Relevant bibliographies by topics / Folklore

Academic literature on the topic 'Folklore'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Folklore"

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Tugumisirize, Frances, Joseph Muyiira, and Alex Barakagira. "The Role of Folklore in Conservation of Mountain Gorillas (Gorilla beringei beringei) in Bwindi Impenetrable National Park, Uganda." Journal of Global Ecology and Environment 18, no. 4 (August 29, 2023): 1–13. http://dx.doi.org/10.56557/jogee/2023/v18i48360.

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This study set out to examine the role of folklore in conservation of mountain gorillas (Gorilla beringei beringei) in Bwindi Impenetrable National Park in Uganda. Attention was put on exploring the types of folklore that are available for conservation of mountain gorillas among the communities; and the application of folklore in conservation of mountain gorillas in the Southern Sector of Bwindi Impenetrable National Park. The study involved in seeking an understanding of the people’s interpretations, perceptions, opinions, and ideas concerning the conservation of mountain gorillas. A purely qualitative case study research design was employed to achieve the study objectives. Purposive sampling techniques were used to select respondents for the study. In-depth interviews and focus group discussions with the respondents were employed to collect the required data. The results confirmed an array of folklores including legends, myths, folkloric names, folk dances and songs, harvesting beliefs, taboos, and totems that were used in the conservation of the mountain gorillas. Folklores also inculcated conservation attitudes and behaviors that concerned some other plants and animals into the members of the local community. The research findings confirmed that folklores can be integrated into community-based conservation programs, conservation policies, resource access programmes, eco-tourism, school curriculum and education and awareness programmes for an effective conservation of important biodiversity including mountain gorillas. Hence, documentation of folklore, integration of folklore in the National Education Curriculum, involvement of folklore users in the conservation policy making processes, and development of the Uganda national folklore policy are very essential for the continued conservation of the mountain gorillas.
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Sani, Liaquat Ali. "پنی آ خلقی شاعری تا پٹ پولی جاچ." Al-Burz 6, no. 1 (December 20, 2014): 32–47. http://dx.doi.org/10.54781/abz.v6i1.159.

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This research article deals with to know about Brahui folklore. Generally, a simple definition has been adopted for Brahui folklore, those folklores has not identified. Simply unknown writer’s verses known as Brahui folk literature, but in this article it has been proved that many folklores have been written by poets or writers, which are known in literature. "Shatko" is the prominent example of known folklore and there are several folklores which has its writers. A research oriented approach could disclose many known folklores.
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Mirələm qızı Qasımova, Pərvanə. "Characteristics of folklore." SCIENTIFIC RESEARCH 12, no. 8 (August 27, 2022): 24–29. http://dx.doi.org/10.36719/2789-6919/12/24-29.

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Folklorun estetik əhəmiyyəti ilk öncə onunla şərtlənir ki, o dil, fikir və bədii düşüncənin əsasında xalqın yaratdığı mükəmməl bir söz sənətidir. Folklor xəyal, təxəyyül, fantaziya və simvolikadan sənətkarlıqla istifadə edərək gerçəkliyi dolayı yolla motivləndirir və onu poetikləşdirir. Bu poetikləşdirmə, sənət yaratma prosesində əsas vəzifəni xalqın bəddi zövqü yerinə yetriri. Yəni, xalqın bədii zövqü folklorun estetik ölçülərini müəyyənləşdirən və modelləşdirən əsas faktor rolunda çıxış edir. Folklor formaları əsrlərlə xalq sənətkarları tərəfindən cilalanıb və estetik ölçülərini sabitləşdirib. Ona görə də folklor estetik hissi, gözəllik hissini, dil, ritm və forma gözəlliyi duyğusunu inkişaf etdirir. Folklorun estetik gücü ədəbiyyat, musiqi, teatr və s. kimi sənət növlərinin inkişafında böyük əhəmiyyət daşıyır. Məqalədə bütün bunlar öyrənilərək araşdırılır, foklorun səciyyəvi xüsusiyyətləri üzə çıxarılır. Açar sözlər: folklor, xalq, xüsusiyyət, ədəbiyyat, estetika Parvana Miralam Gasimova Characteristics of folklore Abstract The aesthetic importance of folklore is determined by the fact that it is a perfect art of words created by the people on the basis of language, ideas and artistic thinking. Folklore indirectly motivates reality and poeticizes it by skillfully using dreams, imagination, fantasy and symbolism. In the process of this poeticization, art creation, the main task is performed by the people's bad taste. That is, the artistic taste of the people acts as the main factor that determines and models the aesthetic dimensions of folklore. Folklore forms have been polished by folk artists for centuries and stabilized their aesthetic dimensions. Therefore, folklore develops aesthetic sense, sense of beauty, sense of beauty of language, rhythm and form. The aesthetic power of folklore is literature, music, theater, etc. is of great importance in the development of such arts. In the article, all this is studied and investigated, the characteristic features of folklore are revealed. Keywords: folklore, folk, character, literature, aesthetics
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Suarka, I. Nyoman, and I. Wayan Cika. "Pendayagunaan Folklor Sebagai Sumber Ekonomi Kreatif Di Daerah Tujuan Wisata Bali." ATAVISME 17, no. 1 (June 30, 2014): 71–83. http://dx.doi.org/10.24257/atavisme.v17i1.20.71-83.

