Academic literature on the topic 'France – Intellectual life – 17th century'
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Journal articles on the topic "France – Intellectual life – 17th century"
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Terentieva, Ekaterina. "The French Court Historical Writing as a Form of Manifestation of the Royal Power (Late 16th — First Half of 17th Century)." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018884-1.
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The present paper argues that the French historical writing in the late sixteenth and in the first half of the seventeenth century became a form of manifestation of the French royal power. The integrated scientific approach chosen in this research permits the author to draw several new conclusions concerning the multiplicity of forms of publicity of the French absolute monarchy. Three main aspects are in question: the institutional (or socio-political) one, the aspect of publishing specific in early modern Europe, and the substantial aspect of the historical discourse of the epoch. The existence of the court office of the royal historiographer (historiographe du roi) itself was a form of manifestation of the French royal power as it symbolized the special assignment of historical knowledge to the crown. Another visible form of manifestation of the French royal power connected with the historical writing of the epoch was the form of existence of works consecrated to historical subjects, i.e. the peculiarities of design of the editions of historical writings. Finally, the subject area of historical works in question were also related to the manifestation of the strengthening absolute monarchy. The court historical writing in early modern France evolved in tight connection with the erudite intellectual movement. Thus, however diverse the erudite movement had been, its massive current was deeply connected with the crown and its different ambitions — from uniting territories and gaining fidelity of its subjects to glorifying the French kings and controlling all the spheres of political and cultural life in the kingdom.
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Marton, Gellért Ernő. "A Life in Service of his Homeland – the Diplomatic Role and Activity of János Rimay." Rocznik Przemyski. Historia 1 (26) (2021): 3–28. http://dx.doi.org/10.4467/24497347rph.21.001.14724.
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The goal of this paper is to summarise the diplomatic and political role of poet and intellectual, János Rimay of Alsósztregova and Rima. Rimay is well-known as the pupil and friend of the great Hungarian poet, Bálint Balassi, and also as a great poet and a representative of stoicism, as well as as a diplomat and statesman who became important in the regional diplomacy in the last decades of the 16th century and the first decades of the 17th century.
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ШЕПКО, Л. Г., and К. Г. НОСКО. "INFORMAL ARISTOCRATIC COMMUNITIES IN 17th AND 18th CENTURY FRANCE AS A TRIGGER FOR THE FORMATION OF THE CIVILIZATION IMAGE." Цивилизация и варварство, no. 10(10) (November 10, 2021): 58–78. http://dx.doi.org/10.21267/aquilo.2021.10.10.002.
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Статья посвящена характеристике некоторых черт варварства и цивилизации в контексте их общественного развития и оппозиции. Акцент сделан на одной из форм социального общения, связанной с интеллектуальной сферой, а именно, на неформальных сообществах Франции. Такими сообществами, среди прочих, были салоны, которые появились как форма проведения досуга французской аристократии в XVII в., но особенно востребованными они стали в эпоху Просвещения, в условиях трансформации социальных структур и духовно-культурных основ общества. Ряд просветительских положений, ставших фундаментом теорий современности (в частности, идеи превосходства цивилизованных народов над варварскими и необходимости их «цивилизовать»), разрабатывались как раз в салонах аристократии, которые, таким образом, стали триггером актуальных идейных концепций. Авторы полагают, что в XVIII в. во Франции в рамках салонных собраний выработалась своеобразная коммуникативная практика в интеллектуальной сфере, которая сформировала культурный образ цивилизации, одна из основных черт которого — интеллектуальное общение, сложившееся в систему правил. The article focuses on one of the forms of social discourse in the intellectual sphere, French informal communities, in particular. Such communities, among others, included salons, which appeared as a form of leisure for the French aristocracy in the 17th century, yet demand for them surged in the Age of Enlightenment, that came with transformations of social structures, spiritual canons, and cultural foundations. A number of educational policies, which served as the base for the theories of our time (particularly the idea of civilized people superiority over barbarians and the need to “civilize” them), were developed in such salons for the aristocracy, hence making them a trigger for the spread of new societal and philosophical ideas. The authors believe that the intellectual sphere of the 18th century France has developed a kind of communicative practice within the framework of salon meetings that formed the cultural image of civilization, with intellectual discourse, forming a system of rules, as one of its main features.
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Seregina, Anna. "The “Life of Lady Falkland”: a biography or a conversion story?" Adam & Eve. Gender History Review, no. 29 (2021): 265–81. http://dx.doi.org/10.32608/2307-8383-2021-29-265-281.
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The article presents an introduction to a first Russian translation of the “Life of Lady Falkland” written in the mid-17th century by the nuns of the English Benedictine Abbey at Cambrai (the Cary sisters), which told the life of their mother, Elizabeth Cary, Viscountess of Falkland – a translator, poet and polemicist, and also a Catholic convert. It has been argued that the “Life” combines the traits of biography and conversion story, and that the conversions described there – of Lady Falkland and her children fell into the category of the so-called “intellectual conversions” brought about by reading books and debating the fine points of religious doctrines. “Intellectual conversions’ were seen to be reserved to men. However, the Cary sisters used this model to establish their position within the Cambrai religious community, which consisted of many nuns with wide intellectual interests. The authors of the “Life” also demonstrated that intellectual efforts of their mother led to conversions of others to Catholicism, thus making her a Catholic missionary in all but a name.
