Journal articles on the topic 'Folkloristé'
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1
Pisk, Marjeta. "Folkloristika in kritično preučevanje dediščine." Svetovi: revija za etnologijo, antropologijo in folkloristiko 1, no. 1 (February 28, 2023): 82–96. http://dx.doi.org/10.4312/svetovi.1.1.82-96.
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Članek prevprašuje presečišča folkloristike ter kritičnih dediščinskih študij, ki jih lahko folkloristke in folkloristi tvorno sooblikujejo. Izpostavljeno je dediščinjenje tistih folklornih fenomenov, katerih kontinuiteta je bila spodbujena s strokovnimi intervencijami. Na primeru vpisa metliških vuzemskih plesov in iger v Register nesnovne kulturne dediščine je prikazana vloga folkloristk in folkloristov tako pri raziskavah samega historičnega fenomena kot tudi v sodobnih dediščinskih postopkih.
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Zhang, Juwen. "Where Were/Are Asian American Folklorists?" Journal of American Folklore 136, no. 540 (April 1, 2023): 199–211. http://dx.doi.org/10.5406/15351882.136.540.04.
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Abstract The establishment of the American Folklore Society (AFS) and the Journal of American Folklore (JAF) in the 1880s was in the midst of a series of federal laws excluding Chinese people from entering the United States, along with a wave of scientific racism that was also pervasive in American society. While Asian Americans and their folklore were not included in the goals of AFS, there was a voice to consider the Chinese American customs as part of American folklore even in 1890. The fact, however, is that in the first 60 years of JAF, there was no publication by an Asian American folklorist in today's sense. So, where were and are Asian American folklorists? How do we understand the invisibility, untellability, and absence of Asian American folklorists in American folklore studies? This essay addresses these questions by revisiting some publications in the first decade of JAF and engaging with some current discourse on folkloristic reconstruction.
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Петрова, Наталья Сергеевна. "Folklore Brands of Local Tourism: Folklorism Without Folklorists." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 1 (April 24, 2021): 76–84. http://dx.doi.org/10.26158/tk.2021.22.1.006.
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Статья посвящена вопросу фольклорного брендирования территорий на примере проекта «Рязань - новогодняя столица России-2020». В праздничных мероприятиях участвовали локально приуроченные персонажи: Рязанский Косопуз, Авдотья Рязаночка, Забава Путятишна и Евпатий. На материале онлайн-дискуссий и отзывов посетителей были проанализированы реакции внешнего и внутреннего потребителя (приезжих туристов и местных жителей) на такого рода аттракции. Для сопоставления привлекались данные экспресс-экспедиции в Рязань 2019 г., в рамках которой проводилось интервьюирование и анкетирование горожан, позволившие выявить значимые для рязанцев историко-фольклорные фигуры. Автором затронута проблема «порчи поля» и влияния «экскурсионного фольклора» на живую традицию, а также затронут вопрос вторичной фольклоризации «сказочных» туристических объектов и возможность включения их в актуальные городские практики. This article examines the issue of the folklore branding of territories, taking as its example the project “Ryazan - the New Year’s Capital of Russia-2020.” As part of the project, local notables (Ryazan Kosopuz, Avdotya Ryazanochka, Zabava Putyatishna and Evpatiy) took part in festive events. The article analyzes the reactions of visiting tourists and local residents to these events on the basis of online discussions and visitors’ reviews. The data from an “express expedition” to Ryazan in 2019 made it possible to identify historical and folkloric figures significant for Ryazan residents and was also used for comparison. The author considers the problems of “tainting the field [evidence]” and the influence of “excursion folklore” on the living tradition. She also touches upon the issue of the secondary folklorization of “fairytale” tourist sites and the possibility of considering them as part of actual urban practices.
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Camp, Charles. "Public Folklife Programming: Notes Toward A History." Practicing Anthropology 7, no. 1-2 (January 1, 1985): 6–8. http://dx.doi.org/10.17730/praa.7.1-2.xrk28446m7534026.
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A recent conference on public folklife programming, organized by Pennsylvania folklorist, Shalom Staub, served as the occasion for professional folklorists, along with colleagues and sponsors from government and non-profit organizations, to reflect upon more than ten years of folk cultural research and presentation at the state level. The conference focused chiefly upon contemporary activities and their attendant problems: documentary methods, folklore and public education, craft marketing, and ethics in field research. Yet the frequency with which participants summoned past experience to define and solve the current problems of professional folklorists working in state and regional programs led to a reassessment of the field's historical development.
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Kadžytė, Gražina. "Assiduous Folklore Worker." Tautosakos darbai 57 (June 1, 2019): 224–34. http://dx.doi.org/10.51554/td.2019.28435.
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In 2019, the 100th anniversary of the famous Lithuanian folklorist Ambraziejus Jonynas (1919–2006) is celebrated. This publication gives a detailed survey of his biography, scholarly works and public activities. The main research interests of Jonynas comprised the folklore historiography. Besides, he edited or co-authored a number of the most important collective theoretical works by the Lithuanian folklorists and folklore publications printed in the second half of the 20th century.
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Vakhnina, Larysa. "HELENA KAPEŁUŚ UKRAINIAN STUDIES." Polish Studies of Kyiv, no. 37 (2021): 107–14. http://dx.doi.org/10.17721/psk.2021.37.107-114.
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The article is devoted to the comparative studies by Professor Helena Kapełuś, a famous Polish literary scholar and folklorist of the second half of the 20th century. The Institute of Literary Criticism of the Polish Academy of Sciences (she headed Folk Literature Department there) was constantly supporting scientific cooperation with folklorists and Slavists from M. Rylsky Institute for Art Studies, Folkloristics and Ethnology of the National Academy of Sciences of Ukraine. Helena Kapełuś’ scientific interests always included Ukrainian studies. Exploring Polish and Ukrainian ethnocultural borderlands, she focused on the figures of Zorian Dołęga-Chodakowski, Żegota Pauli and Oskar Kolberg and their academic works. It was no accident that Viktoriia Yuzvenko, Helena Kapełuś, Ryszard Górski and Ryszard Wojciechowski planned to issue all the works by Zorian Dołęga-Chodakowski and Ukrainian volumes by Oskar Kolberg. The Oskar Kolberg Institute in Poznań was also given great importance. The article emphasizes that Helena Kapełuś partnered with Anton Serednicki (the well-known translator and editor of the annual Ukrainian Calendar in Poland), as well as with the Ukrainian language edition Our Culture. A lot of her Ukrainian studies have been published in Ukrainian namely in these Polish editions. Helena Kapełuś considered the both peoples’ common heritage in the context of cultures dialogue, thus contributing to the development of Ukrainian and Polish cultural and scientific relations. Therefore, the role of Ukrainian studies in folkloristic activity and scientific work of this researcher deserves to be examined comprehensively.
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Kropej Telban, Monika. "Istrian Narrative Folklore in Studies by Maja Bošković-Stulli and Milko Matičetov." Narodna umjetnost 60, no. 2 (December 19, 2023): 63–78. http://dx.doi.org/10.15176/vol60no204.
