Dissertations / Theses: 'Folk process'

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Shao, Luyin. "A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/94.

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Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowings of Mongolian music and culture in the formation and transmission of Chinese-Mongolian er’rentai.

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Kanaridis, Mina, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Investigating a singing voice in diverse genres and styles : a discussion of context and process." THESIS_CAESS_CAR_Kanaridis_M.xml, 2002. http://handle.uws.edu.au:8081/1959.7/241.

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The author investigates the voice in diverse genres and styles, documenting and interpreting vocal performance through a contextual analysis of specifically chosen repertoire. This repertoire is drawn from collaboration with two musical groups, the Renaissance Players and Coda and from the author's artistic direction and presentation of four diverse recitals: American Songs, Italian Baroque, American Folk and Theatre and Nostalgia. Each recital is treated as a separate case study, in which the process of selecting, rehearsing and performing the repertoire is closely examined. Recordings and selected examples of scores are included to illustrate the findings. The discussion concludes with a synthesis of context and process within the framework of a global perspective celebrating diversity.
Master of Arts (Hons)

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Набок, Марина Миколаївна, Марина Николаевна Набок, Maryna Mykolaivna Nabok, and Kwesi Gyebi Mintah-Benyin. "The Principles Of Teaching Ukrainian Folk Dumas In Higher Educational Institutions Of Ukraine." Thesis, Sumy State University, 2021. https://essuir.sumdu.edu.ua/handle/123456789/84788.

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The article deals with the basic principles of teaching Ukrainian folk dumas in higher educational institutions of Ukraine. Cross-cultural education contributes to understanding and acceptance of cultural differences, ethnic tolerance, which is particularly important in the university environment with its close intercultural communication and interaction. The creative interaction between the teacher and the student allows «deeper study of Ukrainian dumas’ role in the formation of the national identity during intercultural communication» and is an integral part of the organization of creative education. The issues of the integration of art into the educational process in the United States are discussed in the works of Dowell and Goering et al.

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Lombardi, David. "Communication and Creative Process Between Musicians From Different Cultures : A report of travels, experiences, exchanges and encounters." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4221.

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Kull, Hanna. "Från de värmländska skogarna mot nya landskap och dess musikaliska uttryck : En självobservation av hur jag som värmländsk spelman tar mig an och drar lärdom av estradmusiken från Hälsingland med noterna som ”mästare”." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-33172.

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Jag har genom en självobservation studerat hur jag som värmländsk spelman har jobbat för att lära mig Ranungspolskorna av Jon Erik Öst. Syftet har varit att studera min egen läroprocess genom att tillägna mig musik från en annan tradition med noter som mästare. En central fråga i mitt arbete har varit om de förkunskaper jag haft räcker för att spela den nya traditionen eller om jag behöver addera ny kunskap, och i så fall vilken, för att lyckas. Jag har använt mig av videofilmning, ljudinspelning och loggboksskrivande för att dokumentera vad som hänt, och detta material ligger till grund för mitt resultat. Det teoretiska perspektiv som arbetet bygger på är mästarläran, dock med fokus på att det bara har varit jag, instrumentet och noterna som har samarbetat, och inte en ytterligare människa som har agerat mästare. I och med att det bara har varit jag, instrumentet och noterna som samarbetat så har inte ytterligare en människa agerat mästare i studien. Slutligen presenteras resultatet av studien under två rubriker där den första rubriken presenterar läroprocessen och den sista ger konkreta exempel på skillnader och likheter mellan Värmlands och Hälsinglands folkmusikgenre. Resultatet diskuteras därefter i relation till tidigare forskning och bakgrundslitteraturen som använts i föreliggande studie.
I have by a self-observation studied how I as a fiddler from the province of Värmland have worked to learn to play the Ranungspolskorna by Jon Erik Öst. The aim has been to study my own learning process by studying music from a different tradition with sheet notes as a master. A central issue in my work has been to find out if the previous knowledge I already have is enough to play the new music tradition or what new knowledge I need to add to succeed. I have been using video recording, audio recording and writing logbook to document what has happened, and this material forms the basis of my results. The theoretical perspective underpinning the work is master learning, but with focus on the cooperation between myself, my instrument and the sheet notes, and no another person acting as the master in the study. Finally I present the result of the study under two headings. The first one presents the learning process and the second gives concrete examples of the differences and similarities between the folk music genre from the provinces of Värmland and Hälsingand. The result is then discussed in relation to the previous research and background literature used in the present study.

