Academic literature on the topic 'France – Intellectual life – 16th century'
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Journal articles on the topic "France – Intellectual life – 16th century"
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Terentieva, Ekaterina. "The French Court Historical Writing as a Form of Manifestation of the Royal Power (Late 16th — First Half of 17th Century)." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018884-1.
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The present paper argues that the French historical writing in the late sixteenth and in the first half of the seventeenth century became a form of manifestation of the French royal power. The integrated scientific approach chosen in this research permits the author to draw several new conclusions concerning the multiplicity of forms of publicity of the French absolute monarchy. Three main aspects are in question: the institutional (or socio-political) one, the aspect of publishing specific in early modern Europe, and the substantial aspect of the historical discourse of the epoch. The existence of the court office of the royal historiographer (historiographe du roi) itself was a form of manifestation of the French royal power as it symbolized the special assignment of historical knowledge to the crown. Another visible form of manifestation of the French royal power connected with the historical writing of the epoch was the form of existence of works consecrated to historical subjects, i.e. the peculiarities of design of the editions of historical writings. Finally, the subject area of historical works in question were also related to the manifestation of the strengthening absolute monarchy. The court historical writing in early modern France evolved in tight connection with the erudite intellectual movement. Thus, however diverse the erudite movement had been, its massive current was deeply connected with the crown and its different ambitions — from uniting territories and gaining fidelity of its subjects to glorifying the French kings and controlling all the spheres of political and cultural life in the kingdom.
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Marton, Gellért Ernő. "A Life in Service of his Homeland – the Diplomatic Role and Activity of János Rimay." Rocznik Przemyski. Historia 1 (26) (2021): 3–28. http://dx.doi.org/10.4467/24497347rph.21.001.14724.
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The goal of this paper is to summarise the diplomatic and political role of poet and intellectual, János Rimay of Alsósztregova and Rima. Rimay is well-known as the pupil and friend of the great Hungarian poet, Bálint Balassi, and also as a great poet and a representative of stoicism, as well as as a diplomat and statesman who became important in the regional diplomacy in the last decades of the 16th century and the first decades of the 17th century.
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Hadj Mahammed, Aissa, and Paul M. Love. "Ibadi Copyists in the Mzab Valley, Algeria (9th–10th/15th–16th Century)." Journal of Islamic Manuscripts 12, no. 1 (January 21, 2021): 22–39. http://dx.doi.org/10.1163/1878464x-01201003.
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Abstract This article examines the circulation of manuscripts in the Mzab Valley in southern Algeria during the 9th–10th/15th–16th centuries in an attempt to identify the most prominent copyists in the region. The primary aim of the paper is to highlight the importance of manuscripts for the Mzab’s Ibadi Muslim community in this period and to demonstrate its impact on the intellectual and cultural life of the region.
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Galtsin, Dmitrii D. "Froben Prints and Polemics on Religion in Early Modern Eastern Europe." Vestnik of Saint Petersburg University. History 67, no. 2 (2022): 578–98. http://dx.doi.org/10.21638/11701/spbu02.2022.216.
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The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religious polemics in 16th and 17th century Eastern Europe. The focus of the article is the copies of Froben’s Opera omnia of St Augustine which underwent censorship in monastic libraries of the Polish-Lithuanian Commonwealth in the 16th and 17th century. The article traces the history of a number of Froben copies which belonged to notable Polish Protestants of the 16th and 17th centuries (Andrzej Trzecieski, Nicholas Radziwill the Black (“Czarny”), Andrzej Dobrzanski). The examination of the connections of Eastern European Protestants, which enabled vigorous exchange of books with Western Europe, bringing, for instance, a book from the library of the great Dutch cartographer Gerhard Mercator to the hands of a provincial Polish pastor, is carried out. Finally, the article addresses the marginalia left by Simeon of Polotsk on one of his books. These marginalia throw some new light on the question of Simeon’s genuine theological views. By examining the history of the copies from the Library of the Russian Academy of Science through the marginalia left in the 16th and 17th centuries by people of various religions, the article assesses Froben copies as a source on confessional and intellectual history of the period.
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Le Baillif, Anne-Marie. "The Translator’s Paradox." Interlitteraria 21, no. 2 (January 18, 2017): 195. http://dx.doi.org/10.12697/il.2016.21.2.3.
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This paper will focus on the translators as their situation has proved to be more and more difficult in France. With examples, we want to consider how one’s position has evolved in the publishing world from the 16th century to the present. Looking at the 16th century, we can observe a real fever for translations of ancient texts. In the Netherlands, Italy and France, printers were translators and signed their translations with their proper name. Playwrights did the same with Latin and Greek works. For example, we know Oedipo tyranno by Giustiniani who translated Sophocles. The name of the Greek or Latin writer was eclipsed by the translator’s name such as Plantin and the Biblia Polyglotta, or Belleforest with his translation of The War of the Jews written by Flavius Josephus. The translation of the title gave the work a new specificity and was considered as the genuine work of the translator even though the name of the original author was still given. During the 16th century in France, Literary Property Laws were called “Privilège” and were attached to the author of the printed text. Later on, this law changed. We know that playwrights used translations and never mentioned the authors as they had actually never done before. Indeed, this particular type of literature often evaded the law. The publishers became more and more important and could thus decide what would be announced on the book’s cover. The author is to be mentioned for legal reasons, but translators are rarely mentioned. Today, you have to search for their name inside the book despite the fact that as our world is becoming more and more global we need them more and more. To some extent, on stage, some directors plunder translations done by specialists and attribute them to themselves. Two avenues of enquiry should help us understand the French translator’s paradox, which consist in the fact that the translator’s status evolves from a finder and producer to an intellectual whose name is today nearly ignored – despite his/her legal status.
