Journal articles: 'Francesco II'

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Fumaroli, Marc. "Francesco Algarotti et Frédéric II." Commentaire Numéro68, no. 4 (1994): 971. http://dx.doi.org/10.3917/comm.068.0971.

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Trachtenberg, Marvin. "Storia dell'architettura italiana. II Quattrocento Francesco Paolo Fiore." Journal of the Society of Architectural Historians 59, no. 3 (September 2000): 380–85. http://dx.doi.org/10.2307/991653.

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Tretyakova, Marina V. "Project about medals by Francesco Algarotti." Izvestiya of Saratov University. History. International Relations 22, no. 1 (February 21, 2022): 50–56. http://dx.doi.org/10.18500/1819-4907-2022-22-1-50-56.

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The article discussesthe project aboutthemedals ofFrancesco Algarotti. In his «Essay on RussianHistory inMedals», Algarotti proposed to perpetuate important events in the history of Russia in medals, thus noting the periods of the reign of Peter I, Anna Ioannovna, Elizabeth Petrovna, Catherine II. The author of the article comes to the conclusion that Algarotti’s essay contributed to the creation of an objective image of Russia in the eyes of the enlightened part of Europeans and strengthened the prestige of Russia as a power.

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MATSUMOTO, SHIZUO. "STUDY ON FRANCESCO DI GIOEGIO AND MIS TREATICES (II) : About his urban theory (1)." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 386 (1988): 120–26. http://dx.doi.org/10.3130/aijax.386.0_120.

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Bourne, Molly. "Francesco II Gonzaga and maps as palace decoration in renaissance Mantua." Imago Mundi 51, no. 1 (January 1999): 51–82. http://dx.doi.org/10.1080/03085699908592903.

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Adami, A., C. Balletti, F. Fassi, L. Fregonese, F. Guerra, L. Taffurelli, and P. Vernier. "The bust of Francesco II Gonzaga: from digital documentation to 3D printing." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5/W3 (August 11, 2015): 9–15. http://dx.doi.org/10.5194/isprsannals-ii-5-w3-9-2015.

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Geomatics technics and methods are now able to provide a great contribution to the Cultural Heritage (CH) processes, being adaptable to different purposes: management, diagnosis, restoration, protection, study and research, communication, formation and fruition of the Cultural Heritage. This experimentation was done with an eye to encouraging and promoting the development of principles and good practices for recording, documentation and information management of cultural heritage. This research focuses on the documentation path of a cultural asset, in particular a Renaissance statue, aimed to achieve a three dimensional model useful for many digital applications and for solid reproduction. The digital copy can be used in many contexts and represents an efficient tool to preserve and promote CH. It can be included in virtual museum archives and catalogues, shared on network with cultural operators and users, and it permits the contextualization of the asset in its artistic and historical background. Moreover, the possibility to obtain a hard copy, reproduced through 3D printing, allows to reach new opportunities of interaction with CH. In this article, two techniques for the digitization of the terracotta bust of Francesco II Gonzaga, in the City Museum of Mantua, are described: the triangulation scanner and dense image matching photogrammetry. As well as the description of the acquisition and the elaborations, other aspects are taken into account: the characteristics of the object, the place for the acquisition, the ultimate goal and the economic availability. There are also highlighted the optimization pipeline to get the correct three-dimensional models and a 3D printed copy. A separate section discusses the comparison of the realized model to identify the positive and negative aspects of each adopted application.

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Richardson, Carol. "The lost will and testament of Cardinal Francesco Todeschini Piccolomini (1439–1503)." Papers of the British School at Rome 66 (November 1998): 193–214. http://dx.doi.org/10.1017/s0068246200004281.

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IL TESTAMENTO PERDUTO DEL CARDINALE FRANCESCO TODESCHINI PICCOLOMINIL'esistenza di un testamento risalente al 1493 del cardinale Francesco Piccolomini è stata per lungo tempo riconosciuta, sebbene il documento stesso non fosse stato più visto dopo il diciottesimo secolo. Tuttavia, in anni recenti il testamento e stato riscoperto a Roma. Il documento non solo contribuisce con importanti riferimenti alla comprensione di alcuni progetti artistici del tardo quindicesimo secolo a Roma e Siena, ma getta anche nuova luce su un'importante ma trascurata figura rinascimentale ed aggiunge interessante materiale per lo studio del protocollo nella corte papale. Quale cardinale di Siena e nipote di Pio II, il testamento rivela che attraverso il suo patronaggio Francesco Piccolomini aveva cercato di mantenere viva la memoria della sua vita così come quella dello zio ed aveva cercato di proteggerre la reputazione della famiglia.Si tratta di un esteso documento che viene qui presentato, dopo una breve introduzione, nella sua interezza, comprensivo della licenza papale e di note esplicative.

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Piperno, Franco. "Diplomacy and musical patronage: Virginia, Guidubaldo II, Massimiliano II, ‘lo Streggino’ and others." Early Music History 18 (October 1999): 259–85. http://dx.doi.org/10.1017/s026112790000187x.

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The name of Virginia Vagnoli, a renowned Sienese singer who was active for several years at the court of Guidubaldo II della Rovere, Duke of Urbino, is known thanks to research carried out by scholars as well as to some fortunate circumstances. She was the most prominent musician at Guidubaldo II's court at Pesaro, and her name appears in several mid-sixteenth-century documents: Francesco Sansovino's Le cento novelle (second edition, 1562), the title page of Giovanni Maria Rosso's Il primo libro di madrigali a quattro voci, published and dedicated to her by Claudio Merulo; the dedication to Guidubaldo II of the treatise De origine et dignitate musices, by Pietro Caetano, singer at St Mark's; and, above all, the literary works of the poet Lodovico Agostini.

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Dragicevic, Pavle. "Serbian office on the island of Lesbos." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 13–20. http://dx.doi.org/10.2298/pkjif0975013d.