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Tourism practitioners in Bali commonly do not have an adequate understanding of the local culture so that the service given to tourists is less optimal. Therefore, efforts for delving into the original culture are necessary through a scientific research as a source for an information material and appreciation in developing the cultural outlooks of tourism practitioners in Bali. This research aims to delve into, preserve and develop folklores having potentials of high culture as a source of creative economy.This is a qualitative research with a morphology-ethnographic approach which attempts to describe the narrative elements of folklores as a unified whole by considering its history in the community and its supporting culture. That is, besides looking at the lore aspect through the analysis of a folklore structure, it also considers its folk aspect through the analysis of its function and significance. Furthermore, this research focuses on the opportunity for the utilization of folklores as a source of creative economy in addition to strengthening the local wisdom and preventing cultural pollution resulting from the negative aspects of tourism and globalization. Tourism practitioners in Bali commonly do not have an adequate understanding of the local culture so that the service given to tourists is less optimal. Therefore, efforts for delving into the original culture are necessary through a scientific research as a source for an information material and appreciation in developing the cultural outlooks of tourism practitioners in Bali. This research aims to delve into, preserve and develop folklores having potentials of high culture as a source of creative economy.This is a qualitative research with a morphology-­‐ethnographic approach which attempts to describe the narrative elements of folklores as a unified whole by considering its history in the community and its supporting culture. That is, besides looking at the lore aspect through the analysis of a folklore structure, it also consider its folk aspect through the analysis of its function and significance. Furthermore, this research focuses on the opportunity for the utilization of folklores as a source of creative economy in addition to strengthening the local wisdom and preventing cultural pollution resulting from the negative aspects of tourism and globalization. Key Words: folklore; high culture; creative economy Abstrak: Pelaku kepariwisataan di Bali kurang memiliki pemahaman budaya secara baik dan benar sehingga pelayanan yang diberikan kepada wisatawan kurang maksimal. Untuk itu, diperlukan upaya penggalian budaya unggul melalui penelitian ilmiah sebagai bahan informasi dan apresiasi dalam pengembangan wawasan budaya para pelaku kepariwisataan di Bali. Penelitian ini bertujuan menggali, melestarikan, dan mengembangkan folklor dengan potensi budaya unggul sebagai sumber ekonomi kreatif. Penelitian ini merupakan penelitian kualitatif dengan pendekatan morfologi-­etnografi yang berupaya mendeskripsikan unsur naratif folklor sebagai kesatuan yang utuh dengan mempertimbangkan penceritaannya di masyarakat dan kebudayaan pendukungnya. Artinya, di samping melihat aspek lore melalui analisis bentuk folklor juga mempertimbangkan aspek folk melalui analisis fungsi dan makna folklor. Lebih jauh, penelitian ini mencermati peluang pendayagunaan folklor sebagai sumber ekonomi kreatif di samping sebagai penguatan kearifan lokal dan mencegah polusi budaya akibat dampak negatif pariwisata dan globalisasi
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Kovačič, Bojan, and Nejc Černela. "Stališča strokovnih delavcev do folklorne dejavnosti v osnovnih šolah s posebnim programom vzgoje in izobraževanja / Views of professionals regarding folklore activities in primary schools with a special education program." Glasbenopedagoški zbornik Akademije za glasbo ◆ The Journal of Music Education of the Academy of Music in Ljubljana 17, no. 34 (June 30, 2021): 91–113. http://dx.doi.org/10.26493/2712-3987.17(34)91-113.