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JAINCHILL, ANDREW. "POLITICAL ECONOMY, THE STATE, AND REVOLUTION IN EIGHTEENTH-CENTURY FRANCE." Modern Intellectual History 6, no. 2 (August 2009): 425–44. http://dx.doi.org/10.1017/s1479244309002157.
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Among the stunning changes in material and intellectual life that transformed eighteenth-century Europe, perhaps none excited as much contemporary consternation as the twin-headed growth of a modern commercial economy and the fiscal–military state. As economies became increasingly based on trade, money, and credit, and states both exploded in size and forged seemingly insoluble ties to the world of finance, intellectuals displayed growing anxiety about just what kind of political, economic, and social order was taking shape before their eyes. Two important new books by Michael Sonenscher and John Shovlin, Before the Deluge: Public Debt, Inequality, and the Intellectual Origins of the French Revolution and The Political Economy of Virtue: Luxury, Patriotism, and the Origins of the French Revolution, tackle these apprehensions and the roles they played in forging French political and economic writings in the second half of the eighteenth century. Both authors also take the further step of demonstrating the impact of the ideas they study on the origins of the French Revolution.
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Borisov, Maksim Yu. "Marginalia in Parisian Historical Publications of the Second Half of the 16th Century in Russian and Franch Libraries." Observatory of Culture 18, no. 3 (July 22, 2021): 326–35. http://dx.doi.org/10.25281/2072-3156-2021-18-3-326-335.
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The article is devoted to the study of reader’s practices related to the several centuries of existence of French historical books of the second half of the 16th century, the books’ place in people’s lives and attitude to them. The study’s source base is represented by a body of identified book marginalia from the copies of Parisian publications stored in the National Library of France and the Rare Books Department (Book Museum) of the Russian State Library. The handwritten notes (396 marginalia have been identified and are being introduced into scientific circulation) that are dated belong to the second half of the 16th—20th centuries inclusive. In the second half of the 16th century, printed books in France became the determinant source of intellectual thought, and their role in the lives of educated people increased significantly. The spread of printed books, their influence on the minds of ordinary people and their authority in society contributed to the appearance of a large number of handwritten notes made by readers at different times and on different occasions.The author offers his own content-based classification of the body of marginalia identified by him and gives a detailed description of the studied material. There are three main groups of the marginalia: the records related to the content of the book, the records related to the book itself, and the records not related to the book. The first group consists of 2 types of records: textual records and comments. The second group is divided into 3 types: library records, owner’s records, and other informational records related to the content of the book. A separate group consists of the informational records that are not related to the book.The analysis made it possible to assess the information value and potential of marginalia as historical and psychological sources that allow (in combination with other sources) to study, in a historical context, the cultural and mental characteristics of people of different eras, the existence of books in society, and the book and library traditions of different regions of Europe.
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Orbán, Áron. "Nicasius Ellebodius and the “otium litterarum” The Vicissitudes of a Flemish Humanist in Pozsony (1571–77)." East Central Europe 48, no. 1 (April 16, 2021): 1–22. http://dx.doi.org/10.30965/18763308-48010009.
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Abstract This study reviews Nicasius Ellebodius’s Pozsony (today: Bratislava) period (1571–77) from a biographical and intellectual historical perspective. Ellebodius (1535–1577) was a Flemish philologist of vast erudition, one of the finest Graecists of his day. His biography and character are much less discussed in scholarship than his works, although his letters provide us with invaluable information about his life, as well as about the participation of the academic elite of 16th-century Hungary in the international res publica litteraria. The article will revisit the problem of how far he could realize the otium litterarum that he yearned for so much, and what challenges he had to face in his everyday life in Pozsony.
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LOSENSKY, PAUL. "DAVID J. ROXBURGH, Prefacing the Image: The Writing of Art History in Sixteenth-Century Iran, Studies and Sources in Islamic Art and Architecture, vol. 9 (Leiden: E. J. Brill, 2001). Pp. 289. $59.00 cloth." International Journal of Middle East Studies 35, no. 4 (November 2003): 640–42. http://dx.doi.org/10.1017/s0020743803260268.
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The title and publication series of Prefacing the Image initially suggest that it treats a topic of interest only to specialists in art history—a dozen or so rhetorically ornate prefaces composed for bound albums of calligraphies, drawings, and paintings (muraqqaע) during the 16th century. However, it quickly becomes apparent that the scope of this study extends far beyond such disciplinary boundaries. “The primary objective of this book is to study the preface through a variety of approaches—historical, cultural, social, and intellectual” (p. 17). By integrating the album preface into a broad network of social practices and literary discourses, Roxburgh's well-researched and probing study should be of interest not only to art historians but also to any reader with an interest in the cultural and intellectual life of the later Persianate world.
