Journal articles on the topic 'Folk-rock music'
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Weston, Donna. "Transforming Folk. Innovation and Tradition in English Folk-Rock Music." Musicology Australia 36, no. 1 (January 2, 2014): 151–53. http://dx.doi.org/10.1080/08145857.2014.911064.
Full textCarter, James. "Campus Rock." Journal of Popular Music Studies 32, no. 3 (August 27, 2020): 51–72. http://dx.doi.org/10.1525/jpms.2020.32.3.51.
Full textCarter, James. "Campus Rock." Journal of Popular Music Studies 32, no. 3 (August 26, 2020): 51–72. http://dx.doi.org/10.1525/jpms.2020.323006.
Full textZhivitsa, A. R. "MODERN TRENDS OF ETHNIC MUSIC." Arts education and science 1, no. 30 (2022): 172–79. http://dx.doi.org/10.36871/hon.202201020.
Full textGodeli, Maria Regina C. S., Paulo R. Santana, Vera H. P. Souza, and Gisele P. Marquetti. "Influence of Background Music on Preschoolers' Behavior: A Naturalistic Approach." Perceptual and Motor Skills 82, no. 3_suppl (June 1996): 1123–29. http://dx.doi.org/10.2466/pms.1996.82.3c.1123.
Full textLiang, Yuyi. "A Study on the Singing Forms of Western Rock Music Integrating Classical Cultural Elements." Advances in Humanities Research 6, no. 1 (May 28, 2024): 5–8. http://dx.doi.org/10.54254/2753-7080/6/2024056.
Full textRedhead, Steve, and John Street. "Have I the right? Legitimacy, authenticity and community in folk's politics." Popular Music 8, no. 2 (May 1989): 177–84. http://dx.doi.org/10.1017/s0261143000003366.
Full textLarkey, Edward. "Austropop: popular music and national identity in Austria." Popular Music 11, no. 2 (May 1992): 151–85. http://dx.doi.org/10.1017/s0261143000004980.
Full textDorobek, Andrzej. "Nie tylko folkowa osobność Berta Janscha." Przegląd Kulturoznawczy, no. 3 (57) (October 2023): 325–35. http://dx.doi.org/10.4467/20843860pk.23.023.18581.
Full textHeinonen, Yrjö. "Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's "Äijö"." Articles 25, no. 1-2 (December 17, 2012): 138–70. http://dx.doi.org/10.7202/1013309ar.
Full textFursenko, T. F. "Value Orientations Development in Adolescents by Means of Folk Music." Психологическая наука и образование 24, no. 2 (2019): 29–36. http://dx.doi.org/10.17759/pse.2019240203.
Full textIlienko, O., and A. Furdychko. "PERFORMANCE FEATURES OF THE «CHERVONA RUTA» FESTIVAL: FOCUS ON THE INHERITANCE OF TRADITIONS." Bulletin of Mariupol State University Series Philosophy culture studies sociology 12, no. 24 (2022): 34–40. http://dx.doi.org/10.34079/2226-2849-2022-12-24-34-40.
Full textSaddiqa, Ayesha, Fatima Sajid Chauhan, and Adeen Asif. "Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap." Global Social Sciences Review IX, no. I (March 30, 2024): 145–57. http://dx.doi.org/10.31703/gssr.2024(ix-i).13.
Full textLaskar, Mahmudul Hasan. "Westernization of Musical Culture and Cultural Stratification in Northeast India: Role of Western Music on the Consumption of Music among Youth." Youth and Globalization 4, no. 2 (February 10, 2023): 240–58. http://dx.doi.org/10.1163/25895745-04020013.
Full textHidalgo, Marcela, and Ricardo Salton. "Argentina." Popular Music 6, no. 2 (May 1987): 227–30. http://dx.doi.org/10.1017/s0261143000006012.
Full textKerékfy, Márton. "Verwendung, Verleugnung, Wiederentdeckung – Ligeti und ethnische Musiken." Studia Musicologica 57, no. 1-2 (June 2016): 35–47. http://dx.doi.org/10.1556/6.2016.57.1-2.3.
Full textYri, Kirsten. "Corvus Corax: medieval rock, the minstrel, and cosmopolitanism as anti-nationalism." Popular Music 38, no. 03 (October 2019): 361–78. http://dx.doi.org/10.1017/s0261143019000229.