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The paper examines the views of professionals in primary schools with a special education program in relation to folkloric activities and content. The research involved 240 professionals from all 28 Slovenian educational institutions implementing the program. Respondents rated their agreement on statements related to formal education and folklore activities, inclusion of folklore content and activities, attitudes towards folklore and classroom work, and use of folklore content for therapeutic purposes on a 5-point scale. The main findings relate to the fact that during institutional training, professionals did not acquire sufficient knowledge to teach folkloric content when working with students with special needs, suggesting that there are still many opportunities for progress in the integration of folkloric content and activities, with a focus on folk dances, folk songs, folk games and customs and habits, in institutions that implement the special education program of education. This is confirmed by the fact that the professionals have a very positive attitude towards folklore in general. The results can represent a starting point for future research, which would confirm the need for an interdisciplinary approach in different scientific fields (special and rehabilitation education, music didactics, folklore, ethnochoreology, music therapy, psychology and kinesiology).
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Sulistyo, Wahyu Djoko, Mellina Nur Hafida, and Anisa Amalia Maisaroh. "Revitalizing Character Values in the Folklore of the Arjuna Mountain Slope Site." Diakronika 23, no. 2 (December 31, 2023): 228–39. http://dx.doi.org/10.24036/diakronika/vol23-iss2/304.

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Mount Arjuna is not only a popular tourist destination in Indonesia because of its outstanding natural beauty. Mount Arjuna also has a cultural heritage reflected in its sites. The slopes of Mount Arjuna have diverse folklore. Revitalization of folklore values on the slopes of Mount Arjuna is an essential step in maintaining cultural heritage and preserving local identity. The objectives of this study are 1) to study the folklore on the slopes of Mount Arjuna and 2) to design a revitalization of the folkloric values of the Lereng Gunung Arjuna site. This research uses a historical method consisting of four stages, namely heuristics, criticism, interpretation, and historiography, with an empirical approach. Data analysis was done comparatively by proving the Lereng Gunung Arjuna site and the Lereng Gunung Arjuna folklore. The results showed 1) there are 19 folklors contained in each site. Sites of Mount Arjuna Slope, namely Oento Boego Cave, Watu Kursi, Eyang Madrim, Rahtawu or Tampuono, Eyang Sekutrem, Eyang Abiyoso, Nogo Gini Cave, Sendang Dewi Kunti, Puthuk Lesung, Eyang Sakri, Eyang Semar, Dwarapala Statue, Makuthoromo, Sendang Widodari, Wejangan Cave, Rancang Kencono, Candi Wesi, Sendang Drajat, Sepilar; 2) Local wisdom as a concept of preserving the environment wrapped in harmony between the value of divinity-humanity-nature around. The existing local wisdom is used as an inspiration for the mechanism of social life. The implementation of revitalization requires support from the parties (multi-stakeholders), and then the folklore is preserved and adjusted by the social context and changing times. Various existing folklore has the potential to be transformed elsewhere. In education, it is introduced and converted to school students so that local wisdom as an ancestral heritage and potential can be changed as a guide for the next generation's life.
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Hasan, Nita Handayani. "MOTIF DAN TIPE DALAM CERITA RAKYAT KEPULAUAN ARU [Type and Motive in Aru Island Folklore]." TOTOBUANG 5, no. 1 (January 30, 2018): 137. http://dx.doi.org/10.26499/ttbng.v5i1.56.

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The collection of folklore in Indonesia is an interesting thing to do. It can shows the cultural wealth, and grows up the pride of nation’s folklore varieties. The folklor inventorization has bene rarely done in Kepulauan Aru district, Mollucas province. It’sbecause the villages in Aru’s island has been separated by the sea and difficult to be reached. This research discussed about type and motif of a few folklore in Kepulauan Aru district.. The purpose of this research were finding out the folklore which had invented before, and clasifyed them in type and motive. The metode wasqualitative analyzing. The result found that there were nine folklores which has invented, four types, and four motives. Pengumpulan ragam sastra lisan yang ada di nusantara merupakan hal yang menarik untuk dilakukan. Hal tersebut dapat menunjukkan kekayaan budaya bangsa, dan menumbuhkan rasa bangga terhadap keanekaragaman kekayaan sastra lisan nasional. Inventarisasi sastra lisan di Kabupaten Kepulauan Aru, Provinsi Maluku hingga saat ini masih jarang dilakukan. Hal tersebut dikarenakan desa-desa di Kabupaten Kepulauan Aru masih sulit dijangkau karena dipisahkan oleh lautan. Walaupun demikian, penelitian ini mencoba mengangkat beberapa cerita rakyat dari Kabupaten Kepulauan Aru yang telah terinventarisasi untuk kemudian dikelompokkan dalam tipe dan motif. Tujuan dari adanya penelitian ini, yaitu untuk mengetahui cerita-cerita rakyat apa saja yang telah terinventarisasi, dan termasuk dalam tipe dan motif apa sajakah cerita-cerita rakyat tersebut. Metode yang digunakan yaitu analisis kualitatif. Setelah melakukan pengamatan, hasil yang diperoleh, yaitu terdapat sembilan cerita rakyat yang terinventarisasi, empat tipe dan empat motif cerita.
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Febrianti, Binar Kurniasari. "PERBANDINGAN CERITA “SEMANGKA EMAS” DENGAN CERITA “BAWANG MERAH BAWANG PUTIH”." tuahtalino 13, no. 1 (July 5, 2019): 25. http://dx.doi.org/10.26499/tt.v13i1.1367.

