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Books on the topic 'Formalism (Art)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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1

Kikodze, Evgenii͡a. Urbanisticheskiĭ formalizm: Urban formalism. Moskva: Izdatelʹskai︠a︡ programma "Interrosa", 2007.

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2

Yilmaz, Dziewior, and Kunstverein in Hamburg, eds. Formalismus: Moderne Kunst, heute = Formalism : modern art, today. Ostfildern-Ruit: Hatje Cantz, 2004.

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3

Richard, Woodfield, and Sedlmayr Hans 1896-, eds. Framing formalism: Riegl's work. Amsterdam: G+B Arts International, 1999.

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4

Simmons, William J. Queer formalism: The return. Berlin: Floating Opera Press, 2021.

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5

Twitchell, Beverly H. Cézanne and formalism in Bloomsbury. Ann Arbor, Mich: UMI Research Press, 1987.

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6

Galván, José María Moreno. Autocrítica del arte. La Puebla de Cazalla, Sevilla: Barataria, 2010.

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7

Rosalind Krauss and American philosophical art criticism: From formalism to beyond postmodernism. Westport, Conn: Praeger, 2002.

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8

Olin, Margaret Rose. Forms of representation in Alois Riegl's theory of art. University Park, Pa: Pennsylvania State University Press, 1992.

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9

Joe, Andrew, ed. Poetics of the text: Essays to celebrate twenty years of the neo-formalist circle. Amsterdam: Rodopi, 1992.

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10

Levy, Evonne Anita. Baroque and the political language of formalism (1845-1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr. Basel: Schwabe Verlag, 2015.

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11

MINISSALE, GREGORY. IMAGES OF THOUGHT: VISUALITY IN ISLAMIC INDIA, 1550-1750. MIDDLESEX: CAMBRIDGE SCHOLARS PR LTD, 2006.

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12

Gruppo Forma uno (Group of artists). Forma 1. Edited by Galleria d'arte Niccoli and Kodama Garō. Parma, Italy: La Galleria, 1994.

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13

1946-, Couture Francine, ed. Les Arts visuels au Québec dans les années soixante. Montréal: VLB, 1993.

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14

1954-, Couture Francine, ed. Les arts visuels au Québec dans les années soixante: La reconnaissance de la modernité. Montréal, Québec: VLB, 1993.

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15

Mattus, Matt. Beyond trend. Cincinnati, OH: HOW Books, 2008.

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16

Brennan, Marcia. Modernism's masculine subjects: Matisse, the New York school, and post-painterly abstraction. Cambridge, Mass: MIT Press, 2004.

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17

Grigorʹeva-Litvinskai︠a︡, Natalʹi︠a︡, and Elena Karisalova. Aleksandr Rodchenko: 1920-1930-e = Alexander Rodchenko : 1920-1930s. Moskva: Galerei︠a︡ Li︠u︡mʹer, 2021.

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18

Morris Museum of Art (Augusta, Ga.), ed. Modernism in the South: Mid-twentieth-century works in the Morris Museum collection. Augusta, Ga: Morris Museum of Art, 2002.

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19

Maja, Svilar, and Universität Bern Collegium Generale, eds. Kunst in der Exklusivität, oder, "Jeder ein Künstler?". Bern: P. Lang, 1991.

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20

Shklovskiǐ, Viktor Borisovich. Résurrection du mot ; Littérature et cinématographe. Paris: G. Lebovici, 1985.

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21

Maksymczak, Marek. Bunt przeciw władzy i formalizmowi: Próba interpretacji twórczości grupy Wprost = Rebellion against authority and formalism : an attempt at interpreting the work of the group "Wprost". Warszawa: Instytut Sztuki PAN, 2017.

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22

Rodchenko, Aleksandr Mikhaĭlovich. Aleksandr Rodchenko: Fotografii. Moskva: Izd-vo "Planeta", 1987.

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23

Florkovskai︠a︡, A. K. (Anna Konstantinovna), editor compiler, Busev M. A. editor, and Nauchno-issledovatelʹskiĭ institut teorii i istorii izobrazitelʹnykh iskusstv (Rossiĭskai︠a︡ akademii︠a︡ khudozhestv), eds. Neofit︠s︡ialʹnoe iskusstvo v SSSR,1950-1980-e gody: Sbornik po materialam konferent︠s︡ii 2012 goda. Moskva: BuksMArt, 2014.