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Galtsin, Dmitrii D. "Froben Prints and Polemics on Religion in Early Modern Eastern Europe." Vestnik of Saint Petersburg University. History 67, no. 2 (2022): 578–98. http://dx.doi.org/10.21638/11701/spbu02.2022.216.
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The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religious polemics in 16th and 17th century Eastern Europe. The focus of the article is the copies of Froben’s Opera omnia of St Augustine which underwent censorship in monastic libraries of the Polish-Lithuanian Commonwealth in the 16th and 17th century. The article traces the history of a number of Froben copies which belonged to notable Polish Protestants of the 16th and 17th centuries (Andrzej Trzecieski, Nicholas Radziwill the Black (“Czarny”), Andrzej Dobrzanski). The examination of the connections of Eastern European Protestants, which enabled vigorous exchange of books with Western Europe, bringing, for instance, a book from the library of the great Dutch cartographer Gerhard Mercator to the hands of a provincial Polish pastor, is carried out. Finally, the article addresses the marginalia left by Simeon of Polotsk on one of his books. These marginalia throw some new light on the question of Simeon’s genuine theological views. By examining the history of the copies from the Library of the Russian Academy of Science through the marginalia left in the 16th and 17th centuries by people of various religions, the article assesses Froben copies as a source on confessional and intellectual history of the period.
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JAINCHILL, ANDREW. "POLITICAL ECONOMY, THE STATE, AND REVOLUTION IN EIGHTEENTH-CENTURY FRANCE." Modern Intellectual History 6, no. 2 (August 2009): 425–44. http://dx.doi.org/10.1017/s1479244309002157.
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Among the stunning changes in material and intellectual life that transformed eighteenth-century Europe, perhaps none excited as much contemporary consternation as the twin-headed growth of a modern commercial economy and the fiscal–military state. As economies became increasingly based on trade, money, and credit, and states both exploded in size and forged seemingly insoluble ties to the world of finance, intellectuals displayed growing anxiety about just what kind of political, economic, and social order was taking shape before their eyes. Two important new books by Michael Sonenscher and John Shovlin, Before the Deluge: Public Debt, Inequality, and the Intellectual Origins of the French Revolution and The Political Economy of Virtue: Luxury, Patriotism, and the Origins of the French Revolution, tackle these apprehensions and the roles they played in forging French political and economic writings in the second half of the eighteenth century. Both authors also take the further step of demonstrating the impact of the ideas they study on the origins of the French Revolution.
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Vigeant, Jacinthe, Isabelle Ribot, and Jean‐François Hélie. "Investigating individual migration life histories: An isotopic case study from 17th to 18th century Nouvelle France." American Journal of Biological Anthropology 177, no. 2 (December 14, 2021): 232–48. http://dx.doi.org/10.1002/ajpa.24455.
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Shvab, Larysa, and Yulia Tokarska. "Innovations of Socio-Religious Thought in Ukraine in the Early 17th Century." Історико-політичні проблеми сучасного світу, no. 43 (June 15, 2021): 261–72. http://dx.doi.org/10.31861/mhpi2021.43.261-272.
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The article analyzes the polemical socio-religious thought in Ukraine after the Union of Brest and the Union of the Kyiv Metropolitanate with Rome, aimed at finding the lost Orthodox tradition and reviving the idea of “God’s protection” of the city of Kyiv in the Rus Orthodox intellectual tradition of the early 17th century. After-union period in Ukrainian realities is characterized as crisis in the sense of decline of religious life, Rus bourgeoisie and fraternal movement and deviation from the policy of support of the Orthodox princely families. The entire plan of church reform, cultural and national revival of the “Commonwealth of the Rus People” was undermined in its foundations. Therefore, the intellectual religious thought of the early 17th century took into account the memory of the “good old days”, when national (regional) identity based on the Orthodox tradition was searched. However, from the point of view of the continued existence of the Orthodox Church, the defeat was only partial, as Konstiantyn Ostrozkyi and his supporters among the nobility, clergy and burghers managed to preserve the Orthodox church structure. The Cossacks demanded a rethinking of this new reality by intellectuals of the post-Brest era and Ukrainian polemicists were forced to look for an independent base for their socio-religious thought. Completely accepting neither the specific Byzantine coverage of the principles of religious-ecclesiastical ethos, nor Catholic, nor Moscow with its self-confident dogmatism and limited polemics with other confessional world, Rus intellectuals had to delve into the very foundations of a particular ideology and reconsider its value from a domestic and ecclesiastical-legal point of view. There were no winners or losers in this verbal duel. The way out of the crisis was understood by Petro Mohyla, who was ready to recognize the primacy of the Pope in order to preserve the internal independence of the Church.
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Shvab, Larysa, and Yulia Tokarska. "Innovations of socio-religious thought in Ukraine at the beginning of the 17th century." History Journal of Yuriy Fedkovych Chernivtsi National University, no. 53 (June 21, 2022): 43–53. http://dx.doi.org/10.31861/hj2021.53.43-53.
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The article analyzes the polemical socio-religious thought in Ukraine after the Union of Brest and the Union of the Kyiv Metropolitanate with Rome, aimed at finding the lost Orthodox tradition and reviving the idea of “God’s protection” of the city of Kyiv in the Russian Orthodox intellectual tradition of the early 17th century. After-union period in Ukrainian realities is characterized as crisis in the sense of decline of religious life, Russian bourgeoisie and fraternal movement and deviation from the policy of support of the Orthodox princely families. The entire plan of church reform, cultural and national revival of the “Commonwealth of the Russian People” was undermined in its foundations. Therefore, the intellectual religious thought of the early 17th century took into account the memory of the “good old days”, when national (regional) identity based on the Orthodox tradition was searched. However, from the point of view of the continued existence of the Orthodox Church, the defeat was only partial, as K. Ostrozkyi and his supporters among the nobility, clergy and burghers managed to preserve the Orthodox Church structure. The Cossacks demanded a rethinking of this new reality by intellectuals of the post-Brest era and Ukrainian polemicists were forced to look for an independent base for their socio-religious thought. The way out of the crisis was understood by Petro Mohyla, who was ready to recognize the primacy of the Pope in order to preserve the internal independence of the Church.