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This article is dedicated to the memory of Croatian eminent folklorist, Maja Bošković-Stulli, who dedicated much of her research to Istrian narrative folklore. She was one of the leading folklorists of the second half of the 20th century and a contemporary of Slovenia’s Milko Matičetov, another exceptional folklorist and field researcher. Together, they are responsible for the collection of Istrian narrative folklore and studied the role which narratives had in the lives of Istrian people. The proximity of different ethnic groups in this territory led to the diversity and richness of narrative culture and folk storytelling up to this day. This article discusses some examples of narrative culture from Slovenian and Croatian Istria from the point of view of vital shifts and changes that can be traced through different historical periods until today.
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Hajduk-Nijakowska, Janina. "The folklore studies context of oral history." Wrocławski Rocznik Historii Mówionej 13 (November 3, 2023): 8–25. http://dx.doi.org/10.26774/wrhm.328.
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Folkloristic studies of oral histories in colloquial circulation emphasize the value of narrative oral sources (direct transmission), as they enable qualitative analysis of narrative interviews, subsequently used by various scholarly disciplines. The experiences of folklorists significantl facilitate and enrich the interpretation of the processes of formation and functioning of cultural communities and, above all, allow one to discern reasons for the qualitative differences in such interpretations, the differences ascribable to the contemporary context of reporting knowledge about past events.
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Early, James Counts, and Amy Horowitz. "Bernice Johnson Reagon—In Celebration of Her Eightieth Birthday (October 4, 1942): A Preliminary Inquiry and Invitation to New Generations of Activist Scholars for Further Research." Journal of American Folklore 136, no. 539 (January 1, 2023): 75–95. http://dx.doi.org/10.5406/15351882.136.539.04.
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Abstract Dr. Bernice Johnson Reagon is a groundbreaking contributor to the field of folklore studies. Reagon's career as a historian, folklorist, ethnomusicologist, founding participant in the Association of African and African American Folklorists, and founder and director of the Smithsonian Institution's Program in Black Culture provides a body of scholarly perspectives and interpretations for folklore studies that encompasses community-based renditions of history, public culture, and deeper theorizing about the construct of authenticity in folklore studies. Her significance to folklore studies is yet to be examined in depth, and this article is a call to the field to do so.
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Treija, Rita. "A Folklorist in the Soviet Spotlight." Journal of Ethnology and Folkloristics 13, no. 2 (December 1, 2019): 16–32. http://dx.doi.org/10.2478/jef-2019-0011.
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Abstract The article seeks to illuminate the ideologically motivated circumstances of Latvian folklore studies during the period of unconditional Soviet totalitarianism. With the strengthening of the Soviet occupation regime in Latvia in the late 1940s, many interwar folklorists became victims of ideologically motivated disdain and subsequent career limitation. ‘Bourgeois’ scholarship and the methods applied in folklore studies during the interwar period were denounced and recognised as harmful to the new Soviet order. The central part of the article presents a case study of one individual folklorist of the time, Anna Bērzkalne (1891–1956). Both increasing criticism of Bērzkalne’s folklore research approach (the historical–geographical method) and her efforts to accommodate the requirements of the Soviet regime have been analysed.
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Horigan, Kate Parker. "Narrating Objects and Temporality in Postwar Bosnia." Narrative Culture 11, no. 1 (March 2024): 30–50. http://dx.doi.org/10.1353/ncu.2024.a928439.
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Abstract: Building on Henry Glassie's assertion that "tradition is the creation of the future out of the past" (1999), folklorists have looked to tradition to see how people remember conflicted pasts and build hopeful futures. I extend this thread of scholarship, focusing on how three women use traditional skills—including gardening, sewing, cooking, and knitting—to reckon with the complexities of past, present, and future lives disrupted by the Bosnian war. Their understanding of temporality, as it emerges in their engagement with narrated landscapes and materials, is richly layered and raises questions about durability, ephemerality, affect, and folkloristic conceptions of tradition.
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Bronner, Simon J. "Inspirational Insights: The Problematic Vernacular." Journal of Ethnology and Folkloristics 16, no. 2 (December 1, 2022): 1–15. http://dx.doi.org/10.2478/jef-2022-0010.
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Abstract Although many disciplines dropped the use of “vernacular” in the 21st century because of the term’s connotations of primitivism, classism, and marginalization arising from 19th-century colonialism, the term has risen in usage among folklorists and ethnologists in the early 21st century. Three distinct streams of usage are identified and analyzed for their nuanced meaning: linguistics, religion, and architecture. Folkloristic and ethnological usage is traced to concern whether ‘vernacular’, despite its problematic historic context, is preferable to ‘folk’ as a modifier of areas of inquiry, many of which are into fluid, non-objectified categories such as belief, faith, and play. A rhetorical shift coinciding with social change from analog to digital communication is apparent to binaries of official/unofficial and formal/ informal in cultural analysis. A further and possibly fringe development has been an ideological strategy represented by the compound term ‘stigmatized vernacular’ that embraces rather than repudiates cultural hierarchy. The evaluation of the problematic adoption by 21st-century folklorists and ethnologists of ‘vernacular’ is that it reifies the very problems that the users intended to resolve.
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Konta, Rostyslav. "Ethnological research of Ivan Franko: historiography of the late 19th century." Ethnic History of European Nations, no. 64 (2021): 42–45. http://dx.doi.org/10.17721/2518-1270.2021.64.05.
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The article covers the historiography of the late of ХХth century concerning ethnological activity of I. Franko. In this period are formed the basic approaches to assessing the scientific heritage of the scientist as an ethnographer and folklorist. In the literature at this time the basic approaches to an estimation of scientific activity of I. Franko are formed. At the same time, his ethnological scientific achievements are not always properly evaluated. Exceptions can only be made to reviews of ethnographic and folkloristic research in printed editions of Shevchenko Scientific Society in Lviv. Given the diversity of scientific interests of the scientist and his active socio-political activities, the ethnological component of his scientific research was mostly out of the attention of researchers of his work. But in the late XIX century the first estimates of his ethnological and folkloristic activity are observed. At this time, the first assessments of Ivan Franko as a developer of methodological materials for recording ethnographic data, his work as an editor and compiler of ethnographic collections of materials and also as a collector of ethnographic monuments.
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Zhang, Juwen. "In Search of Hope amid Despair in Folklore of Epidemics." Journal of Folklore Research 60, no. 1 (January 2023): 3–26. http://dx.doi.org/10.2979/jfr.2023.a886957.
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Abstract: Facing the outbreak of an unprecedented pandemic, along with a disturbing sociopolitical environment, folklorists should and can reflect upon what we have done within our discipline and what we can contribute to the discourse and public understanding of such realities with folkloristic perspectives. This introduction intends to define the study of folklore of epidemics as a new research area, building upon the studies of disaster folklore and ethnic minority folklore. It also discusses issues of marginalization, minoritization, and invisibility in folklore studies as a reflection of systemic racism in folkloristics as well as in broader society where the victimization of minorities and low-income class during the COVID-19 pandemic has been ultimately exposed.
