Relevant bibliographies by topics / Francesco (Church : Oristano, Italy)

Academic literature on the topic 'Francesco (Church : Oristano, Italy)'

Author: Grafiati
Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "Francesco (Church : Oristano, Italy)"

1

Gromko, Bartosz. "Don Francesco Ricci. Duszpasterz obu Europ (1930–1991)." Wolność i Solidarność 15 (2024): 128–39. http://dx.doi.org/10.4467/25434942ws.23.009.19660.

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Francesco Ricci (1930–1991) was an Italian priest, canon of the cathedral of Forli, ecclesiastical assistant of the Communion and Liberation, and rector of the church of San Filippo Neri in Forli. He travelled to many countries to promote Communion and Liberation: Yugoslavia, Peru, Poland, Hungary, Japan and Korea, Uganda, Paraguay, Czechoslovakia, and Brazil. Due to his interest in Eastern Europe, which was then under communist rule, he founded the Center for the Study of Eastern Europe (CSEO) in Forlì, which was dedicated to deepening and spreading knowledge about the countries of this area in Italy. The Center published, among others: translations of works by Václav Havel, Józef Tischner, and other authors.
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Giordano, Ersilia, Angela Ferrante, Elisa Ribilotta, Francesco Clementi, and Stefano Lenci. "Damage Assessment of San Francesco Church in Amandola Hit by Central Italy 2016-2017 Seismic Event." Key Engineering Materials 817 (August 2019): 627–33. http://dx.doi.org/10.4028/www.scientific.net/kem.817.627.

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Italy is a high seismic risk country since 1900 more than 30 earthquakes with magnitude greater than Mw=5.8 have occurred, and the last one is the Central Italy seismic sequence. The first shock occurred in the 24 August (Mw=6.2) followed by another stronger quake in the 30th October (Mw=6.5). It hit the regions of Marche, Umbria, and Abruzzo heavily causing many deaths, injuries and extensive damages on the cultural heritage. This paper analyses the church of San Francesco in Amadola, located in the Marche region that has been considered condemned for the severe damages reported after these earthquakes. The church is globally analyzed by the application of nonlinear static analysis on a Finite Element Model where the nonlinearity of masonry is taking into account with a proper constitutive law. The study wants to prove how global analysis combined by the local analysis can reproduce the behavior of this structure during a quake, showing that it can repeat the real damages produced by earthquakes.
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Tyler, Christopher W. "The Intersection of Visual Science and Art in Renaissance Italy." Perception 49, no. 12 (December 2020): 1265–82. http://dx.doi.org/10.1177/0301006620974973.

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In the time of the Renaissance, a major aspect of vision science was understanding how spatial information projected to the viewpoint of the observer, that is, visual perspective, which is one of the primary cues to depth perception. Perspective representation was thus an early form of virtual reality. Although accurate perspective representation was developed earlier in the 15th century, the first analytic perspective scheme was developed by Piero della Francesca, whose chef d’oeuvre is in the Church of San Francesco, Arezzo, in which the present lecture took place. The focus of the lecture was to evaluate some of the contributions of Piero della Francesca and his 15th-century contemporaries to the visual science, art and symbolism of his era, and its significance for the perception of depth structure from two-dimensional images.
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Hudon, William V., and K. J. P. Lowe. "Church and Politics in Renaissance Italy: The Life and Career of Cardinal Francesco Soderini (1453-1524)." Sixteenth Century Journal 25, no. 3 (1994): 680. http://dx.doi.org/10.2307/2542646.

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Menning, Carol Bresnahan, and K. J. P. Lowe. "Church and Politics in Renaissance Italy: The Life and Career of Cardinal Francesco Soderini, 1453-1524." Journal of Interdisciplinary History 26, no. 3 (1996): 506. http://dx.doi.org/10.2307/206055.