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This study aims to compare the intrinsic elements contained in the folklore of Semangka Emas and Bawang Merah Bawang Putih. By examining the comparison of the two folklores we can find out the similarities and differences that have different backgrounds and regions. The problem in this study is how the intrinsic elements in the two folklores and what are the similarities and differences of the two folklores. To solve problems and objectives in research applied qualitative descriptive methods. Data collection techniques by means of library study. The results of the study prove the folklore of the Semangka Emas and Bawang Putih Bawang Merah have similarities in theme, mandate, character, and plot. While the differences between the two folklore lies in the characterization and setting of the story. From the results of this study it can be concluded that both folklores have the similarity about jealousy towards siblings and the goodness of luck which is a reflection of social behavior, human relationships to others and other living creatures, as well as community norms.
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Brovarets, Tetiana. "Household Items with Inscriptions of the Late 19th – the First Half of the 20th Century as Creolized Works of Folklore: A Need to Create Systematized Databases." Slov'ânsʹkij svìt, no. 21 (December 30, 2022): 92–99. http://dx.doi.org/10.15407/slavicworld2022.21.092.

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The article deals with the necessity to create systematized databases (or to make interactive indices) for samples which are known as written folklore or, using linguistic terminology, creolized (verbal-iconic) texts. In particular, these folklore works include household items with inscriptions of the late XIXth to the first half of the XXth century. The authoress shortly describes the operating principle of the Interactive Index of Folklore Formulae developed by her on the materials of epigraphic embroidery. This index was created taking into account the fact that each item (a sample of epigraphic embroidery) consists of its structural elements. The latter are verbal and visual (iconic) folkloric formulae. Folkloric formulae can be both very short (for example, only one word) and long (for instance, an entire work can be only one folkloric formula). Folklore formulae can be both short (from one word) and long (for example, the whole work can be only one folklore formula). In the case of epigraphic embroidery, works mostly consist of one visual (iconic) and one verbal formula. However, there are also combinations of several verbal and/ or several visual formulae, which are embroidered on one towel and perceived as a single work. Having applied the recursion principle, the authoress managed to create the Index of folkloric formulae of epigraphic embroidery, where all the elements successfully interact. It is accentuated that such indexes (systematized databases) provide an opportunity for scientific research of concrete folkloric works.
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Mulyaningtyas, Rahmawati, and Dian Etikasari. "MUATAN NILAI KARAKTER DALAM CERITA RAKYAT KIAI PACET DAN RARA KEMBANG SORE." Waskita: Jurnal Pendidikan Nilai dan Pembangunan Karakter 6, no. 1 (April 28, 2022): 60. http://dx.doi.org/10.21776/ub.waskita.2022.006.01.5.

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<p><strong>The Content of Character Values in the Folklore of Kiai Pacet and Rara Kembang Sore. </strong>The purposes of this research are a) to describe the character values in the folklore of Kiai Pacet and Rara Kembang Sore and b) to describe the function of character values in the folklore. This research uses a qualitative approach with content analysis research methods. The source of data in this research is the text of the Tulungagung folklore (Kiai Pacet and Rara Kembang Sore) contained in the East Java Folklore anthology published by the East Java Language Center in 2011. The data for this research are narratives and dialogues from two folklore texts. The results show that the values contained in the folklore of Kiai Pacet and Rara Kembang Sore are religiousness, honesty, tolerance, creativity, curiousity, appreciation of achievement, love of peace, responsibility, and social care. The function of character values in the two folklores are the shaping and developing the potentials, improvements and strengthening, and filtering functions.</p>
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Dissertations / Theses on the topic "Folklore"

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Olson, Ted. "Virginia Folklore." Digital Commons @ East Tennessee State University, 2015. https://www.amzn.com/1107057779.

