méditerranéennes, no. 5 (October 10, 2000): 77–90. http://dx.doi.org/10.4000/rives.101.

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Farges, François. "Les grands diamants de la Couronne de François Ier à Louis XVI." Versalia. Revue de la Société des Amis de Versailles 17, no. 1 (2014): 55–78. http://dx.doi.org/10.3406/versa.2014.938.

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Viswanathan, Jacqueline. "Ciné-romans : le livre du film." Cinémas 9, no. 2-3 (October 26, 2007): 13–36. http://dx.doi.org/10.7202/024784ar.

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RÉSUMÉ Cet article analyse certains textes d'Ingmar Bergman, de Louis Malle, d'Éric Rohmer et de François Truffaut qui, tout en étant proches du roman, sont aussi des scénarios qui ont été publiés après le tournage des films. Nous y proposons une lecture de ces ciné-romans qui met au jour l'étape de l'écriture du scénario comme exploration et mise en fiction cinématographique d'un passé personnel. Nous montrons également l'importance du sujet de renonciation. Cette lecture autre révèle des aspects qui enrichissent et diversifient la conception traditionnelle du scénario comme un texte à prédominance performative.

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Barbier, Thibault, and Olivier Carrillo. "Compte rendu de Michel Dufour, Patrick Colné & Stéphane Barsi : «Masso-kinésithérapie et thérapie manuelle pratiques»." Revue des questions scientifiques 189, no. 3 (June 1, 2018): 360–61. http://dx.doi.org/10.14428/qs.v189i3.69303.

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Dufour (Michel) - Colné (Patrick) - Barsi (Stéphane), Masso-kinésithérapie et thérapie manuelle pratiques. – Tome 1 : Bases fondamentales, applications et techniques. – Tome 2 : Applications régionales : Membre supérieur. Tête et tronc supérieur. – Tome 3 : Applications régionales : Membre inférieur. Tronc inférieur / avec la collaboration de Gilles Barette, Jean-Pierre Bleton, Martial Delaire, Xavier Dufour, Jean-Louis Estrade, Michel Gedda, Stéphane Kirscher, Virginie Sauvageot, Claude Shang, Michèle Viel et François Zimmermann. – [2e édition]. – Issy-les-Moulineaux : Elsevier Masson, 2017. – 333, 408, 378 p. – 3 vol. brochés de 21 × 27 cm. – 103,00 €. – isbn 978-2-294-75978-9.

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Oro, Ari Pedro. "A “herança durkheimiana” na revista Archives de Sciences Sociales des Religions." Ciencias Sociales y Religión/Ciências Sociais e Religião 20, no. 28 (July 1, 2018): 99–113. http://dx.doi.org/10.20396/csr.v20i28.12458.

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Este artigo versa a revista francesa Archives de Sciences Sociales des Religions e sua relação com a Escola Sociológica Francesa, ou escola Dürkheimiana. Fundada em 1956 por um pequeno grupo de cinco intelectuais, a saber: Henri Desroche, Emile Poulat, Jacques Maître, François-André Isambert e Gabriel Le Bras, este grupo, influenciado sobretudo por este último, imprimiu no grupo um ethos de trabalho coletivo cooperativo, que conheceu junto a alguns sociólogos e antropólogos que atuaram em torno da revista Année sociologique, tais como Marcel Mauss, Maurice Halbwachs, Celestin Bouglé, Louis Massignon, François Simiand e Henri Lévy-Bruhl. Igualmente, a herança Dürkheimiana se manteve institucionalmente no horizonte de Archives, que se quis, até certo ponto, continuadora de Année sociologique no tratamento científico do tema da religião, sem desconsiderar a teoria Dürkheimiana da religião, sobre a qual Archives consagrou inúmeros textos e mesmo três volumes ao longo da sua história, que serão considerados neste artigo.

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Ruolt, Anne. "Petite histoire des récompenses. L’approche protestante de Louis-Frédéric François Gauthey (1795-1864)." Revue d'histoire et de philosophie religieuses 93, no. 2 (2013): 223–46. http://dx.doi.org/10.3406/rhpr.2013.1755.

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Harney, Nicholas DeMaria. "Haitians in New York City: transnationalism and hometown associations - By François Pierre-Louis." Journal of the Royal Anthropological Institute 14, no. 4 (December 2008): 906–7. http://dx.doi.org/10.1111/j.1467-9655.2008.00537_17.x.

