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Journal articles on the topic 'Fori Imperiali'

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Published: 10 March 2023

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1

Ungaro, Lucrezia, Marco Sartini, and Paolo Vigliarolo. "Ricostruire l’antico. Dal Museo della Civiltà Romana al Museo dei Fori Imperiali." Virtual Archaeology Review 1, no. 1 (April 11, 2010): 55. http://dx.doi.org/10.4995/var.2010.4769.

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2

Ungaro, Lucrezia, Marco Sartini, and Paolo Vigliarolo. "Ricostruire l’antico. Dal Museo della Civiltà Romana al Museo dei Fori Imperiali." Virtual Archaeology Review 2, no. 4 (May 20, 2011): 123. http://dx.doi.org/10.4995/var.2011.4567.

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3

Passigli, Suzanna. "Urbanizzazione e topografia a Roma nell'area dei Fori imperiali tra XIV e XVI secolo." Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes 101, no. 1 (1989): 273–325. http://dx.doi.org/10.3406/mefr.1989.3024.

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4

Caliari, Pier Federico. "Due narrazioni e un futuro. La call internazionale per via dei Fori Imperiali a Roma." TERRITORIO, no. 81 (September 2017): 123–45. http://dx.doi.org/10.3280/tr2017-081028.

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5

Ungaro, Lucrezia. "Traiano e la costruzione della sua immagine nel Foro." Veleia, no. 35 (July 12, 2018): 151. http://dx.doi.org/10.1387/veleia.19668.

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Riassunto: La scoperta di un nuovo ritratto colossale di Traiano avvenuta durante la preparazione della mostra “Traiano. Costruire l’Impero, creare l’Europa”, produce una rinnovata lettura del complesso programma figurativo voluto dall’imperatore nel suo Foro. Nel quadro della sua azione politica, militare e sociale, il Foro è infatti la massima rappresentazione della sua virtus imperatoria e della maiestas populi romani. In particolare, vengono riconsiderati i ritratti del Traianus Pater e della cosiddetta Agrippina/Marcia, alla luce di una possibile galleria dedicata alla famiglia genetica di Traiano e ai suoi modelli, come Giulio Cesare. Pari attenzione si dedica alla distribuzione delle sculture e dei rilievi noti negli spazi forensi, al loro rapporto gerarchico nello spazio sovradimensionato della piazza. Da ultimo, viene ripresa la proposta di riconoscere nell’aula trisegmentata la porticus porphiretica, riesaminando in via preliminare le sculture note in porfido attribuibili al Foro, e alcuni frammenti conservati nei depositi del Museo dei Fori Imperiali che acquisiscono così nuovo interesse.Parole chiave: nuovo ritratto colossale di Traiano, Agrippina/Marcia, Traianus Pater, programma figurativo del Foro, virtus imperatoria, la famiglia imperiale.
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Calisi, D., and M. Molinari. "TOWARDS A DIGITAL ARCHAEOLOGICAL ARCHIVE: THE CASE STUDY OF THE ARTEFACTS OF THE AREA OF FORI IMPERIALI." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 189–96. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-189-2019.

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<p><strong>Abstract.</strong> The following research aims to exploit the low-cost technologies, for the survey and mapping of historical archaeology in the Roman context. The main purposes of the research is to implement a large-scale survey campaign to understand the geometry and the materiality of the artefacts examined. Three-dimensional survey from photography, allows an immediate mapping of the materiality, of the degradation and of the architectural elements characteristic of the architecture in question. From the model it is possible to obtain an image that is faithful to the reality that can be the basis for developments in many disciplines such as, for example, in the restoration project, for the material analysis and the mapping of the degradation. The applications for this type of mapping are numerous, one of those proposed in this research concerns the virtual musealisation of historical artifacts. More and more in recent years, museums are exploiting the capabilities of three-dimensional modeling software of architectural elements to interactively convey architectural elements. A methodology of work that in recent archaeological excavations is not based solely on the didactic divulgation of the history of a place, but during the excavation phase on the mapping and cataloging of uncovered finds.</p>
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7

Peña, J. Theodore. "Ten studies on pottery and other materials from the Fori Imperiali excavations - MONICA CECI (a cura di), CONTESTI CERAMICI DAI FORI IMPERIALI (British Archaeological Reports, International Series 2455; Archaeopress, Oxford 2013). Pp. v + 173, figs. 164, Tab. 55. ISBN 978 1 4073 1063 3." Journal of Roman Archaeology 27 (2014): 552–55. http://dx.doi.org/10.1017/s1047759414001500.

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8

Goodman, Penelope J. "R. Meneghini and R. Santangeli Valenzani (EDS), SCAVI DEI FORI IMPERIALI, IL FORO DI AUGUSTO: L'AREA CENTRALE. Rome: ‘L'Erma’ di Bretschneider, 2010. Pp. viii + 245, illus. isbn9788882655983. €175.00." Journal of Roman Studies 103 (October 14, 2013): 292–94. http://dx.doi.org/10.1017/s0075435813000336.

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9

Anderson, Michael. "R. Meneghini and R. Santangeli Valenzani, I FORI IMPERIALI: GLI SCAVI DEL COMUNE DI ROMA (1991–2007). Rome: Viviani, 2007. Pp. 174, 177 illus. ISBN 978-88-79931-25-0. €30.00." Journal of Roman Studies 100 (November 2010): 327–28. http://dx.doi.org/10.1017/s0075435810000845.

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10

Goodman, Penelope J. "R. MENEGHINI, I FORI IMPERIALI E I MERCATI DI TRAIANO. STORIA E DESCRIZIONE DEI MONUMENTI ALLA LUCE DEGLI STUDI E DEGLI SCAVI RECENTI. Rome: Libreria dello Stato, 2009. Pp. 277, illus. isbn97888824014243. €70.00." Journal of Roman Studies 102 (November 2012): 324–25. http://dx.doi.org/10.1017/s0075435812000238.

