Journal articles on the topic 'Folklore'
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Tugumisirize, Frances, Joseph Muyiira, and Alex Barakagira. "The Role of Folklore in Conservation of Mountain Gorillas (Gorilla beringei beringei) in Bwindi Impenetrable National Park, Uganda." Journal of Global Ecology and Environment 18, no. 4 (August 29, 2023): 1–13. http://dx.doi.org/10.56557/jogee/2023/v18i48360.
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This study set out to examine the role of folklore in conservation of mountain gorillas (Gorilla beringei beringei) in Bwindi Impenetrable National Park in Uganda. Attention was put on exploring the types of folklore that are available for conservation of mountain gorillas among the communities; and the application of folklore in conservation of mountain gorillas in the Southern Sector of Bwindi Impenetrable National Park. The study involved in seeking an understanding of the people’s interpretations, perceptions, opinions, and ideas concerning the conservation of mountain gorillas. A purely qualitative case study research design was employed to achieve the study objectives. Purposive sampling techniques were used to select respondents for the study. In-depth interviews and focus group discussions with the respondents were employed to collect the required data. The results confirmed an array of folklores including legends, myths, folkloric names, folk dances and songs, harvesting beliefs, taboos, and totems that were used in the conservation of the mountain gorillas. Folklores also inculcated conservation attitudes and behaviors that concerned some other plants and animals into the members of the local community. The research findings confirmed that folklores can be integrated into community-based conservation programs, conservation policies, resource access programmes, eco-tourism, school curriculum and education and awareness programmes for an effective conservation of important biodiversity including mountain gorillas.
Hence, documentation of folklore, integration of folklore in the National Education Curriculum, involvement of folklore users in the conservation policy making processes, and development of the Uganda national folklore policy are very essential for the continued conservation of the mountain gorillas.
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Sani, Liaquat Ali. "پنی آ خلقی شاعری تا پٹ پولی جاچ." Al-Burz 6, no. 1 (December 20, 2014): 32–47. http://dx.doi.org/10.54781/abz.v6i1.159.
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This research article deals with to know about Brahui folklore. Generally, a simple definition has been adopted for Brahui folklore, those folklores has not identified. Simply unknown writer’s verses known as Brahui folk literature, but in this article it has been proved that many folklores have been written by poets or writers, which are known in literature. "Shatko" is the prominent example of known folklore and there are several folklores which has its writers. A research oriented approach could disclose many known folklores.
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Mirələm qızı Qasımova, Pərvanə. "Characteristics of folklore." SCIENTIFIC RESEARCH 12, no. 8 (August 27, 2022): 24–29. http://dx.doi.org/10.36719/2789-6919/12/24-29.
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Folklorun estetik əhəmiyyəti ilk öncə onunla şərtlənir ki, o dil, fikir və bədii düşüncənin əsasında xalqın yaratdığı mükəmməl bir söz sənətidir. Folklor xəyal, təxəyyül, fantaziya və simvolikadan sənətkarlıqla istifadə edərək gerçəkliyi dolayı yolla motivləndirir və onu poetikləşdirir. Bu poetikləşdirmə, sənət yaratma prosesində əsas vəzifəni xalqın bəddi zövqü yerinə yetriri. Yəni, xalqın bədii zövqü folklorun estetik ölçülərini müəyyənləşdirən və modelləşdirən əsas faktor rolunda çıxış edir. Folklor formaları əsrlərlə xalq sənətkarları tərəfindən cilalanıb və estetik ölçülərini sabitləşdirib. Ona görə də folklor estetik hissi, gözəllik hissini, dil, ritm və forma gözəlliyi duyğusunu inkişaf etdirir. Folklorun estetik gücü ədəbiyyat, musiqi, teatr və s. kimi sənət növlərinin inkişafında böyük əhəmiyyət daşıyır. Məqalədə bütün bunlar öyrənilərək araşdırılır, foklorun səciyyəvi xüsusiyyətləri üzə çıxarılır. Açar sözlər: folklor, xalq, xüsusiyyət, ədəbiyyat, estetika Parvana Miralam Gasimova Characteristics of folklore Abstract The aesthetic importance of folklore is determined by the fact that it is a perfect art of words created by the people on the basis of language, ideas and artistic thinking. Folklore indirectly motivates reality and poeticizes it by skillfully using dreams, imagination, fantasy and symbolism. In the process of this poeticization, art creation, the main task is performed by the people's bad taste. That is, the artistic taste of the people acts as the main factor that determines and models the aesthetic dimensions of folklore. Folklore forms have been polished by folk artists for centuries and stabilized their aesthetic dimensions. Therefore, folklore develops aesthetic sense, sense of beauty, sense of beauty of language, rhythm and form. The aesthetic power of folklore is literature, music, theater, etc. is of great importance in the development of such arts. In the article, all this is studied and investigated, the characteristic features of folklore are revealed. Keywords: folklore, folk, character, literature, aesthetics
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Suarka, I. Nyoman, and I. Wayan Cika. "Pendayagunaan Folklor Sebagai Sumber Ekonomi Kreatif Di Daerah Tujuan Wisata Bali." ATAVISME 17, no. 1 (June 30, 2014): 71–83. http://dx.doi.org/10.24257/atavisme.v17i1.20.71-83.
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Tourism practitioners in Bali commonly do not have an adequate understanding of the local culture so that the service given to tourists is less optimal. Therefore, efforts for delving into the original culture are necessary through a scientific research as a source for an information material and appreciation in developing the cultural outlooks of tourism practitioners in Bali. This research aims to delve into, preserve and develop folklores having potentials of high culture as a source of creative economy.This is a qualitative research with a morphology-ethnographic approach which attempts to describe the narrative elements of folklores as a unified whole by considering its history in the community and its supporting culture. That is, besides looking at the lore aspect through the analysis of a folklore structure, it also considers its folk aspect through the analysis of its function and significance. Furthermore, this research focuses on the opportunity for the utilization of folklores as a source of creative economy in addition to strengthening the local wisdom and preventing cultural pollution resulting from the negative aspects of tourism and globalization. Tourism practitioners in Bali commonly do not have an adequate understanding of the local culture so that the service given to tourists is less optimal. Therefore, efforts for delving into the original culture are necessary through a scientific research as a source for an information material and appreciation in developing the cultural outlooks of tourism practitioners in Bali. This research aims to delve into, preserve and develop folklores having potentials of high culture as a source of creative economy.This is a qualitative research with a morphology-‐ethnographic approach which attempts to describe the narrative elements of folklores as a unified whole by considering its history in the community and its supporting culture. That is, besides looking at the lore aspect through the analysis of a folklore structure, it also consider its folk aspect through the analysis of its function and significance. Furthermore, this research focuses on the opportunity for the utilization of folklores as a source of creative economy in addition to strengthening the local wisdom and preventing cultural pollution resulting from the negative aspects of tourism and globalization.
Key Words: folklore; high culture; creative economy
Abstrak:
Pelaku kepariwisataan di Bali kurang memiliki pemahaman budaya secara baik dan benar sehingga pelayanan yang diberikan kepada wisatawan kurang maksimal. Untuk itu, diperlukan upaya penggalian budaya unggul melalui penelitian ilmiah sebagai bahan informasi dan apresiasi dalam pengembangan wawasan budaya para pelaku kepariwisataan di Bali. Penelitian ini bertujuan menggali, melestarikan, dan mengembangkan folklor dengan potensi budaya unggul sebagai sumber ekonomi kreatif. Penelitian ini merupakan penelitian kualitatif dengan pendekatan morfologi-etnografi yang berupaya mendeskripsikan unsur naratif folklor sebagai kesatuan yang utuh dengan mempertimbangkan penceritaannya di masyarakat dan kebudayaan pendukungnya. Artinya, di samping melihat aspek lore melalui analisis bentuk folklor juga mempertimbangkan aspek folk melalui analisis fungsi dan makna folklor. Lebih jauh, penelitian ini mencermati peluang pendayagunaan folklor sebagai sumber ekonomi kreatif di samping sebagai penguatan kearifan lokal dan mencegah polusi budaya akibat dampak negatif pariwisata dan globalisasi
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Kovačič, Bojan, and Nejc Černela. "Stališča strokovnih delavcev do folklorne dejavnosti v osnovnih šolah s posebnim programom vzgoje in izobraževanja / Views of professionals regarding folklore activities in primary schools with a special education program." Glasbenopedagoški zbornik Akademije za glasbo ◆ The Journal of Music Education of the Academy of Music in Ljubljana 17, no. 34 (June 30, 2021): 91–113. http://dx.doi.org/10.26493/2712-3987.17(34)91-113.