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Guiscafrè, Jaume. "Notes marginals a El cançoner popular de Mallorca." Ítaca. Revista de Filologia, no. 13 (December 15, 2022): 29–41. http://dx.doi.org/10.14198/itaca2022.13.02.
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En aquest treball s’analitzen i es contextualitzen les notes, les marques i les referències creuades que Rafel Ginard va deixar manuscrites en un exemplar del seu llibre El cançoner popular de Mallorca. Aquests epitextos de caràcter íntim ens ajuden a entendre quina percepció tenia l’autor sobre la seva obra i en certa manera posen l’èmfasi en algunes de les preocupacions fonamentals del folklorista mallorquí: el bon ús de la llengua i la depuració estilística, l’apreciació del folklore com a fenomen cultural i social i de la tasca científica dels folkloristes, la configuració de la poesia oral mallorquina i la voluntat de deixar testimoni del seu propi passat per mitjà de les memòries personals.
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Samper Prunera, Emili. "Segadors i anarquistes: a propòsit d’una nova lletra per a l’himne." Ítaca. Revista de Filologia, no. 13 (December 15, 2022): 43–60. http://dx.doi.org/10.14198/itaca2022.13.03.
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L’any 1899 La Nació Catalana va convocar un concurs per canviar la lletra de l’himne Els Segadors. Aquesta iniciativa va ser rebutjada frontalment per l’Agrupació Folklòrica que considerava que es malmetia una cançó popular. Aquest rebuig va ser compartit per reconegudes personalitats de l’època, entre les quals s’hi troben folkloristes com Francesc Maspons i Labrós o Cels Gomis. Tot i el rebuig mostrat, Gomis va redactar una nova lletra per a l’himne que no va enviar mai i que s’ha conservat al seu fons personal. En aquest article es ressegueix aquest episodi polèmic, amb les reaccions suscitades a la premsa, i es recupera la proposta de lletra per a l’himne que aquest folklorista no va arribar a publicar mai.
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Åström, Anna-Maria. "Budkavlen 2003." Budkavlen 82 (June 13, 2023): 5–10. http://dx.doi.org/10.37447/bk.130632.
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Årets tema för Budkavlen är det forskningsmaterial etnologer och folklorister samlar in och bearbetar. Svenska litteratursällskapets traditionsvetenskapliga nämnd anordnade 2002 ett seminarium där frågelistmetoden stod i fokus och tanken var att Budkavlen kunde utgå från de föredrag som då hölls. Så har också gjorts, men många andra bidrag finns med som processats i andra sammanhang. Här kan t.ex. nämnas den forskarutbildning som vid Åbo Akademi ges i form av kursen Människovetenskapernas filosofi ledd av professor Lars Hertzberg och doc. Olli Lagerspetz. Temat för vårterminen 2003 var att förstå det främmande. Tre artiklar har ventilerats vid proseminarier i folkloristik och etnologi vid Åbo Akademi.
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Simonič, Peter, Veronika Zavratnik, and Mirjam Mencej. "Uvodnik." Svetovi: revija za etnologijo, antropologijo in folkloristiko 1, no. 1 (February 28, 2023): 8–13. http://dx.doi.org/10.4312/svetovi.1.1.8-13.
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Prva številka revije Svetovi prinaša prispevke slovenskih folkloristov in folkloristk, ki so decembra 2021 sodelovali na drugi bienalni slovenski folkloristični konferenci z naslovom Aktualne raziskave v slovenski folkloristiki, ki jo je na Oddelku za etnologijo in kulturno antropologijo organizirala Mirjam Mencej. Po konferenci so bili nekateri raziskovalci in raziskovalke, ki se ukvarjajo s slovstveno folkloro, ljudsko glasbo in plesi ali pa pomembno prispevajo k njihovemu ohranjanju in širjenju ter zavedanju njihovega pomena, povabljeni, da za potrebe revije napišejo izvirna znanstvena oziroma strokovna dela. Številka prinaša devet prispevkov, ki si zastavljajo zelo različna raziskovalna vprašanja ter obravnavajo različne vrste in žanre folklore – od pripovedne in pesemske folklore, do kratkih folklornih obrazcev in ljudskih plesov, od pravljic, povedk, pesmi, do pregovorov in frazemov.
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Cid, Jesús Antonio. "Folkloristas asturianos: Aurelio de Llano." Disparidades. Revista de Antropología 46, no. 1 (April 24, 2020): 39. http://dx.doi.org/10.3989/rdtp.1991.v46.i1.226.
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Aurelio de Llano (1868-1936) fue uno de los folkloristas y etnógrafos más importantes con que ha contado el estudio de la cultura tradicional asturiana en este siglo. Su mérito radica especialmente en la intensidad y amplitud del trabajo de campo que realizó en la década de 1920. En este artículo se intenta ofrecer una panorámica general de su obra como folklorista. A la vez, se reconstruye el proceso de elaboración de sus principales libros, según puede seguirse a través de la correspondencia -muy copiosa- de Llano con Ramón Menéndez Pidal. Especial atención se dedica a sus aportaciones al conocimiento del Romancero tradicional en Asturias. Por último, intentamos trazar una semblanza de la personalidad humana de Llano, en la medida en que ésta condicionó, positiva o negativamente, su labor como estudioso de la cultura popular.
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Sordi, Italo. "Cherubini folklorista." La Ricerca Folklorica, no. 26 (October 1992): 9. http://dx.doi.org/10.2307/1479826.
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Kozar, Lidiia. "Folkloristic Heritage of Tadei Rylskyi in the Research of Oleksii Dei." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 68–74. http://dx.doi.org/10.15407/mue2021.20.068.
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The article is about the revering two outstanding folklorists – Tadei Rylskyi and Oleksii Dei – memory. The 180th anniversary of T. Rylskyi’s birthday has been celebrated on January, 2 2021. There is the centenary of O. Dei birthday on March, 30 2021. The scientists are separated with a distance of 80 years. And for hard work, for sincere devotion to Ukrainian science, Folkloristics in particular, they stand at the same high level before our generation. The relevance of the chosen topic is determined by the need for a deep understanding of their folkloristic and ethnographic heritage, which will serve the creation of an objective concept of the process of historical development of Ukrainian science on folk art. During his lifetime O. Dei has prepared and published more than 400 scientific works in the fields of Folkloristics, Literary Science, History of Journalism, etc., and almost 50 separate book editions. The authoress of the article aims to consider the published works of O. Dei devoted to the study of the folkloristic and ethnographic heritage of T. Rylskyi. Two published works of O. Dei should be distinguished among the research works on the figure of Tadei Rylskyi. These are Songs from Romanivka in the Records of Tadei Rylskyi and Mykola Lysenko (1975); Songs from Romanivka (1970), prepared on the basis of archival materials. It is ascertained, that the folkloristic heritage of T. Rylskyi and his life path are considered in those studies; the analysis of his handwritten collection of songs is carried out; archival song recordings by T. Rylskyi are published for the first time with musical material prepared by S. Hrytsa. In O. Dei opinion, a real merit of T. Rylskyi consists in the fact he has proceeded from democratic positions in the coverage of the people’s life, relying on the solid foundation of folk art. T. Rylskyi has become a pioneer on the path of the spiritual revival of Ukrainianhood. His service to the interests of the people is an example for millions of followers. Folkloristic heritages of Tadei Rylskyi as well as the researcher Oleksii Dei have enriched Ukrainian Folkloristics with famous monumental works of various trends.