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Fedorenko, V., V. Kovalenko, and O. Gaidai. "PREHISTORY OF FORMATION OF FORENSIC INTELLECTUAL PROPERTY ANALYSIS IN THE CONTEXT OF FORENSIC ACTIVITY GENESIS IN UKRAINE (FROM THE TIME OF KIEVAN PRINCIPALITY TO THE FIRST WORLD WAR) (Review Article)." Theory and Practice of Forensic Science and Criminalistics 22, no. 2 (August 5, 2020): 126–45. http://dx.doi.org/10.32353/khrife.2.2020.10.
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Preconditions for emergence of forensic intellectual property analysis in Ukraine and abroad in the period from the 10th to the beginning of 20th century in the context of forensic science genesis are comprehensively analyzed in the article. The following sources of court proceedings of the Kyivan Principality (Russia) Epoch and the so-called “Dark ages” (in the 12th/14th centuries), as “Russkaya Pravda”, treaties of appanage princes with grand princes and between each other, charters and letters patent of princes, sudebniky, etc., along with the Statutes of Lithuania (16th century) and others are considered. It is argued that emergence of forensic science in Europe was linked to origin and nature of evidence in court proceedings. Forensic experts are involved when their findings become legitimate evidence for court in criminal and civil proceedings. It is emphasized that for the first time the procedural status of a forensic expert as the “third party expert” is regulated in the Statute of Criminal Procedure of the Russian Empire of 1864 (Articles 112, 690, 691, 692, 698, etc.).
It is noted that the establishment of forensic activities in the field of intellectual property was preceded by legitimization of intellectual property rights in Austria-Hungary, England, Spain, the Netherlands, Germany, Russia, the USA, France in the 18th century, as well as the establishment of administrative and judicial mechanisms for its protection. At the same time, the practice of involving experts in consideration of copyright disputes over scientific, literary and artistic works, inventions, etc., was uncommon in the 19th century.
In 1913, offices of forensic science under the prosecutors of the Kyiv and Odessa Judicial Chambers, which contributed to institutionalization of forensic activities and professionalism of forensic experts were established. These circumstances created conditions for initiation of forensic intellectual properrty analysis. However, the First World War pushed the litigation over the right to intellectual property to the background.
Dissertations / Theses on the topic "France – Intellectual life – 16th century"
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Robert-Nicoud, Vincent Corentin. "The world upside-down in sixteenth-century French literature and visual culture." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.
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To call something 'inverted' or 'topsy-turvy' in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things. The topos of the world upside-down brings to mind a world returned to its initial state of primeval chaos, in which everything is inside-out, topsy-turvy and out of bounds: fish live in trees, children rule over their parents, wives command their husband and rivers flow back to their source. This thesis undertakes a detailed account of the development of the topos of the world upside-down in sixteenth-century French literature and visual culture. By examining different uses of this topos - comic, moralising and polemical - it relates the transformations of the topos to religious, social and political conflicts of the period. To explain the shift of this topos from comic and moralising device to satirical and polemical tool, this thesis argues that troubled times produce troubled texts. In order to demonstrate this hypothesis, two kinds of evidence will be examined: Chapter 1 and Chapter 2 present diachronic evidence of the 'polemicisation' of the topos of the world upside-down in literary genres of the period (adages, paradoxes and emblems) and within François Rabelais's body of work; Chapter 3 and 4 provide synchronic evidence of the polemical use of the topos of the world upside-down during the French religious wars in Huguenot and Catholic polemic and in depictions of socio-political turmoil. Charting the variety of uses of the topos of the world upside-down throughout the sixteenth century, this thesis connects the world upside-down and its historical context; and contributes to the scholarship on religious polemic.
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Kay, Simon Michael Gorniak. "Literary, political and historical approaches to Virgil's Aeneid in early modern France." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13837.
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This thesis examines the increasing sophistication of sixteenth-century French literary engagement with Virgil's Aeneid. It argues that successive forms of engagement with the Aeneid should be viewed as a single process that gradually adopts increasingly complex literary strategies. It does this through a series of four different forms of literary engagement with the Aeneid: translation, continuation, rejection and reconciliation. The increasing sophistication of these forms reflects the writers' desire to interact with the original Aeneid as political epic and Roman foundation narrative, and with the political, religious and literary contexts of early modern France. The first chapter compares the methods of and motivations behind all of the sixteenth-century translations of the Aeneid into French; it thus demonstrates shifts in successive translators' interpretations of Virgil's work, and of its application to sixteenth-century France. The next three chapters each analyse adaptation of Virgil's poem in a major French literary work. Firstly, Ronsard's Franciade is analysed as an example of French foundation epic that simultaneously draws upon and rejects Virgil's narrative. Ronsard's poem is read in the light of Mapheo Vegio's “Thirteenth Book” of the Aeneid, or Supplementum, which continues Virgil's narrative and carries it over into a Christian context. Next, Agrippa d'Aubigné's response to Virgilian epic in Les Tragiques is shown to have been mediated by Lucan's Pharsalia and its anti- epic and anti-imperialist interpretation of the Aeneid. D'Aubigné's inversion of Virgil is highlighted through comparison of attitudes to death and resurrection in Les Tragiques, the Aeneid and Vegio's Antoniad. Finally, Guillaume de Salluste du Bartas' combination, in La Sepmaine and La Seconde Sepmaine of the hexameral structure of Genesis with Virgil's narrative of reconciliation after civil war is shown to represent the most sophisticated understanding of and most complex interaction with the Aeneid in sixteenth-century France.