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The paper examines the views of professionals in primary schools with a special education program in relation to folkloric activities and content. The research involved 240 professionals from all 28 Slovenian educational institutions implementing the program. Respondents rated their agreement on statements related to formal education and folklore activities, inclusion of folklore content and activities, attitudes towards folklore and classroom work, and use of folklore content for therapeutic purposes on a 5-point scale. The main findings relate to the fact that during institutional training, professionals did not acquire sufficient knowledge to teach folkloric content when working with students with special needs, suggesting that there are still many opportunities for progress in the integration of folkloric content and activities, with a focus on folk dances, folk songs, folk games and customs and habits, in institutions that implement the special education program of education. This is confirmed by the fact that the professionals have a very positive attitude towards folklore in general. The results can represent a starting point for future research, which would confirm the need for an interdisciplinary approach in different scientific fields (special and rehabilitation education, music didactics, folklore, ethnochoreology, music therapy, psychology and kinesiology).
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Sulistyo, Wahyu Djoko, Mellina Nur Hafida, and Anisa Amalia Maisaroh. "Revitalizing Character Values in the Folklore of the Arjuna Mountain Slope Site." Diakronika 23, no. 2 (December 31, 2023): 228–39. http://dx.doi.org/10.24036/diakronika/vol23-iss2/304.
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Mount Arjuna is not only a popular tourist destination in Indonesia because of its outstanding natural beauty. Mount Arjuna also has a cultural heritage reflected in its sites. The slopes of Mount Arjuna have diverse folklore. Revitalization of folklore values on the slopes of Mount Arjuna is an essential step in maintaining cultural heritage and preserving local identity. The objectives of this study are 1) to study the folklore on the slopes of Mount Arjuna and 2) to design a revitalization of the folkloric values of the Lereng Gunung Arjuna site. This research uses a historical method consisting of four stages, namely heuristics, criticism, interpretation, and historiography, with an empirical approach. Data analysis was done comparatively by proving the Lereng Gunung Arjuna site and the Lereng Gunung Arjuna folklore. The results showed 1) there are 19 folklors contained in each site. Sites of Mount Arjuna Slope, namely Oento Boego Cave, Watu Kursi, Eyang Madrim, Rahtawu or Tampuono, Eyang Sekutrem, Eyang Abiyoso, Nogo Gini Cave, Sendang Dewi Kunti, Puthuk Lesung, Eyang Sakri, Eyang Semar, Dwarapala Statue, Makuthoromo, Sendang Widodari, Wejangan Cave, Rancang Kencono, Candi Wesi, Sendang Drajat, Sepilar; 2) Local wisdom as a concept of preserving the environment wrapped in harmony between the value of divinity-humanity-nature around. The existing local wisdom is used as an inspiration for the mechanism of social life. The implementation of revitalization requires support from the parties (multi-stakeholders), and then the folklore is preserved and adjusted by the social context and changing times. Various existing folklore has the potential to be transformed elsewhere. In education, it is introduced and converted to school students so that local wisdom as an ancestral heritage and potential can be changed as a guide for the next generation's life.
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Hasan, Nita Handayani. "MOTIF DAN TIPE DALAM CERITA RAKYAT KEPULAUAN ARU [Type and Motive in Aru Island Folklore]." TOTOBUANG 5, no. 1 (January 30, 2018): 137. http://dx.doi.org/10.26499/ttbng.v5i1.56.
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The collection of folklore in Indonesia is an interesting thing to do. It can shows the cultural wealth, and grows up the pride of nation’s folklore varieties. The folklor inventorization has bene rarely done in Kepulauan Aru district, Mollucas province. It’sbecause the villages in Aru’s island has been separated by the sea and difficult to be reached. This research discussed about type and motif of a few folklore in Kepulauan Aru district.. The purpose of this research were finding out the folklore which had invented before, and clasifyed them in type and motive. The metode wasqualitative analyzing. The result found that there were nine folklores which has invented, four types, and four motives. Pengumpulan ragam sastra lisan yang ada di nusantara merupakan hal yang menarik untuk dilakukan. Hal tersebut dapat menunjukkan kekayaan budaya bangsa, dan menumbuhkan rasa bangga terhadap keanekaragaman kekayaan sastra lisan nasional. Inventarisasi sastra lisan di Kabupaten Kepulauan Aru, Provinsi Maluku hingga saat ini masih jarang dilakukan. Hal tersebut dikarenakan desa-desa di Kabupaten Kepulauan Aru masih sulit dijangkau karena dipisahkan oleh lautan. Walaupun demikian, penelitian ini mencoba mengangkat beberapa cerita rakyat dari Kabupaten Kepulauan Aru yang telah terinventarisasi untuk kemudian dikelompokkan dalam tipe dan motif. Tujuan dari adanya penelitian ini, yaitu untuk mengetahui cerita-cerita rakyat apa saja yang telah terinventarisasi, dan termasuk dalam tipe dan motif apa sajakah cerita-cerita rakyat tersebut. Metode yang digunakan yaitu analisis kualitatif. Setelah melakukan pengamatan, hasil yang diperoleh, yaitu terdapat sembilan cerita rakyat yang terinventarisasi, empat tipe dan empat motif cerita.
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Febrianti, Binar Kurniasari. "PERBANDINGAN CERITA “SEMANGKA EMAS” DENGAN CERITA “BAWANG MERAH BAWANG PUTIH”." tuahtalino 13, no. 1 (July 5, 2019): 25. http://dx.doi.org/10.26499/tt.v13i1.1367.
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This study aims to compare the intrinsic elements contained in the folklore of Semangka Emas and Bawang Merah Bawang Putih. By examining the comparison of the two folklores we can find out the similarities and differences that have different backgrounds and regions. The problem in this study is how the intrinsic elements in the two folklores and what are the similarities and differences of the two folklores. To solve problems and objectives in research applied qualitative descriptive methods. Data collection techniques by means of library study. The results of the study prove the folklore of the Semangka Emas and Bawang Putih Bawang Merah have similarities in theme, mandate, character, and plot. While the differences between the two folklore lies in the characterization and setting of the story. From the results of this study it can be concluded that both folklores have the similarity about jealousy towards siblings and the goodness of luck which is a reflection of social behavior, human relationships to others and other living creatures, as well as community norms.
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Brovarets, Tetiana. "Household Items with Inscriptions of the Late 19th – the First Half of the 20th Century as Creolized Works of Folklore: A Need to Create Systematized Databases." Slov'ânsʹkij svìt, no. 21 (December 30, 2022): 92–99. http://dx.doi.org/10.15407/slavicworld2022.21.092.