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Koval-Fuchylo, Iryna. "Folkloristic Studies of the Oral Historical Narratives." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 75–81. http://dx.doi.org/10.15407/mue2021.20.075.
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Folkloristic approaches to the study of oral historical memories are analyzed in the article. The attention of scholars from various humanities to oral history is caused by its informative, aesthetic, sociological potential, as well as the aspiration for the voice returning to a common person, change of approaches to the study of memory and subjectivity. In the post-Soviet reality, it is important to discover the silent, forbidden topics, a peculiar at least partial rehabilitation of those citizens, social strata who have been offended by the totalitarian epoch. Folkloristic experience is important in the ways of information gathering, analysis of folklore about a particular historical event, tracking communicative patterns that affect all oral evidences, especially recorded over some time distance. People tend to verbalize their thoughts, feelings, experiences according to certain schemes, laws, norms, canons, dominant ideas that exist in society at the time of recording. In addition, linguistic patterns and ready-made, stereotyped formulas, patterns form a canvas of reminiscence. Knowledge of traditional world-views and ideas of the tradition bearers helps the folklorist to reveal typical ways of nomination, unification of oral historical narratives, mechanisms of subject selection. Good erudition of the scholars about folk beliefs makes it possible to identify changes in the folk world outlook under the influence of various factors. Researchers of the oral folk word find out the ways and mechanisms of nomination, selection of topics, strategies of self-presentation, detect generalized, folklorized fragments.
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Mira, Maria Celeste. "ENTRE A BELEZA DO MORTO E A CULTURA VIVA: a(s) cultura(s) popular(es) na virada do milênio e seus mediadores simbólicos." Caderno CRH 29, no. 78 (August 23, 2017): 427–42. http://dx.doi.org/10.9771/ccrh.v29i78.19995.
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O objetivo do artigo é contribuir para o debate sobre o tema da “cultura popular”, abraçado na universidade por diferentes disciplinas como a Antropologia, a História, a Literatura, a Sociologia e outras. Trata-se de um conceito que, apesar de sua extrema ambiguidade, quando menos se espera, volta a nos interrogar. Considerando o ressurgimento do interesse pelas práticas relacionadas a essa noção, no final do século XX, o texto tenta responder, em que medida elas a transformaram mais uma vez. Partindo do princípio de que o conceito de cultura popular é formulado por intelectuais, como mediadores simbólicos entre as classes populares e outros grupos de interesse, a metodologia adotada foi o estudo dos agentes culturais atualmente envolvidos com a questão, a saber: os próprios folcloristas, as ONGs, gestores culturais do Estado e grupos informais na cidade de São Paulo. Após o exame de algumas práticas e crenças dos novos intelectuais da cultura popular, conclui-se haver mudanças relevantes em relação ao período folclorista, embora vários traços do velho conceito resistam ao tempo e mesmo se fortaleçam com sua associação à causa da “diversidade cultural”.BETWEEN THE BEAUTY OF THE DEAD AND THE LIVING CULTURE: the popular culture(s) in the turn of the millennium and its symbolic mediatorsThe objective of this article is to contribute with the debate about the subject of “popular culture”, studied in the Academia by different disciplines such as Anthropology, History, Literature, Sociology, among others. It is a concept that, besides its extreme ambiguity, when least expected makes us question ourselves again. Considering the resurgence of the interest in practices related to this concept by the end of the 20th century, this text aims to answer in which measure this concept was once again transformed. Starting at the principle that the concept of popular culture is formulated by intellectuals, the methodology used was the study of cultural agents involved with this question which include folklorists, NGOs, State cultural managers and informal groups of the city of São Paulo. After the examination of some practices and believes of the new intellectuals of the popular culture, it is concluded that relevant changes have occurred since the folklorist period, although some traces of the old concept resist the passing of time and get stronger with the association with “cultural diversity”.Key words: Popular culture; Tradition; Brazilian culture; Cultural politics; Intellectuals ENTRE LA BEAUTÉ DU MORT ET LA CULTURE VIVANTE: la(les) culture(s) populaire(s) au passage du millénaire et ses (leurs) médiateurs symboliquesL’objectif de cet article est d’apporter une contribution au débat concernant le thème de la “culture populaire”, thème adopté à l’université par différentes disciplines telles que l’anthropologie, l’histoire, la littérature, la sociologie et d’autres encore. Il s’agit d’un concept qui, malgré son énorme ambiguïté, nous remet en question au moment où on s’y attend le moins. Compte tenu de la résurgence d’un intérêt pour les pratiques liées à cette notion à la fin du XXe siècle, le texte essaie de dire dans quelle mesure elles l’ont à nouveau transformée. En partant du principe selon lequel le concept de culture populaire est formulé par des intellectuels jouant le rôle de médiateurs symboliques entre les classes populaires et les autres groupes d’intérêt, la méthodologie adoptée fut d’étudier les agents culturels actuellement concernés par cette question, à savoir: les folkloristes eux-mêmes, les ONG’s, les gestionnaires culturels de l’état et les groupes informels de Sao Paulo. Suite à l’analyse de certaines pratiques et croyances des nouveaux intellectuels de la culture populaire, on en conclut qu’il y a eu des changements importants par rapport à la période folkloriste, même si plusieurs caractéristiques de l’ancien concept résistent au temps, ou encore se fortifient par leur association à la cause de la “diversité culturelle”.Key words: Culture populaire; Tradition; Culture brésilienne; Politiques culturelles-intellectuelles
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Kunej, Drago. "OBREDNE, NABOŽNE IN MRLIŠKE PESMI V PREPLETU Z LJUDSKIM IZROČILOM RITUAL, RELIGIOUS AND FUNERAL SONGS INTERWOVEN WITH THE FOLK TRADITION." Traditiones 48, no. 2 (June 28, 2019): 7–17. http://dx.doi.org/10.3986/traditio2019480201.
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Članek izhaja iz raziskav pri skupnem madžarsko-slovenskem projektu in predstavlja spoznanja študij, še posebej v povezavi z osrednjo tematiko, tj. mrtvečimi pesmimi v Prekmurju in Porabju. Mrtveče pesmi in tudi nekatere druge obredne in nabožne pesmi so bile do nedavnega deležne manjše pozornosti folkloristov in etnomuzikologov, zato so predstavljena nekatera spoznanja, nastala pri projektnem delu in ob širšem premisleku o obrednih, nabožnih in mrliških pesmih ter njihovem prepletanju z ljudskim izročilom.***The paper is based on the research carried out in the framework of a joint Hungarian-Slovenian project and presents the research results, especially in relation to the central research topic – dirges in Prekmurje and the Rába Valley. Previously, dirges and some other ritual and religious songs received scant attention from folklorists and ethnomusicologists. The paper thus presents some findings achieved by the project work and some broader insights into the ritual, religious and funeral songs, and the way they are interwoven with folk tradition.