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Steczowicz, Agnieszka. "'The defence of contraries' : paradox in the late Renaissance disciplnes." Thesis, University of Oxford, 2004. https://ora.ox.ac.uk/objects/uuid:f2f93089-60f6-4408-aae9-2b3e595efcdc.
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The aim of this thesis is to examine the meanings and functions of paradox in the late Renaissance. My understanding of Renaissance paradox, in contrast to that of most critics and historians, rests entirely on contemporary definitions of the term, rather than on its present-day meaning. Paradoxes as they are envisaged in this study begin to appear in the wake of the humanist rediscovery and dissemination of Cicero's Paradoxa Stoicorum. In this work, paradoxes are characterized as 'admirabilia contraque opinionem omnium', a definition that draws attention to two important traits of paradox, repeatedly invoked in the Renaissance: its association with wonder, and its opposition to common opinion. This thesis examines the history of classical paradox as it was revived, expanded beyond the narrow confines of Stoic ethics, and adapted to new purposes so successfully that it became a recognisable genre of polemical writing, with hundreds of works in Latin and the vernacular being described as paradoxes. Previous studies of Renaissance paradox have centred almost exclusively on its literary and vernacular manifestations, and on the paradoxical encomium in particular. My own work charts the rise to prominence and the ensuing transformations of paradox in a range of disciplines: rhetoric and ethics, theology, law, medicine, and natural philosophy. I compare the different associations that paradoxes acquire in all these areas, and the argumentative strategies that they deploy. My analysis of specific examples of paradox is informed by the methods of both literary analysis and intellectual history. Paradoxes, I argue, offered their authors the possibility of departing from established norms and of voicing novel views in a period of intellectual unrest. In their challenge to received and common opinion, they paved the way for more radical ideas in the following century, and they have much to tell us about dissident ways of thinking in the late Renaissance.
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Graheli, Shanti. "The circulation and collection of Italian printed books in sixteenth-century France." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7809.
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This thesis is an examination of the circulation networks and the patterns of collection of Italian printed books in France in the sixteenth century. Although the cultural relations between the Italian and French territory have been studied, a systematic survey to assess the impact of books on the shaping of the French Renaissance has never been attempted. The first section of this study examines the trade routes and networks which facilitated the circulation of Italian printed books across the French territory. Because of the nature of the French early modern book trade, focused primarily on two major centres (Paris and Lyon), a geographical division has been adopted in investigating this phenomenon. Chapter one explores the trade networks existing in sixteenth-century Lyon, from the powerful Compagnie des Libraires to the activity of the libraires italianisants in the second half of the century. Chapter two examines the importance of Italian editions in Paris. Chapter three is devoted to the circulation of Italian books in the provinces and the impact of large regional centres and trade routes on the availability of books locally. Chapter four investigates private networks and their importance in making specific texts available to French readers. The second section of this study investigates the status and importance of Italian printed books within French Renaissance libraries. Chapter five looks into the development of the French Royal library and the role played by Italian items in defining its identity as an institution. Chapter six examines the presence of Italian books in French aristocratic and courtly collections. Chapter seven is devoted to the libraries of the French literary milieu, analysing the extent to which Italian books were cherished as literary exemplars, particularly with regard to vernacular texts. Chapter eight examines the presence of Italian books in professional collections, with particular attention here given to texts in Latin and other scholarly languages imported from Italy. The conclusion draws all of these strands together, looking at the specific role played by Italian culture, through the printed book, on the development of the French Renaissance. A catalogue of about 2,400 Italian printed books with early modern French provenance is included as an appendix volume. This data provides the evidential basis for this study.
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Hickmott, Sarah. "(En) Corps Sonore : towards a feminist ethics of the 'idea' of music in recent French thought." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:eb562d0f-e9be-40f4-b0a3-9fa6da0a3136.
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This thesis explores the way music is characterized, used, or accounted for in recent (post-1968) French thought, focusing in particular on the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Alain Badiou. In spite of the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontological, political, ethical and aesthetic concerns, particularly in terms of how it relates to the (im)possibility of a subject, the condition of truth, and the role of philosophical thought itself. The thesis situates these texts in a longer genealogy of musico-philosophical interactions and also brings them into dialogue with recent musicological approaches, thus showing how an inherited idea of what music 'is' is often assumed rather than critically re-evaluated. In short, by tracing the musical-transcendental baggage of an inherited metaphysical conception of music - one which often understands music in close relation to the feminine, (sexual) excess, and the beyond of language and/or the symbolic - the thesis shows that though music is instrumentalized by progressive thinkers as a way of shifting theoretical/philosophical paradigms, it nonetheless does so in a way that has a strong sense of continuity with previous thinking on music. Secondly, the thesis highlights the way in which music in its metaphysical-ontological guise is often conceived as synonymous with Western high art classical music (which is itself constructed as absolute and transcendent, and ontologically independent of its means of (re)production or context) whilst non-literate, popular, folk and world musics - on the occasions that they are considered and not simply ignored or denigrated - are notably considered almost exclusively in terms of their social-cultural or technological contexts. Finally, the thesis demonstrates that much of this takes place through a simultaneous instrumentalization of gender as an organisational category for philosophy, and one which all too often has the consequence of sending women - along with music - to the beyond of pre-, inter-, or post-signification.