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The article deals with the necessity to create systematized databases (or to make interactive indices) for samples which are known as written folklore or, using linguistic terminology, creolized (verbal-iconic) texts. In particular, these folklore works include household items with inscriptions of the late XIXth to the first half of the XXth century. The authoress shortly describes the operating principle of the Interactive Index of Folklore Formulae developed by her on the materials of epigraphic embroidery. This index was created taking into account the fact that each item (a sample of epigraphic embroidery) consists of its structural elements. The latter are verbal and visual (iconic) folkloric formulae. Folkloric formulae can be both very short (for example, only one word) and long (for instance, an entire work can be only one folkloric formula). Folklore formulae can be both short (from one word) and long (for example, the whole work can be only one folklore formula). In the case of epigraphic embroidery, works mostly consist of one visual (iconic) and one verbal formula. However, there are also combinations of several verbal and/ or several visual formulae, which are embroidered on one towel and perceived as a single work. Having applied the recursion principle, the authoress managed to create the Index of folkloric formulae of epigraphic embroidery, where all the elements successfully interact. It is accentuated that such indexes (systematized databases) provide an opportunity for scientific research of concrete folkloric works.
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Mulyaningtyas, Rahmawati, and Dian Etikasari. "MUATAN NILAI KARAKTER DALAM CERITA RAKYAT KIAI PACET DAN RARA KEMBANG SORE." Waskita: Jurnal Pendidikan Nilai dan Pembangunan Karakter 6, no. 1 (April 28, 2022): 60. http://dx.doi.org/10.21776/ub.waskita.2022.006.01.5.
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<p><strong>The Content of Character Values in the Folklore of Kiai Pacet and Rara Kembang Sore. </strong>The purposes of this research are a) to describe the character values in the folklore of Kiai Pacet and Rara Kembang Sore and b) to describe the function of character values in the folklore. This research uses a qualitative approach with content analysis research methods. The source of data in this research is the text of the Tulungagung folklore (Kiai Pacet and Rara Kembang Sore) contained in the East Java Folklore anthology published by the East Java Language Center in 2011. The data for this research are narratives and dialogues from two folklore texts. The results show that the values contained in the folklore of Kiai Pacet and Rara Kembang Sore are religiousness, honesty, tolerance, creativity, curiousity, appreciation of achievement, love of peace, responsibility, and social care. The function of character values in the two folklores are the shaping and developing the potentials, improvements and strengthening, and filtering functions.</p>
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Benes, Bohuslav, and Todor Iv Zivkov. "Folklor u s"bremennosm (Folklore und Gegenwart)." Jahrbuch für Volksliedforschung 30 (1985): 217. http://dx.doi.org/10.2307/848834.
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Likardo, Reki. "Studi Identifikasi Nilai-nilai Karakter dalam Cerita Rakyat Masyarakat Rejang Kabupaten Lebong." JURIDIKDAS: Jurnal Riset Pendidikan Dasar 7, no. 1 (April 30, 2024): 143–54. http://dx.doi.org/10.33369/juridikdas.v7i1.16866.
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This study aims to describe the types of folklore that developed in the Rejang society, Lebong Regency, and describe the character values in folklore identified in Lebong Regency. This research uses qualitative research with survey method. The main instrument in this study is the researcher himself and is assisted by supporting instruments in the form of interview sheets and documentation. Data collection techniques used in this study were interviews and documentation. The data obtained were analyzed through data reduction, data display (data display), and drawing conclusions. The results of the study collected fourteen folk tales found in three areas in South Lebong District. Based on the identification results, it can be concluded that, from fourteen folk tales adapted to the types of folklore, they were obtained, namely: four folk tales with the type of myth, five folklores with the type of legend, and five folklores with the type of fairy tale. Based on the results of the identification, it can be concluded that the character values found in the folklore of the Rejang society, Lebong Regency, obtained nine character values, namely: honest, hard work, creative, democratic, curiosity, respect for achievement, care for the environment, social care, and responsibility.Keywords: character values, folklore, Rejang society
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Bell, Karl. "Gothicizing Victorian Folklore: Spring-heeled Jack and the Enacted Gothic." Gothic Studies 22, no. 1 (March 2020): 14–30. http://dx.doi.org/10.3366/gothic.2020.0035.
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This article focuses on the Victorian bogeyman, Spring-heeled Jack, as a historicised example of Gothic and folklore's cultural dialogue and divergences in nineteenth-century Britain. Variously described as a ghost, beast, or devil when he first terrorised Londoners in 1837–38, Spring-heeled Jack evolved from local folklore to press sensation to penny dreadful serials. These texts reworked his folkloric accounts through stories that were heavily indebted to earlier Gothic literature for many of their narrative tropes. The article uses this urban legend to explore what it terms the enacted Gothic; the eruption of folkloric and gothic elements beyond the bounds of fiction and into Victorians’ everyday lives. While encouraging Gothic scholarship to engage with folkloric ‘texts’, it argues that we need to look beyond obvious similarities to appreciate important distinctions arising from their differing natures, cultural functions, and modes of storytelling.
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Etalwewa, John Mesak, Juanda Juanda, and Andi Agussalim. "The Value of Characters in Tabob Folklore (the Leatherback Turtle) in Southeast Maluku." Journal of Asian Multicultural Research for Social Sciences Study 3, no. 2 (April 18, 2022): 35–43. http://dx.doi.org/10.47616/jamrsss.v3i2.275.
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This study aims to (1) describe the form of character values in the Tabob folklore, Southeast Maluku district. (2) Describe the function of the Southeast Maluku Tabob folklore. (3) Analyzing the character values of the Southeast Maluku Tabob folklore. The data in this study are, in the form of written or spoken words from the informants. Sources of data in this study are informants, documents of informants, informants or the community who provide information about local fishermen's folklore. Other data sources such as. The data collection techniques are observation, interview, documentation, and literature study. The data analysis technique used is data reduction, data presentation, and drawing conclusions. The results of the study show that the process of revealing intermediate values in the three folk tales of fishermen, by using respondents or fishermen and local communities who understand the three folklores to provide data. This can be seen from some of the respondents or fishermen who are able to provide data related to the three folklores of Southeast Maluku fishermen well and implemented.
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Macijauskaitė-Bonda, Jurgita, and Laima Anglickienė. "Trends in Contemporary Lithuanian Children’s Folklore Research." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 80–93. http://dx.doi.org/10.37384/aplkp.2021.26-2.080.
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Contemporary children’s folklore is interesting and dynamic as it covers both traditional and new genres and reflects present-day realia as well as younger children’s and adolescents’ psychological world. The aim of this article is to discuss major stages and trends in contemporary Lithuanian children’s folklore research. The present study is based on analytical descriptive, and comparative methods. In Lithuania, the research into children’s folklore was started quite late in comparison to many other countries. The first scholarly studies on traditional children’s folklore were published by Pranė Jokimaitienė in the second half of the 20th century, whereas the research into contemporary children’s folklore was undertaken only in the last decade of the 20th century on the initiative of the folklorist Gražina Skabeikytė-Kazlauskienė. After 1990, when folklore material’s collection from children and adolescents was started, the Archive of Ethnology and Folklore at the Department of Cultural studies at Vytautas Magnus University enlarged by many examples of contemporary Lithuanian folklore. At the beginning of the 21st century, the material’s systematisation, analysis, and publication started; a few dissertations on children’s and youth folklore were successfully defended. In 2013, the monograph Contemporary Schoolchildren’s Folklore (Šiuolaikinis moksleivių folkloras) was published.
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Youpika, Fitra, Sumiyadi, Tedi Permadi, Dadang Sunendar, and Jenny Yandryati. "The Alignment of Folklore and Literature Learning in Schools Against Students' Eco-literacy Competencies." Journal of English Education and Teaching 8, no. 1 (March 4, 2024): 88–105. http://dx.doi.org/10.33369/jeet.8.1.88-105.