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David, Fabrice. "Étude anthropologique de la création chorégraphique d'un spectacle de danse bretonne : Abenn Dimeurh de l'ensemble musique et danse Kevrenn Alré (Bretagne, France)." Thesis, Université Clermont Auvergne‎ (2017-2020), 2018. http://www.theses.fr/2018CLFAL011.

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Cette thèse s'intéresse au processus de création chorégraphique d'un spectacle de danses traditionnelles en Bretagne. Elle a été menée à partir d’un terrain effectué au sein de la Kevrenn Alré, ensemble de musique et danse bretonnes basé à Auray dans le Morbihan, de novembre 2010 à novembre 2012. Comme la majorité des groupes bretons, cet ensemble crée son spectacle annuel pour le besoin d'un concours organisé par sa confédération. La recherche analyse les activités et les modes collectifs de production mis en œuvre lors de la fabrication du spectacle Abenn dimeurh sur le thème des préparatifs d'une noce en pays d'Auray vers 1900. La description ethnographique d'un moment de concours et l'analyse des dynamiques internes de la Kevrenn Alré permettent d'abord d'appréhender la relation du groupe à son environnement socio-culturel et d'interroger la façon dont le cadre compétitif façonne le processus de création d'un spectacle. La fabrication d'Abenn Dimeurh est ensuite observée en détaillant les différentes étapes organisées par les chorégraphes : émergence du thème, collectage, présentation du projet aux danseurs, écriture chorégraphique. Cette observation met en lumière la façon dont les responsables de la Kevrenn Alré, pour faire aboutir leur projet artistique, doivent articuler un processus de création nettement ordonnancé et une organisation collective des activités. Au fil du processus sont engagées différentes formes de coopération qui montrent que les acteurs envisagent la notion du collectif et le travail en groupe autour d'une vision commune du sens de l'effort et de la responsabilité partagée. Il se dégage de l’analyse que la définition du travail artistique comme une activité collective est opératoire dans le contexte de la danse bretonne de spectacle en tenant compte des spécificités de l'univers associatif. Dans cet univers, les membres de la Kevrenn Alré s'efforcent de concilier le plaisir du partage et la réussite au concours. De ce constat émerge que le processus de création marque la production de son empreinte en engendrant un spectacle qui exprime leur vision de la culture bretonne
This thesis focuses on the process of choreographic creation of a folk dance performance in Brittany. It is based on fieldwork conducted in Kevrenn Alré, a Breton music and dance ensemble based in Auray in Morbihan, from November 2010 to November 2012. Like most Breton groups, Kevrenn Alré create their show to compete in the annual contest organized by the folk dance organization to which they belong. The research analyses the collective activities and modes of production implemented during the creation of the performance Abenn dimeurh on the theme of the preparations for a wedding in the Auray region around 1900.The ethnographic description of a dance contest and the analysis of Kevrenn Alré's internal dynamics first allow us to understand the group's relationship to its socio-cultural environment and to examine how the competitive framework shapes the creative process of a show. The making of Abenn Dimeurh is then observed by investigating the various steps organized by the choreographers: finding the theme, collecting data, presenting the project to the dancers, making and staging the choreographic score. This observation highlights the way Kevrenn Alré's leaders, in order to carry out their artistic project, must articulate a clearly organized creative process and a collective organization of activities. Throughout the process, various forms of cooperation are initiated, showing that the actors consider the notion of being and working together around a common vision of joint endeavour and shared responsibilities. The analysis shows that the definition of artistic work as a collective activity is operative in the context of Breton folk dance performance, taking into account the specificities of voluntary associations. In this environment, the members of Kevrenn Alré struggle to bring together the pleasure of shared activities and success in the contest. From all this, it emerges that the creative process leaves its imprint on the production by generating a performance that expresses their vision of Breton culture