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Khruleva, I. Yu. "Western European Intellectual Practices of a New Type in Russian Everyday Life at Early 18th Century (case of Feofan Prokopovich)." MGIMO Review of International Relations 15, no. 6 (December 30, 2022): 166–78. http://dx.doi.org/10.24833/2071-8160-2022-6-87-166-178.
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The focus of this study is the views of Feofan Prokopovich, a unique Orthodox thinker whose world outlook was shaped by an obvious influence of the ideas of the Protestant and Catholic Enlightenment. Talking about the Enlightenment, modern historiography focuses on the versatility of the phenomenon, preferring to talk about the Enlightenment, including the religious or confessional Enlightenment, aimed at rethinking the role of religion and the church. The Religious Enlightenment was a pan-European phenomenon that embraced Protestantism, Catholicism, Judaism, and Orthodoxy, and grew out of the desire to create an intelligent religion free of superstition and serving society. The intellectual movement of the religious Enlightenment sought to reconcile the natural philosophy of the 17th-18th centuries with a religious worldview, while trying to overcome the extremes of religious fanaticism, on the one hand, and nihilism and godlessness, on the other. The process of forming a new intellectual environment is marked by the coexistence and mutual influence of the most diverse, sometimes poorly compatible traditions, their transformation and modification. Comprehensively arguing the need for unlimited autocracy in Russia, Feofan Prokopovich, nevertheless, actively used the discourse of the Enlightenment in his writings, discussing the problem of the origin of the state, the mode of government, the boundaries of the power of the monarch, the rights and duties of subjects. On the example of Feofan Prokopovich, we can talk about the emergence and rooting of intellectual practices of a new type in Russian everyday life. The integration of Western European ideas and practices into Russian culture was ambiguous, multifaceted and depended on their adaptation to the socio-political space of Russia. Being well acquainted with the works of European authors of the 17th early 18th centuries, he rather took on the formal side of their discussions on socio-political topics, adapted a conceptual glossary that was new for the Russian educated public, which opened up opportunities for talking about politics in a new way.
Dissertations / Theses on the topic "France – Intellectual life – 17th century"
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Steczowicz, Agnieszka. "'The defence of contraries' : paradox in the late Renaissance disciplnes." Thesis, University of Oxford, 2004. https://ora.ox.ac.uk/objects/uuid:f2f93089-60f6-4408-aae9-2b3e595efcdc.
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The aim of this thesis is to examine the meanings and functions of paradox in the late Renaissance. My understanding of Renaissance paradox, in contrast to that of most critics and historians, rests entirely on contemporary definitions of the term, rather than on its present-day meaning. Paradoxes as they are envisaged in this study begin to appear in the wake of the humanist rediscovery and dissemination of Cicero's Paradoxa Stoicorum. In this work, paradoxes are characterized as 'admirabilia contraque opinionem omnium', a definition that draws attention to two important traits of paradox, repeatedly invoked in the Renaissance: its association with wonder, and its opposition to common opinion. This thesis examines the history of classical paradox as it was revived, expanded beyond the narrow confines of Stoic ethics, and adapted to new purposes so successfully that it became a recognisable genre of polemical writing, with hundreds of works in Latin and the vernacular being described as paradoxes. Previous studies of Renaissance paradox have centred almost exclusively on its literary and vernacular manifestations, and on the paradoxical encomium in particular. My own work charts the rise to prominence and the ensuing transformations of paradox in a range of disciplines: rhetoric and ethics, theology, law, medicine, and natural philosophy. I compare the different associations that paradoxes acquire in all these areas, and the argumentative strategies that they deploy. My analysis of specific examples of paradox is informed by the methods of both literary analysis and intellectual history. Paradoxes, I argue, offered their authors the possibility of departing from established norms and of voicing novel views in a period of intellectual unrest. In their challenge to received and common opinion, they paved the way for more radical ideas in the following century, and they have much to tell us about dissident ways of thinking in the late Renaissance.
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Hollewand, Karen Eline. "The banishment of Beverland : sex, Scripture, and scholarship in the seventeenth-century Dutch Republic." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3e5a54dc-0664-46eb-8625-de3c480d118c.