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This research is about local literature (folklore) and eco-literacy. It was conducted to find information of the alignment between folklore, literature learning in schools, and students' eco-literacy. This research used descriptive-qualitative research design. The data used for this research is in the form of answers from respondents about written questions that have been distributed online. Total respondents were 89 students from 5 schools (junior and senior high schools) in Bengkulu. Data analysis was conducted through data reduction, presentation (description), and conclusion. The findings of this study are, first, Junior and Senior High School students in Bengkulu like folklores from their district. Most of these students like legend’s type folklore compared to other type stories. Currently, folklores can still be found in the community, although it is not easy because the spoke person are old and many have died. The content of Bengkulu folklores has values or teachings about nature and ecosystem conservation. Second, local literature is taught in junior and senior high schools in Bengkulu. Students enjoy learning literature, especially local literature. The last, the level of environmental literacy among students is still relatively low. This can be seen by the lack of students' attention for waste and environmental conservation. In this regard, learning literature and folklore in schools is in line with students' eco-literacy competencies. However, this has not been implemented optimally, so it is hoped that local literature (folklore) can give contribution in nature and ecosystem conservations by increasing the eco-literacy of students and society.
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Agheez, Obaidullah, and Baryalay Azizi. "Need and Value of Preserving Folklore." Sprin Multidisciplinary Journal in Pashto, Persian & English 1, no. 01 (August 25, 2023): 10–21. http://dx.doi.org/10.55559/smjppe.v1i01.162.
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Folklore forms a large part of society. The term folklore is a compound English word that has a Germanic root and is used to mean wisdom, intellect and knowledge of the people. Folklore plays a significant role and assists future generations in understanding the life, thoughts, traditions, social aspects, national values, histories, pride and other things of the people of their nation. As a result, it can be easily compared with the current situation and take advantage of early experiences, because folklore can provide considerable needed elements and materials with respect to social, political, economic and historical research. It is a fact that folklore has a fundamental value in the literary history, political history, economic aspects and artistic tastes of a language. The significance of collecting folklore is that it strengthens the spiritual and material relationship of the people associated with their lives and tells each other thoughts, feelings, emotions and aspirations.
Another importance of collecting folklore is that it can be used in the study of linguistics, sociology, literary studies, social relations, and human civilization. Researchers in this field are required to pay attention to the folkloric elements of the people. If not so, their work will be insignificant. If we look at the history of folklore, it is clear that when humans faced natural disasters, they did not have any scientific approach to investigate the respective events, but rather their own thoughts and experiences. Keeping in mind those assumptions and experiences, we can predict that folkloric suppositions and experiments were the data for present researchers, which were based on experiments and now based on scientific facts that show the worth of folklore in society.
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Laba, Martin. "Parsing the Popular." Ethnologies 30, no. 2 (February 16, 2009): 249–70. http://dx.doi.org/10.7202/019954ar.
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This work argues for an engagement with, and analysis of folkloric expression through the concept and cultural practices of communicative action. The article is motivated by a critical need to situate folklore within dynamic and compelling currents of popular culture. It is suggested that the capacities of folklore as popular culture serve to renew and impel folklore studies for traction and relevance in analytic encounters with contemporary media, culture, and society. Foundational concepts and theoretical trajectories in folklore and communication are detailed, challenged and revised with a view to capturing the substance and significance of folklore in cultural terms. The analysis presented is premised on the notion that there is a decisive intersection of the concepts and practices of folklore and popular culture to the extent that definitional boundaries between them are imprecise and unsustainable. The analysis explores how folklore as popular culture socially articulates, negotiates and asserts meaning in codes, practices, knowledge, spaces and expressive strategies in contemporary cultural conditions and environments.
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Monica, Monica, and Eduard Soplantila. "The Role of Local Folklores in Students’ Reading Comprehension." MATAI: International Journal of Language Education 4, no. 2 (June 10, 2024): 185–98. http://dx.doi.org/10.30598/matail.v4i2.13717.
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This paper aims to the role of local folklores in students’ reading comprehension. This paper is expected to be used as guidance by English teacher in teaching and learning, especially to improve students’ reading comprehension. The topic being discussed in this paper are limited only to the role of local folklores in students’ reading comprehension. Researches showed that local folklores improving students reading comprehension, also using local folklore can be an effective way to engage students and help them develop their reading comprehension skills. By using stories and legends that are familiar to students, teachers can help them connect with the material and develop a deeper understanding of the narrative. Additionally, local folklore can provide a window into the culture and traditions of the community, helping students develop a sense of pride and appreciation for their heritage. This can further motivate them to learn and improve their reading skills. However, it's important to note that the effectiveness of using local folklore will depend on the specific context and the quality of the instructional design. Teachers need to carefully select appropriate materials and design activities that align with the learning objectives and meet the needs of their students. In conclusion, the use of local folklore can be a valuable tool for improving students' ability in reading comprehension.
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Sultoni, Achmad, Sarwiji Suwandi, Andayani, and Sumarwati. "Representation of Ecological Wisdom in Banyumas Folklore: An Ecocritical Study." Theory and Practice in Language Studies 13, no. 12 (December 1, 2023): 3141–48. http://dx.doi.org/10.17507/tpls.1312.11.
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Folklore actually represents a society's civilization, including how to manage and preserve the environment. Folklore, for example, can be a valuable resource for humans involved in efforts to save the environment. This study investigates the Banyumas indigenous people's local wisdom in terms of environmental preservation as found in Banyumas folklores. The ecological wisdom of the Banyumas community is a term used in this study to refer to folklore from Banyumas, Central Java, Indonesia, that contains the value of local wisdom in terms of environmental conservation. This study took an ecocritical approach to folklore texts as a type of literary work. The data for this study came from Banyumas folklore, and the research method was qualitative content analysis. The findings revealed that Banyumas folklore describes the Banyumas community's ecological wisdom in environmental conservation activities. These wisdoms include: respect for nature, living in harmony with nature, wisely using natural resources, using ecological knowledge for toponymy, and using nature as a spiritual tool. Readers can use these wisdom values as a guide to optimize environmental conservation.
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Priventa, Hendrike, and Redyanto Noor. "The Meaning of Tolaki, Minangkabau, and Timor Cultural Symbol in Three Nusantara Folklores: Oheo, Kaba Malin Deman, and Tujuh Bidadari." Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia 9, no. 2 (August 21, 2020): 118–28. http://dx.doi.org/10.15294/seloka.v9i2.38695.
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Indonesian are less aware of the function of folklore in the modern era. When examined more deeply, folklore is a manifestation of local cultural values that are not widely known. This is the background for the research of this article which intends to introduce the uniqueness of the Nusantara folklore through an analysis of the eating of cultural symbols. The purpose of this research is to describe and introduce the meaning of cultural symbols in the Nusantara folklore. The method used is literature using semiotic theory. The results obtained in this study are as follows. 1) Folklore is part of a culture, therefore in the structure of folklore found cultural elements represented in the form of symbols. 2) Cultural symbols in folklore cannot be interpreted directly, with a semiotic and cultural approach symbols can be interpreted according to the cultural origin of the folklore. 3) Literature, culture, and art are three things that cannot be separated. Cultural symbols do not only show cultural elements but also provide a moral message and aesthetic side in reading literary works. 4) Folklore can become an identity in culture from that it can be drawn that cultural symbols can show the progress of civilization in a culture. 5) The three folklores of the archipelago that have been studied have their own characteristics. Oheo with the influence of the elements of marriage and social stratification, Kaba Malin Deman with a touch of matrilineality, and Tujuh Bidadari with the influence of religious elements
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Asyraf Suryadin, Tien Rostini, Diana Anggraeni, and Nanda Saputra. "Higher Values in Bangka Belitung Folklore and Its Contemporer Context." Lakhomi Journal Scientific Journal of Culture 3, no. 3 (September 13, 2022): 100–112. http://dx.doi.org/10.33258/lakhomi.v3i3.743.