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Serbian language was being practiced in the corresponding countries in the region regarding activities of a different nature. Office of the Serbian language existed in the territory of present-day Albania, Hungary Romania, Moldova and Turkey. In the State Archives of Dubrovnik saved a document in the Serbian language in April 1403rd year, which testifies to the fact that such an office existed on the island in the Aegean Sea Laybos. The main contents of the letter is asking the government of Dubrovnik Francesco Gattilusi II, lord of the island of Lesbos (Mitylene) to check whether the island has its aristocracy from Bosnia and Serbia. Serbian and Bosnian feudal lords had fled from Turkey after Turkey fell into political chaos after the defeat 1402nd years in Ankara. Office of the earliest could be established in autumn 1402, shortly after the engagement of Despot Stefan Lazarevic, with Jelena, the daughter of Francesco II Gattilusi. It is not known how long the office held.

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Turchetti, Maria Francesca. "La biblioteca privata di Francesco d'Aguirre funzionario e bibliofilo." SOCIETÀ E STORIA, no. 124 (October 2009): 231–60. http://dx.doi.org/10.3280/ss2009-124002.

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- This article concerns the Sicilian jurist Francesco d'Aguirre (1682-1745), a prominent figure of the early eighteenth century. A pupil of Gravina in Roma, he played a key role in university reform in Turin under Victor Amadeus II, and was later a leading member of the Giunta del censimento established by Charles VI in Milan. Turchetti examines a catalogue of part of his library (which was sold by his son Vittorio after his death) printed by Antonio Agnelli in 1753 and kept in the Biblioteca Trivulziana in Milan. Tha authoress also examines the correspondence exchange by Aguirre with some of the leading intellectuals of his time, such as Muratori, Lama, Maffei, Metastasio, Cmpailla. These letters illustratee d'Aguirre's cultural interests and throw light on the provenance of some of the books included in the catalogueKey words: Francesco d'Aguirre; Private Libraries; Eighteenth century; Italy; Correspondence.

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Getz, Christine. "Francesco II Sforza's Forgotten Cantor: Evidence of Image Propaganda in Sixteenth-Century Milan." Explorations in Renaissance Culture 18, no. 1 (December 2, 1992): 27–54. http://dx.doi.org/10.1163/23526963-90000135.

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Eiche, Sabine. "Francesco Maria II della Rovere's Delizia in Urbino}: The Giardino di S. Lucia." Journal of Garden History 5, no. 2 (April 1985): 154–83. http://dx.doi.org/10.1080/01445170.1985.10408615.

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13

Crowther, Victor. "A Case-Study in the Power of the Purse: The Management of the Ducal Cappella in Modena in the Reign of Francesco II d'Este." Journal of the Royal Musical Association 115, no. 2 (1990): 207–19. http://dx.doi.org/10.1093/jrma/115.2.207.

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The precious collection of manuscript scores and printed libretti dating from the late seventeenth century and housed today in the Biblioteca Estense at Modena is ample proof that Duke Francesco II d'Este (1660–94) was one of Italy's most generous patrons of music. Indeed his library, which good fortune has preserved almost intact, is an indispensable resource for the study of oratorio, opera and instrumental music in northern Italy in the last quarter of the century. Its contents show him to have been a man of catholic and modern taste, acquiring and promoting works by living composers active in Rome, Florence, Bologna, Ferrara, Venice and, of course, Modena. On the evidence of the Este music collection, historians have been consistent in applauding the cultural achievements of Francesco II's reign and yet, surprisingly, there have been no detailed studies of the way in which the duke exercised his patronage.

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Kolb, Carolyn. "The Francesco di Giorgio Material in the Zichy Codex." Journal of the Society of Architectural Historians 47, no. 2 (June 1, 1988): 132–59. http://dx.doi.org/10.2307/990325.

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The purpose of this article is to describe and analyze part of the contents of an Italian manuscript and model book compiled in Venice by Angelo dal Cortivo between 1489 and 1536-the Zichy Codex, now in Szabó Ervin Központi Könyvtár (Erwin Szabo Public Library), Budapest. This analysis demonstrates that the contents of the manuscript represent the earliest version thus far discovered of Francesco di Giorgio Martini's first treatise as found in Saluzzianus 148, Biblioteca Reale, Turin. The article proceeds from an account of the history of the manuscript, including an extensive bibliography and unpublished documents for the life of its compiler, to comparisons of the material in the Zichy Codex with that in Saluzzianus 148 of the Biblioteca Reale, Turin. A list, paragraph by paragraph, of the contents and their parallels in the Turin manuscript is found in Table I. Table II compares the subject matter organization of the two texts. Textual and visual material from the Zichy Codex is discussed, showing that it contains material not found in other Francesco di Giorgio texts, that the understanding of Vitruvius found in the Zichy Codex is poorer than that demonstrated in Saluzzianus 148, and that a purposeful re-organization of the material in the Zichy Codex occurred before the writing of the Turin manuscript. A date in the 1460s is proposed for the Francesco di Giorgio material found in the Zichy Codex.

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Sevilla Fernández, José Manuel. "Francesco de Sanctis (1817-1883). 'La nueva Ciencia'. Páginas selectas traducidas de la 'Historia de la Literatura Italiana' (1870). Selecc., Trad. y Nota de J.M. Sevilla." Cuadernos sobre Vico, no. 34 (2020): 133–61. http://dx.doi.org/10.12795/vico.2020.i34.06.

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Traducción al castellano del cap. XIX del vol. II de la Storia della letteratura italiana (Nápoles, Morano, 1870) titulado «La nueva Ciencia», del historiador y pensador Francesco De Sanctis (1817-1883), que están dedicadas expresamente a Giambattista Vico. Traducción con una «Nota» de José M. Sevilla. PalabRas ClaVe: G. Vico, F. De sanctis, J.m. sevilla Fenández, Storia della letteratura italiana (1870), historiografía, arte, filosofía, hegelianismo

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Sfredda, Francesco. "Vienna e Berlino 1873: l'Italia unita si presenta all'Europa." MONDO CONTEMPORANEO, no. 1 (June 2011): 5–38. http://dx.doi.org/10.3280/mon2011-001001.