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Book Summary: A History of Virginia Literature chronicles a story that has been more than four hundred years in the making. It looks at the development of literary culture in Virginia from the founding of Jamestown in 1607 to the twenty-first century. Divided into four main parts, this History examines the literature of colonial Virginia, Jeffersonian Virginia, Civil War Virginia, and modern Virginia. Individual chapters survey such literary genres as diaries, histories, letters, novels, poetry, political writings, promotion literature, science fiction, and slave narratives. Leading scholars also devote special attention to several major authors, including William Byrd of Westover, Thomas Jefferson, Ellen Glasgow, Edgar Allan Poe, and William Styron. This book is of pivotal importance to the development of American literature and of American studies more generally.
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Puglia, David. "The Folklife Archives at Western Kentucky University: Past and Present." TopSCHOLAR®, 2010. http://digitalcommons.wku.edu/theses/205.

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This work focuses on Western Kentucky University’s Folklife Archives located in Bowling Green, Kentucky. Western Kentucky University has a rich history of folklore scholarship, dating back to at least the early 20th century and the work of Gordon Wilson. Folklore archives across the nation have long been repositories for the fieldwork of folklorists and a place to look to supplement future studies both of folklorists and other disciplines. Western Kentucky’s Folklife Archives are no exception, housing thousands of impressive pieces donated from many generations of folklore scholars. Yet very little has been written about the Western Kentucky Folklife Archives. Through oral history and primary documentation, I have attempted to capture this history from the earliest days of Gordon Wilson, D.K. Wilgus, and Lynwood Montell to the present day. vi
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Truscott, Clayton. "Local folklore : a novel." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12297.

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Espinosa, Aurelio M. "California Spanish Folklore Riddles." Mexican American Studies & Research Center, The University of Arizona (Tucson, AZ), 1988. http://hdl.handle.net/10150/624786.

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Garcia, Juan R., and Ignacio Garcia. "Readings in Southwestern Folklore." Mexican American Studies & Research Center, The University of Arizona (Tucson, AZ), 1988. http://hdl.handle.net/10150/624796.

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Hong, Sogu. "Mykola Kostomarov and Ukrainian folklore." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0003/MQ28895.pdf.

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Dillion, Jacqueline M. "Thomas Hardy : folklore and resistance." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5156.

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This thesis examines a range of folkloric customs and beliefs that play a pivotal role in Hardy's fiction: overlooking, sympathetic magic, hag-riding, tree ‘totemism', skimmington-riding, bonfire nights, mumming, May Day celebrations, Midsummer divination, and the ‘Portland Custom'. For each of these, it offers a background survey bringing the customs or beliefs forward in time into Victorian Dorset, and examines how they have been represented in written texts – in literature, newspapers, county histories, folklore books, the work of the Folklore Society, archival documents, and letters – in the context of Hardy's repeated insistence on the authenticity of his own accounts of these traditions. In doing so, the thesis both explores Hardy's work, primarily his prose fiction, as a means to understand the ‘folklore' (a word coined in the decade of Hardy's birth) of southwestern England, and at the same time reconsiders the novels in the light of the folkloric elements. The thesis also argues that Hardy treats folklore in dynamic ways that open up more questions and tensions than many of his contemporaries chose to recognise. Hardy portrays folkloric custom and belief from the perspective of one who has lived and moved within ‘folk culture', but he also distances himself (or his narrators) by commenting on folkloric material in contemporary anthropological terms that serve to destabilize a fixed (author)itative narrative voice. The interplay between the two perspectives, coupled with Hardy's commitment to showing folk culture in flux, demonstrates his continuing resistance to what he viewed as the reductive ways of thinking about folklore adopted by prominent folklorists (and personal friends) such as Edward Clodd, Andrew Lang, and James Frazer. This thesis seeks to explore these tensions and to show how Hardy's efforts to resist what he described as ‘excellently neat' answers open up wider cultural questions about the nature of belief, progress, and change.
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Domaradzka-Barbier, Aurélia. "Folklore musical polonais : La Silésie." Lyon 2, 1997. http://www.theses.fr/1997LYO20095.