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Parent, Arnaud. "Prancūzų slaptoji misija Abiejų Tautų Respublikoje: barono Antoine’o-Charles’io de Vioménilio vaidmuo Baro konfederacijoje 1771–1772 m." XVIII amžiaus studijos T. 7: Giminė. Bendrija. Grupuotė, T. 7 (December 31, 2021): 72–96. http://dx.doi.org/10.33918/23516968-007004.

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FRENCH SECRET MISSION IN THE POLISH-LITHUANIAN COMMONWEALTH: THE ROLE OF BARON ANTOINE-CHARLES DE VIOMÉNIL IN THE BAR CONFEDERACY IN 1771–1772 Antoine-Charles du Houx, Baron de Vioménil (1728–1792) was sent by the French Government after Colonel Charles-François Dumouriez (1729–1823) to provide guidance to the leaders of the Bar Confederacy during the years 1771–1772. However, if Colonel Dumouriez is famous because of his activities during the French Revolution, namely for the determinant role he played at the Valmy battle (1792), it is different when it comes to the Baron. Except for some articles in the 19th century biographical encyclopedias and a short biography centered on the role he played during the American Revolutionary war published in 1935, there is no study on him. In spite of this, Baron de Vioménil’s career is a matter of interest, for he participated in the major conflicts the French army took part during the reign of the kings Louis XV and Louis XVI. The baron’s archives, which include abundant correspondence related to his campaigns, are preserved today in the Académie François Bourdon, le Creusot, Burgundy. Being inaccessible for a long time they have not been thoroughly studied, yet. This paper aims at presenting the career of Baron de Viomenil as well as some documents taken from his archives, linked to his participation in the Bar Confederacy operations. Through this endeavour we hope to help cast some new light on a discrete, but efficient French officer who exerted influence on the Polish-Lithuanian history. Keywords: Antoine-Charles du Houx, Baron de Vioménil, the Bar Confederacy (1768–1772), France, the Polish-Lithuanian Commonwealth.

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Eskenazy, Nathanaël. "Deux réécritures tragiques du mythe d’Orphée à l’âge classique. Orphée (1690) de Louis Lully et Michel Du Boullay et Orphée (1736) de François-Joseph de Lagrange-Chancel." Revue musicale OICRM 6, no. 2 (March 24, 2020): 126–54. http://dx.doi.org/10.7202/1068388ar.

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Il existe peu d’opéras ou de tragédies traitant du mythe d’Orphée en France à l’époque classique. Les deux oeuvres étudiées (Orphée de Louis Lully et Michel Du Boullay, Orphée de François-Joseph de Lagrange-Chancel) s’inscrivent résolument dans le moule du théâtre racinien et font appel aussi aux canons esthétiques en vigueur dans la tragédie lyrique telle que l’a créée Lully. Il s’agit de montrer combien ces deux oeuvres portent un éclairage nouveau sur le mythe en y intégrant une réflexion sur la notion de tragique ainsi que sur le Mal. Il faudra aussi interroger le positionnement par rapport à la tradition, italienne notamment.

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De Oliveira, Andressa Cristina, and Carla Alexandra Ezarqui. "A CONSCIÊNCIA DO MAL EM LE NOEUD DE VIPÈRES DE FRANÇOIS MAURIAC." Miscelânea: Revista de Literatura e Vida Social 23 (September 12, 2018): 237–57. http://dx.doi.org/10.5016/msc.v23i0.1168.

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Objetiva-se, com este artigo, analisar o romance Le noeud de vipères, de François Mauriac, cuja obra é permeada por diferentes manifestações do mal. Os heróis de seus romances, melhor designados como anti-heróis, revelam a complexidade da alma dividida entre a consciência do mal e a sua prática; seu mal interior agrava-se à medida em que as possibilidades de se fazer compreender se dissipam. São seres desgarrados do amor e que, de maneira inadvertida e, por vezes, tardia, buscam a redenção. Assim, partindo do desejo de vingança, associado à avareza de Louis, personagem protagonista do romance em questão, será analisado em que medida o mal se apresenta como fundamento de sua existência, levando em consideração seu isolamento da família e um rancor fortalecido durante mais de quatro décadas.

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Lefort-Favreau, Julien. "Le Mai 68 littéraire de François Maspero." Études françaises 54, no. 1 (January 16, 2018): 37–58. http://dx.doi.org/10.7202/1042865ar.