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11

Tucci, Pier Luigi. "New fragments of ancient plans of Rome - R. MENEGHINI and R. SANTANGELI VALENZANI (edd.), FORMAE URBIS ROMAE. NUOVI FRAMMENTI DI PIANTE MARMOREE DALLO SCAVO DEI FORI IMPERIALI (Bullettino Comunale Supplementi 15; L'Erma di Bretschneider, Rome2006). Pp. 212, figs. ISBN 88-8265- 405-2. EUR. 140." Journal of Roman Archaeology 20 (2007): 469–80. http://dx.doi.org/10.1017/s1047759400005699.

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12

Kleespies, Ingrid. "Riding theSoviet Iron Horse: A Reading of Viktor Turin'sTurksibthrough the Lens of John Ford." Slavic Review 77, no. 2 (2018): 358–89. http://dx.doi.org/10.1017/slr.2018.127.

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This article considers Viktor Turin's 1929 filmTurksibto be a “Red Western,” or film that is indebted to an American cinematic, visual, and literary tradition in its production of a vision of a Soviet frontier.Turksibengages with a discourse offrontieroritythat proved central to the articulation of Soviet identity in the 1920s and early 1930s. Drawing from prerevolutionary cultural paradigms for Russian national and imperial growth, as well as from the key American myth of the train's role in vanquishing the frontier,Turksibis a film meant to realize notions of territorial largesse in an ideologically-acceptable manner—that is, to reconfigure the dominant imperialist-capitalist model of the frontier in socialist terms. A close study of Turin's film in comparison to its western counterpart, John Ford's early classic,The Iron Horse(1924), reveals the challenge of distinguishing industrialization and modernization in socialist and avowedly anti-imperial rather than capitalist and colonial terms.
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Bray, Tamara L. "Partnering with Pots: The Work of Objects in the Imperial Inca Project." Cambridge Archaeological Journal 28, no. 2 (October 30, 2017): 243–57. http://dx.doi.org/10.1017/s0959774317000828.

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New developments in the natural sciences are contributing to new thinking on the nature of matter, materiality and being. Such re-visioning of the natural world is, in part, responsible for ‘the ontological turn’, a trend clearly visible in recent archaeological discourse. In combination with evolving relational and symmetrical approaches to investigating the constitution of ‘the social’, the door is open for exploring logics, taxonomies and understandings of reality different from our own in studies of the past. Applying these ideas to the investigation of early imperialism, this paper offers an analysis of a key element in the repertoire of Inca material culture that forwards the importance of human–thing relations in the context of early state politics. Working from the basis of the imperial Inca ceramic assemblage, the study examines how these objects were deployed in the task of empire-building and what insights they provide into Andean ontological commitments during the late pre-Columbian period. An argument is developed that imperial pots were construed as animate beings and agents of the State. The study brings to the fore the mutually constituted nature of the imperial Inca project and suggests new avenues for future research that highlight the matter of early empires.
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14

Russell, James, and James C. Anderson. "The Historical Topography of the Imperial Fora." American Journal of Archaeology 90, no. 4 (October 1986): 493. http://dx.doi.org/10.2307/506054.

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15

Packer, James E. "Report from Rome: The Imperial Fora, a Retrospective." American Journal of Archaeology 101, no. 2 (April 1997): 307. http://dx.doi.org/10.2307/506512.

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16

Wightman, Greg. "The Imperial Fora of Rome: Some Design Considerations." Journal of the Society of Architectural Historians 56, no. 1 (March 1, 1997): 64–88. http://dx.doi.org/10.2307/991216.

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Research in ancient Roman architectural design has come increasingly to the view that geometry was often as important as metrication and proportion. The present paper examines the contribution of both geometry and arithmetic to the design of the four imperial fora in Rome, as well as the closely related Temple of Peace. An analysis of the Forum of Augustus-the best-known of the imperial fora-shows that it was designed according to a geometric model with a particular size utilizing a "base dimension" of 146 Roman feet. Analyses of the other fora show that the same geometric model-but with a base dimension of 150 feet-can be used to generate their basic spatial divisions and dimensions. The model accounts not only for straightforward and integral dimensions or proportions, but also for irrational and nonintegral proportions hitherto unexplained. The article argues that the mixture of integral, nonintegral, and irrational metrication was a deliberate aspect of the design process, in line with the Early Imperial propensity to combine rectilinear and curvilinear architectural forms. The article concludes with a suggestion that the model originated in the Etruscan ritual division of space, which was adopted by the Romans and later applied to an increasingly broad range of building types. The model may thus have served as a kind of template or cosmogram whereby each building designed on it could embody essential features of cosmic order. It gave to each Roman building its uniquely "Italic" flavor quite separate from Greek "cosmetics." If the model's application proves to be sufficiently broad, then the possibility is raised of developing a "unified design theory" for Etruscan and Roman architecture. These issues will be broached in future articles.
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17

Friedman, Jason. "Gerald Ford, theMayaguezIncident, and the Post-Imperial Presidency." Congress & the Presidency 37, no. 1 (February 18, 2010): 22–44. http://dx.doi.org/10.1080/07343460903390695.

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18

Senseney, John R. "Adrift toward Empire." Journal of the Society of Architectural Historians 70, no. 4 (December 1, 2011): 421–41. http://dx.doi.org/10.1525/jsah.2011.70.4.421.