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McHam, Sarah Blake. "Visualizing the Immaculate Conception: Donatello, Francesco della Rovere, and the High Altar and Choir Screen at the Church of the Santo in Padua." Renaissance Quarterly 69, no. 3 (2016): 831–64. http://dx.doi.org/10.1086/689035.

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AbstractThis essay contends that Donatello’s High Altar at the Santo in Padua represents the Immaculate Virgin, reflecting a controversial doctrine of burgeoning interest in fifteenth-century Italy that she was exempted from original sin prior to the first moment of her conception. It ties the altar and scenes on the surrounding choir screen to a sermon promoting the Virgin’s immaculacy by Francesco della Rovere (later Sixtus IV), spoken in Padua in 1448 while the altar was being erected. It further connects the liturgical ensemble with bulls by Sixtus IV and liturgical offices sponsored by him after he was elected pope.
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Zuccotti, Susan. "Cardinal Pietro Boetto: A Life of Service to the Society of Jesus, the Catholic Church, and the People of Genoa." Journal of Jesuit Studies 7, no. 4 (July 3, 2020): 616–41. http://dx.doi.org/10.1163/22141332-00704006.

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Cardinal Pietro Boetto, archbishop of Genoa from 1938 until his death in 1946, was an unusual Jesuit priest in several respects. First, although from humble origins, trained in seminaries other than the most prestigious Jesuit institutions, and not given to complex theological writings, he rose through the ranks of the Society’s administration to attract the notice of Pope Pius xi and be elevated to the cardinalate in 1935. The elevation was in itself highly unusual, given standard Jesuit policy and the expressed reluctance of the order’s Superior General Włodzimierz Ledóchowski at the time. Equally unexpected is the fact that the Jesuit Father Pietro Tacchi Venturi, the pope’s liaison with Mussolini, furnished intriguing background testimony about the elevation itself, which provides new insight into the pope’s policies and modes of operation. Finally, Cardinal Boetto was unusual for the clandestine assistance to Jews and anti-Fascists he provided as archbishop during the German occupation, for the broad range of rescue activities he allowed to his heroic secretary don Francesco Repetto and other priests, and for the wide-spread support networks that resulted throughout Northern and Central Italy. This article tells the story of a competent administrator with immense hidden skills and profound humanity. Sources include the memoirs of Boetto’s aide, Brother Giovanni Battista Weidinger; a biography by his associate Father Arnaldo Lanz; testimony by don Francesco Repetto; documents in the Archivum Romanum Societatis Iesu in Rome and the Archivio Diocesano di Genoa; and secondary studies by historians interested in the Second World War and the rescue of Jews in Genoa.
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Yusim, Mark. "Machiavelli and Guicciardini on the Fate of Renaissance Italy." Novaia i noveishaia istoriia, no. 6 (2022): 28. http://dx.doi.org/10.31857/s013038640020724-4.

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By the early sixteenth century Italy was the richest, most prosperous and advanced country in Europe, the centre of the Catholic world. Yet, it was the scene of wars fought by neighbouring powers for dominance of the peninsula. On the one hand, paradoxically, they contributed to a sharpening of the proto-national consciousness, fuelled also by the historical memory of the former greatness of ancient Rome. On the other hand, the cultural and political situation called for a reflection on the immediate situation and the fate of the country. This problem was most clearly expressed in the writings of the Florentines Niccolò Machiavelli and Francesco Guicciardini, including their polemics on whether Italy would have benefited from unification under one of its states, what was the role of the Church in its history, and finally whether the Renaissance heyday foreshadowed the tragic events of the early modern period. Both thinkers were supporters of a republican order, yet both were forced by circumstances to collaborate with the Medici family. Machiavelli, in his famous treatise The Prince, expresses hope for the unification of Italy under the Medici; Ghicciardini, in his Maxims and Meditations (Ricordi) and in his commentaries on Machiavelli's History of Rome by Titus Livy, is more sceptical; in his view, the Renaissance prosperity of Italy owes much to her polycentrism. These texts are well known and have been evaluated in various ways and are still controversial to this day.
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Hallman, Barbara McClung. "Church and Politics in Renaissance Italy: The Life and Career of Cardinal Francesco Soderini, 1453-1524 By K. J. P. Lowe." Catholic Historical Review 81, no. 3 (1995): 440–41. http://dx.doi.org/10.1353/cat.1995.0158.