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Zone de contact entre polonais, tcheques et allemands, peuples qui ont fait son histoire, la silesie a egalement recu d'autres influences (tatares, hongroises, juives, tsiganes et valaques). On y distingue une zone de plaine, la vallee de l'oder et une zone montagneuse, les sudetes et le beskide silesien (carpates). Les specificites de son folklore musical (syncretisme, polymorphisme du vers, heterogeneite du langage musical) et le contexte methodologique (cadre general et cadre analytique du discours verbal et musical des chants et de leurs variantes) ont defini le champ de l'etude. Les traditions silesiennes s'expriment de multiples manieres: habitat, artisanat, coutumes familiales, notamment liees au mariage, danses, costumes et fabrication d'instruments de musique traditionnels. Le parler silesien contient des archaismes inexistants dans le reste du pays. Le vers populaire chante silesien est polymorphe et evolue differemment dans le cadre des chants courts du sud et des chants longs du nord. L'analyse des melodies, notamment de celles du beskide, a necessite de forger de nouveaux outils et de definir de nouveaux concepts: conception ethnopsychique du rythme, cellule montagnarde originelle, notions de seconde "tres ancienne" (valaque), d'echelles autogenes, "deformee" et "transformee", explication de certains degres mobiles, formules statiques et dynamiques et leurs points d'appui, "chromatisme instrumental aleatoire", collage de formules heterogenes. L'analyse des paroles permet de comprendre que ces chants sont pour la plupart "des paroles de femmes" ayant pour role operatoire de faciliter l'accession de la jeune fille au statut de femme mariee. La societe silesienne y apparait encore fortement marquee de pratiques ancestrales. L'analyse des chants permet aussi de definir certaines regles de la transmission orale
Silesia has traditionally been the common ground of communication between poles, czechs and germans but il has also been open to other influences (tatares, hungarians, jews, gypsies and valacs). It is geographically composed of a plain, the oder valley and mountainous regions, the sudeten mountains and the silesian beskide (carpathia). This study devotes itself both to the types of silesian musical folklore (syncretism, polymorphism of verse, the mixture of musical codes) as well as to the methodological context (general considerations and an analysis of the text and music of the songs as well as their variants). Silesian traditions are expressed in different ways : dwellings, craftwork, family customs particularly related to weddings, dances, dress and the making of traditional musical instruments. The silesian dialect contains archaisms long forgotten in the rest of the country. Silesian sung verse is polymorphic and varies from the short southern songs to the longer songs of the north. In analysing the melodies, particularly those of the beskides, new tools and concepts were necessary e. G. The ethnopsychological concept of rythm, the primary mountain musical cell, the ideas of the "very early" second interval (valac) autogenic modes, the concept of "deformed" and "transformed" the explanation of certain mobile degrees, of static and dynamic models and of their resting points, of "aleatorical instrumental chromaticism" and finally the collage of different types of models. Through text analysis it could be established that these songs are mostly "words of women" which refer to the transition from girl to married woman and reveal ancestral customs still prevalent in silesian society. The analysis of the songs has also uncovered certain rules concerning oral tradition
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Aboudib, Robert. "Sabāh et le folklore libanais." Lyon 3, 1988. http://www.theses.fr/1988LYO3A000.

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Bell, Sita. "Anti-Semitic Folklore Motif Index." DigitalCommons@USU, 2009. https://digitalcommons.usu.edu/etd/299.

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Anti-Semitism, or Jew hatred, much of which is expressed and communicated through folklore, has a long history and continues unabated today. Incendiary opinions, deadly misconceptions, and insidious accusations have plagued Jews throughout history. Anti-Semitic expressions and incidents are scattered throughout countless texts, but no single comprehensive reference work that compiles all forms of anti-Semitic folklore motifs exists. This thesis attempts to fill that gap by supplying an index of anti-Semitic motifs. To establish a baseline of already catalogued anti-Semitic motifs, all six volumes of Stith Thompson's Motif-Index of Folklore-Literature: A Classification of Narrative Elements in Folktales, Ballads, Myths, Fables, Mediaeval Romances, Exempla, Fabliaux, Jest-Books and Local Legends were scanned and any relevant motifs listed were archived in a card index. Approximately 250 more previously unidentified motifs were documented from historical materials, published books and articles, artifacts, and personal communications. All motifs used in this study were developed from English sources, or from English speakers borrowing from other languages and cultures. The procedure to categorize the folklore motifs is based on a numbering system developed by folklorist Stith Thompson in 1955. Using Thompson's classifications of motifs as a base, the approximately 250 newly identified anti-Semitic folklore motifs I discovered have been integrated with Thompson motifs. Anti-Semitic materials covered begin with the Middle Ages and continue to the present day. Although not comprehensive, this motif index incorporates examples of anti-Semitic folklore from all genres, making motifs and examples easily accessible for anyone who wishes to analyze historical and current anti-Semitism. Indexing anti-Semitic folklore in a single reference work based on a universal folklore indexing system creates a body of information to be used as a resource tool for education and research of anti-Semitism. Furthermore, the index can easily be expanded as more material comes to light.
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Books on the topic "Folklore"

1

Larrínaga, Josu Erramun. Sakanako folklorea =: Folklore de la Sakana. [Donostia]: Eusko Ikaskuntza, 2003.