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Hadriaan Beverland (1650-1716) was banished from Holland in 1679. Why did this humanist scholar get into so much trouble in the most tolerant part of Europe in the seventeenth century? In an attempt to answer this question, this thesis places Beverland's writings on sex, sin, Scripture, and scholarship in their historical context for the first time. Beverland argued that lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His works were characterized by his erudite Latin, satirical style, and disregard for traditional genres and hierarchies in early modern scholarship. Dutch theologians disliked his theology and exegesis, and hated his use of erudition to mock their learning, morality, and authority. Beverland's humanist colleagues did not support his studies either, because they believed that drawing attention to the sexual side of the classics threatened the basis of the humanist enterprise. When theologians asked for his arrest and humanist professors left him to his fate, Dutch magistrates were happy to convict Beverland because he had insolently accused the political and economic, as well as the religious and intellectual elite of the Dutch Republic, of hypocrisy. By restricting sex to marriage, in compliance with Reformed doctrine, secular authorities upheld a sexual morality that was unattainable, Beverland argued. He proposed honest discussion of the problem of sex and suggested that greater sexual liberty for the male elite might be the solution. Beverland's crime was to expose the gap between principle and practice in sexual relations in Dutch society, highlighting the hypocrisy of a deeply conflicted elite at a precarious time. His intervention came at the moment when the uneasy balance struck between Reformed orthodoxy, humanist scholarship, economic prosperity, and patrician politics, which had characterized the Golden Age of the Dutch Republic, was disintegrating, with unsettling consequences for all concerned. Placing Beverland's fate in this context of change provides a fresh perspective on the intellectual environment of the Republic in the last decades of the seventeenth century.
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Condon, Liam. "John Dunton : print and identity, 1659-1732." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669920.
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Mitchell, Sarah. "The Kunstkammer object in seventeenth-century Salzburg : a case study, early modern collections, transformation and materiality." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83130.
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The phenomenon of princely and scientific collections that proliferated in Europe during the sixteenth and seventeenth centuries has become an important focus for modern historical analysis. These collections provide a microcosm of contemporary political, economic and philosophical ideas, often characterized by geographical and cultural differences. The mid-seventeenth century Kunst- and Wunderkammer studied here, instituted by the archbishops of Salzburg, brings forward themes sometimes neglected in the literature. The archbishops' collection was part of broader efforts to reinvent the city of Salzburg as a representation of both sacred and secular authority. Strategies for significant display were derived from religious and imperial ritual, drawing on the potential of objects as signifiers. In this context, I also examine some of the debates within the literature on princely and scientific collections, where the study of wonder and science begins to merge in cross-disciplinary scholarship. Finally, I highlight the role of transformation and materiality in these collections to argue that the act of collecting objects and the act of making were imbricated in the process of self-definition. Within themes of technology and process, I investigate the pursuit of creating Kunstkammer objects, as well as the business of their display and use in diplomacy.
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Hickmott, Sarah. "(En) Corps Sonore : towards a feminist ethics of the 'idea' of music in recent French thought." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:eb562d0f-e9be-40f4-b0a3-9fa6da0a3136.
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This thesis explores the way music is characterized, used, or accounted for in recent (post-1968) French thought, focusing in particular on the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Alain Badiou. In spite of the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontological, political, ethical and aesthetic concerns, particularly in terms of how it relates to the (im)possibility of a subject, the condition of truth, and the role of philosophical thought itself. The thesis situates these texts in a longer genealogy of musico-philosophical interactions and also brings them into dialogue with recent musicological approaches, thus showing how an inherited idea of what music 'is' is often assumed rather than critically re-evaluated. In short, by tracing the musical-transcendental baggage of an inherited metaphysical conception of music - one which often understands music in close relation to the feminine, (sexual) excess, and the beyond of language and/or the symbolic - the thesis shows that though music is instrumentalized by progressive thinkers as a way of shifting theoretical/philosophical paradigms, it nonetheless does so in a way that has a strong sense of continuity with previous thinking on music. Secondly, the thesis highlights the way in which music in its metaphysical-ontological guise is often conceived as synonymous with Western high art classical music (which is itself constructed as absolute and transcendent, and ontologically independent of its means of (re)production or context) whilst non-literate, popular, folk and world musics - on the occasions that they are considered and not simply ignored or denigrated - are notably considered almost exclusively in terms of their social-cultural or technological contexts. Finally, the thesis demonstrates that much of this takes place through a simultaneous instrumentalization of gender as an organisational category for philosophy, and one which all too often has the consequence of sending women - along with music - to the beyond of pre-, inter-, or post-signification.
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Theodore, David Michael. ""Aproued on my self" : inbetween the sheets of Inigo Jones's Palladio." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31030.
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In this essay I look at the significance of Inigo Jones's annotated copy of Andrea Palladio's I quattro libri dell'architettura in a time of momentous change in the habits of readers and writers, printers and publishers, architects and kings. Jones lived in Stuart England, a hinge period swinging between print culture and manuscript culture, science (mechanical philosophy) and magic (Neoplatonism, hermeticism, alchemy), humoural physiology and modern medicine. I examine his book as part of a change of social setting, looking outward from his study of Palladian architectural theory to developments in publishing and authorship, perspective and theatre design, graphic representation and anatomy, medicine and the history of the human body.
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Wärnberg, Karl Gustel. "The Sacred Pilgrimage : The Concept of Truth in the Life and Work of Lars Skytte." Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-326295.
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This thesis studies the life and work of Lars Skytte (1610-1696), a Swedish Ambassador to Portugal who converted to Catholicism and became a Franciscan theologian, in relation to the concept of Truth. For Skytte, Truth and Catholicism are synonymous. The thesis focuses on his semi-autobiographical book Peregrinatio sancta fratris Laurentii a D. P. Sueci (1658). As a sort of intellectual biography, this study aims at situating Skytte within the context of post- reformation rhetoric and theological thought. The main question guiding the thesis is in what way Lars Skytte argues for the Truth of the Catholic Church, as opposed to what he terms ‘schismatic’ and ‘heretical’ movements. Following a set of identified arguments for the Catholic Church as the religio vera, the thesis looks at how they are employed in various ways to answer the overarching question.