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Stone, Villani Nicolas. "The dissolution of constitutions : Aristotle in Italian political thought from Niccolò Machiavelli to Giovanni Botero." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:600663d5-b566-46c0-8a7a-418fca1d635b.
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This thesis studies the reception of Aristotle's political thought in sixteenth-century Italy. It focuses on Aristotle's discussion of the dissolution of constitutions in Book 5 of the Politics and aims to show how Aristotle's political thought remained central to late Renaissance political discourse. No comprehensive study of the topic exists. Modern historiography on Renaissance political thought generally downplays the importance of Aristotle in the history of sixteenth-century Italian political thought and emphasises the Roman tradition over the Greek. This research aims to fill the gap in modern scholarship and revise modern interpretation of Renaissance political theory. This thesis is essentially divided into three parts, each part containing two chapters. Part I is largely introductory. Chapter 1 offers a historiographical review of modern scholarship on the reception of Aristotle in the Renaissance and early-modern political thought. Chapter 2 explores the revival of Greek studies in the fifteenth century and the changing perception of Aristotle's Politics in the Renaissance. Part II focuses on Aristotle and Machiavelli. Chapter 3 examines the similarities between Aristotle's analysis of the means of preserving tyranny and Machiavelli's discussion of how to mantenere lo stato in The Prince. Chapter 4 explores the effects that these similarities between Aristotle and Machiavelli had on the reception of Aristotle in Renaissance political thought. Part III centres on Aristotle in the republican and vernacular traditions. Chapter 5 explains the importance of Aristotle's discussion of the dissolution of constitutions to Renaissance republican political thought. Chapter 6 underlines the continuous relevance of Aristotle's Politics in the second half of the sixteenth century. The conclusion sums up the central argument of each chapter and invites us to explore the influence of Aristotle on reason of state literature.
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Segura, Mauricio. "Le discours francais sur l'Amerique latine revolutionnaire (1950-1985) /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38274.
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This thesis entitled "Le discours francais sur l'Amerique latine revolutionnaire (1950--1985)" proposes to analyze about thirty texts published in France during the mentioned period in order to extract the primary axis around which the hexagonal representations and discourses which examine Latin America articulate themselves. The corpus gathers chiefly novels and political essays, but it also includes anthropological essays, journalistic commentaries and testimonies. This is a study that relies on the theory of social discourse and on imagology.This investigation, which perceives itself as an overview of the images elaborated by the French social discourse on Latin America, examines closely the historical moments when there are determinant discursive mutations. Therefore, from 1950 to 1961, a first manner of apprehending the Latin American other is identified. This period was described as a moment of transition during which the French discourse goes from a discursive frame which emphasizes on the theme of nature to a discursive frame which privileges the power relations between social agents. From 1962 to 1974, Latin America becomes for the French writers a geographical region upon which one pours off revolutionary aspirations. The axioms of third worldism, primary discursive formation enhanced by this period, run through the whole of the texts at various degrees. Also, this thesis aims to reveal the figures and spaces which emerge from this whole of contradictory representations. From 1975 to 1985, one witnesses the decomposition of the discursive formations and representations established during the two previous decades. Indeed, several discursive formations during these ten years question not only third worldism and its revolutionary impulses, but also the function of the intellectual.
On a more general basis, this study examines the history of ideas in France from 1950 to 1985. One of its implicit goals is to describe the rules which diversify, give coherence, integrate, exclude, and legitimate a "new" idea in the French social discourse.
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Harikae, Ryoko. "John Bellenden's Chronicles of Scotland : translation and circulation." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:d0ebf41c-8263-45e0-a6d5-5826bf8e0396.
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John Bellenden's Chronicles of Scotland (1531-r. 1537) is a humanist Scots translation of Hector Boece's Scotorum Historia (1527). As the first full-scale printed national history in the vernacular, the Chronicles assumed a pivotal role in sixteenth-century Scottish literary culture. Despite its contemporary importance,however, relatively little critical attention has been paid to Bellenden's work itself, primarily due to the misconception that it is a neutral translation of the Scotorum Historia. However, as Bellenden successively revised his text in several stages with stylistical, ideological and material alterations, the Chronicles needs to be evaluated as an individual literary work. The
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Mueller, Marieke. "Subjectivity in Sartre's 'L'idiot de la famille' : biography as a space for the development of theory." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:54f60363-e148-4481-b710-c7e68a908bd5.