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Si l’importance des éditions François Maspero dans les champs politique et intellectuel a été bien démontrée par de nombreux travaux récents, son apport aux mutations survenues dans les politiques de la littérature autour de Mai 68 mérite d’être mis en lumière. Nous soumettons l’hypothèse que l’action de François Maspero en amont et en aval de 68 participe à une politisation du champ littéraire par l’articulation complexe entre théorie politique et création littéraire que l’on peut observer dans l’ensemble de son catalogue. Nous nous intéressons ici à quatre acceptions de la littérature qui circulent chez Maspero et qui incarnent les différentes facettes d’une inscription conflictuelle de la littérature dans l’espace social représentative de 68. Nous portons d’abord notre attention sur les préfaces que signe Jean-Paul Sartre de deux livres publiés par Maspero : Aden Arabie de Paul Nizan et Les damnés de la terre de Frantz Fanon. Nous analysons ensuite une série d’articles de Georges Perec qui paraît au début des années 1960 dans la revue Partisans. La troisième acception que nous observons est perceptible dans les collections consacrées à la création littéraire chez Maspero, notamment à la poésie en traduction. Finalement, notre analyse porte sur la collection « Théorie » dirigée par Louis Althusser et la réflexion qu’elle déploie sur les tensions entre art et idéologie. L’examen de ces quatre déclinaisons du littéraire montre que Maspero constitue le lieu privilégié d’une prise en charge de paroles subalternes provenant du Tiers-Monde, d’une critique virulente des prescriptions esthétiques du PCF et d’un éloignement des principes de la littérature engagée. Il annonce donc des transformations importantes de 1968 et les pérennise au fil des années 1970.

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Hsu 許雅惠, Ya-Hwei. "Design by the Book: Chinese Ritual Objects and the "Sanli tu." by François Louis." Journal of Song-Yuan Studies 47, no. 1 (2017): 227–31. http://dx.doi.org/10.1353/sys.2017.0009.

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Klauber, Martin I. "Reason, Revelation, and Cartesianism: Louis Tronchin and Enlightened Orthodoxy in Late Seventeenth-Century Geneva." Church History 59, no. 3 (September 1990): 326–39. http://dx.doi.org/10.2307/3167742.

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Michael Heyd's description of the period between the late seventeenth and early eighteenth centuries as one of transition between orthodoxy and enlightenment has particular application to the theological climate of Geneva, the birthplace of Reformed theology. François LaPlanche refers to this era in Geneva as one of “enlightened or liberal orthodoxy.” He defines such enlightened orthodoxy as a return to the biblical text unencumbered by the controversial language of Reformed scholasticism, with the primary goal of creating a practical form of theology that the average parishioner could understand. One of the most representative theologians of this period and one who was to a great extent responsible for educating an entire generation of “enlightened orthodox” theologians was Louis Tronchin (1629–1705).

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Bašták Ďurán, Ivan, and Pascal Marquet. "Les travaux sur la turbulence : les origines, Toucans, Cost-ES0905 et influence de l'entropie." La Météorologie, no. 112 (2021): 079. http://dx.doi.org/10.37053/lameteorologie-2021-0023.

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Le schéma de turbulence Toucans est utilisé dans la configuration opérationnelle Alaro du modèle Aladin depuis début 2015. Son développement a été initié, guidé et en grande partie conçu par Jean-François Geleyn. Ce développement a commencé avec le prédécesseur du schéma Toucans, le schéma « pseudo-pronostique » en énergie cinétique turbulente, lui-même basé sur l'ancien schéma de turbulence de Louis, mais étendu dans Toucans à un schéma pronostique. Le schéma Toucans a pour objectif de traiter de manière cohérente les fonctions qui dépendent de la stabilité verticale de l'atmosphère, de l'influence de l'humidité et des échelles de longueur de la turbulence (de mélange et de dissipation). De plus, de nouvelles caractéristiques ont été ajoutées : une représentation améliorée pour les stratifications très stables (absence de nombre de Richardson critique), une meilleure représentation de l'anisotropie, un paramétrage unifié de la turbulence et des nuages par l'ajout d'une deuxième énergie turbulente pronostique et la paramétrisation des moments du troisième ordre. The Toucans turbulence scheme is a turbulence scheme that is used in the operational Alaro configuration of the Aladin model since early 2015. Its development was initiated, guided and to a large extend authored by Jean-François Geleyn. The development started with the predecessor of the Toucans scheme, the "pseudo-prognostic" turbulent kinetic energy scheme which itself was built on the "Louis" turbulence scheme, but extended to a prognostic scheme. The Toucans scheme aims for a consistent treatment of stability dependency functions, influence of moisture, and turbulence length scales. Additionally, new features were added to the turbulence scheme: improved representation of turbulence in very stable stratification (absence of critical gradient Richardson number), better representation of anisotropy, unified parameterization of turbulence and clouds via addition of second prognostic turbulence energy, and parameterization of third order moments.