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This research finds out how far the noble values are contained in the Bangka Belitung folklores. These values are the result of the human mind reflection which will indirectly be revealed in folklore. Through the analysis of the noble value's description of each folklore, then it is simply sorted and observed which values are the most prominent. Qualitatively, there are 28 types of noble values with a total of 103 occurrences of noble values from the combination of the five Bangka Belitung folklores. The more dominant noble values are 20 social values, 11 hard work values, 10 compassion values, religious values, 8 culture and caring values. As for honesty and tenacity, they have 4 values. The noble values contained in the Bangka Folklore is relevant in the current state of individualism. The spirit of social care, hard work, compassion, and religious values persists in rural communities in Bangka Belitung.
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Nikitina, Serafima E., Nikita V. Petrov, Irina A. Razumova, Andrey L. Toporkov, Larisa L. Fialkova, Petr Janeček, and Ülo Valk. "FOLKLORISTS OUT OF THEIR ELEMENT: THE FORUM." Folklore: structure, typology, semiotics 3, no. 2 (2020): 15–48. http://dx.doi.org/10.28995/2658-5294-2020-3-2-15-48.
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From the semiotic point of view, folklore tradition is transmitting culturally and socially significant messages via oral communication channels. Strong interrelation to dynamic interaction of people in vernacular contexts (as opposed to rigid institutional channels and static social structures) is one of folklore’s primary characteristics. With this perception of folklore tradition, folklore studies become a disciplinary area that accumulates unique research experience both on comprehension of transmitted messages and on methodological principles of working with texts and mechanisms of their transmission. This allows us to suggest that in research practice in neighboring fields two variants of transference of folklore studies’ theoretical resources may prove productive: according to presence of folklore elements in the studied material and according to general principles of working with texts (in the broad semiotic sense of the word). The participants of the forum, all of them researchers with extensive experience in field work as well as in theoretical comprehension of oral tradition – were offered various problems for discussion. These problems included, but were not limited to, the boundaries of folklore studies’ object field, employing folklore studies’ methodological tools for analysis of other disciplinary fields’ objects, interaction of folklore studies with other academic disciplines, etc.
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Rakysh, Zh, N. Sarsek, and A. Akan. "TRANSFORMATION OF MINOR GENRES IN KAZAKH POSTFOLKLORE." Keruen 83, no. 2 (June 25, 2024): 101–9. http://dx.doi.org/10.53871/2078-8134.2024.2-07.
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In the article, the targeted audience and thematic character of the instructive stories that are spreading through the networks are classified, and the correlation and comparison of the types of proverbs that have changed in accordance with the times has been carried out. Today, it is known that small genres of traditional folklore are changing due to the widespread use of the Internet. Because folklore is a kind of communicative tool created together with humanity, it can be called a living phenomenon that adapts to the social life due to changes in cultural and historical conditions. Post-folkloric sub-genres (instructive stories, online legends, proverbs) spread through the Internet and social networks were considered as the object of research. The article analyzed the foreign scientific research on post-folklore and made a scientific analysis of the level of distribution of domestic post-folklore in social networks, the ways of their representation. An overview of the state of classical folklore in the modern era, post-folkloric sub-genres was conducted, and its genre transformation was analyzed and differentiated. Looking at the state of distribution on the Internet, the interest of network users, the variability of small genres, the invariance of the text composition, and the dynamic level of social and cultural phenomena were investigated. The study of modern post-folklore makes it possible to assess the current life of the phenomenon of the multivariate text, to clearly distinguish its situation. This research will strengthen the data base of the Kazakh post-folklore study and will be a necessary material for future research.
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Retno M, Laura Andri. "Cerita Rakyat Ondorante Pembentuk Pola Perilaku dan Identitas Masyarakat." Nusa: Jurnal Ilmu Bahasa dan Sastra 12, no. 3 (August 1, 2017): 39. http://dx.doi.org/10.14710/nusa.12.3.39-49.
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Folklore has a position and a really important function for its proponent people. One of those folklores that exist in Pati, Central Java, is a folklore called Ondorante. In addition to completely describe the story, this research also intend to discover the transmission process and the funtions that appear in the Ondorante. Finally, through qualitative descriptive approach by interview, observation and bibliographical techniques, it appears that the folklore doesn’t only play its role as an entertainment, education, reflection or ritual, but also offers a consciousness to the people about the past, about who were their ancestors and the origin of how their native land formed.
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Bronner, Simon J. "Anglo-American Connections in Folklore and Folklife." Folklore 101, no. 1 (January 1990): 47–57. http://dx.doi.org/10.1080/0015587x.1990.9715778.
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Bronner, Simon J. "Practice Theory in Folklore and Folklife Studies." Folklore 123, no. 1 (April 2012): 23–47. http://dx.doi.org/10.1080/0015587x.2012.642985.
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Ramadhani, Rahimi, Hasanuddin WS, and Novia Juita. "STRUKTUR CERITA RAKYAT LEGENDA SI BAJAK SI KELAK KULIT DAN FUNGSI SOSIALNYA PADA MASYARAKAT DESA SIMALEGI KECAMATAN SIBERUT BARAT KABUPATEN KEPULAUAN MENTAWAI." Jurnal Bahasa dan Sastra 5, no. 1 (January 10, 2018): 41. http://dx.doi.org/10.24036/898740.
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This research is aimed to describe: (1) the structure of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West Siberut, District Mentawai Islands; (2) the social function of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands. This sort of research is a qualitative study using descriptive methods. This research data is folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands. These data was collected from informants through interview, observation, and interviews records by informants. The data were analyzed by the steps of: (1) a data inventory phase; (2) classification of data; (3) the stage of discussion or conclusion from data classification results; and (4) the stage of reporting. Based on the research, was found the following statements. (1) the structure of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands including: (a) a language style, (b) the viewpoint of the speaker (the informant), (c) character and characterization, (d) the storyline/plots of the folklore, (e) the background, (f) the theme, and (g) the moral of folklore; (2) social functions contained in folklore is to educate, entertain, also to strengthen the tradition, as the way to bequeath the tradition.Keywords: structure, social function, folklores
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Seitel, Peter, and Lee Haring. "Anu Koleksyonn Folklor Moris / Collecting Folklore in Mauritius." Western Folklore 60, no. 2/3 (2001): 237. http://dx.doi.org/10.2307/1500381.
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Archipova, Aleksandra. "How Olya Died and Folklore Was Born." Tautosakos darbai 57 (June 1, 2019): 154–80. http://dx.doi.org/10.51554/td.2019.28431.
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The subject of discussion in this article comprises the ways in which a literary piece becomes folklore. In order to elucidate this, the author discusses a poem by Aleksey Apuchtin “The Madman” written in 1890, and its folksong versions. The original story depicting a farther and his daughter perishing under suspicious circumstances turns into a story of a girl killed by her lover. In the first decades of the 20th century, this poem encountered immense popularity in Russia, including its frequent recitations under musical accompaniment and repeated screenings. Therefore, it is plausible to assume that similar folklore variants may have occurred independently, affected by typological folklore regularities, as well as by the well-known “proto-text” (songs from the movies).If folklorization of an individual work is a purposeful process, it can be defined and even guided in a sense by the necessity of folklore as a cliché: the literary piece turns into folklore only when a certain folkloric counterpart is found for every literary motive or image. There is no other way for such literary image or motive to become folklore. This process requires changes on all the textual levels, including lexical, semantic, and pragmatic ones. The folklore stereotypization narrows the field of semantic valence to the minimum collection of associations. This makes one of the essential differences between folklore and literature, ensuring comparatively stable transmission of the folklore texts in the course of time, and granting that the poem by Apuchtin finds its way into the folklore language only bearing the connotations approved by the “folklore censorship”. Lay opinion is prone to perceive such folklorized text of Vosilkos (‘The Cornflowers’) as an original poem by Apuchtin.
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Patricia, Nidya Triastuti. "NILAI-NILAI DIDAKTIS DALAM CERITA RAKYAT “PUTRI GUMBILI DENGAN BAMBANG HARUMAN”." UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra 15, no. 1 (July 10, 2019): 19. http://dx.doi.org/10.26499/und.v15i1.1462.