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Banfi, Fabrizio, Raffaella Brumana, Angelo Giuseppe Landi, Mattia Previtali, Fabio Roncoroni, and Chiara Stanga. "Building archaeology informative modelling turned into 3D volume stratigraphy and extended reality time-lapse communication." Virtual Archaeology Review 13, no. 26 (January 21, 2022): 1–21. http://dx.doi.org/10.4995/var.2022.15313.

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This paper describes the case study of the damaged church of St. Francesco in the hamlet of Arquata del Tronto (Italy) that was struck by the earthquake in 2016. The municipality commissioned the research to support the preliminary design of the preservation plan. The first digitisation level has been started from the richness of surveying data acquired from static and dynamic terrestrial laser scanning (TLS), and photogrammetry, overcoming challenging constraints due to the scaffolding covering the surfaces. The geometric survey allowed authors to acquire massively geometric and material information supporting the three-dimensional (3D) volume stratigraphic and the creation of the Heritage Building Information Modelling (HBIM). The paper proposes a shift from the Geographic Information System (GIS)-based analysis of the materials toward spatial HBIM management. Building Archaeology is turned into HBIM 3D volume stratigraphy, overcoming the bidimensional (2D) surface mapping, in favour of a 3D understanding of direct and indirect sources. Material mapping is added to HBIM 3D volume stratigraphy, and each stratigraphic unit (SU) has its proprieties. The 3D volume stratigraphic database has been designed to collect the data on the unit detection at three levels (direct sources data collection, indirect data documentation, the relation among the BIM object elements). A common data environment (CDE) has been set up to share the 3D volume informative models that can be accessed, and all the information gathered. The knowledge transfer using the eXtended reality (XR) has been devoted to the citizen and tourist fruition, enhancing the comprehension of difficult concepts like the SUs to support a better critical 3D reconstruction. It includes the phases of construction across time-lapse documentation that validates related information within the building archaeology informative models leaving spaces to the uncertainty and documenting the relationship established so far thanks to the direct and indirect sources. The result obtained is a live digital twin that can be continuously updated, which justifies the costs and time demanding of HBIM despite 2D drawings.Highlights: • 3D survey and scan-to-HBIM process for the creation of a digital twin were oriented to the preliminary design of the preservation plan of the church of St. Francesco in Arquata del Tronto (Italy). • Stratigraphy is investigated and oriented towards a digitisation process to share different levels of knowledge through new forms of digital-sharing such as Common Data Environment (CDE) and cloud-based BIM platform. • eXtended reality (XR) is the final tool to reach new levels of communication and a wider audience characterised by experts in the construction sector and virtual and non-expert tourists.
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Dissertations / Theses on the topic "Francesco (Church : Oristano, Italy)"

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Giura, Giovanni. "San Francesco ad Asciano : un osservatorio per lo studio delle chiese minoritiche toscane." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/85777.

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Leist, Marnie. "The Virgin and Hell: An Anomalous Fifteenth-Century Italian Mural." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1120757484.

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Carrer, Tomaso School of Architecture UNSW. "The triumphal arch motif in Sant'Andrea, Mantua: Respondeo and rhetoric in Alberti's architecture and theory." 2007. http://handle.unsw.edu.au/1959.4/40893.

