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1

Mühlenbruch, Tobias, and Wissam Raji. On the Theory of Maass Wave Forms. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40475-8.

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2

Bruggeman, Roelof W. Period functions for Maass wave forms and cohomology. Providence, Rhode Island: American Mathematical Society, 2015.

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3

1973-, Li C., ed. Kuznetsov's trace formula and the Hecke eigenvalues of Maass forms. Providence, Rhode Island: American Mathematical Society, 2013.

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4

Lewis, Paul Dunbar. A Large Sieve Zero Density Estimate for Maass Cusp Forms. [New York, N.Y.?]: [publisher not identified], 2017.

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5

Cotte, Dominique. Émergences et transformations des formes médiatiques. Paris: Hermès science publications, 2011.

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6

Frizzoni, Brigitte. Unterhaltung: Konzepte - Formen - Wirkungen. Zürich: Chronos, 2006.

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7

Mathiesen, Thomas. Driving forces behind prison growth: The mass media. WashingtonD.C: [s.n.], 1995.

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8

Maassen, Ludwig. Massenmedien: Fakten, Formen, Funktionen in der Bundesrepublik Deutschland. 2nd ed. Heidelberg: Hüthig, 1996.

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9

Antonioni, Stefania. Pubblicittà: Forme pubblicitarie del moderno. Milano, Italy: FrancoAngeli, 2012.

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10

Caprettini, Gian Paolo. Modernità all'italiana: Origini e forme dello spettatore globale. Torino, Italia: Cartman, 2012.

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11

Müller, Jürgen E. Intermedialität: Formen moderner kultureller Kommunikation. Münster: Nodus Publikationen, 1996.

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12

Bielinis, Lauras. Naujo politinio veikimo formos Lietuvoje: STRAIPSNIŲ RINKINYS. VILNIUS: VILNIAUS UNIVERSITETO LEIDYKLA, 2010.

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13

Wilczek, Frank. The lightness of being: Mass, ether, and the unification of forces. New York: Basic Books, 2008.

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14

F, Crisafi Anthony, and Crisafi Denise, eds. The forces of evil. Oxford, United kingdom: Inter-Disciplinary Press, 2011.

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15

Debray, Régis. Media manifestos: On the technological transmission of cultural forms. London: Verso, 1996.

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16

Guerreiro, João Leitão. A GL(3) Kuznetsov Trace Formula and the Distribution of Fourier Coefficients of Maass Forms. [New York, N.Y.?]: [publisher not identified], 2016.

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17

Barrett, Andrea. The forms of water. New York: Pocket Books, 1993.

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18

Barrett, Andrea. The forms of water. New York: Washington Square Press, 1994.

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19

Barakat, Christiane. L' information en temps de crise. Paris: Fondation pour les études de défense nationale, 1989.

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20

Selth, Andrew. Burma and weapons of mass destruction. Canberra: Strategic and Defence Studies Centre, Australian National University, 1999.

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21

(Firm), LexisNexis, ed. Singapore precedents & forms. Singapore: LexisNexis Butterworths, 2002.

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22

Lai, Stanley. Singapore precedents & forms. Singapore: LexisNexis, 2005.

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23

(Firm), LexisNexis, ed. Singapore precedents & forms. Singapore: LexisNexis Butterworths, 2002.

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24

1925-, MacIsaac Ronald, and Champagne Anne, eds. Clayoquot mass trials: Defending the rainforest. Philadelphia, PA: New Society Publishers, 1994.

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25

Mark, Warda, ed. How to make a Massachusetts will: With forms. Clearwater, Fla: Sphinx Pub., 1997.

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26

Albert, Gerhards, Benedict XVI Pope 1927-, and Catholic Church. Pope (2005- : Benedict XVI)., eds. Ein Ritus, zwei Formen: Die Richtlinie Papst Benedikts XVI. zur Liturgie. Freiburg: Herder, 2008.