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Indonesia has lots of folklores. Usually, folklore reflects value, believe, and tradition of the society. One of them is a folklore entitled “Putri Gumbili dengan Bambang Haruman” from South Kalimantan. This folklore contains didactics values that can be valuable lesson for the readers. That is why this study is done to answer some questions what are didactics values in “Putri Gumbili dengan Bambang Haruman” folklore. This study aims to describe didactics values in South Kalimantan folklore entitled “Putri Gumbili dengan Bambang Haruman”. This study uses content analysis approach. To collect the data, this study uses library method. Meanwhile, to analyse the data this study uses descriptive qualitative method. Didactics values which are analysed in this folklore “Putri Gumbili dengan Bambang Haruman” are ethics value, philosophy value, religious value, and intellectual value. Base on the result, in ethics values, there are respect to the ruler, well-behaved, to know one’s place and return a favor. In philosophy value, there are mantaining harmonious relationship between husband and wife, nurturing children, paying attention to other people and be respect, and do good deeds. In religious value, there are pray for goodness, do not commit suicide, and obey to our parent. And the last one is intelletual value, there are having knowledge, having skill, and clever.
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Reswari, Tamiya Riszia, and Yusro Edy Nugroho. "Inventarisasi Cerita Rakyat Nyi Ageng Bakaran Desa Juwana Kabupaten Pati." Sutasoma : Jurnal Sastra Jawa 11, no. 1 (June 30, 2023): 19–29. http://dx.doi.org/10.15294/sutasoma.v11i1.66342.
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Protection of oral literature from extinction can be done by an inventory program in the form of transferring texts from oral tradition to written literature. The folklore (legend) of Nyai Ageng Bakaran folklore originates from a village in the Juwana District, Pati Regency, Central Java. This story underlies traditions still carried out by the people of Bakaran Wetan village. This study aims to describe the structure and function of the legend of Nyai Ageng Bakaran. The oral literary tradition will recede with the reduction of actors and supporters of literary activities in society. Folklore inventory is an effort to document oral literature in the context of conservation and protection of folklore sources so that they can be maintained for the future. Data collection techniques use interview techniques and literature studies. Data analysis was carried out by collecting information with triangulation techniques from 3 speakers, voice recordings, and narrative texts in the form of notes from research results and data analysis techniques with the theory of structure and folkloric functions. The results of the research on the structure and function of the legend of Nyai Ageng Bakaran are intrinsic elements in the form of plots that contain the narrative units of this story, characters and characterizations, and the story's setting. Then, the function of legend is in the form of a description of 4 folkloric processes taken from William Bascom's theory, namely function as a projection system, as a tool for attestation of institutions and cultural institutions, as a child education tool (pedagogical device), as a tool of coercion and supervision so that its collective members will always obey the norms of society.
Keywords: folklore; folklore Structure; folklore function; legend
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Dwi Anggraini, Gianira Shola Shafira, and Ferra Rossa Lestari. "Intertextual Study in Comparative Literature: Folklore of Oedipus and Folklore of Sangkuriang." Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, no. 2 (December 24, 2021): 355–65. http://dx.doi.org/10.21009/aksis.050208.
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The purpose of this research is to identify intertextual study in comparative literature of Oedipus folklore and Sangkuriang folklore. The intertextual study of comparative literature in this study aims to obtain identification results regarding affirmations, negations, restorations, and parodies in literary works through folklore. The research used is descriptive qualitative research with descriptive analysis method. The objects used in this research are Oedipus folklore and Sangkuriang folklore. The results of this study show some data obtained from affirmations, negations, and parodies. There are two affirmations obtained in the intertextual study of the Oedipus folklore and the Sangkuriang folklore. There are two negations found in the intertextual study of the Oedipus folklore and the Sangkuriang folklore. There is only one parody found in the intertextual study of the Oedipus folklore and the Sangkuriang folklore. However, restoration in the intertextual study of the two folklores in this study was not found.
Abstrak
Penelitian ini bertujuan untuk mengidentifikasi adanya kajian intertekstual dalam sastra bandingan antara cerita rakyat “Oedipus” dan cerita rakyat “Sangkuriang”. Kajian intertekstual dalam sastra bandingan dalam penelitian ini ingin memperoleh hasil identifikasi mengenai afirmasi, negasi, restorasi, dan parody dalam karya sastra melalui cerita rakyat. Penelitian yang digunakan ialah penelitian deksriptif kualitatif dengan metode deksriptif analisis. Objek yang digunakan dalam penelitian ini adalah cerita rakyat “Oedipus” dan cerita rakyat “Sangkuriang”. Hasil dari penelitian ini menunjukkan beberapa data yang diperoleh dari afirmasi, negasi, dan parodi. Afirmasi yang diperoleh dalam kajian intertekstual pada cerita rakyat “Oedipus” dan cerita rakyat “Sangkuriang” ada dua afirmasi. Negasi yang ditemukan dalam kajian intertekstual dalam cerita rakyat “Oedipus” dan cerita rakyat “Sangkuriang” ada dua negasi. Parodi yang ditemukan dalam kajian intertekstual dalam cerita rakyat “Oedipus” dan cerita rakyat “Sangkuriang” hanya ada satu parodi. Namun, restorasi dalam kajian intertekstual terhadap kedua cerita rakyat dalam penelitian ini tidak ditemukan.
Kata kunci: kajian intertekstual, cerita rakyat, teks transformasi
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Young, M. "The Value in Things: Folklore and the Anthropological Museum Exhibit." Practicing Anthropology 7, no. 1-2 (January 1, 1985): 19–20. http://dx.doi.org/10.17730/praa.7.1-2.h42715107543560l.
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In anthropological museums material objects serve to depict relationships between people, objects, and the physical world. Thus there is an obvious link between the museological side of anthropology and that branch of folklore or folklife studies which focuses on material culture. Both study objects as indices of the minds of their makers. Recently, however, the proponents of both of these subdisciplines have been taken to task for an over-emphasis on the object in and of itself which leads them to ignore or obscure the "environment" within which that object originally existed. Folklorists who wish to discern both the form and meaning of material items and those who recognize the importance of studying all aspects of a multi-faceted event have benefited from the performance-centered approach which extends its focus from the folkloric item to the total context within which that item was generated. It is this approach which enables folklorists to view verbal or visual forms in relationship to various cultural processes and to address topics in ethnoaesthetics, ethics, and education which folklore shares with anthropology and museology. The following is a brief discussion of the way in which concepts from folklore theory can be used in the anthropological museum exhibit to present a more dynamic and accurate picture of the relationship between people and things.
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Onica, Dorina. "The Folklore of the Calendar Customs (Spring, Summer, Autumn) Recorded in The Digitized Collections of Ethnographic and Folkloric Materials." Philologia, no. 3(315) (November 2021): 108–16. http://dx.doi.org/10.52505/1857-4300.2021.3(315).10.
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The article informs and provides an analysis on the qualitative and quantitative level of the data regarding the folklore of the calendar customs (spring, summer, autumn), which were digitized within the project Saving the Folkloric Archival Material Preserved in Chisinau, Republic of Moldova (EAP1045). Transgressed from the classic archiving format to the digitized one, the manuscripts and cassette tapes offer us valuable information gathered between 1956-1992, with reference to the folklore of the feasts celebrated in the warm season of the year, as well as of the customs, social, ceremonial and ritual practices, beliefs and mythical representations associated with them. Evaluating the consistency of documenting these folkloric and ethnographic expressions in the archival materials, we noticed inequalities and prioritizations in their recording and researching, the attention of the folclorists being visibly diffused towards other genres of folklore.