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Il saggio analizza uno dei momenti cruciali della politica estera italiana nei primi anni dopo l'Unitŕ, ossia la visita ufficiale in Austria e Germania di re Vittorio Emanuele II, accompagnato da Minghetti e Visconti Venosta (1873). Fra le fonti consultate dall'autore, oltre alla stampa periodica e ai documenti diplomatici editi dei tre Stati coinvolti, vi sono anche fonti primarie inedite, provenienti da archivi romani, viennesi e berlinesi. L'evento viene analizzato, oltre che dal punto di vista diplomatico, anche da quello cerimoniale e celebrativo, con una particolare attenzione al processo di nazionalizzazione dell'opinione pubblica nei tre paesi coinvolti. Il saggio dimostra che le grandi novitŕ che rivoluzionarono le relazioni internazionali alla metŕ dell'Ottocento (l'unificazione tedesca, quella italiana, l'austro-ungarico, la nascita della Terza repubblica francese) erano allora ancora precarie. Nuovi documenti sul reale atteggiamento tenuto da Bismarck verso l'Italia finiscono infine per rivalutare in senso positivo le scelte di politica estera della Destra storica, e screditare invece le posizioni sostenute allora dalla Sinistra,da Francesco Crispi.

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Spadaro, Carmela Maria. "A Deo Coronato. Sovranità cristiforme e rappresentazioni del potere nel Regno di Napoli tra Normanni, Angioini e Borbone." Italian Review of Legal History, no. 8 (December 21, 2022): 7–38. http://dx.doi.org/10.54103/2464-8914/19249.

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Il Cristo Pantocratore assunto come modello iconografico per rappresentare la sovranità nel Regnum Siciliae in età normanno-sveva, lasciava il posto in età angioina alla paupertas che, per effetto della predicazione francescana accolta dai sovrani napoletani, diventava elemento ineludibile di legittimità del potere regio. In una lettera scritta dal frate francescano Angelo Clareno a Filippo di Majorca, fratello della regina Sancha di Napoli, sono delineati i caratteri del sovrano cristiforme, che esercita il potere in qualità di amministratore del Regno, il cui unico titolare è Cristo: a Deo coronato è solo il sovrano che si fa povero, spogliandosi di ogni brama di potere e volontà di dominio ed usando le ricchezze pubbliche al solo scopo di provvedere alle necessità dei sudditi. La novitas francescana incentrata sul precetto del sine proprio codificato nella Regola di Francesco di Assisi, mutava la rappresentazione e le prospettive della sovranità, introducendo nel diritto pubblico del Regno concetti giuridici destinati ad ampliare la gamma dei significati di proprietas e di dominium. Con sguardo retrospettivo ed in continuità con la tradizione del Regno, l’ultimo re delle Due Sicilie Francesco II di Borbone faceva appello agli antichi diritti del trono di Ruggero e di Carlo III per difendere la legittima sovranità delle Due Sicilie, richiamando così l’immagine del sovrano a Deo coronato la cui condotta politica non poteva che ispirarsi al modello della christiformitas: una prospettiva della sovranità che di lì a poco sarebbe stata travolta dagli eventi rivoluzionari in corso in tutta Europa, dei quali tuttavia potrebbe fornire un’inedita chiave di lettura, proponendosi come momento di riflessione sulla storia italiana ed europea degli ultimi due secoli.

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Izzi, Claudia. "Il processo canonico di nullità del matrimonio dalla codificazione post-conciliare alla riforma scaturita dalla riflessione sinodale sulla famiglia." Estudios Eclesiásticos. Revista de investigación e información teológica y canónica 97, no. 383 (December 13, 2022): 1175–96. http://dx.doi.org/10.14422/ee.v97.i383.y2022.009.

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L’evoluzione normativa che negli ultimi quaranta anni ha riguardato le cause per la dichiarazione della nullità matrimoniale si pone in stretta correlazione con la dottrina del Concilio Vaticano II e con le istanze emerse nell’ambito della riflessione sinodale sulla famiglia promossa da Papa Francesco. Si evidenzia la costante e progressiva assimilazione dei principi informatori del processo canonico, alla luce dei quali vengono prospettati alcuni perfezionamenti e sviluppi possibili.

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Rampazzo, Lino, and José Marcos Miné Vanzella. "RIFUGIATI: MINORANZE SENZA PROPRIETÀ?" Revista Direitos Fundamentais & Democracia 23, no. 3 (December 14, 2018): 258. http://dx.doi.org/10.25192/issn.1982-0496.rdfd.v23i31189.

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Questo studio si propone di esaminare il tema del “Diritto di Proprietà”, espresso particolarmente nei due primi articoli della questione 66 (II-II) della Somma Teologica di San Tommaso, che è ripreso, nel secolo XX, dal filosofo francese Emmanuel Mounier. La riflessione cerca, prima di tutto, di situare la questione 66, che tratta “Del Furto e della Rapina”, sia nella visione più ampia di tutta la Somma, come nel contesto specifico della parte morale della medesima opera. Subito dopo si analizzano i due articoli della Somma sul “Diritto di Proprietà”. Poi si studia un capitolo dell’opera “Dalla proprietà capitalista alla proprietà umana” di Mounier, che fa valere la dottrina tomista nel contesto della crisi mondiale della sua epoca. Si pretende così, a partire da un autore clássico, analizzare il tema del “Diritto di Proprietá”, con la possibilità di mostrare, come Mounier, un percorso che indichi la sua funzione sociale. Significativa è pure la ripresa della posizione tomista nella Dottrina sociale della Chiesa, che, in documenti ufficiali, dei quali si indicano due, a titolo do esempio, cita espressamente la stessa questione 66 (II-II) della Somma Teologica, su cui basa il suo insegnamento. La ripresa di questo problema è applicada alla situazione dei profughi, in particolare in Europa, al fine di mostrare il "diritto di proprietà" che essi possiedono, in una situazione di estrema necessità. E, molto significativo in questo senso, é il recente messaggio di Papa Francesco per la giornata del migrante e del Rifugiato.

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Quirós Rosado, Roberto. "La construcción de un cursus honorum diplomático en tiempos de Carlos II: Francesco del Giudice (1684-1700) = The Construction of a Diplomatic Cursus Honorum in the Time of Charles II of Spain: Francesco del Giudice (1684-1700)." Espacio Tiempo y Forma. Serie IV, Historia Moderna, no. 31 (December 14, 2018): 65. http://dx.doi.org/10.5944/etfiv.31.2018.21148.