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27

Albert, Gerhards, Benedict XVI Pope 1927-, and Catholic Church. Pope (2005- : Benedict XVI)., eds. Ein Ritus, zwei Formen: Die Richtlinie Papst Benedikts XVI. zur Liturgie. Freiburg: Herder, 2008.

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28

Rúffolo, Ma Soledad Alonso de, and Claudia Carina Albarracín. Procesos de comunicación: Los textos y sus diferentes formas como actos comunicativos. Tucumán, Argentina: ININCCO, 2011.

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29

B, Carlos Ossandón. El estallido de las formas: Chile en los albores de la "cultura de masas". Santiago: LOM Ediciones, 2005.

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30

Vasta, Nicoletta. Forms of promotion: Texts, contexts and cultures. Bologna: Pàtron, 2006.

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31

Fromme, Johannes, Ralf Biermann, and Dan Verständig. Partizipative Medienkulturen: Positionen und Untersuchungen zu veränderten Formen öffentlicher Teilhabe. Wiesbaden: Springer VS, 2014.

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32

Peri, Yoram. Milḥamot munḥot tiḳshoret. Ramat Aviv: Makhon le-meḥḳere biṭaḥon leʼumi, 2017.

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33

J, Hamelink Cees. Militarization in the information age. Geneva: Commission of the Churches on International Affairs, World Council of Churches, 1986.

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34

Artieri, Giovanni Boccia. I media-mondo: Forme e linguaggi dell'esperienza contemporanea. Roma: Meltemi, 2004.

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35

Harmonic Maass Forms and Mock Modular Forms: Theory and Applications. American Mathematical Society, 2017.

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36

Mühlenbruch, Tobias, and Wissam Raji. On the Theory of Maass Wave Forms. Springer, 2020.

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37

Mühlenbruch, Tobias, and Wissam Raji. On the Theory of Maass Wave Forms. Springer, 2020.

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38

Kloosterman sums and Maass forms (Volume 1). Kendrick Press, 2003.

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39

Conti, Ryan. Mass Destruction vol. 3 Fallen Eagle. Lulu Press, Inc., 2009.

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40

Rütten, Tanja. Forms of early mass communication: The religious domain. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199922765.013.0026.

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41

Medien und Formen: Eine Morphologie der Medien. Konstanz: UVK, 2010.

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42

Semiotica dei media: Le forme dell'esperienza. Roma: Carocci, 2010.

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43

Üngör, Uğur Ümit. Paramilitarism: Mass Violence in the Shadow of the State. Oxford University Press, 2020.

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44

Médias et littérature: Formes, pratiques et postures. Paris: L'Harmattan, 2014.

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45

Soziologie der Kommunikationsmedien: Medien - Formen - Erwartungen. Springer, 2012.

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46

Noyce, Richard. Critical Mass. A&C Black Publishers Limited, 2010. http://dx.doi.org/10.5040/9781789942521.

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This exciting new book showcases the work of a very diverse selection of 52 artists from 28 countries, against a spectrum of the concerns that inform the role and function of art in the increasingly technological global society. The mediums used by these artists range from new variations on traditional intaglio and relief techniques, to extreme forms of digital techniques, including time-based forms such as film and multi-media presentation. Printmaking continues to evolve as artists develop the traditional techniques and experiment with new techniques and materials. In recent years the boundaries between the once distinct fields of the visual arts have become blurred, and growing numbers of artists now incorporate printmaking techniques within their practice. This book provides a broad-ranging and challenging source of information on the most exciting cutting edge developments in international printmaking, which will be of value to students, professional artists and all those with an interest in the contemporary visual arts.
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47

Global Media Sport: Flows, Forms and Futures. Bloomsbury Publishing Plc, 2011.

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48

Rowe, David. Global Media Sport: Flows, Forms and Futures. Bloomsbury Publishing Plc, 2013.

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49

Global Media Sport: Flows, Forms and Futures. Bloomsbury Publishing Plc, 2012.

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50

Global Media Sport: Flows, Forms and Futures. Bloomsbury Publishing Plc, 2011.

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