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Ivanova, Tatyana G. "YURII ALEXANDROVICH NOVIKOV." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 3 (2023): 9–24. http://dx.doi.org/10.31860/2712-7591-2023-3-9-24.
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The article reveals the major milestones of the academic life of the recently deceased famous folklorist Yurii Alexandrovich Novikov, a distinguished specialist and thoughtful textual critic of Russian oral epic poems (byliny), who authored several monographs on the subject. Although after the collapse of the Soviet Union Novikov became a Lithuanian citizen, he continued his studies in the field of Russian folklore until the end of his life. Novikov collaborated in publications of the Institute of Russian Literature (Pushkinskii Dom) of the Russian Academy of Sciences in St. Petersburg, particularly in the «Byliny» series of the Svod russkogo folklora (Code of Russian folklore). The article provides a brief description of Novikov’s scholarly works and highlights his folklore collecting activities in Lithuania and Estonia
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Rahmah, Yuliani. "MINWA : GAMBARAN NILAI KEHIDUPAN MASYARAKAT JEPANG." IZUMI 6, no. 2 (December 7, 2017): 9. http://dx.doi.org/10.14710/izumi.6.2.9-19.
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[Title: MINWA: The Reflection of Japanese society’s Life ] Folklore is part of a collective culture that is spread and passed down from generation to generation. In this paper we will discuss about the type of oral folklore that developed in Japan. This exposure focuses on an explanation of the values of life contained in all three. The values of life discussed include religious values, social values and moral values. By knowing these values can be known also things that became the origin of the formation of Japanese society identity. The results of this research is that folklor which in Japan known as Minwa, can be categorized into 3 types and knows as Shinwa, Densetsu and Mukashi Banashi. In the three types of folklore Mukashi Banashi is a type of folklore that is full of life values. In mukashi banashi the religious values, social values and moral values described not only in all the elements of the story builder, but they are expressed in more detail.
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Tristiantari, Ni Ketut Desia. "PENGEMBANGAN BAHAN AJAR TEMATIK BERMUATAN FOLKLOR BALI." Journal of Education Technology 2, no. 3 (August 21, 2019): 128. http://dx.doi.org/10.23887/jet.v2i3.16381.
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Penelitian ini bertujuan untuk memeroleh bahan ajar tematik bermuatan folklor bali yang valid, praktis, dan efektif sebagai upaya untuk meningkatkan literasi membaca siswa kelas IV. Bahan ajar yang dikembangkan berupa buku penunjang buku siswa dan buku petunjuk guru pada tema “Tempat Tinggalku” dengan subtema 1 yaitu “Lingkungan Tempat Tinggalku”. Penelitian ini menggunakan metode penelitian pengembangan atau Research and Development (R & D) dengan mengadaptasi langkah-langkah model yang dikembangkan oleh Borg dan Gall yang disederhanakan, meliputi 1) tahap pengumpulan data, (2) tahap perencanaan, (3) tahap pengembangan produk, dan (4) tahap validasi dan uji coba. Adapun hasil penelitian ini adalah 1) Hasil penilaian ahli materi terhadap bahan ajar bermuatan folklore bali ada pada skor 4,25. Hal ini menunjukkan bahwa bahan ajar tematik bermuatan folklore ada pada kategori valid; (2) Hasil penilaian ahli desain pembelajaran ada pada skor 4,3. Hal ini menunjukkan bahwa bahan ajar tematik bermuatan folklore ada pada kategori valid, sehingga dapat dilanjutkan pada tahapan berikutnya, yaitu tahapan uji coba terbatas; (3) Hasil uji coba terbatas menunjukkan bahwa respon siswa terhadap bahan ajar tematik bermuatan folklore bali ini ada pada skor 4.4. Hal ini menunjukkan bahwa respon siswa terhadap bahan ajar bermuatan folklore ada pada kategori “positif.
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Voshchenko, V. "POST-FOLKLORE AS A SOCIO-CULTURAL PHENOMENON OF THE NETWORK SOCIETY." Philosophical Horizons, no. 47 (July 25, 2023): 61–68. http://dx.doi.org/10.33989/2075-1443.2023.47.282558.
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The article characterizes post-folklore as a cultural phenomenon of the network society and defines various aspects of its functioning − sociocommunicative, cultural and psychological. The research methodology consisted of a set of basic approaches, principles and methods of scientific research. To achieve the goal, a set of general scientific and special methods was used, including the methods of logical analysis, problemchronological, generalization, synthesis, induction, and analogy.Research results. It has been proven that post-folkloric creativity is important for the development of social communications, as it promotes the exchange of information between users of social networks, conveys people’s knowledge, moods, feelings, and emotions. In the cultural aspect, the works of post-folklore appear as cultural heritage of modern urbanized society and are represented by various types and genres. From the point of view of psychology, post-folklore has an impact on individual and social consciousness, on the development of cognitive processes, etc. The emergence of post-folklore in the field of education is separately mentioned, which indicates its important importance for the formation of the worldview of school youth.Conclusions. Today post-folklore is the subject of scientific research as a phenomenon of mass culture and network society, as a means of social communication, as a phenomenon that has an impact on public and individual consciousness and is gradually being established in the field of education. In the era of accelerated development of information and communication technologies, everyone has the opportunity to become a collector or author of post-folkloric creativity. Further research is planned to be carried out in the direction of studying the prospects for the development of post-folklore in Ukrainian and foreign cultures.
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Sarv, Mari, and Risto Järv. "Layers of Folkloric Variation: Computational Explorations of Poetic and Narrative Text Corpora." Folklore: Electronic Journal of Folklore 90 (December 2023): 233–66. http://dx.doi.org/10.7592/fejf2023.90.sarv_jarv.
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Variation is a core feature of folklore that plays a part in configuring the processes of folkloric communication, transmission and creativity. Computational analysis of large folklore collections offers new outlooks on the study of variation. The article explores the nature of folkloric variation on the basis of folk song and fairy tale text corpora from the Estonian Folklore Archives. Our enquiry into regional variation in Estonian folk song showed different patterns of geographic variation for metre, repertoire and language. To investigate further the possibilities to disassemble the components of variation we turned to a smaller corpus of fairy tale texts from the distinct Seto language community. The results of stylometric analysis of fairy tales collected within the close language community as a rule found that word usage patterns in stories told by the same storytellers were closer to each other than stories with the same content (i.e. tale types). However, other factors, such as collectors’ individual styles, recording time, length of text, and storyteller’s place of origin contributed notably to similarity as per stylometric scores. The study has shown that the individual features and aspects of such a complex phenomenon as folklore can follow its own variation patterns. Computational analysis of the variation in large text corpora helps us get a better understanding of the functioning of variation, and the processes of folkloric creation. However, the layers of folkloric variation are not that easy to disassemble, one must be aware of the biases in text corpora and keep in mind the effect of the linguistic variation on the results.
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O'Connor, Anne, and Gillian Bennett. "Folklore." Béaloideas 69 (2001): 200. http://dx.doi.org/10.2307/20520772.
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Crualaoich, Gearóid Ó. "Folklore." Béaloideas 53 (1985): 325. http://dx.doi.org/10.2307/20522273.
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Crualaoich, Gearóid Ó. "Folklore." Béaloideas 58 (1990): 233. http://dx.doi.org/10.2307/20522367.
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Baker, F. W. G. "Folklore." Trends in Biochemical Sciences 10, no. 6 (June 1985): 233. http://dx.doi.org/10.1016/0968-0004(85)90139-2.
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Tamrin, Andi Febriana, Yulhaidir Yulhaidir, and Wulan Sari Tangnga Lobo'. "Moral Values in Selected Folklores of Toraja Tribes." Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, no. 2 (December 24, 2021): 318–36. http://dx.doi.org/10.21009/aksis.050206.