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Sternelöv, Gustav. "Analysis of forklift data – A process for decimating data and analyzing fork positioning functions." Thesis, Linköpings universitet, Statistik och maskininlärning, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-139213.

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Investigated in this thesis are the possibilities and effects of reducing CAN data collected from forklifts. The purpose of reducing the data was to create the possibility of exporting and managing data for multiple forklifts and a relatively long period of time. For doing that was an autoregressive filter implemented for filtering and decimating data. Connected to the decimation was also the aim of generating a data set that could be used for analyzing lift sequences and in particular the usage of fork adjustment functions during lift sequences. The findings in the report are that an AR (18) model works well for filtering and decimating the data. Information losses are unavoidable but kept at a relatively low level, and the size of data becomes manageable. Each row in the decimated data is labeled as belonging to a lift sequence or as not belonging to a lift sequence given a manually specified definition of the lift sequence event. From the lift sequences is information about the lift like number of usages of each fork adjustment function, load weight and fork height gathered. The analysis of the lift sequences gave that the lift/lower function on average is used 4.75 times per lift sequence and the reach function 3.23 times on average. For the side shift the mean is 0.35 per lift sequence and for the tilt the mean is 0.10. Moreover, it was also found that the struggling time on average is about 17 % of the total lift sequence time. The proportion of the lift that is struggling time was also shown to differ between drivers, with the lowest mean proportion being 7 % and the highest 30 %.

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Arzhanov, Alexander. "Gogny-Hartree-Fock-Bogolyubov Nuclear Mass Models with Application to r-Process Stellar Nucleosynthesis." Thesis, KTH, Kärnfysik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-139303.

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Huan, Junjun. "Wafer-Level Vacuum-Encapsulated Ultra-Low Voltage Tuning Fork MEMS Resonator." University of Dayton / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1493253273171541.

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Silva, Érica de Mello. "Espaço de Fock em redes fermiônicas e simetrias de Lie em processos de difusão não-lineares." reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/1418.

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Tese (doutorado)—Universidade de Brasília, Instituto de Física, 2008.
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Neste trabalho estudamos classes de processos estocásticos através do uso de ferramentas fundadas em simetria: exploramos o conceito de representação do espaço de Fock para tratar redes de spin estocásticas e usamos métodos de simetria de Lie para obter equações de transporte generalizadas. Na representação número, desenvolvemos um formalismo para estudar redes fermiônicas, seguindo em paralelo aos métodos utilizados na descrição de bósons. Como aplicação, consideramos o modelo de Glauber linear em d dimensões e deduzimos a magnetização e a função de correlação por pares em termos dos operadores de criação e aniquilação. Com o objetivo de estender uma classe de equações de reação-difusão com coeficiente de difusão logarítmico, utilizamos os procedimentos de simetria de Lie. Partindo inicialmente de uma equação de reação-difusão com álgebra 4-dimensional conhecida, resolvemos o problema inverso, ou seja, encontramos todas as equações em uma dada classe que são invariantes por essa álgebra de simetria. A classe que consideramos primariamente é a de equações de Fokker-Planck não-lineares em que o termo de fonte é um monômio na função de distribuição. Também utilizamos esse procedimento a fim de obter classes de equações de difusão em meio poroso com dependência logarítmica no coeficiente de difusão e nos termos de fonte não-lineares. Adicionalmente, apresentamos soluções invariantes para casos particulares das classes de equações obtidas. ______________________________________________________________________________________ ABSTRACT
In this work we address the problem of analyzing stochastic processes through founded symmetry tools: we have explored the concept of Fock space representation to deal with stochastic spin lattices and used the Lie symmetry machinery to obtain generalized transport equations. In the realm of Fock space, we have developed a formalism to treat stochastic fermion-like lattices, following in parallel with the counterpart approach for the case of bosons. As an application, we have considered the d-dimensional linear Glauber model, deriving its magnetization and two-point correlation function in terms of creation and annihilation operators. In order to enlarge a class of transport equations with a logarithmic inhomogeneity of the diffusion coefficient, we have used the symmetry approaches. Starting from a reaction-diffusion equation with 4-dimensional symmetry algebra, we solved the inverse problem, namely, we have found all equations in a given class that are invariant under this symmetry algebra. The class we primary considered is that of nonlinear Fokker-Planck equations for which the source term is a monomial in the distribution function. We have also applied this approach to find a class of porous medium-like equations in which the logarithmic behavior still holds for both diffusity and nonlinear source terms. Some invariant solutions for particular cases of these generalized transport equations are presented.