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Leon Battista Alberti's church of Sant' Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti's corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant?Andrea and to lesser extent San Francesco in Rimini, revisiting key ideas, texts and words. The principal finding of the thesis is that Alberti?s concept of respondeo, as developed in De Re Aedificatoria is the key to understanding the triumphal arch motif and its repetition in the interior. The thesis also comprehensively outlines the variety of contexts in which repondeo can be understood. This term, correlated to the passing of time and to rhetorical-based Albertian terms as decorum and convenio, means a 'sensitive suitability' between parts. The analysis of the triumphal arch motif of Sant?Andrea suggests that formalism has played a more important role in Alberti's design for this church than previously believed. This is by the motif's rigorous outline changing between the interior nave and the exterior fa??ade according to the observer's different visual perceptions. The rhetorical structure of the triumphal arch, in the way that it moves became from two to three dimensions in the fa??ade, seeks familiarity with the city's surrounding environment to establish simultaneity of actions. In this way, by joining the historical-religious point of references to a strategy of perception, the triumphal arch achieves public consensus. This rhetorical program is addressed especially by the patron of the church of Sant' Andrea Ludovico Gonzaga II also the ruler of Mantua with popular aspects of his public representations.
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Books on the topic "Francesco (Church : Oristano, Italy)"

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Sari, Aldo. Crocifissi dolorosi della Sardegna: Il Nicodemo di Oristano. Ghilarza (OR): Iskra, 2015.

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(Alessandra), Pasolini A., and Zucca Raimondo, eds. La cattedrale di Oristano. Cagliari: Zucca, 2008.

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Bertocchi, Luciano. La Chiesa di San Francesco: A Pontremoli. Cinisello Balsamo: Silvana, 1994.

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Acampora, Goffredo. Punta San Francesco, Convento dei Cappuccini, Sant'Agnello. Sant'Agnello: Centro studi e ricerche Francis Marion Crawford, 2006.

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Magro, Pasquale M. La basilica sepolcrale di San Francesco in Assisi: Percorsi storico-artistici, quadri concettuali. Assisi: Casa editrice francescana, 1991.

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Pietro, Zerbi, ed. San Francesco di Saronno nella storia e nell'arte. [Milano?]: Istituto per la storia dell'arte lombarda, 1992.

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Nessi, Silvestro. La Basilica di S. Francesco in Assisi e la sua documentazione storica. 2nd ed. Assisi: Casa editrice francescana, 1994.

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Tanzilli, Alessandra. La chiesa di San Francesco D'Assisi in Sora. Roma (Italia): Arbor Sapientiae editore, 2017.

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Migliardi, Maria Luisa. I tesori di San Francesco a Ripa. Roma: Edizioni Sabinæ, 2013.

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Giovanna, Sapori, and Museo comunale di Montone, eds. Museo comunale di San Francesco a Montone. [Milano]: Electa, 1997.

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Book chapters on the topic "Francesco (Church : Oristano, Italy)"

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"Guariento’s Crucifix for Maria Bovolini in San Francesco, Bassano: women and franciscan art in Italy during the later middle ages." In Pope, Church and City, 309–23. BRILL, 2004. http://dx.doi.org/10.1163/9789047406082_021.

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Parker, Roger. "Chronology of Verdi’s Life and Operas." In The New Grove Guide to Verdi and His Operas, 3–8. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313130.003.0001.

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Abstract Born at Roncole, near Busseto, in the Duchy of Parma, northern Italy, to Carlo and Luigia Uttini Verdi Baptized Giuseppe Fortunino Francesco Begins musical studies in Busseto Becomes organist at the church at Roncole Sponsored by the merchant Antonio Barezzi; begins studies with Ferdinando Provesi, director of the municipal music school in Busseto Moves to Milan, initially applying to attend the Milan Conservatory; when he is rejected, enrols for private study with Vincenzo Lavigna, maestro concertatore at La Scala
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"The Date of the St Francis Cycle in the Upper Church of San Francesco at Assisi: The Evidence of Copies and Considerations of Method." In The Art of the Franciscan Order in Italy, 113–67. BRILL, 2005. http://dx.doi.org/10.1163/9789047404620_009.