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24

N, Lavrentʹev A., Gambrell Jamey, and Bowlt John E, eds. Aleksandr Rodchenko: Experiments for the future : diaries, essays, letters, and other writings. New York: Museum of Modern Art, 2005.

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25

Bockemühl, Michael. Rembrandt, 1606-1669: The mystery of the revealed form. Köln: Benedikt Taschen, 1993.

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26

Woodfield, Richard. Framing Formalism: Riegl's Work. Taylor & Francis Group, 2013.

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27

Woodfield, Richard. Framing Formalism: Riegl's Work. Taylor & Francis Group, 2013.

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28

Framing Formalism: Riegl's Work. Routledge, 2013.

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29

Levinson, Marjorie. What is New Formalism? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810315.003.0006.

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This chapter offers a critical review of the new formalist movement, especially in the first years of the twenty-first century. It explores new formalism’s embattled relationship to the new historicism, early and late, as well as to other forms of materialist critique. It distinguishes activist from normative new formalism. Activists want to restore to today’s reductive inscription of historical reading its original focus on form, traced most often to Marx, Freud, Adorno, and Jameson. Normative formalists campaign to bring back a sharp demarcation between history and art, discourse and literature, in which form is the prerogative of art. One strain of new formalism makes for a continuum with new historicism. The other, backlash, new formalism traces its position to Kant’s notion of form as the condition of aesthetic experience, understood as disinterested, autotelic, playful, pleasurable, consensus-generating, and thus both individually liberating and conducive to affective social cohesion.
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30

Forumanizumu: Shiteki gengoron. Tōkyō: Kokusho Kankōkai, 1988.

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31

Computational Formalism: Art History and Machine Learning. MIT Press, 2023.

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32

Algebraic Art: Mathematical Formalism and Victorian Culture. Oxford University Press, 2018.

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33

Long Roots of Formalism in Brazil. BRILL, 2017.

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34

Harris, Martha Johnson. Clive Bell's formalism in historical perspective. 1991.

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35

German Art History and Scientific Thought: Beyond Formalism. Taylor & Francis Group, 2016.

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36

German art history and scientific thought: Beyond formalism. Farnham, Surrey, England UK: Ashgate, 2012.

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37

Martins, Luiz Renato. The Long Roots of Formalism in Brazil. Haymarket Books, 2019.

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38

Frank, MitchellB. German Art History and Scientific Thought: Beyond Formalism. Taylor & Francis Group, 2017.

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39

Dillon, Jonathan, Joan Waltemath, and Charles Matz. Concrete Perception: Formalism, Architecture, and Gordon Matta-Clark. Crucible Press, 2015.

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40

Formalismus: Roland Goeschl, Heimo Zobering, Lois Renner. Wien: Turia & Kant, 1997.

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41

Stejskal, Jakub. Objects of Authority: A Postformalist Aesthetics. Taylor & Francis Group, 2022.

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42

Objects of Authority: A Postformalist Aesthetics. Routledge, Chapman & Hall, Incorporated, 2022.

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43

Stejskal, Jakub. Objects of Authority: A Postformalist Aesthetics. Taylor & Francis Group, 2022.

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44

Formalism and Historicity: Models and Methods in Twentieth-Century Art. MIT Press, 2015.

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45

Michaels Frieds "Shape as form" und die Kritik der Form von 1800 bis zur Gegenwart. Paderborn: Wilhelm Fink, 2018.

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46

Carrier, David. Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism. Praeger Publishers, 2002.

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47

Abstract painting: The development and analysis of innovative processes. Saarbrücken: VDM Verlag Dr. Müller, 2008.

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48

Rose, Sam. Art and Form: From Roger Fry to Global Modernism. Pennsylvania State University Press, 2020.

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49

Art and Form: From Roger Fry to Global Modernism. Penn State University Press, 2019.

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50

Woodfield, Richa. Framing Formalism: Riegl's Work (Critical Voices in Art, Theory & Culture). Routledge, 2001.

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