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In seeking the origins of the celebrated portico-framed fora of Imperial Rome, John R. Senseney explores the earliest recognizable example of this architectural type, a lost porticus of the 160s BCE built by the victorious commander Gnaeus Octavius. Adrift toward Empire: The Lost Porticus Octavia in Rome and the Origins of the Imperial Fora adduces ancient testimony to aid our understanding of the purposes and formal appearance of this pivotal monument. While the author suggests that Octavius emulated a Hellenistic model, he does not posit that the patron necessarily sought to associate his triumph with those of his Greek forebears. Those meanings did, however, become attached to the building type by later viewers and the architects who created the Imperial fora. In order to appreciate this phenomenon, the author questions the usefulness of fixed categories like "Hellenistic" and "Roman" and argues for a history sensitive to the fluidic intentions and changing meanings of architecture.
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19

Gardner, Andrew. "Brexit, boundaries and imperial identities: A comparative view." Journal of Social Archaeology 17, no. 1 (January 17, 2017): 3–26. http://dx.doi.org/10.1177/1469605316686875.

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The year 2016 will be marked as a year in which identity politics reached new levels of significance. Among numerous dramatic events, the UK referendum on membership of the European Union has brought many issues of interest to archaeologists to the fore. These range from entirely contemporary concerns, such as the future of research funding in Britain, to topics of more longitudinal significance, including the interactions between different identity groups in particular economic and political circumstances. In this paper, I wish to explore aspects of the distinctive position of Britain as an illustration of identity dynamics in the long term, focussing on the relationship between imperialism and identities and viewed through the lens of recent work in Border Studies. Brexit can be seen as the culmination of the collapse of the British empire, and transformation of British identity, in the post-Second World War era and the particular dynamics of this process invite comparison with Britain’s earlier position as one of the frontier provinces of the Roman empire, especially in the 4th and 5th centuries AD. This comparison reveals two paradoxical dimensions of imperial identities, the first being that so-called ‘peripheries’ can be more important than ‘cores’ in the creation of imperial identities and the second that such identities can be simultaneously ideologically powerful yet practically fragile in the circumstances which follow imperial collapse. Such insights are important because, at a time of apparently resurgent nationalism in many countries, archaeologists need to work harder than ever to understand identity dynamics with the benefit of time depth.
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20

CASSANO, GRAHAM. "“The Last of the World's Afflicted Race of Humans Who Believe in Freedom”: Race, Colonial Whiteness and Imperialism in John Ford and Dudley Nichols's The Hurricane (1937)." Journal of American Studies 44, no. 1 (October 1, 2009): 117–36. http://dx.doi.org/10.1017/s0021875809990703.

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This essay examines the political meanings of John Ford and Dudley Nichols's film The Hurricane (1937). The Hurricane appears at a pivotal moment in American history, a moment when Ford and Nichols set out to make films for a “new kind of public.” This new audience was forged by new political forces, including the rise of the Congress of Industrial Organizations, the Popular Front, and Roosevelt's New Deal. Building on previous work that documents Nichols's affiliation with Popular Front organizations, and Ford's own political cinema (including The Informer (1935), The Grapes of Wrath (1940), and How Green Was My Valley (1941)), I argue that The Hurricane offers a fundamental critique of European imperialism, and imperial “whiteness.” At the same time, the energies for that critique come from a paradoxically “progressive” orientalism that represents South Seas “natives” as inherently wild and independent. It is this projected hunger for independence that allows Ford and Nichols to argue against colonial “whiteness,” while, almost simultaneously, they portray African Americans as servile and dependent, thus justifying white supremacy and racial oppression in the United States. Finally, by way of conclusion, I suggest that this dyadic representation – natives as independent, blacks as dependent – continues to structure the politics of Ford's post-World War II cinema, allowing him to normalize white supremacy at home, while at the same time justifying American military adventures abroad in the name of freedom for “the world's afflicted races.”
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Kineke, Sheila. ""Like a Hook Fits an Eye": Jean Rhys, Ford Madox Ford, and the Imperial Operations of Modernist Mentoring." Tulsa Studies in Women's Literature 16, no. 2 (1997): 281. http://dx.doi.org/10.2307/464363.

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22

Britzolakis, Christina. "Pathologies of the Imperial Metropolis:Impressionism as Traumatic Afterimage in Conrad and Ford." Journal of Modern Literature 29, no. 1 (December 2005): 1–20. http://dx.doi.org/10.2979/jml.2005.29.1.1.

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Britzolakis, Christina. "Pathologies of the Imperial Metropolis: Impressionism as Traumatic Afterimage in Conrad and Ford." Journal of Modern Literature 29, no. 1 (2006): 1–20. http://dx.doi.org/10.1353/jml.2006.0001.

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24

van den Heever, Gerhard. "Introduction: Paul, Founder of Churches. Cult Foundations and the Comparative Study of Cult Origins." Religion & Theology 20, no. 3-4 (April 2, 2014): 259–83. http://dx.doi.org/10.1163/15743012-12341262.

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AbstractIn this introduction to the discussion on James C. Hanges,Paul, Founder of Churches, the significance of the comparative work on the cult founder-figure and typology of cult foundations is discussed. The essay argues that this serves to ground any interpretation of the cult founding work of the apostle Paul in an understanding of the materiality of religion. This gives impetus to a more concrete conceptualisation of Christian origins. Further reflection on this comparative enterprise is offered by means of three discussion foci, namely Discourse, imperial context, spatiality; Diaspora religion; and New Religious Movements. It is argued that the pervasiveness of imperial discourse and its spatial encoding allows us to see Paul’s cult foundations as sites of imperial resistance. Diasporas and diasporic religions provide key illuminations for understanding the broader context of the foundations of cult groups by Paul. Study of new religious movements will also aid in concrete descriptions and analysis of the making of early Christian groups and their organisation.
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Đukić, Nemanja. "Alan Ford: The new world disorder and new politics of identity." Socioloski godisnjak, no. 16 (2021): 23–31. http://dx.doi.org/10.5937/socgod2116023q.

