Books on the topic 'France In motion pictures'

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1

Rittaud-Hutinet, Jacques. Dictionnaire des cinématographes en France, 1896-1897. Paris: Champion, 1999.

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2

Montebello, Fabrice. Le cinéma en France depuis les années 1930. Paris: A. Colin, 2005.

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3

Darke, Chris. Alphaville. Urbana: University of Illinois Press, 2005.

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4

Meusy, Jean Jacques. Cinémas de France, 1894-1918: Une histoire en images. Paris: Arcadia, 2009.

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5

Depétris, Frédéric. L' état et le cinéma en France: Le moment de l'exception culturelle. Paris: Harmattan, 2008.

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6

Horeck, Tanya, and Tina Kendall. The new extremism in cinema: From France to Europe. Edinburgh: Edinburgh University Press, 2011.

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7

Carrière, Louise. Les relations cinématographiques France-Québec. Montréal, Qué: Centre de recherche cinéma/réception de l'Université de Montréal, 1994.

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8

Austin, Guy. Contemporary French cinema: An introduction. Manchester: Manchester University Press, 1996.

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9

Williams, Alan Larson. Republic of images: A history of French filmmaking. Cambridge, Mass: Harvard University Press, 1992.

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10

Austin, Guy. Contemporary French cinema: An introduction. 2nd ed. Manchester, UK: Manchester University Press, 2008.

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11

Durmelat, Sylvie, and Vinay Swamy. Screening integration: Recasting Maghrebi immigration in contemporary France. Lincoln: University of Nebraska Press, 2011.

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12

Forbes, Jill. The cinema in France after the new wave. Basingstoke, Hampshire: Macmillan, 1992.

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13

Fox, Alistair, Hilary Radner, Michel Marie, and Raphaëlle Moine. A companion to contemporary French cinema. Chichester, West Sussex, UK: Wiley Blackwell, 2015.

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14

Bazin, André. French cinema from the Liberation to the New Wave, 1945-1958. New York: P. Lang, 2000.

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15

Fouassier, Christophe. Le droit de la création cinématographique en France. Paris: Harmattan, 2004.

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16

Horeck, Tanya, and Tina Kendall. The new extremism in cinema: From France to Europe. Edinburgh: Edinburgh University Press, 2011.

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17

Maule, Rosanna. Beyond auteurism: New directions in authorial film practices in France, Italy and Spain since the 1980s. Bristol, UK: Intellect, 2008.

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18

Garçon, François. La distribution cinématographique en France: 1907-1957. Paris: CNRS, 2006.

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19

Shipka, Danny. Perverse titillation: The exploitation cinema of Italy, Spain and France, 1960-1980. Jefferson, N.C: McFarland, 2011.

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20

Palmer, Tim. Brutal intimacy: Analyzing contemporary French cinema. Middletown, Conn: Wesleyan University Press, 2011.

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21

Montebello, Fabrice. Le cinéma en France: Depuis les années 1930. Paris: A. Colin, 2005.

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22

Conreur, Gérard. Les années Lumière: 1888-1929 : de l'age de pierre à l'age d'or du cinéma en France. Paris: Editions France-Empire, 1995.

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23

Lichtner, Giacomo. Film and the Shoah in France and Italy. London: Vallentine Mitchell, 2008.

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24

Frey, Hugo. Nationalism and the cinema in France: Political mythologies and film events, 1945-1995. New York: Berghahn Books, 2014.

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25

Gaudreault, André. Film and attraction: From kinematography to cinema. Urbana: University of Illinois Press, 2011.

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26

Marie, Michel. The French New Wave: An Artistic School. Chichester: John Wiley & Sons, 2007.

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27

Servel, Alain. Frenchie goes to Hollywood: La France et les Français dans le cinéma américain de 1929 à nos jours. Paris: H. Veyrier, 1987.

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28

Tarr, Carrie. Cinema and the second sex: Women's filmmaking in France in the 1980s and 1990s. New York: Continuum, 2001.

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29

Thaisy, Laurence. La politique cinématographique de la France en Allemagne occupée, 1945-1949. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2006.

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30

Sanaker, John Kristian. La rencontre des langues dans le cinéma francophone: Québec, Afrique subsaharienne, France-Maghreb. Paris: Harmattan, 2010.

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31

Garçon, François. Gaumont: A century of French cinema. New York: Harry N. Abrams, 1994.

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32

Plasseraud, Emmanuel. L'art des foules: Théories de la réception filmique comme phénomène collectif en France. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2011.

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33

Plasseraud, Emmanuel. L'art des foules: Théories de la réception filmique comme phénomène collectif en France. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2011.

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34

Powrie, Phil. Cinema of France. Columbia University Press, 2012.

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35

1951-, Larouche Michel, and Baby François, eds. L' aventure du cinéma québécois en France. Montréal: XYZ, 1996.

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36

Michel, Larouche, and Baby François, eds. L' aventure au cinéma québécois en France. Montréal: XYZ éditeur, 1996.

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37

Phil, Powrie, ed. The cinema of France. London: Wallflower, 2006.

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38

Godfrey, Donald G. Jenkins’ Motion Pictures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0005.

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Abstract:
This chapter examines C. Francis Jenkins' photographic inventions that he used to demonstrate motion pictures in a variety of applications. Despite losing in the early battle with Thomas J. Armat, Jenkins declared himself the inventor of the motion-picture projector. With the Phantoscope, he ventured into home and educational use. He would travel west, filming a Hopi Snake Dance, teach photographic expression, and invent fireproof protections for the projector. This chapter first provides an overview of Jenkins' first Phantoscopes and the patents he obtained for them before turning to his demonstrations of the use of motion pictures at home and in science. It then recounts Jenkins' use of his motion-picture camera to film the Hopi tribe in northeastern Arizona performing the Snake Dance. It also discusses the Jenkins Phantoscope Company's manufacturing of Phantoscopes for educational household use, along with Jenkins' other inventions such as the Marveloscope and a high-speed camera. Finally, the chapter considers Jenkins' promotion of the use of photography in education by teaching photographic expression.
39

Powrie, Phil. The Cinema of France (24 Frames. Wallflower Press, 2006.

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40

Postbeur Cinema North African Migr And Maghrebifrench Filmmaking In France Since 2000. EDINBURGH UNIVERSITY PRESS, 2013.

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41

Fox, Alistair, Hilary Radner, Michel Marie, and Rapha�lle Moine. Companion to Contemporary French Cinema. Wiley & Sons, Incorporated, John, 2015.

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42

King, Gemma. Decentring France: Multilingualism Pow. Manchester University Press, 2019.

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43

Cardullo, Bert, and Andre Bazin. French Cinema from the Liberation to the New Wave, 1945-1958 (Framing Film, Vol. 1). Peter Lang Publishing, 2005.

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44

Mayne, Judith. Le Corbeau (The French Film Guides). University of Illinois Press, 2007.

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45

DRAZIN, C. Faber Book of French Cinema. Faber & Faber, Limited, 2018.

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46

Mayne, Judith. Le Corbeau (The French Film Guides). University of Illinois Press, 2007.

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47

Parcours du cinéma en Ile-de-France. Paris: Editions Textuel, 1995.

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48

Ginette, Vincendeau. Stars and Stardom in French Cinema. Continuum International Publishing Group, 2001.

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49

Ginette, Vincendeau. Stars and Stardom in French Cinema. Continuum International Publishing Group, 2000.

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50

France-hollywood - échanges cinematographiques et identites nationales... L'Harmattan, 2002.

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