Full textSora, Andrei. "Transsylvania Phoenix, Romanian Ethno-rock, and the Politics of Folk Music." Rock Music Studies 7, no. 1 (August 8, 2019): 23–33. http://dx.doi.org/10.1080/19401159.2019.1651526.
Full textBondarenko, Andriy. "UKRAINIAN ELECTRONIC MUSIC IN GLOBALISATION AND NATIONAL REVIVAL." Scientific Journal of Polonia University 43, no. 6 (June 18, 2021): 9–15. http://dx.doi.org/10.23856/4301.
Full textAlkhayat, Marwa Essam Eldin. ""Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture." Jurnal Humaniora 30, no. 1 (February 24, 2018): 27. http://dx.doi.org/10.22146/jh.32137.
Full textAlkhayat, Marwa Essam Eldin. ""Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture." Jurnal Humaniora 30, no. 1 (February 24, 2018): 27. http://dx.doi.org/10.22146/jh.v30i1.32137.
Full textGradowski, Mariusz. "Rock and Roll Styles and Genres in Poland (1957–1973)." Musicology Today 13, no. 1 (December 1, 2016): 106–12. http://dx.doi.org/10.1515/muso-2016-0003.
Full textLofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (June 1, 2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.
Full textDedić, Nikola. "Highway 61 Revisited: Bob Dilan i francuski poststrukturalizam / Highway 61 Revisited: Bob Dilan and French Poststructuralism." AM Journal of Art and Media Studies, no. 3 (June 15, 2013): 11–23. http://dx.doi.org/10.25038/am.v0i3.32.
Full textStimeling, Travis D. "Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty." Notes 70, no. 3 (2014): 452–55. http://dx.doi.org/10.1353/not.2014.0038.
Full textMahmud, Fitriningsih Pratiwi, and Ahmad Rifani Talaohu. "Cultural Identity of North Maluku in Folk Pop: When Traditional Meets the Future." Anaphora : Journal of Language, Literary, and Cultural Studies 6, no. 2 (December 31, 2023): 191–203. http://dx.doi.org/10.30996/anaphora.v6i2.9760.
Full textBizhanova, Kenzhegul, Bakyt Arinova, Gulshat Akbayeva, and Aiym Massimbayeva. "Youth Identity Development on the Basis of Traditional Kazakh Folk Music." Folklore: Electronic Journal of Folklore 93 (August 2024): 79–104. http://dx.doi.org/10.7592/fejf2024.93.kazakh_youth.
Full textBhalke, Daulappa Guranna, Betsy Rajesh, and Dattatraya Shankar Bormane. "Automatic Genre Classification Using Fractional Fourier Transform Based Mel Frequency Cepstral Coefficient and Timbral Features." Archives of Acoustics 42, no. 2 (June 27, 2017): 213–22. http://dx.doi.org/10.1515/aoa-2017-0024.
Full textCross, Rod. "Pop Music in the Middle School – Some Considerations and Suggestions." British Journal of Music Education 5, no. 3 (November 1988): 209–16. http://dx.doi.org/10.1017/s026505170000663x.
Full textde kloet, jeroen. "popular music and youth in urban china: the dakou generation." China Quarterly 183 (September 2005): 609–26. http://dx.doi.org/10.1017/s030574100500038x.
Full textECKSTEIN, LARS. "Torpedoing the authorship of popular music: a reading of Gorillaz' ‘Feel Good Inc.’." Popular Music 28, no. 2 (May 2009): 239–55. http://dx.doi.org/10.1017/s0261143009001809.
Full textSavitskaya, E. A. "Paradoxes of the Ironical in the Works of the Swedish Rock Band Samla Mammas Manna." Art & Culture Studies, no. 1 (March 2023): 242–69. http://dx.doi.org/10.51678/2226-0072-2023-1-242-269.
Full textFABBRI, FRANCO. "Orchestral Manoeuvres in the 1970s: l’Orchestra Co-operative, 1974–1983." Popular Music 26, no. 3 (October 2007): 409–27. http://dx.doi.org/10.1017/s0261143007001353.
Full textDorobek, Andrzej. "Nowojorska tożsamość rockowa." Kultura i Społeczeństwo 67, no. 4 (December 28, 2023): 133–50. http://dx.doi.org/10.35757/kis.2023.67.4.7.
Full textStanfield, Peter. "Crossover: Sam Katzman'sSwitchblade Calypso Bop Reefer Madness Swamp Girlor ‘Bad Jazz,’ calypso, beatniks and rock 'n' roll in 1950s teenpix." Popular Music 29, no. 3 (October 2010): 437–55. http://dx.doi.org/10.1017/s0261143010000255.