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In the article that follows, we sociologically analyze the popular strip "Alan Ford", trying to point out its general social significance. This strip is one of the most significant cultural phenomena in the former Yugoslavia. Since the 1970s, this strip has had a significant impact not only on the development of the strip subculture in the former SFRY, but also on the formation of the value system of the youth of that time and their non-formal education. We interpret the mentioned strip in the context of contemporary socio-political changes from the end of the past and the beginning of the 21st century and within the framework of Bauman's theory of globalization and project identities, Hart's and Negri's critique of globalization as an imperial concept and Deleuze's concept of the society of control.
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Mertens, Bernd. "IV. Gesetzgeber und Verfasser der Carolina." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 138, no. 1 (June 1, 2021): 120–54. http://dx.doi.org/10.1515/zrgg-2021-0004.

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Abstract Legislator and author of the Carolina. Emperor Charles V and his councils neither initia­ted the penal code named after him (“Carolina”) nor influenced its content. Inspired by the Imperial Court, it was a project of the imperial estates, which pushed it forward and led to its success at the Imperial Diets from 1521 to 1532. The work on the content was carried out in committees composed of members of all Curias and in the Imperial Regiment, with trained lawyers dominating. The view that Johann Freiherr von Schwarzenberg played a decisive role in the drafting of the Carolina, which still prevails in literature today, owes its origins to a certain zeitgeist and is in need of correction. Contrary to previous assumptions, Schwarzenberg was most probably not involved in the first Carolina draft at all and not in the second draft in the decisive editorial phase. Instead, the lawyer Sebastian von Rotenhan, who was most probably involved in the first and certainly in the second Carolina draft, and perhaps even later in the revision of 1530, comes more to the fore. Ultimately, the Carolina, like the “Bambergische Halsgerichtsordnung” which served as a model, was a collective work and was understood as such by contemporaries.
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Leung, JSM. "Epidemics in Ancient Imperial China – Myths, Facts and Lessons for Posterity." Clinical Research and Clinical Trials 5, no. 4 (March 29, 2022): 01–05. http://dx.doi.org/10.31579/2693-4779/086.

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The recorded history of China spanned over 47 centuries. Since the beginning of the first century epidemics of each dynasty had been duly, if incompletely, recorded. This study is an attempt to review the epidemics recorded from the beginning of the first century A.D., when epidemic records first appeared as a regular entry, to the beginning of the 20th century which marked the end of the last dynasty in Imperial China. No attempt is made to stratify the types of individual infections as such scientific knowledge was lacking. Rather, epidemics are treated as one subject, in the broadest sense, of massive and highly contagious infections, occurring wave after wave, affecting society, culture, governments and the rise and fall of empires dynasties. Some of the materials had been used in a previous article in this Journal but reused out of necessity. Yet, every attempt has been made to minimize excessive repetition.
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Siqueira, Rogério, and Maria Renilda Barreto. "Limites da assistência oitocentista: o caso urbano de Juiz de Fora (MG)." História, Ciências, Saúde-Manguinhos 26, suppl 1 (December 2019): 39–55. http://dx.doi.org/10.1590/s0104-59702019000500003.

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Resumo O artigo tem por objetivo discutir os mecanismos de organização da assistência à saúde em Juiz de Fora (MG), na segunda metade do século XIX. Investigaram-se quais arranjos foram organizados para prover cuidado aos doentes e como essa estrutura se ajustou às demandas do cenário sociopolítico e econômico. Percebe-se que, enquanto perdurou o sistema escravista, o protagonismo do Hospital da Caridade juiz-forano foi irrelevante, uma vez que as fazendas de café possuíam instalações capazes de assistir os doentes. A fundação daquele equipamento de saúde cumpriu a função de catapultar o fazendeiro José Antonio da Silva Pinto – barão de Bertioga – no cenário da nobilitação à brasileira e de acomodar as exigências da legislação imperial nos moldes dos arranjos personalistas.
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Russell, Amy. "Memory and Movement in the Roman Fora from Antiquity to Metro C." Journal of the Society of Architectural Historians 73, no. 4 (December 1, 2014): 478–506. http://dx.doi.org/10.1525/jsah.2014.73.4.478.

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Movement, particularly repeated or ritualized movement, can play an important role in the practices of cultural memory. Using Jan Assmann’s concept of cultural and communicative memory to explore the creation and reproduction of cultural memory through movement, Memory and Movement in the Roman Fora from Antiquity to Metro C illuminates the enduring influence of ancient street networks on the modern cityscape. The Forum Romanum and the neighboring Imperial Fora were places of memory in antiquity and are major tourist sites today, but they had different relationships to urban movement networks in the past. Amy Russell argues that the pattern of long-term continuity and recent change in each area’s relationship to the wider city and its movement patterns are direct consequences of the way cultural heritage has been consumed and cultural memory constructed through movement.
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Balachandran, Gopalan. "Trabalhadores no mundo: marinheiros indianos, c. de 1870-1940." Mundos do Trabalho 12 (August 5, 2020): 1–21. http://dx.doi.org/10.5007/1984-9222.2020.e76076.

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A expansão da marinha mercante britânica na era do vapor foi estimulada pelo emprego de tripulações do subcontinente indiano. Entre os mais mal pagos do mercado, os marinheiros indianos eram os trabalhadores internacionais pioneiros que compunham quase um terço da força de trabalho na marinha britânica em 1937. Rotulados genericamente como “lascars”, seu emprego em regimes semelhantes a contratos firmados reforçou o status de “coolies”, promoveu a desoneração/desqualificação do trabalho marítimo e instituiu hierarquias racializadas no trabalho na marinha mercante, que perduram até hoje dentro e fora do setor. Este artigo apresenta um breve relato das condições de vida e de trabalho dos marinheiros subcontinentais, explora a atitude dos sindicatos britânicos em relação ao emprego dessas tripulações e destaca sua crucial contribuição para a expansão da navegação imperial britânica e, de maneira mais geral, para a dimensão marítima do poder imperial britânico.
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Shahar, Meir. "Newly-Discovered Manuscripts of a Northern-Chinese Horse King Temple Association." T’oung Pao 105, no. 1-2 (June 21, 2019): 183–228. http://dx.doi.org/10.1163/15685322-10512p05.