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Искендерова, Суусар. "О вопросах фольклоризма в письменной литературе." Vestnik Bishkek Humanities University, no. 48 (July 1, 2019): 31–33. http://dx.doi.org/10.35254/10.35254/bhu.2019.48.7.
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Аннотация: Исследование проблемы фольклоризма является наиболее актуальной в современной науке о фольклоре. На разных этапах развития художественной литературы для формирования индивидуального творчества писателя особенно значимым становятся фольклорные жанры, сюжетные мотивы и художественные средства. В статье рассматривается связь письменной литературы и фольклора, особенно точка зрения проблеме фольклоризма в прошлом и их анализ. Термин «фольклоризм» начал использоваться советскими исследователями учеными как научный термин еще в 1930-х гг. Термин «фольклоризм» используется в различных сферах культуры, а в этой статье мы будем рассматривать в литературе. Несмотря на то, что на протяжении многих лет этот вопрос изучается литературоведами, фольклористами, все -таки нет единого теоретического определения понятия. Ключевые слова: фольклор, фольклоризм, литература, культура, письменная литература, художественная литература, оседлый народ, пословицы и поговорки, фольклорные песни. Аннотация: Көркөм адабияттын өнүгүүсүнүн ар кайсы баскычтарында сүрөткердин жеке чыгармачылыгынын калыптанышы үчүн фольклордук жанрлар, сюжеттер, мотивдер жана көркөм каражаттар айрыкча мааниге ээ. Макалада жазма адабият менен фольклордук карым-катышы, айрыкча фольклоризм маселеси жөнүндө мурдагы көз караштарга кайрылып, аларга талдоо жүргүзүү менен бирге автор өз байкоолорунда келтирет. “Фольклоризм” деген илимий термин 1930-жылы баштап колдонула баштаган. “Фольклоризм” термини маданияттын түрдүү сфераларында кеңири колдо- нулат, бул жерде адабияттагы колдонулушун каралат. Макалада адабий материал менен фольклордук байланышын терең түшүнүү үчүн адабий фольклоризм маселесинин талаштуу жактары каралат. Түйүндүү сөздөр: фольклор, фольклоризм, адабият, маданият, жазма адабият, көркөм адабият, көчмөн калк, макал-лакап, фольклордук ырлар. Annotation: The study of the problem of folklore is the most relevant in the modern science of folklore. At various stages in the development of fiction, folklore genres, plot motifs, and artistic means become especially significant for the formation of the writer's individual creativity. The article examines the relationship between written literature and folklore, especially the point of view of the problem of folklorism in the past and their analysis. The term "folklorism" began to be used by Soviet scholars as a scientific term back in the 1930s. The term "folklorism" is used in various fields of culture, and in this article we will consider in the literature. Despite the fact that for many years this issue has been studied by literary scholars, folklorists, all the same there is no single theoretical definition of the concept. Keywords: folklore, folklorism, literature, culture, written literature, fiction, settled people, proverbs and sayings, folk songs.
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Suprun-Yaremko, Nadiya. "Hryhorii Kontsevych’s Music-foikloristic activity." Ethnomusic 16, no. 1 (2020): 93–114. http://dx.doi.org/10.33398/2523-4846-2020-16-1-93-114.
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Musical and folkloristic activities of the Kuban activist Hryhorii Kontsevych, Ukrainian in origin, lasted for half a century under conditions of the Russian Empire, and from 1920 – Soviet totalitarian socio-political reality, of which he became the in- nocent victim in 1937, accused of being involved in the preparation of terrorist attack against Stalin. Kontsevych’ name o and his versatile activity as a chanter, folklorist, composer, teacher and organizer of music affairs in the Krasnodar Territory of the Russian Federation have been hushed up for 52 years (until 1989). In her paper, the author, as a native of the Krasnodar Territory and researcher of folk culture of the Ukrainians from Kuban, set out an objective to draw up a creative portrait of H. Kont- sevych and review his folklore collections and papers that were reprinted or found in the libraries and archives of Krasnodar with the support of the leader of Kuban Cossack Choir, folklorist, Honoured Artist of Russia, Ukraine and Adygea Viktor Zakharchenko. The paper draws up Kontsevych’s creative portrait, examines (based on republication of 2001) the entire corpus of arranged and published in 1904–1913 276 song and analyses the collection “Musical folklore of Adygei in the records by H. M. Kontsevych”, written shortly before his death, but first published in 1997. The research essay “Chumaks in folk songs” introduced to the scientific circulation. The research essay “Chumaks in folk songs” introduced to the scientific circulation. The conclusion is drawn up that it was exactly Hryhorii Komtsevych, who made the great- est contribution to the formation of Kuban musical folklore.
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Yusupboyevna, Karimova. "RESEARCH OF FOLKLORIST S.RUZIMBAEV IN PARTICULAR OF KHORAZM'S EPIC AND ITS PERFORMERS." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 11 (November 20, 2023): 11–19. http://dx.doi.org/10.58885/ijllis.v12i11.11ky.
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In the article, the role of folklore in expressing the aesthetic ideals of a particular nation in world literature is of particular importance, folk epics are an oral creative-artistic complex that reflects the historical and cultural development of mankind, and the arrival of this information over centuries. Necessary information about the contribution of folklorists to the study of its laws is presented. Therefore, it is emphasized that it is appropriate to consider folklore samples as an impartial source that brought the early artistic thinking of humanity to today's development. The gradual improvement of folklore genres, their specific characteristics, and the study of the principles of poetic imagery are among the current scientific problems in the focus of experts' attention. It is their skill that folklore samples created by our people over the centuries and polished due to the positive changes added by the potential of creative performers of each generation, their creative innovations, become the representatives of our national spirituality and traditions performers - thanks to the creativity of the Bakhshis. The achievements of the science of folklore are extremely important in educating the young generation in the spirit of respect and reverence for our traditions and values, instilling our national identity in their hearts. In this article, the author presents analytical thoughts about the singers of Khorezm epics – bakhshis, their genealogy and traditions of bakhshis, based on the researches of folklorist S. Rozimboyev. which epics are most skilfully sung in each school of bakshichik is shown in historical evidence and in practice. In today's era of globalization, understanding the patterns of human artistic thinking is extremely important for the development of world culture.
Keywords: world artistic thought, first folklorist, museologist, Khorezm epics, bakhshis, traditions of Bakhshis, schools of Bakhshis, genealogy of Bakhshis.
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Kucherskaya, M. A. "Wearing Folk Costumes as a Mimetic Practice in Russian Ethnographic Field Studies." Archaeology, Ethnology & Anthropology of Eurasia 47, no. 1 (March 28, 2019): 127–36. http://dx.doi.org/10.17746/1563-0110.2019.47.1.127-136.