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Byrnes, Joseph F. "Chateaubriand and Destutt de Tracy: Defining Religious and Secular Polarities in France at the Beginning of the Nineteenth Century." Church History 60, no. 3 (September 1991): 316–30. http://dx.doi.org/10.2307/3167470.

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Within ten years of the execution of Louis XVI two general and opposed features of the Old Regime, Catholic Christianity and Enlightenment rationality, were globally idealized by two authors—both of them former aristocrats— François-René de Chateaubriand (1768–1848) and Antoine-Louis-Claude Destutt de Tracy (1754–1836). No two participants in the complex discussion of religion and secularism that took place at the highest levels of government and Parisian intellectual life at the end of the First Republic and during the Napoleonic regime better represented on the one hand unconditional nostalgia for Catholicism, and on the other uncompromising intellectual pursuit of the secular scientific ideal. Though it has become customary to oppose the Neo-Christian intellectuals Chateaubriand, De Maistre, De Bonald, and Ballanche, to the Idéologues Destutt de Tracy, Cabanis, Maine de Biran, and others, I believe that this opposition can be clarified if the extremes represented by Chateaubriand and De Tracy are better defined. In other words, a clear definition of the personal metaphysics—thoughts and feelings—of Chateaubriand and De Tracy should establish the polarities of intellectual temperament that characterized the Napoleonic era.

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Greene, John. "Chronique de la Régence et du règne de Louis XV par Edmond Jean François Barbier." French Review 95, no. 2 (2021): 230. http://dx.doi.org/10.1353/tfr.2021.0288.

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Bimbenet-Privat, Michèle. "Nouvelle découverte d'une oeuvre de François Roberday : Le coffret en pierres dures de Louis XIV." Versalia. Revue de la Société des Amis de Versailles 8, no. 1 (2005): 14–28. http://dx.doi.org/10.3406/versa.2005.1103.

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Kelly, Thomas. "Design by the book: Chinese ritual objects and the Sanli tu, written by François Louis." East Asian Publishing and Society 8, no. 1 (April 5, 2018): 99–103. http://dx.doi.org/10.1163/22106286-12341321.

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Witek, John W. "Book Review: Jean-François Gerbillon, S.J. (1654–1707). Mathématicien de Louis XIV. Premier supérieur général de la Mission française de Chine." International Bulletin of Missionary Research 19, no. 2 (April 1995): 93–94. http://dx.doi.org/10.1177/239693939501900224.

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Lawrence Larkin, T. "“The condition most habitual with him, work”: David’s Portrait of Napoleon in His Cabinet at the Tuileries." Zeitschrift für Kunstgeschichte 84, no. 4 (November 29, 2021): 519–52. http://dx.doi.org/10.1515/zkg-2021-4003.

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Abstract In Napoleon in His Cabinet at the Tuileries (1811–1812), Jacques-Louis David designed a new portrait type wherein the emperor appears to have been up all night working for the welfare of his subjects, furthering the legend of an indefatigable administrator. This essay explores the relationship between Scottish patron and French artist in the fulfilment of a commission, the process of working through post-revolutionary consular and imperial modes of portraiture, the references to civil and military affairs meant to affirm public reports about the emperor’s administrative accomplishments, and the conversation about the relative value of status and money as compensation appropriate for the achievement of a new portrait identity. Despite the brilliant subtlety of David's conceit, Napoleon was content to continue to subsidize the overblown imperialist rhetoric of François Gérard and others.

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Maccarone, Cristine, and Luiz Antonio Vadico. "Da ceia à cena. Os alimentos na vida e na obra de Alfred Hitchcock." Jangada: crítica | literatura | artes, no. 11 (November 22, 2018): 5–21. http://dx.doi.org/10.35921/jangada.v0i11.135.

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A obra de Alfred Hitchcock já foi analisada pelos mais diversos vieses, mas um dos que chamam atenção, e ainda relegado a relativo abandono, é o da presença constante e reiterada dos alimentos em seus filmes. Esse diretor inglês foi responsável por 53 produções, das quais 52 foram aqui analisadas. Para mapear nesse universo as diversas características dos alimentos, suas utilizações, forma de manipulação e ritos sociais que os envolvem, foi desenvolvido um formulário de pesquisa, no qual se buscou verificar se o alimento desempenhou alguma função dramática nas obras hitchcockianas. Nesse processo de análise fílmica, foi estabelecido um diálogo com teóricos da área de Cinema, como François Truffaut e Jacques Aumont, e, no que tange aos alimentos e ao seu papel social, com Massimo Montanari e Jean-Louis Flandrin.

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Journal articles on the topic '(François Louis)'

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