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In the context of a renascent interest in the thought of Jean-Paul Sartre, this thesis proposes a close examination of one of his less studied texts, the study of Gustave Flaubert, L'Idiot de la famille (1971-72). The analysis focuses on theoretical developments that emerge from Sartre's biographical enquiry, pursuing an interdisciplinary approach combining a consideration of literary theory and literary history with the perspective of Sartre's philosophy of subjectivity. L'Idiot is situated amongst a wide variety of texts by Sartre, from Qu'est-ce que la littérature? (1948) to the Critique de la raison dialectique (1960), identifying theoretical innovations within Sartre's understanding of the subject (ch. 1), his social theory (ch. 2), his theory of the imaginary (ch. 3), of literary production (ch. 4) and of reading (ch. 5). Additionally, hitherto largely unexplored passages highlight Sartre's reflections on the situation of the late 1960s. Previous analyses of the philosophical innovations presented in L'Idiot have often focused on the strictly theoretical passages in the biography. The present thesis also concentrates on the 'imagined' scenes presented throughout the text. Read as an integral part of Sartre's method, it is suggested that the dramatization facilitated by the biographical format is an integral part of the theoretical enquiry. Despite the lack of explicit referencing provided by Sartre, the biography is explored in its open character, identifying a series of resonances and similarities with a diverse range of authors. The different chapters consider thinkers whose relationship with Sartre has received little or no attention (such as Pierre Bourdieu and Walter Benjamin), or whose work resonates with Sartre in ways that have so far gone unnoticed (Roland Barthes, Maurice Merleau-Ponty and Maurice Blanchot).
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Maglaque, Erin. "Venetian humanism in the Mediterranean world : writing empire from the margins." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.
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My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governance were inflected by humanist practices - are the central axes of my dissertation. In the first part of the dissertation, I examine the ways in which writing and textual collecting were used by elite Venetian readers to represent the geopolitical dimensions of their empire. I consider a group of manuscripts and printed books which contain technical, navigational, and cartographic writing and images about Venetian mercantile and imperial activity in the Mediterranean. In the second part, I undertake two case-studies of Venetian patrician governors who were trained in the humanist schools of Venice, before being posted to colonial offices in Dalmatia and the Aegean, respectively. I examine how their education in Venice as humanists influenced their experience and practice of governance in the stato da mar. Their personal texts offer an alternative intellectual history of empire, one which demonstrates the formation of political thought amongst the men actually practicing and experiencing imperial governance. Overall, I aim to build a picture of the ways in which literary culture, the physical world of the stato da mar, and political thought came to be entwined in the Venetian Renaissance; and then to describe how these dense relationships worked for the Venetian administrators who experienced them in the Mediterranean.
Books on the topic "France – Intellectual life – 16th century"
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Renaissance and revolt: Essays in the intellectual and social history of early modern France. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
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Schiffman, Zachary Sayre. On the threshold of modernity: Relativism in the French Renaissance. Baltimore: Johns Hopkins University Press, 1991.
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Greengrass, Mark. Governing passions: Peace and reform in the French kingdom, 1576-1585. Oxford: Oxford University Press, 2007.
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Divine and poetic freedom in the Renaissance: Nominalist theology and literature in France and Italy. Princeton, N.J: Princeton University Press, 1990.
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Banks, David. The Birth of the Academic Article: Le Journal des Scavans and the Philosophical Transactions, 1665-1700. Sheffield, UK: Equinox Publishing Ltd, 2016.
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The power and patronage of Marguerite de Navarre. Aldershot, Hants, England: Ashgate, 2003.
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Marianne, Pade, Jensen Hannemarie Ragn, and Waage Petersen Lene, eds. Avignon & Naples: Italy in France, France in Italy in the fourteenth century. Rome: "L'Erma" di Bretschneider, 1997.
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Literature, art and the pursuit of decay in twentieth-century France. Cambridge, UK: Cambridge University Press, 2000.
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Miller, Peter N. Peiresc's Europe: Learning and virtue in the seventeenth century. New Haven: Yale University Press, 2000.
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Jérôme, Game, ed. Porous boundaries: Texts and images in twentieth-century French culture. Oxford: P. Lang, 2007.
Find full textBook chapters on the topic "France – Intellectual life – 16th century"
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Hillar, Marian. "The Philosophical Legacy of the 16th and 17th Century Socinians." In The Paideia Archive: Twentieth World Congress of Philosophy, 100–105. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199836622.
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The doctrines of the Socinians represent a rational reaction to a medieval theology based on submission to the Church’s authority. Though they retained Scripture as something supra rationem, the Socinians analyzed it rationally and believed that nothing should be accepted contra rationem. Their social and political thought underwent a significant evolutionary process from a very utopian pacifistic trend condemning participation in war and holding public and judicial office to a moderate and realistic stance based on mutual love, support of the secular power of the state, active participation in social and political life, and the defense of social equality. They spoke out against the enserfment of peasants, and were the first Christians to postulate the separation of Church and state. The spirit of absolute religious freedom expressed in their practice and writings, ‘determined, more or less immediately, all the subsequent revolutions in favor of religious liberty.’(1) The precursor ideas of the Socinians on religious freedom later were expanded, perfected, and popularized by Locke and Pierre Bayle. Locke’s ideas were transplanted to America by James Madison and Thomas Jefferson who implemented them in American legislation. The rationality of the Socinians set the trend for the philosophical ideas of the Enlightenment and determined the future development of many modern intellectual endeavors.