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Entre los consejeros de Estado elegidos en la remesa de 1699 se encontraba un único eclesiástico, oriundo de una familia titulada del reino de Nápoles: Francesco del Giudice (1647-1725). El presente artículo ofrece una visión sistemática sobre la carrera que, tanto al servicio de los pontífices romanos como del rey de España, permitió al purpurado alcanzar uno de los mayores cargos de representación política de la Monarquía. A través de redes diplomáticas, negociados en la curia romana y clientelas fundamentadas en lealtades, correspondencias y regalos, se podrán comprender los motivos por los que Del Giudice logró el favor del cardenal Portocarrero y, por tanto, el de Carlos II en la difícil coyuntura de fin-de-siècle.Among the Spanish councilors of State chosen in 1699 was an only one churchman, who was born in a new-aristocratic family of the Kingdom of Naples: Francesco del Giudice (1647-1725). This paper offers a portrait about a career that, based on the service to the Pope and the King of Spain, allowed the cardinal to reach one of the most important dignities in the Monarchy. Through diplomatic networks, Roman politics, and strong patronages linked to loyalties, letters and gifts, it could be possible to understand the reasons why Del Giudice got the sympathy and favour of the Queen Maria Anna of Neuburg, the Cardinal Portocarrero and, of course, the King Charles II in the fin-de-siècle.

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RAYNAUD, DOMINIQUE. "LE TRACÉ CONTINU DES SECTIONS CONIQUES À LA RENAISSANCE: APPLICATIONS OPTICO-PERSPECTIVES, HÉRITAGE DE LA TRADITION MATHÉMATIQUE ARABE." Arabic Sciences and Philosophy 17, no. 2 (September 2007): 299–345. http://dx.doi.org/10.1017/s0957423907000422.

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The perfect compass, used by al-Qūhī, al-Sijzī and his successors for the continuous drawing of conic sections, reappeared after a long eclipse in the works of Renaissance mathematicians like Francesco Barozzi in Venice. The resurgence of this instrument seems to have depended on its interest to solve new optico-perspective problems. Having reviewed the various instruments designed for the drawing of conic sections, the article is focused on the sole conic compass. Theoretical and empirical applications are detailed. Contrarily to the common thesis of an independant discovery, various elements suggest a direct descent between the birkār al-tāmm of the Arabic mathematical tradition and the Italian conic compass. Then we present the most probable transmission hypothesis involving: 1° Ibn Yūnus and his disciples of Mosul, 2° Sultan Malik al-Kāmil in Damas, 3° Master Theodore and Frederick II at the court of Sicily, 4° Andalò di Negro and Robert of Anjou in Naples, 5° Lorenzo della Volpaia, Vinci, Sangallo and Michelangelo in Florence, 6° Ausonio, Contarini, Thiene and Francesco Barozzi in Venice.

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Dana, Dan. "Francesco Massa, Tra la vigna e la croce. Dioniso nei discorsi letterari e figurativi cristiani (ii-." Anabases, no. 22 (October 20, 2015): 281–83. http://dx.doi.org/10.4000/anabases.5522.

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Giannattasio, C., S. M. Grillo, and G. Vacca. "INTERDISCIPLINARY STUDY FOR KNOWLEDGE AND DATING OF THE SAN FRANCESCO CONVENT IN STAMPACE, CAGLIARI – ITALY (XIII-XXI CENTURY)." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5/W1 (July 30, 2013): 139–44. http://dx.doi.org/10.5194/isprsannals-ii-5-w1-139-2013.

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LÓPEZ PINERO, JOSE M. "THE POMAR CODEX (CA. 1590): PLANTS AND ANIMALS OF THE OLD WORLD AND FROM THE HERNADEZ EXPEDITION TO AMERICA." Nuncius 7, no. 1 (1992): 35–52. http://dx.doi.org/10.1163/182539192x00028.

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Abstract<title> RIASSUNTO </title>Si descrive un codice illustrato (ca. 1590), donato dal re Filippo II a Honorato Pomar, professore di medicina botanica all'Università di Valencia, e ora conservato nella biblioteca della stessa universita. Tale codice contiene 218 acquarelli di piante e animali del Vecchio Continente e provenienti dalla spedizione nelle Americhe di Hernandez (1571-1577). Inoltre, l'articolo si sofferma brevemente sull'interesse di Filippo II per la storia naturale, sulla spedizione di Hernandez e sulla cattedra di botanica medica all'universita di Valencia nel corso del sedicesimo secolo. Infine, si discute dell'identita dell'autore delle illustrazioni e dei testi del codice, con particolare riferimento a Honorato Pomar e a <?CTRLerr type="1" mess="Doute Cars isoles avec recollage" ?>Jacopo Ligozzi, un pittore della corte fiorentina durante il regno di Francesco I.

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Kościukiewicz, Jakub. "Cello in the Baroque, part 2: Cello literature in the 17th century." Notes Muzyczny 2, no. 10 (December 20, 2018): 9–23. http://dx.doi.org/10.5604/01.3001.0012.9810.

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The present text is the second instalment of the cycle of articles based on its author’s doctoral dissertation entitled The birth of cello as a solo instrument – instruments, prac-tice, and selected literature examples (Academy of Music in Łódź, 2017). It is an at-tempt to systematise the knowledge about the first cello literature creators and their compositions. The text includes descriptions (characterisations) of the first pieces writ-ten for the cello as early as in the 17th century along with short biographical sketches of their composers. The article characterises the main centres of development of cello mu-sic, such as Bologna and Modena, the places of work of Giovanni Battista Vitali, Do-menico Gabrielli, Petronio Franceschini, Giuseppe Jacchini, Bononcini brothers, Gio-vanni Battista Degli Antoni, Domenico Galii, Giuseppe Colombi, and others. These composers mainly focused around Bologna’s Accademia Filarmonica and Basilica of San Petronio, as well as the court of Francesco II d'Este in Modena. The article also pays attention to the circumstances in which the first attempts to write cello pieces were made. Moreover, it mentions singular historical items of early cello literature written in such centres as Rome, Venice or Naples, where Carlo Fedeli, Giovanni Lorenzo Lulier, Nicola Francesco Haym or other composers worked.