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SILVA, Decilene Maria Santos Mendes da. "As bonequinhas da sorte de Gravatá-PE, no contexto do processo folkcomunicacional e do desenvolvimento local." Universidade Federal Rural de Pernambuco, 2011. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6131.

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In the city of Gravatá, state of Pernambuco, a cloth hand-sewed doll is the local symbol and widens the borders for being commercialized in other countries. This research, through the perspective of Folk communication (a theory conceived by the journalist Luiz Beltrão in the 1960's to study popular-level communication procedures), aims at understanding the mediatic scenarios, contexts and processes that involve production, sale and comprehension of the meanings acquired by "Gravatá’s Lucky Doll", as well as the sort of contribution it enables to local development. As for data collection one has used: field, bibliographic and documentary researches, besides publications on the internet, interviews, photo records and interviews with social actors in charge of manufacturing and commercializing the object. Through these elements, one has revealed the aspects that justify the popularity of such lucky doll and its plural significations. This study comprises cultural and social content, symbolic and discursive content, re-signification, re-functionalization and reconversion, as well as folkmarketing, marketing and institutional communication strategies which influence the object, thus leading to visualize to what extent the lucky doll may represent and foster local development.
Na cidade de Gravatá, em Pernambuco, uma bonequinha de pano costurada à mão é símbolo local e extrapola fronteiras, sendo comercializada em outros países. Esta pesquisa busca através de um olhar sob as lentes da folkcomunicação (teoria que estuda procedimentos comunicacionais em nível popular e foi criada pelo jornalista Luiz Beltrão na década de 60), perceber os cenários, contextos e processos midiáticos que movem a produção, venda e interpretação dos significados adquiridos pela “Bonequinha da sorte de Gravatá”, bem como que tipo de contribuição ela possibilita para o desenvolvimento local. Como coleta de dados foram utilizadas: pesquisa de campo, bibliográfica e documental, publicações na internet, entrevistas, registros fotográficos e entrevistas com atores sociais que produzem e comercializam o objeto. Através desses elementos revelam-se os aspectos que justificam a popularidade da bonequinha da sorte e suas significações plurais. O estudo envolve o conteúdo cultural e social, simbólico e discursivo, re-significação, re-funcionalização e reconversão, bem como as estratégias de folkmarketing e comunicação mercadológica e institucional pelas quais passa o objeto, levando a visualizar até que ponto a bonequinha da sorte pode configurar e promover o desenvolvimento local.

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Grisewood, Jane. "Marking time : investigating drawing as a performative process for recording temporal presence and recalling memory through the line, the fold and repetition." Thesis, University of the Arts London, 2010. http://ualresearchonline.arts.ac.uk/6509/.