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Grossman, Avraham. "The Social and Cultural Background of Rashi’s Work." In Rashi, 3–11. Liverpool University Press, 2012. http://dx.doi.org/10.3828/liverpool/9781904113898.003.0001.
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This chapter discusses the social and cultural background of Rashi's work. According to evidence preserved in the literary accounts and archaeological findings, Jews began to settle in what is now France during Roman times, in the first century CE. That settlement continued uninterrupted until Rashi's time. In general, Jews continued to do well in France. Nevertheless, the weakness of the central government and the ascendancy of local fiefdoms meant that their social and political status differed in each of the feudal states that made up eleventh-century France, depending upon the good will of the local rulers. Two developments during the eleventh and twelfth centuries influenced Jewish economic and intellectual life and the internal organization of the Jewish community: the growth of cities and the European intellectual renaissance. The chapter then looks at the Jewish community in Troyes and the Jewish centre in Champagne; the twelfth-century renaissance; and the Jewish–Christian religious polemics.
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Verhaart, Floris. "The Quest for Civic Virtue." In Classical Learning in Britain, France, and the Dutch Republic, 1690-1750, 120–98. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861690.003.0004.
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This chapter focuses on those eighteenth-century students of ancient history and literature who were mainly interested in Latin and Greek writings as moral edification. Recent decades have witnessed a growing awareness of the role played by models drawn from classical antiquity in the advancement of the concept of politeness in the eighteenth century. Much less attention has been paid to the connection between the popularizing works on antiquity that were read by the social and intellectual elites to form a conception of these classical models and contemporary scholarly debates. In order to tackle this question, I will discuss two eighteenth-century bestsellers. The first of these was the History of the Life of Marcus Tullius Cicero by Conyers Middleton (1683–1750) and the second was the Histoire Romaine (1738–48) by the Jansenist Charles Rollin (1661–1741). Although these men had vastly different religious outlooks—Middleton was a deist and Rollin a Jansenist—they each made an important contribution to the popularization of classical culture in the eighteenth century. It will be demonstrated that the life and work of both men was deeply influenced by the moralizing and popularizing approach to classical texts (philosophia), and that they created a conception of antiquity that found its way into the works of some of the foremost philosophes of the eighteenth century, such as Voltaire and Montesquieu.
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Polycandrioti, Ourania. "Greek identities and French politics in the Revue des Deux Mondes (1846–1900)." In Languages, Identities and Cultural Transfers. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988071_ch02.
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The longevity of the magazine Revue des Deux Mondes, its position among the French magazines, its contents, contributors and directors, all prominent scholars of France, establish the Revue des Deux Mondes as an important record of intellectual and political life in the nineteenth century, as well as of the way in which the West in general and France in particular regarded contemporary Greece during the same period. This study aims to provide an overview of all Greek-themed articles in the magazine from 1829 to 1899, with the purpose of exploring the various aspects of ancient and contemporary Hellenism, in relation to France’s foreign policies as well as the activities of the French School at Athens.
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Perea, Héctor. "«… Después del vendaval español»: Luis Abad Carretero (de Orán a México)." In Diaspore. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-596-4/007.
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This essay describes Luis Abad Carretero’s intellectual and artistic evolution. After the downfall of the Spanish government in April 1939, this Republican exiled from Almería began his nomadic life in Algeria and France, whilst his work as a philosopher and visual artist peaked both in Mexico and back in Spain. His two remarkable ways of expression, which were well known during his lifetime, have nowadays unfortunately been almost forgotten. This essay recounts Abad Carretero and Max Aub’s reclusion in French camps in Orán as well as José Miaja’s life experiences in Orán and Marseille just before migrating to Mexico. Also present in this essay is the Mexican people’s culture and academic evolution from Lázaro Cardenas presidency to the new avant-garde movement of the twentieth century.
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Diaz-Andreu, Margarita. "Antiquities and Political Prestige in the Early Modern Era." In A World History of Nineteenth-Century Archaeology. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199217175.003.0008.
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Television programmes about archaeology, the Asterix series on many children’s bookshelves, Celtic-flavoured holidays in Ireland, the megalomaniacal classical style in the business buildings erected since the late 1980s—all these tell us about the enduring popularity of the past in people’s minds. The intellectual ‘other side of the coin’ are the departments of archaeology, museums of archaeology, and heritage departments operating all over the world. This interest in the past is certainly not new. Whereas the latter—the museums, university and heritage departments—only appeared in the urban landscape less than two hundred years ago, by then several generations of intellectuals with knowledge in the arts had been aware of the existence of an ancient past. A Doric folly on the bank of the river overlooked by the cathedral in the pretty city of Durham was built in 1830 by a Polish count and the eighteenth-century estate of La Alameda de Osuna on the outskirts of Madrid, with its Greek-inspired temple of love with a statue of Bacchus (substituting the original Venus statue that had been taken by the Napoleonic troops on their withdrawal to France)—are only two examples of my own personal daily encounter with the past I have had at diVerent periods in my life. Yet, a different type of past is also familiar to me, a past that is more related to the nation’s past. In La Alameda de Osuna estate, in addition to its many classical features, there is an eighteenth-century copy of a medieval hermit’s chapel, and a country house which used to have displayed automatons in traditional dress. In the seventeenth century a beautiful Gothic-style font cover was made for Durham cathedral illustrating a continuity with a medieval past. Many other examples could be added. All of them illustrate an obsession with the past which on the one hand has lasted at least several centuries. On the other, however, they also appear to indicate an initial quasi-fixation with the classical period, which gradually became counter-balanced by an appeal to each country’s past. This reveals a continuous transformation in time and space in the discourse of the past.