Full textAbstract:
This research discusses about the moral values in selected folklore of the Toraja tribe, namely Seredukung and Lakipadada by Junus Bunga Lebang. The purpose of this research is to find out what the moral values are can be found in selected folklores of Toraja tribes. The method used in this research is a qualitative descriptive method. The data is taken from selected Toraja folklore, namely Seredukung and Lakipadada by Junus Bunga Lebang. This research uses Thomas Lickona's conceptual theory of moral values. The results of this research indicates that, there are seven moral values in the selected folklore of the Toraja tribe, namely Seredukung and Lakipadada. There are three moral values that can be found in Seredukung folklore, namely responsibility, tolerance, and self-discipline. While in Lakipadada folklore there are four moral values that can be found namely honesty, helpfulness, cooperation, and courage.
Keywords: moral values, folklores of Toraja Tribes, Seredukung, Lakipadada
Abstrak
Penelitian ini membahas tentang nilai moral pada cerita rakyat terpilih suku Toraja yaitu Seredukung dan Lakipadada karya Junus Bunga Lebang, Tujuan dari penelitian ini adalah untuk mengetahui apa saja nilai-nilai moral yang terdapat dalam cerita rakyat terpilih suku Toraja. Metode yang digunakan pada penelitian ini adalah metode deskriptif kualitif. Data diambil dari cerita rakyat terpilih suku Toraja yaitu Seredukung dan Lakipadada karya Junus Bunga Lebang. Penelitian ini menggunakan teori konsep Thomas Lickona tentang nilai moral. Hasil dari penelitian ini menunjukkan bahwa terdapat tujuh nilai moral pada cerita rakyat terpilih suku Toraja yaitu Seredukung dan Lakipadada. Ada tiga nilai moral yang terdapat dalam cerita rakyat Seredukung, yaitu tanggung jawab, toleransi, dan disiplin diri. Sedangkan dalam cerita rakyat Lakipadada terdapat empat nilai moral yang dapat ditemukan yaitu kejujuran, tolong menolong, kerjasama, dan keberanian.
Kata kunci: nilai moral, cerita rakyat suku Toraja, Seredukung, Lakipadada
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Byron, Reginald. "Book Review: Canadian Folklore/Folklore Canadien." International Journal of Maritime History 5, no. 2 (December 1993): 264–65. http://dx.doi.org/10.1177/084387149300500218.
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Krekovičová, Eva. "Politics about Folklore - Folklore in Politics." Human Affairs 10, no. 2 (December 1, 2000): 171–82. http://dx.doi.org/10.1515/humaff-2000-100210.
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Ķencis, Toms. "Ethno-Graphics: Folklore and Baltic Printmaking in the Period of Late Socialism." Folklore: Electronic Journal of Folklore 93 (August 2024): 213–44. http://dx.doi.org/10.7592/fejf2024.93.kencis.
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Visual representations of folklore and mythology played an ambivalent role in Baltic art and society during late socialism. On the one hand, it was often a safe choice promoted by Soviet national cultural policy; on the other, artwork tapping into national and ethnic identities carried a subversive, anti-Soviet potential. Exploring folkloric themes, Baltic artists of the 1970s developed different strategies to navigate the cultural field between Soviet censorship, folklore revival, modern forms of expression, and resistance to sovietisation in their home countries. The renowned Estonian printmaker Kaljo Põllu (1934–2010) created a powerful fusion of ethnographic research and creative practice to re-imagine Finno-Ugric mythology and build an alternative foundation for Estonian identity. Latvian printmaker Dzidra Ezergaile (1926–2013) laid the groundwork for an ethno- and eco-critical approach towards Soviet modernisation through a novel visual exploration of Latvian folklore motifs. Finally, Lithuanian illustrator and monumental painter Birute Žilytė (b. 1930) revolutionised Lithuanian childhood imagery, providing Lithuanian folklore and myths with bright and brave contemporary forms. A postcolonial reading of Baltic printmaking during late socialism generates an interpretive grid for understanding the role of folklore and folklorism within broader cultural trends and political dispositions. A combination of folklore studies and art history might efficiently contribute also to gender studies and environmental humanities.
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Asplund Ingemark, Camilla, and Dominic Ingemark. "Antik folklore." Budkavlen 85 (June 13, 2023): 8–14. http://dx.doi.org/10.37447/bk.130289.
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Det talade ordets betydelse under antiken kan knappast överskattas - vältalighet var en förutsättning för framgång, och retoriken följaktligen en högt respekterad konst. Berättarkonsten däremot, som utgjorde en viktig del av den sociala samvaron för folk i gemen, var föremål för elitens förakt och avfärdades som amsagor. Likafullt har en mindre del av dessa muntliga traditioner kommit att bevaras i de antika författarnas verk, och utgör sålunda ett fönster in i en fördold verklighet, en inblick i de föreställningsvärldar och livsvillkor som den "tysta" majoriteten hade under denna era. Bortsett från att detta fält - den antika folkloren - hittills ägnats föga vetenskapligt intresse och därför rymmer stor utvecklingspotential, är det just ovannämnda faktum som gör forskningen särskilt angelägen. I denna artikel kommer vi att presentera forskningsfältet antik folklore samt diskutera dess förutsättningar och särskilda problematik. Vi kommer därefter att teckna en bild av den forskningshistoriska utvecklingen inom den antika folkloren, peka på de framtida forskningsmöjligheterna, och slutligen lyfta fram fördelarna för folkloristiken respektive antikforskningen av att närma sig detta gemensamma fält.
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Yulliati, Umi, Rara Sugiarti, Tiwuk Kusuma Hastuti, and Suryandari Istiqomah. "Pengembangan Geowisata Berbasis Folklore Di Desa Gentan Kecamatan Bulu Kabupaten Sukoharjo." Prosiding Konferensi Nasional Pengabdian Kepada Masyarakat dan Corporate Social Responsibility (PKM-CSR) 3 (December 14, 2020): 990–99. http://dx.doi.org/10.37695/pkmcsr.v3i0.779.
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Desa Gentan berpotensi untuk dikembangkan menjadi destinasi pariwisata karena memiliki daya tarik geowisata. Potensi wisata yang dimiliki desa Gentan meliputi potensi alam, budaya, sejarah, kuliner, wisata minat khusus maupun wisata buatan. Akan tetapi, potensi tersebut belum dikelola secara optimal. Deretan pegunungan yang melingkupi Desa Gentan adalah bagian Unesco Geopark Gunung Sewu Gunung Kidul-Wonogiri-Pacitan. Gunung dan bukit “batuan memanjang”, bahkan folklore lisan Desa Gentan tidak terpisahkan dengan legenda keberadaan Gunung Segendong dan Gunung Sepikul, legenda batu seribu, mitos sendang lele, mitos platar ombo, dan mitos embung pacinan. Folklore sebagian lisan yang berkembang di Gentan yaitu upacara bersih desa, dan folklore bukan lisan meliputi makanan khas (tiwul, bothok mlanding, pecel gendhar), jamu, dan rumah joglo. Tujuan pengabdian yaitu mengembangkan Kawasan Geowisata berbasis folklore yang menitikberatkan pada diversifikasi bentuk dengan menggali potensi alam dan kearifan lokal warga desa. Metode yang digunakan dalam pengabdian ini adalah observasi, diskusi, pelatihan dan pendampingan secara langsung. Kegiatan pengabdian meliputi pelatihan pembuatan storytelling folklore lisan, Pembuatan guide book “Buku Saku Gentan Geopark Village”, pendampingan pembuatan paket wisata, pelatihan guiding untuk pemandu lokal, pelatihan pembuatan makanan khas, penataan lokasi atraksi wisata. Kegiatan pengabdian menghasilkan Guide Book “Buku Saku Gentan Geopark Village”, paket wisata, storytelling folklor lisan, penambahan atraksi wisata, dan pemberdayaan ekonomi masyarakat dengan terbentuknya Asosiasi Boga Citra Gentan.