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AbstractWritten documents from rural north China are rare. This essay examines the newly-discovered records of a Shanxi village association, which was dedicated to the cult of the Horse King. The manuscripts detail the activities, revenues, and expenditures of the Horse King temple association over a hundred-year period (from 1852 until 1956). The essay examines them from social, cultural, and religious perspectives. The manuscripts reveal the internal workings and communal values of a late imperial village association. They unravel the social and economic structure of the village and the centrality of theater in rural culture. Furthermore, the manuscripts bring to the fore a forgotten cult and its ecological background: the Horse King was among the most widely worshiped deities of late imperial China, his flourishing cult reflecting the significance of his protégés – horses, donkeys, and mules – in the agrarian economy.
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Alcântara, Mauro Henrique Miranda de. "A trajetória de uma vida." albuquerque: revista de história 8, no. 15 (June 30, 2016): 89–107. http://dx.doi.org/10.46401/ajh.2016.v8.2129.

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D. Pedro II é um dos personagens mais emblemático do Brasil no século XIX, pois é uma referência de um "tempo histórico", ou melhor, a construção de sua imagem sempre está refletida na estrutura sócio-política do seu reinado. O monarca tornou-se a "chave principal para compreender a política imperial no Segundo Reinado” Entretanto, podemos nos perguntar se D. Pedro II fora fruto do seu tempo histórico ou fora construído assim? Diante deste cenário, o objetivo deste trabalho é verificar nas biografias produzidas sobre esse personagem, pela antropóloga Lilia Moritz Schwarcz (As Barbas do Imperador, 1998), e pelos historiadores José Murilo de Carvalho (D. Pedro II, 2007) e Roderick J. Barman (O Monarca-Cidadão, 2013), as (diferentes) concepções de tempo que são apresentadas nestas narrativas, na trajetória do Imperador.
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Thi Kim Thuong, Dinh. "HUE IMPERIAL PALACE THE ENVIRONMENT FOR THE DEVELOPMENT OF VIETNAM CLASSICAL DRAMA." Journal of Science, Social Science 62, no. 5 (2017): 74–79. http://dx.doi.org/10.18173/2354-1067.2017-0035.

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34

Riani, Hana. "Legitimation Strategies to Enchant the New American “War On Terror”: Implications in Ben Affleck’s Testimony." Studies in Linguistics, Culture, and FLT 10, no. 1 (April 17, 2022): 39–61. http://dx.doi.org/10.46687/ybgr8804.

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Hana Riani holds a PhD in American Culture Studies. Her study foci are primarily: Neo-Imperialism, Soft Power Politics, Gender and Celebrity Studies, and Political Discourse. Her research interests and academic fields are also rooted in Critical Discourse Analysis especially modern rhetoric. Hana Riani teaches American Culture, History and Politics. She participated in several international conferences pertaining to her research interests.
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Hara, Tony, and Gabriel Pochapski. "Condomínio Fechado: Paraíso Cínico." História: Questões & Debates 69, no. 2 (July 14, 2021): 137. http://dx.doi.org/10.5380/his.v69i2.80391.

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Para sobreviver do lado de fora dos muros, abandonados à própria sorte na lutacontra os efeitos do colapso ecológico que se avizinha, é preciso dizer adeus àspairidaezas imperiais e aos enclaves fortificados. Desviar o olhar e reaprender acontemplar um jardim como o de Epicuro: território da conversa, do tempo para o outro, da partilha da alegria e do prazer de viver como alívio para dores da angústia.
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Evangelidis, Vasilis. "AGORAS AND FORA: DEVELOPMENTS IN THE CENTRAL PUBLIC SPACE OF THE CITIES OF GREECE DURING THE ROMAN PERIOD." Annual of the British School at Athens 109 (November 2014): 335–56. http://dx.doi.org/10.1017/s006824541400015x.

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Despite the old image of degradation and fall, modern research has shown that Roman Greece underwent a series of changes which are best reflected in the central public space of the ancient city, the agora. A variety of different factors, such as the dynamic presence of the local elite, the exploitation of the past, the imperial presence and most importantly the will to maximise functionality and monumentality, contributed to the formation of the spatial and architectural framework of the agora. In many cities the development of the agora is best described as the juxtaposition of old and new, which was achieved by the preservation and enhancement of the traditional landscape as well as by its enrichment with new buildings, many of which, like the Roman-style baths, improved the provision of services. In this context the term Romanisation describes the effort of each city to adapt to the requirements of the urban framework of the Imperial period, a framework characterised by monumentality and functionality. Roman colonies were the newest additions in the city pattern of Greece. In contrast to the Roman colonies in the west, many of the Roman foundations in Greece were founded over pre-existing cities with long histories. Therefore, they raise a series of questions concerning not only their architectural development but also the process of restructuring the existing landscape in order to create an urban framework that reflects their romanitas.
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van Schalkwyk, Simon, and Michael Titlestad. "“I have been in an earthquake”: Epistemic upheaval in Richard Hughes’ A High Wind in Jamaica." Journal of Commonwealth Literature 54, no. 2 (February 6, 2017): 174–89. http://dx.doi.org/10.1177/0021989416685593.