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Robert-Nicoud, Vincent Corentin. "The world upside-down in sixteenth-century French literature and visual culture." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.
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To call something 'inverted' or 'topsy-turvy' in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things. The topos of the world upside-down brings to mind a world returned to its initial state of primeval chaos, in which everything is inside-out, topsy-turvy and out of bounds: fish live in trees, children rule over their parents, wives command their husband and rivers flow back to their source. This thesis undertakes a detailed account of the development of the topos of the world upside-down in sixteenth-century French literature and visual culture. By examining different uses of this topos - comic, moralising and polemical - it relates the transformations of the topos to religious, social and political conflicts of the period. To explain the shift of this topos from comic and moralising device to satirical and polemical tool, this thesis argues that troubled times produce troubled texts. In order to demonstrate this hypothesis, two kinds of evidence will be examined: Chapter 1 and Chapter 2 present diachronic evidence of the 'polemicisation' of the topos of the world upside-down in literary genres of the period (adages, paradoxes and emblems) and within François Rabelais's body of work; Chapter 3 and 4 provide synchronic evidence of the polemical use of the topos of the world upside-down during the French religious wars in Huguenot and Catholic polemic and in depictions of socio-political turmoil. Charting the variety of uses of the topos of the world upside-down throughout the sixteenth century, this thesis connects the world upside-down and its historical context; and contributes to the scholarship on religious polemic.
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Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040156.
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La prison de la Conciergerie occupe une place particulière dans le paysage pénitentiaire parisien du XVIIe siècle. Elle accueille de nombreux prisonniers pour dette, les prisonniers jugés en première instance par l’une des juridictions siégeant dans Palais de la Cité, dont elle occupe les bâtiments, mais aussi et surtout les prisonniers en appel devant le parlement de Paris. A partir de l’analyse de parcours individuels de prisonniers et de personnels de la Conciergerie (les dynasties de concierges Regnoust et Dumont), reconstitués grâce aux archives criminelles et notariales, la thèse porte sur les relations sociales et les comportements au sein de la prison. Après une première partie consacrée à un état des lieux de la Conciergerie au début du XVIIe siècle, la deuxième partie met en avant les particularités de sa société carcérale : moins séparée du monde extérieur que les prisons actuelles, elle reproduit à petite échelle la société parisienne. Plutôt que sur une distinction rigoureuse entre hommes et femmes et entre catégories criminelles, son organisation est fondée sur la position sociale et la richesse. Les prisonniers régulent eux-mêmes leurs conflits, le plus souvent sans faire appel au personnel. Quant à l’univers socio-professionnel des gardiens, il ressemble beaucoup à celui des métiers parisiens par les relations à la fois solidaires et hiérarchisées entre le concierge et ses guichetiers et morgeurs. La troisième partie porte sur « l’aventure de l’évasion », révélatrice de l’importance du contexte social et culturel dans la décision, la préparation et l’exécution d’une telle entrepriseThe prison of the Conciergerie occupied a special place in the Paris prison landscape of the seventeenth century. It hosted many prisoners for debt, prisoners tried in first instance by one of the courts sitting in the Palais de Justice, which occupied the buildings, but also and above all the prisoners appealed to the parliament of Paris. From the analysis of individual pathways both of prisoners and staff of the Conciergerie (dynasties of chief jailers Regnoust and Dumont) and reconstituted from criminal and notarial archives, the thesis focuses on social relationships and behavior within the prison. After a first part dedicated to an overview of the Conciergerie in the early seventeenth century, the second part highlights the peculiarities of this prison society: less separated from the outside world that the current prison, it played small-scale Parisian society. Rather than on a rigorous distinction between men and women and between criminal groups, the organization was based on social status and wealth. Prisoners regulated their own conflicts, often without involving staff. As for the socio-professional world of guards, it resembled that of the Parisian business relations, involving both solidarity and hierarchy between the jailers. The third part focuses on "the adventure of escape", revealing the importance of social and cultural context in the decision, preparation and execution of such an undertaking
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Wong, Shirley Tang. "La situation du personnage de Tartuffe au temps de Molière : interférences, rencontres, affinités." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25541.
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Contrary to popular belief, three hundred years of Molière studies has not exhausted the possibilities of further research in this field. Of the many Molière plays read and studied, Le Tartuffe is certainly among those that give rise to the most number of questions and the greatest amount of research. While many of the contemporary critics have devoted lengthy and detailed studies to the various aspects of Tartuffe's origins, his development throughout the play and even his influences on later seventeenth century fiction, few have chosen to discuss the importance of all three. Hence, our desire to present a more condensed but better organized version of the facts and speculations surrounding the circumstances of the play Le Tartuffe and more specifically those of the germination and evolution of its main character.
Chapter one deals with a general study of the Italian theatrical tradition and discusses the many traces of Italian influences which are present in Molière's hypocrite. Our goal in this first chapter is not to stress Molière's dependence on his Italian colleagues but to illustrate the process of give and take and the rich exchange of ideas which all contribute to the makings of Tartuffe's mysterious but dynamic personality. The second chapter distances itself from the world of fiction to take a closer look at Molière's personal circumstances at the time of Tartuffe's conception and to examine briefly each of the live personnages who may or may not have served as a model for the playwright's fictitious character. Once again, we do not seek to implicate Molière as a man of vengence who was unable to separate his work from his personal prejudices but rather to underline the fact that Molière's creation relied equally on his imagination as well as his encounters in the world of reality. In our third and final chapter we return once again to the world of fiction and make-believe. Chapter three is divided into two parts: the first part deals with a study of other comedies by Molière and the numerous correlations that exist between Tartuffe and the main characters of these other plays. Part two discusses the works of two major writers of Moliere's time; La Rochefoucauld and La Bruyère and the extent to which Molière's Tartuffe influenced the 'raaximes' and the 'caractères'.