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"The Beholder as Witness: The Crib at Greccio from the Upper Church of San Francesco, Assisi and Franciscan Influence on Late Medieval Art in Italy." In The Art of the Franciscan Order in Italy, 169–88. BRILL, 2005. http://dx.doi.org/10.1163/9789047404620_010.

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Mezzapelle, Pardo Antonio, and Stefano Lenci. "On the Assessment of the Seismic Vulnerability of Ancient Churches." In Civil and Environmental Engineering, 1037–70. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-9619-8.ch045.

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The chapter deals with the assessment of the seismic vulnerability of the “San Francesco ad Alto” historical masonry building, a former church located in Ancona (Italy), which is currently used as a Regional Headquarter of the Marche Region by the Italian Army. The interest toward this building comes from a double motivation. From the one side, it underwent a series of structural changes, including the addition of a new floor splitting in two levels the original nave, which makes the structure very peculiar and closer to a classical building than to a church. From the other side, it is no longer used as a church, a fact that changes the hazard aspects. The construction schematically consists of two masonry boxes overlapping, the lower being wider than the upper. It has various characteristic structural elements, such as some semicircular arches, segmental arches, timber floors, a barrel vault, some wooden trusses on the roof and steel ties in retention of the facade and of the external walls. The equivalent frame method is used, and several pushover analyses are performed. The seismic action has been defined considering the building both with strategic (current situation) and with ordinary (possible future situation) importance during earthquakes. The role of the masonry spandrels on the response of the structure has been investigated in depth and the main effects highlighted. The result of the pushover analyses is a seismic risk index (IR), that defines the safety level of the construction with respect to one ultimate limit state (SLU), in particular the so-called limit state of “saving life” (SLV).
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Mezzapelle, Pardo Antonio, and Stefano Lenci. "On the Assessment of the Seismic Vulnerability of Ancient Churches." In Handbook of Research on Seismic Assessment and Rehabilitation of Historic Structures, 794–830. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8286-3.ch027.

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The chapter deals with the assessment of the seismic vulnerability of the “San Francesco ad Alto” historical masonry building, a former church located in Ancona (Italy), which is currently used as a Regional Headquarter of the Marche Region by the Italian Army. The interest toward this building comes from a double motivation. From the one side, it underwent a series of structural changes, including the addition of a new floor splitting in two levels the original nave, which makes the structure very peculiar and closer to a classical building than to a church. From the other side, it is no longer used as a church, a fact that changes the hazard aspects. The construction schematically consists of two masonry boxes overlapping, the lower being wider than the upper. It has various characteristic structural elements, such as some semicircular arches, segmental arches, timber floors, a barrel vault, some wooden trusses on the roof and steel ties in retention of the facade and of the external walls. The equivalent frame method is used, and several pushover analyses are performed. The seismic action has been defined considering the building both with strategic (current situation) and with ordinary (possible future situation) importance during earthquakes. The role of the masonry spandrels on the response of the structure has been investigated in depth and the main effects highlighted. The result of the pushover analyses is a seismic risk index (IR), that defines the safety level of the construction with respect to one ultimate limit state (SLU), in particular the so-called limit state of “saving life” (SLV).
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Conference papers on the topic "Francesco (Church : Oristano, Italy)"

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Lorenzo, Emanuele, F. Canessa, Giuseppe Chellini, Anna De Falco, Carlo Resta, E. Savelli, and Giacomo Sevieri. "MODAL IDENTIFICATION OF THE SAN FRANCESCO CHURCH IN PISA, ITALY." In XI International Conference on Structural Dynamics. Athens: EASD, 2020. http://dx.doi.org/10.47964/1120.9193.20235.

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Giordano, Ersilia, Angela Ferrante, Elisa Ribilotta, Francesco Clementi, and Stefano Lenci. "Damage assessment of San Francesco Church in Amandola hit by Central Italy 2016-2017 seismic event." In INTERNATIONAL CONFERENCE OF NUMERICAL ANALYSIS AND APPLIED MATHEMATICS ICNAAM 2019. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0026427.

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