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Joshi, Jit Singh. Folklore And Punjabi Folklore. Amritsar: Varis Shah Foundation, 1999.

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Liz, Locke, Vaughan Theresa A. 1966-, and Greenhill Pauline 1955-, eds. Encyclopedia of women's folklore and folklife. Westport, Conn: Greenwood Press, 2008.

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P, Vicente Mena. Folklore. Quito: Edit. Casa de la Cultura Ecuatoriana, 1985.

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1941-, Āhamada Oẏākila, Asiatic Society of Bangladesh, and Cultural Survey of Bangladesh Project., eds. Folklore. Dhaka: Asiatic Society of Bangladesh, 2007.

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Anna, Sieradzka, ed. Folklore. Marki: Wydawnictwo Parma Press, 2010.

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Dunja, Rihtman-Auguštin, Povrzanović Maja, Institut za filologiju i folkloristiku (Zagreb, Croatia). Zavod za istraživanje folklora., and International Congress of Anthropological and Ethnological Sciences (12th : 1988 : Zagreb, Croatia), eds. Folklore and historical process =: Folklor i povijesni proces. Zagreb: Institute of Folklore Research, 1989.

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Institut za etnologii︠a︡ i folkloristika s Etnografski muzeĭ (Bŭlgarska akademii︠a︡ na naukite), ed. Ludostta v bŭlgarskii︠a︡ folklor: Madness in Bulgarian folklore. Sofii︠a︡: Izdatelstvo na BAN "Prof. Marin Drinov", 2018.

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Choondal, Chummar. Christian folklore. Trichur: Kerala Folklore Academy, 1988.

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Arias, Juan de Dios. Folklore santandereano. 3rd ed. Bucaramanga: Sic Edidtorial, 2007.

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Book chapters on the topic "Folklore"

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Grewal, Harjeet Singh. "Folklore (Sikhism)." In Encyclopedia of Scientific Dating Methods, 144–46. Dordrecht: Springer Netherlands, 2017. http://dx.doi.org/10.1007/978-94-024-0846-1_440.

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Sarao, K. T. S. "Folklore (Buddhism)." In Encyclopedia of Scientific Dating Methods, 493–95. Dordrecht: Springer Netherlands, 2017. http://dx.doi.org/10.1007/978-94-024-0852-2_214.

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Bubak, Oldrich, and Henry Jacek. "Beyond Folklore." In Trivialization and Public Opinion, 213–30. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17925-0_10.

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Houlbrook, Ceri. "Folklore Archaeology." In Encyclopedia of Global Archaeology, 4262–71. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2535.

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Houlbrook, Ceri. "Folklore Archaeology." In Encyclopedia of Global Archaeology, 1–10. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_2535-1.

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Peretti, Daniel. "Folklore Heroism." In Encyclopedia of Heroism Studies, 1–5. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17125-3_250-1.

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Xu, Guobin, Yanhui Chen, and Lianhua Xu. "Western Folklore." In Introduction to Western Culture, 163–87. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8153-8_6.

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de Seta, Gabriele. "Digital Folklore." In Second International Handbook of Internet Research, 1–17. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1202-4_36-1.

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de Seta, Gabriele. "Digital Folklore." In Second International Handbook of Internet Research, 1–17. Dordrecht: Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-94-024-1202-4_36-2.

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de Seta, Gabriele. "Digital Folklore." In Second International Handbook of Internet Research, 167–83. Dordrecht: Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-94-024-1555-1_36.

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Conference papers on the topic "Folklore"

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Jamila, Eisar. "THE ROLE OF FOLKLORE IN BOBUR’S POETRY." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/azip1577.

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Folkloreis one of the standards that ensure the high quality of the artistic work, and this issue is ensured by being in close harmony with folk oral creativity in the work. In this article, Zahirad-Din Mukhammad Babur’s poetry is discussed in terms of his merits with folklore or to what extent he was influenced by the riches of folk folklore and used them creatively.
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Carter, Larry, Jeanne Ferrante, and Clark Thomborson. "Folklore confirmed." In the 30th ACM SIGPLAN-SIGACT symposium. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/604131.604141.

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Ilyina, Larisa. "Semantic Codes Of Folklore And Modern Folklore Texts." In Philological Readings. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.04.02.51.