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Published in 1929, Richard Hughes’ A High Wind in Jamaica was praised by reviewers and critics across the spectrum of the British and American literary scenes (among them Rebecca West, Ford Madox Ford, Vita Sackville-West, Cyril Connelly, John Masefield, Hugh Walpole, and Arnold Bennett). At the same time, its readers were generally shocked by its portrait of child psychology (“the mind of the child”). While several critics applauded its realism, the record of its reception suggests that it induced — what one critic referred to as — “a sort of mental panic”. This article considers aspects of Hughes’ “new psychology”, which derived largely from the writings of Freud and the Freudians. Reading the novel and Freud in counterpoint, the argument concludes that — while Hughes constructs A High Wind in Jamaica as a rejoinder to the ideological logic of the imperial romance — in inscribing Freudian “primitivism” it reiterates colonial assumptions about “civilization”.
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Koznarsky, Taras. "“Neither Dead Nor Alive:” Ukrainian Language on the Brink of Romanticism." East/West: Journal of Ukrainian Studies 4, no. 2 (September 19, 2017): 7. http://dx.doi.org/10.21226/t28s61.

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At the end of the eighteenth century through the first decades of nineteenth century, as the last vestiges of Ukrainian autonomy were abolished, Ukrainian elites and intelligentsia embarked on a diverse range of projects (addressing geography, history, ethnography, travel writing, journalism, and literature) aimed at privileging and promoting their cultural capital within the Russian imperial field of cultural production. The Ukrainian language and its origins, nature, and status came to the fore in these projects as Ukrainian literati carefully gauged their messages for both Ukrainian and metropolitan audiences in order to engage playfully and polemically with imperial perceptions of Ukraine and to further the cause of the Ukrainian language as a distinctive linguistic system, cultural legacy, and literary medium. These often cautious and purposefully ambiguous characterizations, classifications, and applications prepared the ground for the romantic generation of writers who dramatically expanded the stylistic and generic range of Ukrainian in their literary works and translations, and forcefully argued for the language’s autonomy, dignity, and expressive potential. While early romantic Ukrainian writings were seen as colourful linguistic and ethnographic regional variants useful for the development of Russian imperial and national culture, the growth of Ukrainian literature alarmed both Russian critics and administrators, who began to see in these developments not only unproductive and anachronistic vexations, but also a culturally and ideologically subversive agenda that had to be discouraged. By surveying and examining diverse classifications and discussions of the Ukrainian language by Ukrainian and Russian literati, the article questions the limits of so-called “Ukrainophilia” in Russian imperial culture of the early nineteenth century.
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Eitzen, Hilda. "Refiguring Ethnicity through Kazak Genealogies." Nationalities Papers 26, no. 3 (September 1998): 433–51. http://dx.doi.org/10.1080/00905999808408576.

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In Kazakstan, as the meaning of Soviet citizenship recedes into the past, the question of Kazak identity comes to the fore. The framing of Kazak national identity is generally configured in relation to the Three Zhuzes, in common parlance referred to as “hordes” but more properly translated “hundreds.” Multiple means of defining Kazak ethnicity emerge either to challenge or reinforce legacies of the past. Traditional concepts of the past may alternately reinforce or break away from stereotypes informed by Russia, by the “civilizing” factors of Islam, or by the nineteenth-century imperial West, depending upon external conditions of military or financial power.
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Anim-Addo, Anyaa. "Steaming between the Islands: Nineteenth-Century Maritime Networks and the Caribbean Archipelago." Island Studies Journal 8, no. 1 (2013): 25–38. http://dx.doi.org/10.24043/isj.274.

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Recent scholarship, particularly in “new” imperial studies, has underscored the role of networks in shaping imperial projects. A networked approach offers a useful lens through which to analyse nineteenth-century steamship services, and in this paper I draw on such a perspective to focus on the operations of the Royal Mail Steam Packet Company (RMSPC). Importantly the RMSPC, unlike some of the other British Government mail-contract holding lines, operated across an archipelago as well as an ocean. In probing the significance of the RMSPC’s archipelagic context for the maritime network, this paper draws on a theoretical intersection between networked approaches to empire and island studies. I suggest that an examination of the maritime network through an archipelagic lens brings to the fore colonial priorities, imperatives and hierarchies that can appear flattened out through a networked approach alone. I argue for an archipelagic framing of analysis in order to heighten the local and regional significance of this transportation infrastructure, in effect foregrounding the relationship between the maritime service and mobilities in the Caribbean.
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MÉNDEZ ALONZO, Manuel. "Natural Liberty and Transference of Sovereignty in William of Ockham." Revista Española de Filosofía Medieval 20 (October 1, 2013): 57. http://dx.doi.org/10.21071/refime.v20i.6005.

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The objective of this works in to analyze the conditions of transference of sovereignty and the concept of natural liberty in William of Ockham. Firstly, I briefly explain some antecedents of the conflict of ‘investidures’. Secondly, I will show that Ockham advanced the existence of a set of natural rights hold by the community. This permitted to argue against the Papal interference in the secular sphere, but also to set limits to the emperor himself and grant the individual with natural rights. Thirdly, I explain the differences between ius fori and ius poli and I suggest that Ockham did not provide point of contact between these laws, excepting in the case of liberty. Finally, I revise briefly Ockham’s term translation imperii.
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Gonçalves Filho, Carlos Antônio Pereira. "Livrinhos que eram verdadeiros tesouros: leituras para crianças no Brasil imperial." Revista HISTEDBR On-line 11, no. 42 (August 5, 2012): 200. http://dx.doi.org/10.20396/rho.v11i42.8639875.