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Ricci, Roberto. "Carreras extraordinarias. Los cardenales-embajadores Francesco y Troiano Acquaviva d’Aragona, perfiles biográficos y propuestas de estudio (1714-1747)." Revista Historia Autónoma, no. 19 (September 30, 2021): 137–45. http://dx.doi.org/10.15366/rha2021.19.007.

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La acción diplomática y política de los cardenales Francesco y Troiano Acquaviva d’Aragona se inserta, por su importancia y originalidad, en las relaciones entre el Papado y las monarquías borbónicas de España y Nápoles durante la primera mitad del Setecientos. Cardenales embajadores de Felipe V y Carlos III de Borbón en Roma y protectores de sus coronas en la Santa Sede, desarrollaron al más alto nivel —tanto italiano como europeo— las tradicionales carreras curiales de las familias de potentados meridionales. La obra de ambos purpurados, entrelazada con los intereses de la Iglesia y de la Casa de Borbón, se relacionó estrechamente con la salvaguardia del “Estado de Atri”, en el Abruzzo, uno de los mayores feudos del reino de Nápoles. Esto tuvo lugar merced a la estrecha correspondiencia con sus duques, Giovan Girolano II Acquaviva y Domenico Acquaviva, con lo que pudieron asegurar su titularidad y dominio pese a las problemáticas suscitadas por su posicionamiento filoborbónico tras la muerte de Carlos II de España.

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Bianchi, Alvaro, and Daniela Mussi. "II Principe e seus contratempos: De Sanctis, Croce e Gramsci." Revista Brasileira de Ciência Política, no. 12 (December 2013): 11–42. http://dx.doi.org/10.1590/s0103-33522013000300002.

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Com a constituição da moderna nação italiana, a partir de meados do século XIX, tornou-se característico do pensamento político da península o constante apelo à reconstrução de uma tradição intelectual nacional. Esta era parte dos desafios da construção de uma nova ordem política e social que orientava, entre outras coisas, um retorno à história do Renascimento e à figura de Nicolau Maquiavel. A partir de 1859, o Risorgimento italiano ganharia novo impulso e culminaria com a derrota do papado e a construção de uma nova nação entre 1861 e 1871. Ao longo dessa década, período de triunfo da unificação, foi preparado um retorno definitivo de Maquiavel à cultura italiana. O revigoramento da historiografia e da ciência política italiana não deixou de ser, assim, um reencontro com a tradição maquiaveliana. O Risorgimento foi, também, o renascimento de Maquiavel. Este ensaio busca analisar três momentos desse retorno, que foram, ao mesmo tempo, tentativas de um acerto de contas com uma história italiana que remonta ao século XVI, cristalizada nas obras de Francesco De Sanctis (1817-1883), Benedetto Croce (1866-1952) e Antonio Gramsci (1891-1937).

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Herrero de Jáuregui, Miguel. "Francesco Massa, Tra la vigna e la croce : Dioniso nei discorsi letterari e figurativi cristiani (II-IV secolo)." Revue de l'histoire des religions, no. 234 (March 1, 2017): 158–61. http://dx.doi.org/10.4000/rhr.8689.

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Blanco, Pablo. "Francesco Saverio VENUTO, Il Concilio Vaticano II. Storia e recezione a cinquant’anni dall’apertura, Torino: Effatà, 2013, 240 pp." Scripta Theologica 46, no. 2 (September 13, 2017): 542. http://dx.doi.org/10.15581/006.46.580.

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Haye, Thomas. "Papst Julius II. (1503 – 1513) als Gegenstand lateinischer Poesie. Francesco Rococciolos Iulonice und die Tradition der panegyrischen Renaissance-Epik." Wiener Studien 125 (2012): 165–88. http://dx.doi.org/10.1553/wst125s165.

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Fitych, Tadeusz. "Korespondencja intemuncjusza Antonio Francesco Cirioli z Sekretariatem Stanu w przededniu sejmu zwyczajnego w Warszawie w 1632 roku (cz. II)." Folia Historica Cracoviensia 7 (January 22, 2016): 113. http://dx.doi.org/10.15633/fhc.1394.

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Brown, Clifford M. "“Concludo che non vidi max la più bella casa in Italia”: The Frescoed Decorations in Francesco II Gonzaga's Suburban Villa in the Mantuan Countryside at Gonzaga (1491-1496)*." Renaissance Quarterly 49, no. 2 (1996): 268–302. http://dx.doi.org/10.2307/2863159.

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“Universae Italiae Liberatori.” On the 500th Anniversary of the Battle of Fornovo and the completion of the Madonna della Vittoria (1495/96 - 1995/96).Scholarly discussion of late Quattrocento art patronage in Mantua has largely been confined to projects associated with Isabella d'Este (1474-1539, marchesa from 1490 and dowager marchesa from 1519). And yet in 1494 her husband wrote that “painting delights us not a little and by its pleasures we often relax and console our mind from the various occupations, anxieties, and cares in which it is involved.” Francesco II Gonzaga's effulgent praise of the visual arts suggests that he (1466-1519, marquis from 1484) was rather more consequential for the cultural life of the state than has usually been allowed.

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Brito, Emanuel França de. "Tradução parcial e comentada do Convívio de Dante." Tradterm 20 (December 18, 2012): 68. http://dx.doi.org/10.11606/issn.2317-9511.tradterm.2012.49044.

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Este ensaio tem por objetivo apresentar uma tradução parcial do Convívio, de Dante Alighieri, e explicitar a razão de algumas das escolhas feitas para a tradução apresentada. Tem como recorte apenas os quatro primeiros capítulos do primeiro tratado da obra (Cv I i, ii, iii e iv). Tenta-se justificar essas escolhas com base nos comentários de Busnelli (1934; 1937), Vasoli (1988) e Inglese (2007), além de ter a edição crítica de Ageno (1995) como base textual. Ainda, reflete sobre o uso de certos vocábulos em autores contemporâneos ao texto, como Francesco Petrarca e Giovanni Boccaccio, considerando também outras obras de Dante, no original e em algumas de suas principais traduções para o português.

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Anselmo, Claudio. "Francesco Saverio Venuto, Il Concilio Vaticano II. Storia e recezione a cinquant’anni dall’ apertura, Effatà: Cantalupa (To) 2013. 238 pp." Annuarium Historiae Conciliorum 46, no. 1-2 (June 20, 2014): 463–68. http://dx.doi.org/10.30965/25890433-0460102028.