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Wearing folk costumes was a mimicry practiced by certain mid-19th-century Russian ethnographers and folklorists. The most consistent of these was Pavel Yakushkin, who posed as a peddler when doing fi eld work in villages. In this he followed the instructions written by the famous writer, historian, and antiquary Mikhail Pogodin. The sources of Pogodin’s ideas on how a folklorist and ethnographer should look were the Slavophiles’ perception of the Russian costume, Alexander Pushkin’s habit of wearing a red shirt, as well as court jokes and folk legends about top-ranking persons wearing folk costumes. While the changing of clothes fi rst used by Yakushkin was later adopted by other ethnographers, such as Sergey Maksimov and Pavel Rybnikov, political reasons prevented it from spreading. Nevertheless, in the 1870s, at the peak of the movement of the Narodniki (Populists), using folk costumes re-emerged as a way of bringing the intelligentsia closer to the peasants and workers. The erosion and eventual disappearance of class boundaries in Soviet Russia made such ways of winning confi dence pragmatically irrelevant; however, wearing traditional folk costumes as a political gesture is meaningful even today.
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Bahna, Vladimír. "Memorates and memory. Reevaluation of Lauri Honko’s theory." Temenos - Nordic Journal of Comparative Religion 51, no. 1 (June 8, 2015): 7–23. http://dx.doi.org/10.33356/temenos.8783.
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This paper deals with the phenomena where culture and society influence the content of personal experiences. It confronts psychological knowledge about autobiographical memory and folkloristic theories associated with the concept of memorate – a personal experience narrative which is build upon a supernatural belief. Autobiographical memory is not a vessel in which static information is deposited and later recalled; rather it is a dynamic process of repeated construction and reconstruction of memories, which is subject to many internal and external influences. Ideas and concepts, widespread in society, dreams and beliefs, stories and experiences of others, can be, and often are incorporated into autobiographical memories. Similarly folklorists found out that memorates (personal experience narratives) often consist of traditional elements. The author of this paper argues that the theory of Lauri Honko regarding the formation and transmission of memorates (1964) largely coheres with psychological knowledge about autobiographical memory. This kind of social contagion of memory suggests a possibility for a specific form of cultural transmission of beliefs and concepts related to experiences.
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Greenhill, Pauline. "Magnùs Einarsson, (Folklorist)." Ethnologies 21, no. 1 (1999): 299. http://dx.doi.org/10.7202/1087784ar.
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Haxhihasani, Qemal. "Kontribut per bibliografine e folkloristikes shqiptare." Studime Filologjike, no. 3 (October 2, 2023): 193–225. http://dx.doi.org/10.62006/sf.v1i3.2955.
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Në kë të bibliografi janë përmbledhur materiale të folklorit gojor e muzikor, punime monografike, studime etj. të botuara nga autorë shqiptarë në vitet 1945-1968. Duke u nisur nga qëllimi për të pasqyruar rezultatet e arritura gjatë kësaj periudhe në folkloristikën shqiptare , në këtë bibliografi janë dhënë punimet, artiku jt etj. që interesojnë në një shkallë të gjërë folkloristikën tonë. Megjithatë, kjo nuk është një bibliografi e plotë, nuk permbledh çdo gjë që është shkruar për folklorin shqiptar në këtë periudhë. Kështu. nuk janë dhënë të gjitha informacionet kronikat etj. rreth veprimtarisë folklorike të zhvilluar në vendin tonë; është lënë jashtë ndon jë artikull me karakter të përgjithshëm etj. Nga materialet folklorike të botuara në raste përvjetorësh etj.. në pêrgjithësi. është pasur kujdes të mos jepen ribotimet. por janë zgjedhur kryesisht materialet e pabotuara a të shoqëruara me shënime. Nga veprimtaria letrare , artistike, muzikore e koreografike, nga veprimtaria e Ansamblit shtetëror të këngëve dhe të valleve popullore, lëvizja amatore dhe festivalet përkatëse janë dhënë punimet, artiku jt etj., që trajtojnë edhe problème të folklorit, pra që interesojnë drejtpërdrejt ose tërthora zi edhe shkencën folkloristike. P.sh. nga festivali folkloristik kombëtar i Gjirokastrës mbajtur në tetor 1968 (rreth të cilit janë botuar lart nga 100 artikuj, njoftim e etj.) janë përfshirë vetëm artikujt e botuar në organet e shtypit qëndror mbi shfaqjet përfundimtare, si edhe ndonjë njoftim me interes për festivalet në rrethe.
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Dahlig, Piotr. "Folklorism as an Invention of the State. Contributions of Polish Ethnomusicologists in Historical Perspective." Musicology Today 15, no. 1 (December 1, 2018): 17–31. http://dx.doi.org/10.2478/muso-2018-0004.
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Abstract Folklorism is presented as a component of culture change. The aim of the article is to show how ethno- and musicologists, folklorists, music teachers, broadcasters, and others, have influenced traditional peasant culture in times of fundamental transformation during the 20th century, and how they have contributed to its documentation, understanding and invention of new meanings, including the Polishness of folklore in Poland. This review aims to exemplify this process. Each European country has its own history in this respect. The text consists of three parts. In the first one, folklore is confronted with social history; the second one is dedicated to generations of ethnomusicologists; the third one is dedicated to contemporary functions of music traditions and the role of ethnomusicologists, with emphasis on applied ethnomusicology. The comments on applied ethnomusicology summarise the author’s experiences acquired during field research in Poland since 1975 and attempt to demonstrate how the past (of traditional culture and music, including re/invented national values) is being transformed in the present or, rather, how history fuses with the present time.
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Ladič, Branko. "Transformations of folklorism in 20th-century Slovak composition." Studia Musicologica 56, no. 4 (December 2015): 367–95. http://dx.doi.org/10.1556/6.2015.56.4.6.
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Folkloristic musical works played an essential role in the creation of a ‘Slovak idiom’ in classical music of the post-war period. From the simple arrangement of folk songs to a more autonomous art music (which may have been only partly influenced by folk traditions) there existed a broad spectrum of musical practices, including also film music and music for the professional ‘folk music ensembles’ that appeared after 1948. By referring to specific examples from this large body of music, I will show how composers worked with harmonic and poetic elements that were particular to folk music: my discussion of examples from the breadth of this music — including music for the film Zem spieva ([The land sings], music by F. Škvor), the ‘model’ compositions for the ensemble SĽUK (A. Moyzes) and, finally, the subjective folklorism of the avantgarde in the 1960s and 1970s — shows how Slovak composers worked under changing ideological influences to bring about an ‘ennobling’ of folk music.
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Simpson, Jacqueline. "Update: Folklorists and Anthropologists." Folklore 110, no. 1-2 (January 1999): 99–101. http://dx.doi.org/10.1080/0015587x.1999.9715988.
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Georges, Robert A. "The Folklorist as Comparatist." Western Folklore 45, no. 1 (January 1986): 1. http://dx.doi.org/10.2307/1499594.
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Roper, Jonathan. "Sternberg, the Second Folklorist." Folklore 125, no. 2 (May 4, 2014): 202–17. http://dx.doi.org/10.1080/0015587x.2014.890784.
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Vlach, John Michael. "Holger Cahill as Folklorist." Journal of American Folklore 98, no. 388 (April 1985): 148. http://dx.doi.org/10.2307/540437.