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This research seeks to identify drawing as an alternative exemplar for investigating memory and temporal presence, while determining its potential as a performative tool for negotiation and transformation, throught the line, fold and repetition. The aim is to position drawing in the dynamics of movement, using the journey as a trope and the physical act of repeating the line to evoke memory and disrupt concepts of linear, orderly time. The investigation, driven by my ongoing practice and concerns of dislocation and exile, was inspired and informed by Gilles Deleuze's notion of 'becoming' as a fluid in-between. His reading of memory through Henri Bergson (habit and pure) and Marcel Proust(voluntary and involuntary), provided the context for examining drawing's memorial potency along a past-present-future continuum. Deleuze's ontology provided a reflective and reflecive methodology for addressing my own work alongside artists who share similar concerns. My practice focused on not what the line is but what it can do or be, where drawing is predicated on touch and derived from thought and memory, rather than appearance or observation. Inside the studio and outdoors in the landscape, moving between familiar yet changed places. I marked the paradoxical experience of time, its flows and ruptures. The resulting body of drawings and photographic records offer the principal outcome of this inquiry. The research findings present drawing as a fluid multiplicity that shifts between the haptic and optic, visible and invisible, control and chance, notation and photography, studio and street, with one often constituting the other. The condition of 'seeing' is not a prerequisite; drawing exists with and without seeing. It resides in a gap between, where time itself unfolds and things are forgotten as well as remembered, liminal and open-ended. This thesis proposes a new theoretical understanding of drawing as generative of memory and a process of continual negotiation and temporal becoming.

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Menezes, Potiguara Curione. "Que som é esse? Diálogos culturais refletidos em processo composicionais na música brasileira contemporânea." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-31052017-114521/.

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O tema deste trabalho é a inter-relação de compositores eruditos com culturas musicais ao redor do mundo, a partir do século XX. O foco incide nos aspectos composicionais que se desenvolveram a partir desse intercâmbio. O recorte principal da pesquisa é a produção dos compositores brasileiros, a partir dos anos 1980. Adicionalmente, foram comentados outros períodos, para tratar dos processos envolvidos nas inter-relações culturais de forma mais ampla, seja em termos de inspiração, influência, apropriação e representação de elementos dessas culturas, seja no que tange à questões conceituais de afetividade, originalidade, autenticidade, identidade e dominação sociocultural. Com esse intuito, primeiramente, debateram-se impasses relacionados aos modos de interrelação e de incorporação e às terminologias encontradas na literatura. Em seguida, foi proposto um panorama contextual das ocorrências desses intercâmbios no repertório erudito, nacional e internacional. Finalmente, apresenta-se uma série de análises de obras de autores brasileiros, compostas nos últimos 35 anos. Pretende-se demonstrar que - num contexto de extrema interação cultural, emaranhado pela pluralidade de ideias relacionadas aos processos de globalização - tanto as possibilidades criativas quanto a discussão crítica das questões decorrentes desses encontros entre culturas se expandem em igual proporção, seja em sua potencialidade e complexidade, seja em seu caráter paradoxal e de controvérsia.
The theme of this work is the interrelation of art music composers with musical cultures around the world, from the 20th century onwards. The focus concerns on the compositional aspects that were developed from this exchange. The main research cutting is the production of the Brazilian composers from the 80s. Additionally, other periods were commented on, to deal with the processes involved in the cultural interrelations in a broader way, be it in terms of inspiration, influence, appropriation and representation of elements of theses cultures, or in what concerns to conceptual questions of affectivity, originality, authenticity, identity and sociocultural domination. For this purpose, primarily, bottlenecks related to the modes of interrelation and incorporation, as well as to the terminologies found in the literature were discussed. Next, a contextual panorama of the occurrences of these exchanges in the erudite repertoire, national and international, was proposed. Finally, a series of Brazilian authors\' work analyses is presented, composed in the last 35 years. It is intended to demonstrate that both the creative possibilities and the critical discussion of the issues arising from these encounters among cultures expand in equal proportion, be it in its potentiality and complexity, or in its paradoxical and controversial character. And that happens in a context of extreme cultural interaction, entangled by the plurality of ideas related to the processes of globalization.