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35

Moreno, Luis A. García. "Francesco de Martino: Historia económica de la Roma antigua, vols. I y II, Madrid, Editorial Akal-Universitaria, 1985, 716 pp." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 4, no. 1 (March 1986): 209–15. http://dx.doi.org/10.1017/s0212610900014269.

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de Boer, Sander, and Paul Bakker. "Locus est spatium On Gerald Odonis' Quaestio de loco." Vivarium 47, no. 2 (2009): 295–330. http://dx.doi.org/10.1163/156853409x428140.

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AbstractThis article examines Gerald Odonis' view on the nature of place as found in his commentary on the Sentences (Sent. II, d. 2, qq. 3-5) and in an anonymous question (Utrum locus sit ultima superficies corporis ambientis immobile primum) extant in manuscript Madrid, Biblioteca Nacional, 4229. Both texts defend a thoroughly un-Aristotelian conception of place as three-dimensional space. Odonis not only deviates from Aristotle's definition of place as the inner surface of a surrounding body, but also from the positions of his contemporaries, including fellow Franciscans. Despite some remarkable doctrinal similarities between Odonis' view and that of Renaissance innovators like Francesco Patrizi and Bernardino Telesio, it seems unlikely that Gerald played a role in the rise of new conceptions of place in the sixteenth and seventeenth century. An edition of the anonymous Quaestio de loco is given in an appendix.

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Schaub, Jean-Frédéric. "Révolutions sans révolutionnaires ? Acteurs ordinaires et crises politiques sous l'Ancien Régime." Annales. Histoire, Sciences Sociales 55, no. 3 (June 2000): 645–53. http://dx.doi.org/10.3406/ahess.2000.279870.

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La publication du livre de Francesco Benigno, Specchi della rivoluzione, offre l'occasion de commenter l'une des orientations que prend aujourd'hui Panalyse historique de la politique sous l'Ancien Régime. L'ambition du texte et le questionnement historiographique complexe qu'il développe en font un manifeste. II mérite done d'étre commenté en tant que symptôme d'une évolution importante dans l'établissement des programmes de recherches que se donnent les historiens de cette période. L'ouvrage n'est pas isolé ; d'autres travaux récents peuvent lui être associés, en particulier I'étude de Ruth Mac Kay sur la désobeissance des humbles dans la Castille du xvif siècle. Ces livres ont en commun de se poser le même problème: peut-on écrire l'histoire des options politiques des acteurs sociaux prives d'accés à la sphère institutionnelle ? La complexite de ce theme a ete récemment soulignée dans les Annales par Robert Descimon à propos de la dynamique d'un des événements parisiens de la Fronde. II n'est pas aisé de construire une histoire politique des personnes sans autorité, puisque les institutions anciennes, mattresses de la production et de la conservation des archives, les excluent en tant que sujets. L'histoire des femmes, depuis longtemps, a su affronter cet épineux problème.

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Giudici, Giacomo. "The writing of Renaissance politics: Sharing, appropriating, and asserting authorship in the letters of Francesco II Sforza, Duke of Milan (1522-1535)." Renaissance Studies 32, no. 2 (April 20, 2017): 253–81. http://dx.doi.org/10.1111/rest.12296.

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Westen, Drew, Jonathan Shedler, Bekh Bradley, and Jared A. DeFife. "Una tassonomia delle diagnosi di personalitŕ derivata empiricamente: colmare il divario tra scienza e clinica nella concettualizzazione della personalitŕ. Nota introduttiva di Vittorio Lingiardi e Francesco Gazzillo." PSICOTERAPIA E SCIENZE UMANE, no. 3 (September 2012): 327–58. http://dx.doi.org/10.3280/pu2012-003001.

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Viene presentato un sistema diagnostico della patologia di personalitŕ derivato empiricamente, clinicamente rilevante e di agevole uso quotidiano. Un campione randomizzato di 1.201 psichiatri e psicologi clinici statunitensi ha descritto un proprio paziente, selezionato in modo casuale e affetto da un disturbo della personalitŕ, utilizzando la Shedler-Westen Assessment Procedure-II (SWAP-II). L'analisi fattoriale ha prodotto 10 diagnosi di personalitŕ, clinicamente coerenti, organizzate in tre cluster sovraordinati: internalizzante, esternalizzante e borderline-disregolato. Le descrizioni col punteggio piů elevato sono state selezionate per costruire un prototipo di ogni sindrome di personalitŕ. In un secondo campione indipendente, i ricercatori e i clinici sono stati in grado di diagnosticare le sindromi di personalitŕ con un elevato accordo e un livello minimo di comorbilitŕ. Questi 10 prototipi diagnostici sono empiricamente fondati e clinicamente rilevanti.

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Nikolic, Maja. "Pseudo-Sphrantzes on the Serbian lands." Zbornik radova Vizantoloskog instituta, no. 43 (2006): 127–39. http://dx.doi.org/10.2298/zrvi0643127n.

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The Memoirs of George Sphrantzes are preserved in two versions. One of them is the authentic text by Sphrantzes, Chronicon Minus, a memoir of a pronounced chronographic nature, describing the events between 1413 and 1477 which the author recorded as an active participant and a contemporary. The other version is Chronicon Maius, also called Pseudo-Sphrantzes, a compilation composed between 1573 and 1575 by a famous forger, the Metropolitan of Monembasia Macarius Melissenus. Being a collage from different sources, his work contains some data on the Serbian lands which exceed the chronological limits of Chronicon Minus, i.e. of the data given by Sphrantzes himself. The structure of this chronicle ? parallel stories on Byzantine emperors and Turkish rulers ? resembles the so-called Venetian-Byzantine short chronicle Nr. 50B, written between 1474 and 1574. Chronicon Maius gives the year 6865 (=1356/7) as the year of the conquest of Gallipoli by Murat I. The same date is given in five out of seven manuscripts of the short chronicle Nr. 53. Finally, Ecthesis Chronica, a work by an anonymous author of the 16th century, is, apart from Macarius Melissenus, the only source written in Greek that explicitly mentions the name of the daughter of the Despot Djuradj Brankovic, Mara, who was sent to the harem of the Sultan Murat II in 1435. Many of the reports on the Serbian lands given by Melissenus are in actual fact short and imprecise paraphrases of the data given by Laonicus Chalcocondyles in his historical work. In the first place this holds true for the reports on the meeting in Serres, the reign of Beyazid I, the civil war among Beyazid's sons and the reign of Murat II. Finally, Chronicon Maius partly overlaps with the data from Chronicle of the Turkish Sultans, an anonymous work composed in the first quarter of the 17th century. E. A. Zachariadou has proven the dependence of this source from the text of the second edition of Francesco Sansovino's Gl' Annali Turcheschi published in Venice in 1573. These three sources, Pseudo-Sphrantzes Chronicle of the Turkish Sultans and Annals of Francesco Sansovino, are clearly interdependent. Chronicle of the Turkish Sultans doubtlessly draws from Sansovino's annals, whereas the precise relationship between Pseudo-Sphrantzes and Sansovino is still to be explored. .