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Zubareva, Elena Aleksandrovna. "Music. Folklore. Ecology." In IX International Research-to-practice conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-117587.

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Hidayat, H., Wasana Wasana, Pramono Pramono, T. Immerry, and F. Dahlan. "Folklore in Meme: Minangkabau Folklore Survival Form in The Digital World." In Proceedings of the 2nd International Conference on Local Wisdom, INCOLWIS 2019, August 29-30, 2019, Padang, West Sumatera, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.29-8-2019.2288953.

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Hidayat, H., Wasana Wasana, Pramono Pramono, Sabar Sabar, and P. Husodo. "Living Folklore: Unlimited Creativity." In First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019. EAI, 2019. http://dx.doi.org/10.4108/eai.23-3-2019.2284883.

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Chumarova, Lyubov, Rosa V. Gataullina, Guzel Fassakhova, and Liliya R. Islamova. "FOLKLORE IN TEACHING LANGUAGES." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/iceri.2016.2247.

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Chumarova, Lyubov G. "Pedagogical Value Of Folklore." In IFTE 2019 - 5th International Forum on Teacher Education. Cognitive-Crcs, 2020. http://dx.doi.org/10.15405/epsbs.2020.01.87.

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Nuwame, Jacqueline. "Anansi's world of folklore." In ACM SIGGRAPH 2002 conference abstracts and applications. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242143.

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Murzakmetov, A. K., and M. T. Tabaldieva. "KYRGYZ-BURYAT FOLKLORE PARALLELS." In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Новосибирск: Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_363.

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Reports on the topic "Folklore"

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Michalopoulos, Stelios, and Melanie Meng Xue. Folklore. Cambridge, MA: National Bureau of Economic Research, January 2019. http://dx.doi.org/10.3386/w25430.

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Dutfield, Graham. Protecting Traditional Knowledge and Folklore. Geneva, Switzerland: International Centre for Trade and Sustainable Development, 2003. http://dx.doi.org/10.7215/ip_ip_20030601.

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Ryan, Catherine. Report on the MoTIF Project: Thesaurus Guidelines and Pilot Thesaurus of Irish Folklore. Royal Irish Academy, February 2014. http://dx.doi.org/10.3318/dri.motif.2014.1.

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Білоус, О. С. Український фольклор як засіб морально-естетичного становлення особистості школяра. ПДПУ ім. К. Д. Ушинського, 2002. http://dx.doi.org/10.31812/123456789/3317.

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The article deals with the meaning of folklore as the means of a moral-aesthetic making of a pupil’s personality. The author’s conclusions are based on the opinions of famous pedagogues and musicians. The curriculum in Music analysis, the recommendations concerning the broadening of a used repertoire of a folk music creative work in the practice of a compulsory school at the expense of introduction of the material of an folk creative work are given.
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Chaitoo, Ramesh. The Entertainment Sector in CARICOM: Key challenges and Proposals for Action. Inter-American Development Bank, April 2013. http://dx.doi.org/10.18235/0009113.

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Although small in terms of population, the Caribbean is renowned for its creativity. Its cultural diversity is manifested in a variety of artistic expressions including folklore, crafts, performances, music festivals, and carnivals. Despite the Caribbean's great potential in the entertainment sector, important domestic challenges - emanating from both public and private sectors - have long impeded the successful growth of creative industries. The paper explains how the implementation of the Economic Partnership Agreement with the European Union should serve as an impetus for stakeholders in the region to address these barriers thereby creating favorable conditions for the production and export of Caribbean entertainment services. This Study presents an overview of policies in the creative sector in terms of the promotion of services exports in selected CARICOM states: Barbados, Jamaica, and Trinidad and Tobago. This Technical Note highlights bottlenecks to implementation of recommendations proposed in existing analyses and diagnostics and suggests specific ways in which these can be overcome. It formulates concrete recommendations for relevant actors, including donors and domestic governments, to promote the development of the creative industries.
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Maron, Nancy. Florida Folklife Collection. New York: Ithaka S+R, August 2015. http://dx.doi.org/10.18665/sr.22673.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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Between Past and Present: Nationalist Tendencies in Bolivian Art: 1925-1950. Inter-American Development Bank, November 1996. http://dx.doi.org/10.18235/0006402.

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Thirty paintings and sculptures from the National Museum of Bolivia, the Museum Arturo Borda, the National Museum of Ethnography and Folklore, the Marina Núñez del Prado Foundation, and the private collections of Mr. Fernando Romero and the BHN Foundation, and Mrs. Carmen Mazzi de Fernández.
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