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Fiadotava, Anastasiya. "“Who sharpens the knives in my house?” Belarusian jokes about adultery at the turn of the 21st century." European Journal of Humour Research 6, no. 2 (June 23, 2018): 23. http://dx.doi.org/10.7592/ejhr2018.6.2.225.fiadotava.
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This paper is a tribute to Belarusian folklorist and ethnographer Uladzimir Sysou (1951-1997) whose extensive legacy includes collecting 139 jokes during his field research in southern Belarus in 1995. Due to his untimely death, these jokes and other folklore items remain unpublished and have, to my knowledge, not been noticed by folklorists. Half of the collected jokes focus on family relations, mostly the relationship between husband and wife. One of the most popular topics of these jokes is adultery. The joke texts show an ambiguous attitude of people towards it. While committing adultery is considered improper, not a lot of effort is made to conceal it. If (or rather, when) a case of adultery comes to light, it does not lead to any serious problems for either spouse in jokes. When studying these jokes, it is curious to place them in historical context and compare them to earlier, Soviet-era jokes about adultery. This study discusses why jokes about adultery in Sysou’s collection differed both quantitatively and qualitatively from adultery jokes found in Soviet collections. The study shows that the high prevalence of jokes on the subject in Sysou’s collection and the liberal attitude towards adultery manifested in them result largely from the decrease in self- and state censorship in Belarus in the early 1990s, set against a backdrop of value pluralisation triggered by the collapse of the USSR.
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Daugirdaitė, Vilma, and Rūta Pleskačiauskienė. "Ambraziejus Jonynas: the Bibliographic Index, 1937–2019." Tautosakos darbai 63 (July 11, 2022): 145–79. http://dx.doi.org/10.51554/td.22.63.08.
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This bibliographic index lists all published works by the Lithuanian folklore researcher Ambraziejus Jonynas (1919 02 02 – 2006 07 08), including his books, articles in research publications and encyclopedias, popular academic texts and information published in the dailies and cultural periodicals, compiled and edited publications, series of publications and books, where he was member of the editorial board. Publications about him and his research works are also included.
This bibliographic index should help understand and appreciate the Jonynas’ research biography and his role in the Lithuanian folkloristics. In addition, it is an important source for studies of the history of the discipline: the folklorist’s works present vivid illustration of what was relevant during his lifetime. Particularly hard pressure of the Soviet ideology characterized the first decade of Jonynas’ work in the field of folklore research (evident from the titles of the publications). Subsequent decades, during which the researchersʼ self-expression was still rather restricted, saw quite an intense editing of folklore source publications and other compilation works, in which Jonynas’ name also frequently appears: he compiled the publications, edited them or wrote the introductions. His individual research works that are still significant today were published in the late Soviet period. He analyzed interactions between literature and folklore, as well as the Lithuanian folklore historiography. He continued writing on these topics even later, after the restoration of the Lithuanian independence in 1990, giving considerable attention to the biographic facts of Lithuanian folklorists suppressed by the Soviets, and various issues that were important to the Lithuanian folkloristics and its history.
Jonynas felt an acute need and wish (or perhaps duty) to contribute to periodicals and cultural press. He used various occasions to introduce folklore collectors and researchers, discuss various issues of folklore survival, preservation, research and promotion. He also saw as his duty to remind of the important facts of the national culture, or at least briefly inform the society of folklorists’ achievements and plans.
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Stanonik, Marija. "Literary Folklorism." Fabula 37, no. 1-2 (January 1996): 71–86. http://dx.doi.org/10.1515/fabl.1996.37.1-2.71.
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Harasym, Yaroslav. "MYKHAILO HRUSHEVSKY AS A HISTORIAN OF UKRAINIAN FOLKLORE." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 33–36. http://dx.doi.org/10.17721/1728-2659.2023.34.06.
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The article highlights Mykhailo Hrushevskyi’s scientific views on the problem of historicism of the Ukrainian oral literature and periodization of folk songs. The scientific and critical reception of the historical literary strategies of the author, the essence of the main discussion questions addressed by the reviewers is clarified to the researcher. Based on the analysis of folkloristic volumes "History of Ukrainian Literature" and separate ethnological works of the scientist trace the formation of the methodological foundations of M. Hrushevskyi, a folklorist, established their conceptual affiliation to the positivist stage of Ukrainian cultural historical school, it was found that some of his research ideas corresponded to the provisions of the French school genetic sociology. The folkloristic development’s study of one of the most authoritative historians of the late 19th and early 20th centuries showed the scientific productivity of his conceptual considerations regarding the chronology of folklore phenomena and their application in further folklore studies. In the theoretical aspect, the problem of the relation between folklore and literature in the research from the point of M. Hrushevskyi is revealed, which is considered in two interwoven planes: 1) the origin of oral folk literature and its specifics; 2) the issue of common study of folklore and literature. It has been found that, using the inductive method in the interpretation of the folklore tradition, M. Hrushevskyi had critical attitude towards the extremes of comparativism and at the same time he deeply respected the research effectiveness of the historical-comparative method of studying and clarifying similarities and borrowings, as well as determining the national specificity of oral Ukrainian literature. As a scientist with a historical mindset, the researcher penetrates through the layers of centuries and millennia, presents a scientifically based chronology of the stages of the development of Ukrainian folklore, explains the theory of the origin of literature, tries to trace the oral literature before the Slavs’ settlement and after it, catches the echo of creativity of tribal times, researches and reconstructs army poetry.
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Bennett, Gillian. "Review Essay: Folklorists and Anthropologists." Folklore 108, no. 1-2 (January 1997): 120–23. http://dx.doi.org/10.1080/0015587x.1997.9715951.
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Le Gall, Laurent. "Un folklorisme de paradoxes : l’abbé François Duine." Port Acadie, no. 24-25-26 (October 31, 2013): 154–80. http://dx.doi.org/10.7202/1019131ar.
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L’itinéraire intellectuel de François Duine (1870-1924) ne dépare pas lorsqu’on le compare à ceux de ses contemporains qui, en embrassant la soutane, embrassèrent, en cette fin du dix-neuvième siècle marqué par l’affrontement des deux France, une dilection particulière pour le folklore. Science en cours de formalisation, le folklore fut, en effet, au tournant du siècle, un rameau de cette libido sciendi qui rassembla, dans une même quête d’exhumation et d’objectivation des cultures populaires, des intellectuels à l’ancrage essentiellement local. Dans le cadre d’une division du travail entre des savants de réputation nationale et des correspondants venant alimenter et leurs revues et leurs travaux, nombreux furent les prêtres qui, de par leur formation et leur connaissance endogène de la société dans laquelle ils évoluaient, constituèrent le vivier de ces folkloristes de second rang. Duine en fut une incarnation d’autant plus idéale-typique qu’il ne fut pas que cela : son folklorisme ne représenta en effet qu’un rameau d’une érudition gagée sur une volonté de comprendre le peuple dans son histoire, une histoire conçue à travers des traditions dont l’existence même attestait sa continuité et sa possible perpétuation.