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Este artigo apresenta uma breve análise de duas obras voltadas à educação do público infantil durante o século XIX: o Tesouro de Meninas e o seu congênere, o Tesouro de Meninos. Publicados originalmente na Europa, estes livros ajudaram a difundir modelos de comportamento para os/as filhos/as das camadas médias e altas da sociedade brasileira do Império. O conteúdo dessas obras mesclava lições de história, geografia e ciências naturais com lições de ordem moral constituindo um compêndio de conhecimentos gerais para uso nas escolas e na educação doméstica. Os textos destes livros foram compostos no formato de diálogos em que um personagem adulto ensina às crianças as regras do bem viver dentro e fora de casa. Como recursos didáticos, estes livros se valiam de contos, fábulas e biografias de celebridades históricas, de modo a introjetarem nos/as pequenos/as leitores/as os exemplos de conduta que deveriam seguir. Através de suas páginas, meninos e meninas deveriam aprender, assim, a representar os papéis sociais almejados por seus progenitores numa sociedade organicamente constituída.
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LEÃO, Gabriel Bertozzi de Oliveira e. Sousa, and Cássia Geciauskas SOFIATO. "A Educação de Cegos no Brasil do Século XIX: Revisitando a História." Revista Brasileira de Educação Especial 25, no. 2 (June 2019): 283–300. http://dx.doi.org/10.1590/s1413-65382519000200007.

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RESUMO: O Imperial Instituto dos Meninos Cegos foi a primeira instituição escolar fundada no Brasil, no Rio de Janeiro, voltada à educação de pessoas com deficiência visual, provendo o ensino primário, musical, profissional e alguns ramos do ensino secundário. O objetivo desta pesquisa é apresentar e analisar a estrutura organizacional do Imperial Instituto dos Meninos Cegos, fundado em 1854, que utilizava o método simultâneo de ensino e esteve sob a proteção direta do Imperador até a queda da monarquia. Para tal, este trabalho consiste em uma pesquisa documental (Gil, 2002), realizada com base em fontes primárias localizadas no Arquivo Nacional, na Biblioteca Nacional, no Almanak Laemmert e em fontes bibliográficas, tais como: Aranha (2006), Araújo (1993), Jannuzzi (2004), Mazzotta (2001), Penna (2008), Veiga (2007) e Zeni (1997, 2005). O recorte geográfico e temporal da pesquisa dá-se no Rio de Janeiro, durante a segunda metade do século XIX, momento que nasceu a primeira instituição de ensino para a pessoa com deficiência visual na capital do Império. As fontes primárias analisadas constituíram-se, principalmente, por relatórios dos gestores do Instituto e dos Ministros e dos Secretários dos Negócios do Império, responsáveis pelo acompanhamento da educação. O Imperial Instituto dos Meninos Cegos instituiu as bases para a educação dos cegos no Brasil e, apesar de dar certa autonomia e proporcionar o desenvolvimento intelectual de seus alunos, fora criticada pelo seu caráter asilar, assumido por meio de suas práticas ao longo da história.
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Luo, Weiwei. "Money and Future in Late Ming China." Explorations in Renaissance Culture 45, no. 1 (April 25, 2019): 50–70. http://dx.doi.org/10.1163/23526963-04501004.

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Chinese imperial dynastic time represented the cyclical change of regimes with a naturalized moral order. A linear lineage time and synchronic communal time were often eclipsed by the more ritually visible and well-documented cyclical imperial time. The dawn of China’s “silver century” (1550–1650,) however, disrupted the cyclical temporality of the dynasties and revealed other time-orders that had been usually subsumed under the dynastic time. Late Ming China (fifteenth to early seventeenth century), like many parts of Europe in the early modern period, experienced commercial accumulation, competitive consumption, desire for capital, reformulation of norms and traditions, bringing China into a globalized world historical process. This change in economy brought to the fore the many layers between imperial dynastic time and that of the individual. Money also influenced existing philosophies of past and future, as well as techniques of prognostication. Manipulation of the future often took the form of calculation of good deeds inspired by accounting. In short, money transformed what we can call “the practice of future” in two ways. First, it reemphasized the importance of linear lineage time instead of dynastic time through emphasizing the longevity of descendants and fortunes in the afterlife. Second, through the discussion of capital acquisition and the popularization of accounting, it also introduced “balance” into temporality through the discourse of just and unjust accumulation, allowing a synchronized and more egalitarian communal time to disrupt lineage time.
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Da Silva, Cristhian Teófilo. "Bagagens conceituais: Aboriginalidade, etnicidade e nacionalidade nas antropologias de Robert Paine e Roberto Cardoso de Oliveira." Interfaces Brasil/Canadá 18, no. 2 (September 1, 2018): 32. http://dx.doi.org/10.15210/interfaces.v18i2.13957.

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Este artigo aborda os trabalhos de dois antropólogos, Robert Paine (1926-2010) e Roberto Cardoso de Oliveira (1928-2006), para analisar qual perspectiva ambos construíram para fazer antropologia fora dos contextos nacionais onde atuaram inicialmente. No caso de Paine, acompanharemos o movimento dos conceitos de aboriginalidade e autenticidade em perspectiva comparada pelo mundo imperial britânico, enquanto Cardoso de Oliveira irá “transculturar” suas reflexões seminais sobre ideologias étnicas desenvolvidas entre os povos indígenas para a Catalunha na Europa. Ambos casos implicam reposicionamentos ou viagens conceituais do sentido comum de “etnicidade” como tropo demarcador das alteridades não-ocidentais entre as bordas do continente americano e as fronteiras da Europa.
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Huber, Valeska. "Pandemics and the politics of difference: rewriting the history of internationalism through nineteenth-century cholera." Journal of Global History 15, no. 3 (November 2020): 394–407. http://dx.doi.org/10.1017/s1740022820000236.