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Неретин, А. И. "Рецензия на: Massimo Faggioli, Cattolicesimo nazionalismo cosmopolitismo. Chiesa, società e politica dal Vaticano II a papa Francesco, Roma: Armando Editore, 2018, pp. 176." Вестник антропологии (Herald of Anthropology), no. 2022 № 1 (2022): 326–31. http://dx.doi.org/10.33876/2311-0546/2022-1/326-331.

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В фокусе внимания данной рецензии – изданная в 2018 г. на итальянском языке в Риме и не переведенная на русский язык монография профессора факультета богословия и религиоведения Университета Виллановы в Филадельфии (США) Массимо Фаджоли «Католицизм, национализм, космополитизм. Церковь, общество и политика от Второго Ватикансого собора до папы Франциска». Научный труд посвящен анализу места и роли Римско-католической церкви в общественной жизни после II Ватиканского собора 1962 года, а также после скандальных событий, связанных с обвинениями в сексуальных домогательствах со стороны ряда католических священников. Автор скрупулёзно исследует изменение отношений внутри Католической церкви во времена папы Франциска, привлекая к этому большое количество церковных документов и других материалов. Однако, по мнению рецензента, в работе не хватает слов о таком значимом для Римско-католической церкви событии, как подписание Латеранских соглашений, в ходе которых Ватикан получил независимость. In English: This is a review of a monograph «Catholicism, nationalism, cosmopolitanism. Church, Society and Politics from the Second Vatican Council to Pope Francis» by Massimo Faggioli, professor at the Faculty of Theology and Religious Studies at Villanova University in Philadelphia (USA). The book was published in 2018 in Rome in the Italian language and has not been translated into Russian yet. The author analyses the place and the role of the Roman Catholic Church after the Second Vatican Council (1062) and after the scandalous allegations of sexual harassment by a number of Catholic priests. He scrupulously studies the changes in relations within the Catholic Church during the time of Pope Francis, involving a large number of church documents and other sources. However, the reviewer expresses an opinion that the book lacks information about the signing of the Lateran Pacts – a significant event for the Roman Catholic Church, which resulted in the Vatican’s independence.

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McCRORY, M. "COINS AT THE COURTS OF INNSBRUCK AND FLORENCE: The numismatic cabinets of Archduke Ferdinand II of Tyrol and Grand Duke Francesco I de' Medici." Journal of the History of Collections 6, no. 2 (January 1, 1994): 153–72. http://dx.doi.org/10.1093/jhc/6.2.153.

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43

Findlen, Paula. "Franco Arato, II secolo delle cose: Scienza e storia in Francesco Algarotti. Genova: Marietti, 1991. Pp. 173. ISBN 88-211-9566-X. L. 30.000." British Journal for the History of Science 26, no. 1 (March 1993): 91–92. http://dx.doi.org/10.1017/s0007087400030284.

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Loni, Augusto, Antonio Fornaciari, Angelo Canale, Valentina Giuffra, Stefano Vanin, and Giovanni Benelli. "Insights on Funeral Practices and Insects Associated With the Tombs of King Ferrante II d’Aragona and Other Renaissance Nobles." Journal of Medical Entomology 56, no. 6 (July 4, 2019): 1582–89. http://dx.doi.org/10.1093/jme/tjz102.

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Abstract The impressive Sacristy of the Basilica of San Domenico Maggiore contains 38 wooden sarcophagi with the bodies of 10 Aragonese princes and other Neapolitan nobles, who died in the 15th and 16th centuries. To improve the knowledge about the entomofauna associated with bodies in archaeological contexts, herein we provide insights on the funerary practices and the insect community associated to Ferrante II King of Naples and other Italian Renaissance mummies of the Aragonese dynasty buried in the Basilica of St. Domenico Maggiore. We identified 842 insect specimens: 88% were Diptera (Muscidae, Fanniidae, and Phoridae), followed by 9% Lepidoptera (Tineidae) and 3% Coleoptera (Dermestidae and Ptinidae). Ninety-seven percent of the specimens were collected from the coffin of Francesco Ferdinando d’Avalos, which was the best preserved. A lack of fly species characterizing the first colonization waves of exposed bodies was noted. The most common fly was the later colonizing muscid Hydrotaea capensis (Wiedemann); only a few Fanniidae (Fannia spp.) were retrieved. The lack of blowflies, coupled with recording H. capensis as the dominant fly, supports our hypothesis that corpses have been kept indoors for a long time under confined environmental conditions. Other explanations include odorous oils/balms having been used in the embalming process, causing the delay or stopping the arrival of first colonizer flies. Hermetically sealing of the coffin with bitumen may also have played a role in preventing access to the corpses. This scenario describes a historical context characterized by a well-advanced knowledge of body preparation, with specific burial techniques adopted for nobles.

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Casas, Santiago. "Francesco Saverio Venuto, La recezione del Concilio Vaticano II nel dibattito storiografico dal 1965 al 1985. Riforma o discontinuità?, Effata Editrice, Cantalupo (Torino) 2011, 444 pp." Anuario de Historia de la Iglesia 22 (June 4, 2015): 498. http://dx.doi.org/10.15581/007.22.2275.