Although our study of Molière's Tartuffe does not solve all the mysteries surrounding this dynamic character, it does give a better insight of his affinities and his influences within the seventeenth century world of fact and fiction. In our conclusion, we stress and draw upon two main points. In examining the character of the hypocrite, it is important to recognize that he is indeed a rich combination of external sources and influences right from the legacy of the Italians to the various courtisans and nobles of Molière's own time. On the other hand, it is equally vital to keep in mind Tartuffe's own flavor of authenticity for although many of his superficial traits are derived from external sources, there are elements in this fictitious character that render him unique. Secondly, we must consider the author himself and his role in the development of Tartuffe's personality. Time and again it has been suggested that Moliere's characters were in fact no more than 'porte-paroles' of his personal philosophy or worse, tools of vengence against his own real life enemies. We have always adhered to the theory that these suggestions were purely speculative and our research of Tartuffe's origins, affinities and influences have shown us that far from being a tool of vengence, the hypocrite is the reflection of one man's energy, perception and devotion to his work.Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Books on the topic "France – Intellectual life – 17th century"
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Taste and ideology in seventeenth-century France. Cambridge [England]: Cambridge University Press, 1988.
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Society for Seventeenth-Century French Studies and North American Society for Seventeenth-Century French Literature, eds. Lieux de culture dans la France du XVIIe siècle. Oxford: Peter Lang, 2012.
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O'Connell, Marvin Richard. Blaise Pascal: Reasons of the heart. Grand Rapids, Mich: W.B. Eerdmans Publ. Co., 1997.
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William, Brooks, and Zaiser Rainer 1955-, eds. Religion, ethics, and history in the French long seventeenth century =: La religion, la morale, et l'histoire à l'âge classique. Oxford: P. Lang, 2007.
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Cruysse, Dirk van der. De branche en branche: Études sur le XVIIe et XVIIIe siècles français. Dudley, MA: Peeters, 2005.
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Salonnières, furies, and fairies: The politics of gender and cultural change in absolutist France. Newark, DE: University of Delaware Press, 2004.
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Banks, David. The Birth of the Academic Article: Le Journal des Scavans and the Philosophical Transactions, 1665-1700. Sheffield, UK: Equinox Publishing Ltd, 2016.
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L, Subbiondo Joseph, ed. John Wilkins and 17th-century British linguistics. Amsterdam: J. Benjamins, 1992.
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1952-, Goodman Dena, ed. Going public: Women and publishing in early modern France. Ithaca: Cornell University Press, 1995.
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Marianne, Pade, Jensen Hannemarie Ragn, and Waage Petersen Lene, eds. Avignon & Naples: Italy in France, France in Italy in the fourteenth century. Rome: "L'Erma" di Bretschneider, 1997.
Find full textBook chapters on the topic "France – Intellectual life – 17th century"
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Hillar, Marian. "The Philosophical Legacy of the 16th and 17th Century Socinians." In The Paideia Archive: Twentieth World Congress of Philosophy, 100–105. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199836622.
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The doctrines of the Socinians represent a rational reaction to a medieval theology based on submission to the Church’s authority. Though they retained Scripture as something supra rationem, the Socinians analyzed it rationally and believed that nothing should be accepted contra rationem. Their social and political thought underwent a significant evolutionary process from a very utopian pacifistic trend condemning participation in war and holding public and judicial office to a moderate and realistic stance based on mutual love, support of the secular power of the state, active participation in social and political life, and the defense of social equality. They spoke out against the enserfment of peasants, and were the first Christians to postulate the separation of Church and state. The spirit of absolute religious freedom expressed in their practice and writings, ‘determined, more or less immediately, all the subsequent revolutions in favor of religious liberty.’(1) The precursor ideas of the Socinians on religious freedom later were expanded, perfected, and popularized by Locke and Pierre Bayle. Locke’s ideas were transplanted to America by James Madison and Thomas Jefferson who implemented them in American legislation. The rationality of the Socinians set the trend for the philosophical ideas of the Enlightenment and determined the future development of many modern intellectual endeavors.
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Grossman, Avraham. "The Social and Cultural Background of Rashi’s Work." In Rashi, 3–11. Liverpool University Press, 2012. http://dx.doi.org/10.3828/liverpool/9781904113898.003.0001.
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This chapter discusses the social and cultural background of Rashi's work. According to evidence preserved in the literary accounts and archaeological findings, Jews began to settle in what is now France during Roman times, in the first century CE. That settlement continued uninterrupted until Rashi's time. In general, Jews continued to do well in France. Nevertheless, the weakness of the central government and the ascendancy of local fiefdoms meant that their social and political status differed in each of the feudal states that made up eleventh-century France, depending upon the good will of the local rulers. Two developments during the eleventh and twelfth centuries influenced Jewish economic and intellectual life and the internal organization of the Jewish community: the growth of cities and the European intellectual renaissance. The chapter then looks at the Jewish community in Troyes and the Jewish centre in Champagne; the twelfth-century renaissance; and the Jewish–Christian religious polemics.
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Verhaart, Floris. "The Quest for Civic Virtue." In Classical Learning in Britain, France, and the Dutch Republic, 1690-1750, 120–98. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861690.003.0004.