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AbstractThis article revisits the origins of internationalism in the field of health and shows how the cholera epidemics of the nineteenth century, much like the current coronavirus crisis, brought global differences such as social inequalities, political hierarchies, and scientific conflicts to the fore. Beyond drawing parallels between the cholera epidemics and the current crisis, the article argues for combining imperial and social histories in order to write richer and more grounded histories of internationalism. It explores this historiographical and methodological challenge by analysing the boardrooms of the international sanitary conferences, Middle Eastern quarantine stations catering for Mecca pilgrims, and ocean steamships aiming to move without delay during a worldwide health crisis.
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Torres Lima, Maria Jose. "A ORIGEM DA EDUCAÇÃO DOMÉSTICA EM SERGIPE: DO IMPÉRIO À REPÚBLICA." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 4, no. 2 (February 17, 2023): e422787. http://dx.doi.org/10.47820/recima21.v4i2.2787.

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O presente artigo encontra-se no campo da História da Educação e tem por finalidade situar a educação doméstica na sociedade sergipana durante o Império e início da República. Para isso, fora realizada análise documental e bibliográfica. Para fundamentar a análise histórica, considerou-se o contexto sócio-político que conformaram as sociedades sergipana e brasileira, momento em que se vivenciavam as mudanças sociais, políticas, econômicas e educacionais devido a transição do sistema Imperial para o Republicano. Nossa hipótese é que fragilidade e os ensaios de instalação da ordem educativa pública estatal apresentada em Sergipe mantiveram e deram sobrevida à modalidade de educação realizada no espaço privado da casa.
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Zhao, Xin. "A review on China’s soft power projection through its transnational media institutions: Conveying discourse of economic responsibilities in media ‘going-out’." for(e)dialogue 1, no. 1 (March 16, 2016): 27–39. http://dx.doi.org/10.29311/for(e)dialogue.v1i1.530.

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This conference paper provides a systematic review of previous literature on China’s media ‘going-out’ project, one of China’s soft power initiatives. The project was launched to mainly counteract the media imperialism and the China threat theory, and disseminate China’s responsible power claim, the core value of China’s soft power practice. Particularly, China tries to portray its responsibilities in economy. But it is under-studied how China’s transnational media represent China’s responsible power claim during the media ‘going-out’ project. It is necessary to bridge this academic gap by examining relevant media texts and production procedures based on a comprehensive understanding of the Chinese conceptions of responsibility and the Western conceptions of China’s responsibility.
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Sen, Malcolm. "Risk and Refuge: Contemplating Precarity in Irish Fiction." Irish University Review 49, no. 1 (May 2019): 13–31. http://dx.doi.org/10.3366/iur.2019.0376.

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Financial speculation and capitalist accumulation leave spatial and temporal traces. When the waves of the global financial collapse reached Ireland and culminated in the extreme measure of the comprehensive state guarantee, the receding excesses of the Celtic Tiger revealed a landscape that was gentrified and alienating. The spectrality of the ghost estates of Ireland became a synecdochal signifier of Ireland's ignominious fall from the podium of neoliberal grace and the focus of both popular lament and critical intervention. This essay provides a deferred assessment of the uncanniness of dwelling in post-Celtic Tiger Ireland by concentrating on the socioecological fallout of ruins and the longterm casualties of land speculation: that is, transformations of landscape into real estate, and of place into property. Reading Ireland's ghost estates as ‘imperial formations’ that ‘register the ongoing quality of processes of decimation, displacement, and reclamation’ – to use Ann Laura Stoler's term – the essay brings to the fore questions of dwelling and homeliness that suggest more protracted imperial processes which ‘saturate the subsoil of people's lives and persist, sometimes subjacently, over a longer durée’. To demonstrate these arguments the essay will analyse works by Kevin Barry, Sara Baume, and Claire Keegan.
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Fantin Vescovi, Letícia. "Letramento e recitação na Roma Imperial." CODEX – Revista de Estudos Clássicos 2, no. 2 (December 5, 2010): 103. http://dx.doi.org/10.25187/codex.v2i2.2813.

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<div class="page" title="Page 103"><div class="layoutArea"><div class="column"><p><span>Atualmente, o paradigma de leitura é a prática individual e silenciosa. Entretanto, longe de ser o único modelo possível, não era nem mesmo a principal forma de leitura na Antiguidade. O texto não existe fora de uma materialidade que, se no paradigma atual é um objeto impresso, foi, durante muito tempo, uma forma de transmissão ligada às práticas da oralidade. No mundo romano, a principal forma de circulação do texto literário era a recitação, que ocorria sob diversas formas: recitações privadas ou públicas, concursos literários em que o texto era julgado a partir de uma leitura em voz alta, e mesmo a recitação quando da própria composição do texto. Procuramos, então, resgatar as práticas de leitura da sociedade romana através dos textos poéticos legados por ela e conhecer seus protocolos de leitura no momento em que a cultura escrita alcançou sua máxima expansão, os séculos I e II d.C. </span></p><div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><strong>Literacy and recitation in the Roman Empire </strong></p><p><strong>Abstract </strong></p><p><span>In our modern societies, the paradigm of reading is individual and silent. However, far from being the only one possible, this wasn</span><span>’</span><span>t even the main form of reading in the Ancient times. The text doesn</span><span>’</span><span>t exist outside its materiality, and, if the current standard is the printed object, it was, for a long time, a form of transmission connected to practices of orality. In the Roman world, the main form of circulation of the literary text was the recitation, which happened in various ways: public or private recitations, literary contests where the text was judged from an oral performance, and even recitation when the text was been produced. We aim at observing the reading practices of the Roman society through poetic texts and at getting to know the reading protocols of that society at the moment when the maximum expansion of the written culture is achieved, i.e., the first and second centuries AD. </span></p><p><span><strong>Keywords:</strong> Recitation. Orality. Literacy. History of reading. Roman Empire </span></p></div></div></div><p><span><br /></span></p></div></div></div>
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