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Bullard, Melissa Meriam. "Francesco Guicciardini Le Lettere, Vol. II:1514-1517. Ed. Pierre Jodogne. Rome: Istituto Storico Italiano per l'Età Moderna e Contemporanea, 1987. liv + 722 pp. L. 140,000." Renaissance Quarterly 42, no. 1 (1989): 97–99. http://dx.doi.org/10.2307/2861921.

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Van Sasse Van Ysselt, Dorine. "Johannes Stradanus: de decoraties voor intochten en uitvaarten aan het hof van de Medici te Florence." Oud Holland - Quarterly for Dutch Art History 104, no. 3-4 (1990): 149–79. http://dx.doi.org/10.1163/187501790x00075.

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AbstractSources show that the Flemish artist Johannes Stradanus, whose career flourished from about 1555 in Florence, collaborated on several occasions on large-scale, temporary decorations, most of them commissioned by the grand dukes de'Medici, for important dynastic events such as baptisms, entries into cities and funerals. A multitude of artists and craftsmen carried out these decorations on the basis of often complicated iconographic programmes. In 1564, for instance, on the occasion of Michelangelo's funeral in S. Lorenzo, Stradanus painted the grisaille Michelangelo in 1529 in his dwelling in the Giudecca being received by the nobles of Venice by order of the Doge Andrea Gritti and the Signoria. In 1565, for the triumphal entry into the city of Johanna of Austria, he painted all the pictures decorating the triumphal arch erected on the Canto de' Tornaquinci. These consisted of five scenes glorifying the following exploits of rulers of the House of Austria: Rudolf conferring the Archdukedom of Austria on Albrecht I, Maximilian II being crowned emperor, Ferdinand I defending Vienna against the Turks, Albrecht slaing Adolf of Nassau in a battle, Philip II of Spain receiving the corona obsidionalis from Malta and two large trompe-l'oeil street views. In 1574, for the funeral of Cosimo I de'Medici in S. Lorenzo, Stradanus was probably involved in the painting of the skeletons and coats of arms. Furthermore, on the occasion of Francesco I de' Medici's funeral in S. Lorenzo in 1587, he painted the grisaille Francesco visiting his betrothed, Johanna of Austria, in Innsbruck; in 1588, for the entry of Ferdinando I de' Medici into Pisa, the canvas The burial of Pope Stephen I in the catacomb of Callixtus for the decoration of S. Stefano dei Cavalieri; in 1589, for the entry of Christina of Lorraine, the painting The retreat of the Turks after the siege of Vienna, as part of the decorations on the Canto de' Bischeri. Finally, in 1598, for the obsequies in memory of Philip II of Spain in S. Lorenzo, the grisaillc The siege and capture of Antwerp; for the same occasion he also provided the design for the grisaille The conquest of the Philippine islands, painted by his son Scipione. Stradanus' first commissions date from the start of his career in Florence, when he was working in Vasari's studio. As one of the master's assistants in decorating the Palazzo Vecchio, he had already gained ample experience in large-scale painting for the Medici. After leaving Vasari's studio in about 157 and setting up as an independent artist, Stradanus remained one of the leading Florentine artists who received commissions for official large-scale decors. He retained this status up to a venerable age, a sign of the appreciation he continued to enjoy in this field. Unfortunately none of Stradanus' decorative work has survived, with the exception of the canvas in Pisa. An impression of his skill in this field in conveyed by contemporary sources and the sketches, drawings, etchings and engravings presented in this article. This material clearly shows that in his long and productive life Stradanus was not only active as a painter of frescos and altarpieces and a designer of tapestries and engravings, but also played a prominent role at the court of the Medici as a painter of decorations.

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Deitz, Luc. ""Falsissima Est Ergo Haec De Triplici Substantia Aristotelis Doctrina." a Sixteenth-Century Critic of Aristotle" Francesco Patrizi Da Cherso On Privation, Form, and Matter1." Early Science and Medicine 2, no. 3 (1997): 227–50. http://dx.doi.org/10.1163/157338297x00131.

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AbstractThe purpose of this article is to give an account of Franceso Patrizi da Cherso's (1529-1597) criticism and eventual refutation of the Aristotelian principles of form, privation, and matter, as it can be found in his voluminous anti-Aristotelian treatise, the Discussziones Peripateticae (1581). His refutation of these three concepts is informed by two convictions: (i) that Aristotle's theory is inconsistent, and can therefore not be taken seriously as a relevant contribution to philosophical discussion; (ii) that Aristotle's theory, whether consistent or not, is either unoriginal or unintelligible, and must therefore be rejected by philosophers worthy of this name anyway. Patrizi's argumentation is conducted with great philological care and philosophical acumen. He tries to prove that there is no need for principles to be finite; that they cannot be everlasting; that they cannot be generated from one another; and that there is no need for them to be contraries. He further tries to show that neither privation nor form can be principles, the rejection of form including the notions of form as universal, as particular, as individual, and as generic, as well as those of form as nature and of form as cause. Patrizi concludes that forms must be accidents. Although prime matter is retained as a principle, it is severely qualified; this is here interpreted with reference to Patrizi's own theory of principles in the Nova de universis philosophia. The article concludes with a brief outlook on the influence (or rather, lack of influence) of Patrizi's discussion and suggests one possible explanation for it.

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CAROTI, STEFANO. "FRANCESCO RASPADORI (a cura di), I maestri di medicina ed arti dell'Università di Ferrara 1390-1950, Firenze, Leo S. Olschki, 1991 («Pubblicazioni dell'Università di Ferrara», II), 295 pp." Nuncius 7, no. 1 (1992): 308–9. http://dx.doi.org/10.1163/182539192x00596.

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Gordan, Phyllis Goodhart. "Giovanni Francesco Poggio Bracciolini. Lettere. Ed. Helene Harth. (Istituto Nazionale di Studi sul Rinascimento.) Florence: Leo S. Olschki, 1984. Vol. 1: 1 pl. + cxxv + 254 pp. Vol. II: xi + 476 pp. Vol. I: L.75,000. Vol. II: L.90,000." Renaissance Quarterly 38, no. 4 (1985): 724–26. http://dx.doi.org/10.2307/2861966.

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Journal articles on the topic 'Francesco II'

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