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This chapter focuses on those eighteenth-century students of ancient history and literature who were mainly interested in Latin and Greek writings as moral edification. Recent decades have witnessed a growing awareness of the role played by models drawn from classical antiquity in the advancement of the concept of politeness in the eighteenth century. Much less attention has been paid to the connection between the popularizing works on antiquity that were read by the social and intellectual elites to form a conception of these classical models and contemporary scholarly debates. In order to tackle this question, I will discuss two eighteenth-century bestsellers. The first of these was the History of the Life of Marcus Tullius Cicero by Conyers Middleton (1683–1750) and the second was the Histoire Romaine (1738–48) by the Jansenist Charles Rollin (1661–1741). Although these men had vastly different religious outlooks—Middleton was a deist and Rollin a Jansenist—they each made an important contribution to the popularization of classical culture in the eighteenth century. It will be demonstrated that the life and work of both men was deeply influenced by the moralizing and popularizing approach to classical texts (philosophia), and that they created a conception of antiquity that found its way into the works of some of the foremost philosophes of the eighteenth century, such as Voltaire and Montesquieu.
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Polycandrioti, Ourania. "Greek identities and French politics in the Revue des Deux Mondes (1846–1900)." In Languages, Identities and Cultural Transfers. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988071_ch02.
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The longevity of the magazine Revue des Deux Mondes, its position among the French magazines, its contents, contributors and directors, all prominent scholars of France, establish the Revue des Deux Mondes as an important record of intellectual and political life in the nineteenth century, as well as of the way in which the West in general and France in particular regarded contemporary Greece during the same period. This study aims to provide an overview of all Greek-themed articles in the magazine from 1829 to 1899, with the purpose of exploring the various aspects of ancient and contemporary Hellenism, in relation to France’s foreign policies as well as the activities of the French School at Athens.
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Rostow, W. W. "Population and the Stages of Growth." In The Great Population Spike and After. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195116915.003.0006.
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Hamish McRae's The World in 2020 begins its discussion of population with this blunt sentence: "Of all the forces that will change the world over the next generation, demography is probably the most important." 1 agree. After all, men, women, and children determine the demand for things; men and women determine the size of the workforce; and if the supply of goods and services they produce and export is not adequate, people go hungry, lack medical services, and all too often perish too young. The rhythm of human life is such that those who are born now will, by and large, live through the middle of the next century. We owe them some things. However, as this chapter argues, the future is complicated by more than simply the rate of increase of the population. There are those who do not trace the beginning of modern economics to David Hume, Adam Smith, and their colleagues in the Scottish Enlightenment of the 18th century. They prefer the "Political Arithmeticians"— the statisticians—of the late 17th century, the greatest of whom was William Petty. Petty ranged widely over the field of economics including some wise and subtle reflections on the role of minorities in international trade. In 1695, Gregory King estimated the national accounts of England and Wales as of 1688. He used, essentially, a modern balance-sheet method, demonstrating the relationships between output and expenditure for five sectors of the economy. But it was John Gaunt as early as 1662 who cast the longest shadow on the future with his estimates of death rates in London based on the bills of mortality. His work is the beginning of modem demography. What stirred these late-17th-century inquiries? It was not a precocious academic interest in measuring population and national income; it was a sense that the nations of Europe were emerging from the feudal past and its internal struggles for power into an international arena of hostility and combat. In the following century, Britain and France, for example, were at war for more than 43 years.
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Perea, Héctor. "«… Después del vendaval español»: Luis Abad Carretero (de Orán a México)." In Diaspore. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-596-4/007.
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This essay describes Luis Abad Carretero’s intellectual and artistic evolution. After the downfall of the Spanish government in April 1939, this Republican exiled from Almería began his nomadic life in Algeria and France, whilst his work as a philosopher and visual artist peaked both in Mexico and back in Spain. His two remarkable ways of expression, which were well known during his lifetime, have nowadays unfortunately been almost forgotten. This essay recounts Abad Carretero and Max Aub’s reclusion in French camps in Orán as well as José Miaja’s life experiences in Orán and Marseille just before migrating to Mexico. Also present in this essay is the Mexican people’s culture and academic evolution from Lázaro Cardenas presidency to the new avant-garde movement of the twentieth century.
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Diaz-Andreu, Margarita. "Antiquities and Political Prestige in the Early Modern Era." In A World History of Nineteenth-Century Archaeology. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199217175.003.0008.
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Television programmes about archaeology, the Asterix series on many children’s bookshelves, Celtic-flavoured holidays in Ireland, the megalomaniacal classical style in the business buildings erected since the late 1980s—all these tell us about the enduring popularity of the past in people’s minds. The intellectual ‘other side of the coin’ are the departments of archaeology, museums of archaeology, and heritage departments operating all over the world. This interest in the past is certainly not new. Whereas the latter—the museums, university and heritage departments—only appeared in the urban landscape less than two hundred years ago, by then several generations of intellectuals with knowledge in the arts had been aware of the existence of an ancient past. A Doric folly on the bank of the river overlooked by the cathedral in the pretty city of Durham was built in 1830 by a Polish count and the eighteenth-century estate of La Alameda de Osuna on the outskirts of Madrid, with its Greek-inspired temple of love with a statue of Bacchus (substituting the original Venus statue that had been taken by the Napoleonic troops on their withdrawal to France)—are only two examples of my own personal daily encounter with the past I have had at diVerent periods in my life. Yet, a different type of past is also familiar to me, a past that is more related to the nation’s past. In La Alameda de Osuna estate, in addition to its many classical features, there is an eighteenth-century copy of a medieval hermit’s chapel, and a country house which used to have displayed automatons in traditional dress. In the seventeenth century a beautiful Gothic-style font cover was made for Durham cathedral illustrating a continuity with a medieval past. Many other examples could be added. All of them illustrate an obsession with the past which on the one hand has lasted at least several centuries. On the other, however, they also appear to indicate an initial quasi-fixation with the classical period, which gradually became counter-balanced by an appeal to each country’s past. This reveals a continuous transformation in time and space in the discourse of the past.