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Al, Mahmoud Alsheikh Amer. "Modelování chemických procesů." Doctoral thesis, Vysoké učení technické v Brně. Fakulta chemická, 2015. http://www.nusl.cz/ntk/nusl-233403.

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V této práci je prezentována studie fragmentačního procesu zvolené molekuly a jeho vztah ke složení fragmentačních produktů. Práce je zaměřená na výpočet fragmentační energie molekuly pomocí ab initio kvantově chemických metod, metodou „density functional theory (DFT)“ a také srovnáním s experimentem. Je prezentován vliv výpočetní metody, bázového setu, a geometrie molekuly na simulaci. Byla porovnána fragmentace methylfenylsilanu (MPS), dimethylfenylsilanu (DMPS), a trimetylfenylsilanu (TMPS). Fragmentace byla iniciována monochromatickým elektronovým svazkem (EII). Hmotnostní spektrometrie byla využita ke studiu složení fragmentačních produktů MPS a TMPS. Fragmentační produkty MPS a TMPS měřené v rámci této práce byly doplněny o experimentální studii DMPS, která byla prezentována v literatuře. Takto byla získána řada molekul, které jsou strukturně podobné, ale mají výrazně rozdílné chování během fragmentace. Pomocí měření účinného průřezu byly měřeny disociační energie vazeb a tyto disociační energie byly vypočteny pomocí metody DFT. Kombinací teoretického výpočtu metodou DFT a experimentálního měření jsme poukázali na společné rysy a na rozdíly ve fragmentačním schématu všech tří molekul. Navrhli jsme odštěpení dvou vodíkových atomů během plazmově indukovaného fragmentačního procesu. Vodíky mohou být odštěpeny pomocí dvou mechanismů: i. odštěpení dvou vodíků jeden po druhém a ii. odštěpení molekuly H2 v jednom kroku. Z profilů energie dokážeme určit, který mechanismus bude v tom konkrétním případě pravděpodobnější. Předpokládaný mechanismus je v korelaci s experimentálními výsledky fragmentace zjištěnými z hmotnostních spekter.

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Silva, Marcos Vieira da. "KAFKA, DELEUZE E A LITERATURA MENOR EM A METAMORFOSE E NO PROCESSO." Pontifícia Universidade Católica de Goiás, 2016. http://tede2.pucgoias.edu.br:8080/handle/tede/3490.