Full textShuvera, Ryan. "“New Life” into Old Sounds." Journal of Popular Music Studies 32, no. 2 (June 1, 2020): 178–90. http://dx.doi.org/10.1525/jpms.2020.32.2.178.
Full textShuvera, Ryan Ben. "Southern Sounds, Northern Voices." Journal of Popular Music Studies 30, no. 4 (December 2018): 177–90. http://dx.doi.org/10.1525/jpms.2018.300412.
Full textEmmery, Laura. "Made in Yugoslavia: Studies in Popular Music." Musicological Annual 57, no. 1 (July 5, 2021): 271–82. http://dx.doi.org/10.4312/mz.57.1.271-282.
Full textNofre, Jordi. "‘Catalanism Only Will Win by the Force of Songs’, Revisited 100 Years After. The Role of Catalan(ist) Pop-Rock Music in Socially Sanitizing Working-Class Neighborhoods of Barcelona (1976–2000)." International Review of Social Research 2, no. 2 (June 1, 2012): 1–20. http://dx.doi.org/10.1515/irsr-2012-0013.
Full textMyers, Ted. "The Making ofFour Decades of Folk Rock: Anatomy of a Box Set." Popular Music and Society 30, no. 5 (December 2007): 639–49. http://dx.doi.org/10.1080/03007760701577096.
Full textFulk, Kirkland A. "Sounds German?: Popular Music in Postwar Germany at the Crossroads of the National and Transnational." German Politics and Society 35, no. 2 (June 1, 2017): 1–6. http://dx.doi.org/10.3167/gps.2017.350201.
Full textHagedorn, Hans Christian. "Don Quijote en el jazz francés." Çédille, no. 18 (2020): 515–49. http://dx.doi.org/10.25145/j.cedille.2020.18.21.
Full textSAPOZHNIK, Olga. "THE ORIGIN AND DEVELOPMENT OF ROCK MUSIC IN UKRAINE: THE SEARCH FOR CULTURAL IDENTITY." Fine Art and Culture Studies, no. 1 (April 26, 2024): 80–88. http://dx.doi.org/10.32782/facs-2024-1-11.
Full textAbid, Sobia, Muhammad Zahid Bilal, and Aleena Begum. "MUSIC AND TRANS CULTURALISM: ANALYZING THE ROLE OF COKE STUDIO MUSIC IN PAKISTAN." Pakistan Journal of Social Research 04, no. 03 (November 30, 2022): 933–43. http://dx.doi.org/10.52567/pjsr.v4i03.972.
Full textFEIGENBAUM, ANNA. "‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco." Popular Music 24, no. 1 (January 2005): 37–56. http://dx.doi.org/10.1017/s0261143004000285.
Full textSicherl Kafol, Barbara, Olga Denac, and Jerneja Žnidaršič. "Interest of Slovene Students in Listening to Various Musical Genres." Musicological Annual 52, no. 1 (June 27, 2016): 189–205. http://dx.doi.org/10.4312/mz.52.1.189-205.
Full textPIEKUT, BENJAMIN. "Music for Socialism, London 1977." Twentieth-Century Music 16, no. 1 (February 2019): 67–93. http://dx.doi.org/10.1017/s1478572219000100.
Full textNedlina, Valeriya. "Neotraditionalism and Innovations in Kazakh Instruments and Music-Making." International peer-reviewed journal 11, no. 4 (December 1, 2023): 34–53. http://dx.doi.org/10.59850/saryn.4.11.2023.33.
Full textPetrov, Ana. "“Rock and Roll Will Keep us Together”: Music and the representations of Yugoslav collectivity in the Day of Youth." Studia Musicologica 56, no. 4 (December 2015): 417–27. http://dx.doi.org/10.1556/6.2015.56.4.9.
Full textMendis, B. I. L. M., P. A. D. S. Palihaderu, Dilan Amila Satharasinghe, J. M. K. J. K. Premarathne, Arosha S. Dissanayake, Harshini Rajapakse, Panduka Karunanayake, et al. "Exploration of Music Preferences among the Socioeconomic Stereotypes: A Cross-Sectional Study." Journal of Advanced Research in Social Sciences 4, no. 4 (December 20, 2021): 1–18. http://dx.doi.org/10.33422/jarss.v4i4.540.
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