Relevant bibliographies by topics / Fowles, John, 1926-2005 Criticism and interpretation

Academic literature on the topic 'Fowles, John, 1926-2005 Criticism and interpretation'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Dissertations / Theses on the topic "Fowles, John, 1926-2005 Criticism and interpretation"

1

Hope, Laura Lee. "John Fowles' narrative stylistics in The Collector, Daniel Martin, and A Maggot." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/564.

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Price, Amanda C. "Author(ity) figures : anxieties of authorship, freedom, and control." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/241.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
English
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Cooke, Stewart J. "Received melodies : the new, old novel." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75693.

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New, old novels, contemporary fictions that parody the forms, conventions, and devices of eighteenth- and nineteenth-century novels, form a significant and increasingly popular subclass of postmodernist fiction. Paradoxically combining realistic and metafictional conventions, these works establish an ironic dialogue with the past, employing yet simultaneously subverting traditional fictional techniques.
In this dissertation, I subject five new, old novels--John Barth's The Sot-Weed Factor and LETTERS, Erica Jong's Fanny, T. Coraghessan Boyle's Water Music, and John Fowles's The French Lieutenant's Woman--to a detailed analysis, which compares the parodic role of archaic devices in each contemporary novel to the serious use made of such devices in the past. I argue that new, old novels, by juxtaposing old and new world views, foreground the ontological concerns of fiction and suggest that literary representation is constitutive rather than imitative of reality. Their examination of the relationship between fiction and reality places them at the centre of contemporary concern.
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Books on the topic "Fowles, John, 1926-2005 Criticism and interpretation"

1

Acheson, James. John Fowles. New York: St. Martin's Press, 1998.

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Understanding John Fowles. Columbia, S.C: University of South Carolina Press, 1994.

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The romances of John Fowles. London: Macmillan, 1985.

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The romances of John Fowles. New York: St. Martin's Press, 1985.

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The romances of John Fowles. Basingstoke: Macmillan, 1988.

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John Fowles: Visionary and voyeur. Amsterdam: Rodopi, 2008.

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Something and nothingness: The fiction of John Updike & John Fowles. Carbondale: Southern Illinois University Press, 1992.

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8

Begiebing, Robert J. Toward a new synthesis: John Fowles, John Gardner, Norman Mailer. Ann Arbor, Mich: UMI Research Press, 1989.

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Pamela, Cooper. The fictions of John Fowles: Power, creativity, femininity. Ottawa: University of Ottawa Press, 1991.

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Acts of attention: Figure and narrative in postwar British novels. Frankfurt am Main: P. Lang, 1999.

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