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Schaefer, Sarah C. "The Light of the Word." In Gustave Doré and the Modern Biblical Imagination, 20–72. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190075811.003.0002.
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Chapter 1 introduces the context in which Doré’s biblical imagery emerged by focusing on the status of the Bible in the visual culture of nineteenth-century France, with particular emphasis on book illustration. Relying on photographic documentation of Doré’s original drawings, this chapter begins the process of articulating Doré’s visual language and its relationship to preceding attempts at comprehensive Bible illustration projects. The distinction between “biblical” and “religious” imagery is significant in setting the stage for the Doré Bible, as it was initially produced for French Catholic audiences, a contingent for whom direct engagement with the Bible was historically discouraged or even forbidden. Yet, as this chapter demonstrates, biblical illustration in the first half of the nineteenth century reveals the continued centrality of the Bible to artistic and public life in the wake of religious and intellectual upheavals.
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Hodžić, Muamer. "O fenomenu kahve i mjestima gdje se pila u Bosni u 16. i 17. stoljeću." In Kulturno-historijski tokovi u Bosni 15-19. stoljeća, 165–83. Univerzitet u Sarajevu - Orijentalni institut, 2022. http://dx.doi.org/10.48116/zb.khb22.165.
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ON THE PHENOMENON OF COFFEE AND PLACES WHERE IT WAS PREPARED IN BOSNIA IN THE 16TH AND 17TH CENTURIES The paper follows the chronology and the methods of spreading coffee in the Ottoman Empire, which relatively quickly reached from Yemen to the Hijaz, i.e., Egypt, then to Istanbul, and finally to other cities in the Eyalet of Bosnia. Considering the fact that this was a very important phenomenon, which relatively quickly became a very active and influential social factor, the paper also points out the role of different groups of people in the spread of this drink. Among them, the most important role was played by merchants, students, pilgrims, dervishes, and Ottoman dignitaries, who brought coffee to the places where they performed their duties. All this influenced the adoption of this practice by various classes of society at the time. The paper also discusses the cyclical attitude of the Ottoman ulema and Porte towards coffee, which ranged from disapproval and strict prohi-bition to acceptance and approval, which accompanied the massive expansion of the coffeehouses. In the 17th century, this attitude changed again, after the great fire broke out in Istanbul in 1633, which served as an excuse to re-ban coffee and demolish a large number of coffeehouses, but this situation did not last long.Special attention was paid to the first news about coffee and coffeehouses in several cities in Bosnia. Based on the analysis of the text from Pečewī’s History, where the first coffeehouse in Bosnia was mentioned, it was determined that he actually described a coffeehouse for meeting distinguished people of Ayalet that was within the Pasha’s court in Banja Luka, and not in Sarajevo as was previous-ly thought. In addition to the coffeehouses in Banja Luka, there were also similar places where coffee was prepared in cities like Sarajevo, Foča, and Mostar. The paper draws attention to the fact that the gathering places of people, where they hung out over coffee, were different – the courts of Ottoman dignitaries, houses of city dignitaries, bazaar and mahala cafes, the coffeehouses near fortresses, 181O fenomenu kahve i mjestima gdje se pila u Bosni u 16. i 17. stoljećuhammams, and places in the open air where the army drank coffee while resting during a military campaign.Also, a prominent fact came from the source of that time that coffee and coffee-houses were the reason for intellectual meetings, but also a place where stories from history and oral tradition were told, as well as a place for singing heroic songs with fiddle or traditional music instrument called saz similar to the lute. Keywords: Coffee, coffeehouse, social life, Bosnia, court, guesthouse, bazaar
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Jackson, Christine. "Royal Historian." In Courtier, Scholar, and Man of the Sword, 242–62. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192847225.003.0012.
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The turn of the seventeenth century saw a growing interest in political history and a rising appreciation of its propagandist value. Chapter 11 examines Herbert’s acceptance of a commission from the duke of Buckingham to produce an apologia for his disastrous military command when waging war against France in The Expedition to the Isle of Rhé, and from Charles I to write a history of his controversial Tudor predecessor in The Life and Raigne of King Henry the Eighth. It explores the purpose, key arguments, and historical and intellectual context of the two works and compares the different approaches Herbert adopts to defend Buckingham and Henry VIII while preserving his integrity and objectivity as a historian. It highlights his careful and ground-breaking historical methodology based upon critical evaluation of a wide range of primary and secondary sources; his extensive coverage of people, policy, and events; and his use of the Life and Raigne to discreetly influence royal and public opinion and to publicize his irenic solution to religious division and conflict. It suggests that Herbert became a historian by invitation rather than design but that his detailed, wide-ranging, and authoritative account of Henry VIII’s kingship has informed and influenced studies of the reign over succeeding centuries and that he merits acknowledgement alongside William Camden for transforming the writing of British political history.