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Ol’khovoy, Gleb. "Vladimir Gilyarovsky as a Folklorist." Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", no. 1 (February 10, 2017): 124–30. http://dx.doi.org/10.17238/issn2227-6564.2017.1.124.
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Fine, Gary Alan. "Joseph Jacobs: A Sociological Folklorist." Folklore 98, no. 2 (January 1987): 183–93. http://dx.doi.org/10.1080/0015587x.1987.9716412.
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Stekert, Ellen J. "Autobiography of a Woman Folklorist." Journal of American Folklore 100, no. 398 (October 1987): 579. http://dx.doi.org/10.2307/540915.
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Stroganov, M. V. "Concerning Saltykov’s folklorism." Russkij Folklor 37 (2018): 289–307. http://dx.doi.org/10.31860/0136-7447-2018-36-289-307.
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Šlekonytė, Jūratė. "The Folktale Narrator at the Turn of the 20th – 21st Century: the Case of Antanina Čaplikienė from Subartonys." Tautosakos darbai 64 (December 30, 2022): 133–54. http://dx.doi.org/10.51554/td.22.64.06.
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In the course of the fieldwork in 2000, researchers from the Institute of Lithuanian Literature and Folklore encountered a villager from Subartonys (Varėna district) Antanina Glaniauskaitė-Čaplikienė (1922–2016). In the course of five subsequent years, they recorded from her 140 folk narratives altogether (including 69 folktales, 9 folk-belief legends, 3 place legends, 6 dream narratives, 40 biographical narratives, and several anecdotes). The major part of the Čaplikienė’s repertoire consisted of folktales that were rather well known in the Lithuanian culture, including a number of narratives typical for the Dzūkija region. The author is curious about the ways that Čaplikienė managed to preserve such a vivid folkloric memory. In order to elucidate this, she uses the branch of the contextual research on storytelling developed by the Hungarian folklorist Linda Dégh – namely, the folktale biology (Märchenbiology). The study focuses on these aspects: 1) in view of the Dzūkija folklore tradition in general and the Čaplikienė’s life in particular that shaped her as a storyteller, the woman’s narrative repertoire is discussed, including the number and genre affiliation of her stories, and their place in the Lithuanian folk narrative tradition; 2) Čaplikienė’s memories regarding the folktale narration in the past are analyzed, including the sources that she had learnt her pieces from, and her mode of communication with the folklorists that recorded her tales. The aim of the article is to highlight the uniqueness of this storyteller at the turn of the 20th – 21st centuries and in the context of the folk narrative tradition of Dzūkija.
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Илларионов, В. В., and Т. В. Илларионова. "Brief analysis of the results of folklore expeditions in Verkhoyansky District, Sakha Republic (Yakutia)." Эпосоведение, no. 1(13) (March 29, 2019): 72–82. http://dx.doi.org/10.25587/svfu.2019.13.27299.
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В настоящей статье впервые рассматривается история собирания и изучения сказительской традиции Верхоянья со времён известного фольклориста И. А. Худякова до настоящего времени. Актуальность исследования заключается в том значении, которое имеют сохранение, популяризация и распространение эпических традиций народов Российской Федерации в сохранении многообразия культур народов, населяющих нашу страну, для будущих поколений.Цель исследования: обобщить и проанализировать результаты кропотливой собирательской работы начиная с И. А. Худякова до сегодняшнего дня, как отдельных фольклористов, так и фольклорных экспедиций в Верхоянский улус Республики Саха (Якутия). В процессе исследования для достижения поставленной цели решалась задача выявления вклада фольклористов, исследовавших устное народное творчество данного региона, в изучение локальной эпической традиции.Изучены материалы, собранные фольклористами с XIX в. по настоящее время, в т. ч. авторами статьи, и отложенные в архивах Института гуманитарных исследований и проблем малочисленных народов Севера СО РАН и Национальном архиве Республики Саха (Якутия), в личных архивах авторов статьи, включая материалы, записанные от информантов – жителей Верхоянского улуса, а также опубликованные тексты олонхо верхоянских сказителей. В исследовании использовались как теоретические методы (изучение архивных материалов, научной литературы), методы сравнения и обобщения, так и методы полевых исследований.В результате исследования установлено, что если И. А. Худяков собирал и изучал верхоянский фольклор в стационарных условиях, то последующие фольклористы советского периода: А. А. Саввин, В. В. Илларионов, П. Н. Дмитриев, С. Д. Мухоплева – собирали богатейший фольклорный материал в полевых условиях. В статье особо отмечается роль собирателей-энтузиастов: Т. Т. Данилова, записавшего олонхо М. Н. Горохова «Кыыдааннаах Кыыс Богатырка», Е. И. Бурцевой, записавшей олонхо с привлечением технических средств, И. И. Стручковой, М. А. Стручковой, материалы которых использованы в изучении сказительской традиции верхоянских олонхосутов. Результаты проведённого анализа и научного обобщения, предпринятых в настоящей статье, будут подспорьем для дальнейшего научного исследования локальной эпической традиции олонхосутов. This article is the first to review the history of collecting and studying the storytelling tradition of Verkhoyansk from the times of the famous folklorist I. A. Khudyakov to the present.The relevance of the study lies in the importance of the preservation, popularization and distribution of the epic traditions of the peoples of the Russian Federation in preserving the diversity of cultures of the peoples inhabiting our country for future generations.Objective: to summarize and analyze the results of painstaking collecting work from I. A. Khudyakov to the present day, both individual folklorists and folklore expeditions to the Verkhoyansky District, Sakha Republic (Yakutia). In the process of research to achieve the goal, the task of identifying the contribution of folklorists, who studied the oral folk art of the region, to the study of the local epic tradition was solved.The materials collected by folklorists from the 19th century to the present, including the authors of the article, and deposited in the archives of the Institute of Humanitarian Research and Problems of Indigenous Peoples of the North, SB RAS and the National Archive of the Sakha Republic (Yakutia), in the personal archives of the authors recorded from informants – residents of the Verkhoyansk ulus, as well as the published texts of Olonkho by Verkhoyansk narrators. The study used both theoretical methods (the study of archival materials, scientific literature), methods of comparison and generalization, and methods of field research.As a result of the study, it was established that while I. A. Khudyakov collected and studied Verkhoyansk folklore in stationary conditions, subsequent folklorists of the Soviet period – A. A. Savvin, V. V. Illarionov, P. N. Dmitriev, S. D. Mukhopleva – collected the richest folklore material in the field. The article emphasizes the role of collectors-enthusiasts: T. T. Danilov, who recorded M. N. Gorokhov’s olonkho “Kyydaannaakh Kyys Bogatyr”, E. I. Burtseva, who recorded the olonkho with technical tools, I. I. Struchkova, M. A Struchkova, the materials of which are used in the study of the storytelling tradition of the Verkhoyansk Olonkho-narrators. The results of the analysis and academic generalization undertaken in this article will help to further academic research on the local epic tradition of Olonkho-narrators.
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Tupits, Ave. "Intervjuu maailmakuulsa saksa folkloristi Rolf Brednichiga." Mäetagused 35 (2007): 171–76. http://dx.doi.org/10.7592/mt2007.35.brednich.
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