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Schaefer, Sarah C. "The Light of the Word." In Gustave Doré and the Modern Biblical Imagination, 20–72. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190075811.003.0002.
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Chapter 1 introduces the context in which Doré’s biblical imagery emerged by focusing on the status of the Bible in the visual culture of nineteenth-century France, with particular emphasis on book illustration. Relying on photographic documentation of Doré’s original drawings, this chapter begins the process of articulating Doré’s visual language and its relationship to preceding attempts at comprehensive Bible illustration projects. The distinction between “biblical” and “religious” imagery is significant in setting the stage for the Doré Bible, as it was initially produced for French Catholic audiences, a contingent for whom direct engagement with the Bible was historically discouraged or even forbidden. Yet, as this chapter demonstrates, biblical illustration in the first half of the nineteenth century reveals the continued centrality of the Bible to artistic and public life in the wake of religious and intellectual upheavals.
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Jackson, Christine. "Royal Historian." In Courtier, Scholar, and Man of the Sword, 242–62. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192847225.003.0012.
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The turn of the seventeenth century saw a growing interest in political history and a rising appreciation of its propagandist value. Chapter 11 examines Herbert’s acceptance of a commission from the duke of Buckingham to produce an apologia for his disastrous military command when waging war against France in The Expedition to the Isle of Rhé, and from Charles I to write a history of his controversial Tudor predecessor in The Life and Raigne of King Henry the Eighth. It explores the purpose, key arguments, and historical and intellectual context of the two works and compares the different approaches Herbert adopts to defend Buckingham and Henry VIII while preserving his integrity and objectivity as a historian. It highlights his careful and ground-breaking historical methodology based upon critical evaluation of a wide range of primary and secondary sources; his extensive coverage of people, policy, and events; and his use of the Life and Raigne to discreetly influence royal and public opinion and to publicize his irenic solution to religious division and conflict. It suggests that Herbert became a historian by invitation rather than design but that his detailed, wide-ranging, and authoritative account of Henry VIII’s kingship has informed and influenced studies of the reign over succeeding centuries and that he merits acknowledgement alongside William Camden for transforming the writing of British political history.
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Hodžić, Muamer. "O fenomenu kahve i mjestima gdje se pila u Bosni u 16. i 17. stoljeću." In Kulturno-historijski tokovi u Bosni 15-19. stoljeća, 165–83. Univerzitet u Sarajevu - Orijentalni institut, 2022. http://dx.doi.org/10.48116/zb.khb22.165.
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ON THE PHENOMENON OF COFFEE AND PLACES WHERE IT WAS PREPARED IN BOSNIA IN THE 16TH AND 17TH CENTURIES The paper follows the chronology and the methods of spreading coffee in the Ottoman Empire, which relatively quickly reached from Yemen to the Hijaz, i.e., Egypt, then to Istanbul, and finally to other cities in the Eyalet of Bosnia. Considering the fact that this was a very important phenomenon, which relatively quickly became a very active and influential social factor, the paper also points out the role of different groups of people in the spread of this drink. Among them, the most important role was played by merchants, students, pilgrims, dervishes, and Ottoman dignitaries, who brought coffee to the places where they performed their duties. All this influenced the adoption of this practice by various classes of society at the time. The paper also discusses the cyclical attitude of the Ottoman ulema and Porte towards coffee, which ranged from disapproval and strict prohi-bition to acceptance and approval, which accompanied the massive expansion of the coffeehouses. In the 17th century, this attitude changed again, after the great fire broke out in Istanbul in 1633, which served as an excuse to re-ban coffee and demolish a large number of coffeehouses, but this situation did not last long.Special attention was paid to the first news about coffee and coffeehouses in several cities in Bosnia. Based on the analysis of the text from Pečewī’s History, where the first coffeehouse in Bosnia was mentioned, it was determined that he actually described a coffeehouse for meeting distinguished people of Ayalet that was within the Pasha’s court in Banja Luka, and not in Sarajevo as was previous-ly thought. In addition to the coffeehouses in Banja Luka, there were also similar places where coffee was prepared in cities like Sarajevo, Foča, and Mostar. The paper draws attention to the fact that the gathering places of people, where they hung out over coffee, were different – the courts of Ottoman dignitaries, houses of city dignitaries, bazaar and mahala cafes, the coffeehouses near fortresses, 181O fenomenu kahve i mjestima gdje se pila u Bosni u 16. i 17. stoljećuhammams, and places in the open air where the army drank coffee while resting during a military campaign.Also, a prominent fact came from the source of that time that coffee and coffee-houses were the reason for intellectual meetings, but also a place where stories from history and oral tradition were told, as well as a place for singing heroic songs with fiddle or traditional music instrument called saz similar to the lute. Keywords: Coffee, coffeehouse, social life, Bosnia, court, guesthouse, bazaar