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This paper aims to make an approximation of some concepts of the Philosophy of Difference as proposed by Gilles Deleuze and Felix Guattari to Kafka´s so called Minor Literature, in specific The Metamorphosis and The Trial. For these philosophers, although Literature and Philosophy have different objects, they have bonds and come close to each other when they give their testimony of life. It is life that runs through literature; several types of devir overflow in literary writing: devir-man, devir-woman, devir-child, devir-animal, devir-molecule, imperceptible devir, flows of life and death shaping rizomes, agitating Franz Kafka´s world map. The character Gregor Samsa in Metamorphosis is a man, but a transformed man, turned into an insect, a deviranimal, a devir-molecule, a flow of desire, blocks of sensation. Kafka´s world is truly agitated, the political machine, the war machine are all connected, disconnected and re-connected, shuffling the codes in The Trial and in Metamorphosis and as they were shuffled, they took language to the limit, forcing thought to think and language to stutter, because language and thought fold themselves inside and outside through the forces of sign. In this movement between the inside and the outside, we are led to weave our third margin. Pointing the possible connections between Deleuze´s Philosophy of Difference and Literature, searching in the reflections, experimentation with some concepts such as sign, rizome, desire, agency, flows, machines and the concept of Minor Literature as a field of aesthetical experimentation, is the intention of this work.
O trabalho tem como objetivo aproximar alguns conceitos da filosofia da diferença de Gilles Deleuze e Felix Guattari com a literatura dita menor de Franz Kafka, mais especificamente nas obras A Metamorfose e O Processo. Para esses filósofos, embora a literatura e a filosofia tenham objetos diferentes, elas fazem elos, se aproximam quando testemunham a vida. É a vida que corre na literatura, devires diversos transbordam na escrita literária. Devir-homem, devir-mulher, devir-criança, devir-animal, devir-molecular, devirimperceptível, fluxos de vida e de morte fazem rizomas, agitando o mapamundo de Franz Kafka. O personagem Gregor Samsa na Metamorfose é um homem, mas um homem transformado, modificado em um inseto, um deviranimal, um devir-molecular, um fluxo de desejo, blocos de sensação. O mundo de Kafka é uma verdadeira agitação, máquina política, máquina de guerra conectam, desconectam e reconectam embaralhando os códigos no Processo e na Metamorfose e ao embaralhar leva a linguagem ao seu limite, forçando o pensamento a pensar e a língua a gaguejar, porque a linguagem e o pensamento dobram dentro e fora pela força do signo. Nesse movimento entre dentro e fora somos levados a tecer a nossa terceira margem. Apontar as possíveis conexões entre filosofia da diferença de Deleuze e da literatura, procurando a partir das reflexões, experimentar alguns conceitos como signo, rizoma, desejo, agenciamento, fluxos, máquinas, e do conceito de literatura menor enquanto campo de experimentação estética, é o que se pretende na proposta deste trabalho.

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Liu, Eunice. "Design gráfico: processo como forma." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-14102013-154730/.

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Criatividade no uso de recursos de impressão, reprodução, gravação, acabamento gráficos, editorial, encadernação e materiais, em design gráfico, denominados processos, é o tema desta pesquisa. A investigação procede de projetos resultantes da prática disciplinar e é documentada por imagem, fotografias, para ciência visual. Estudos técnico, formal (relativo à forma) e projetual investigam relações entre processo e forma, resultando em um repertório de parâmetros e possibilidades. Forma pura é gráfica e a construída, matéria conformada por processos, meios de produção pelos quais se trabalha forma. Conhecimentos de processos são recursos de projeto, e apropriações criativas destes, qualificam um bom design
Creativity in the use of printing, reproduction, engraving, graphic finishings, editorial, binding and material resources in graphic design, denominated processes, is the theme of this research. The investigation is originated by projects, product of disciplinary practice, and is documented by image, for visual science. Technical, formal (related to form), and project studies explore relationships between process and form, resulting in a repertoire of parameters and possibilities. Pure form is graphic and constructed form, material shaped by processes, means of production by which form is tooled. The knowledge of processes is project resources, and creative appropriations of them, qualify a good design

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Campagnolo, Andréa Maria. "Estudo histológico da ação do corticosteróide injetável no processo agudo de cicatrização das pregas vocais de coelhos." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/5/5143/tde-25022010-152444/.

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Corticosteróides injetáveis têm sido usados em fonocirurgia com o intuito de se prevenir fibrose da prega vocal pelos seus efeitos na cicatrização e assegurar uma melhor qualidade vocal. O objetivo deste estudo é avaliar histologicamente os efeitos da infiltração de dexametasona no processo agudo de cicatrização, 3 e 7 dias após uma lesão induzida cirurgicamente na prega vocal de coelhos, através da análise quantitativa da reação inflamatória e da deposição de colágeno. Uma incisão cirúrgica foi realizada nas pregas vocais de 12 coelhos, seguido da injeção de 0,1ml de dexametasona na prega vocal esquerda. A prega vocal direita não recebeu nenhuma injeção e serviu como grupo controle. As laringes foram coletadas 3 e 7 dias após a cirurgia. As pregas vocais foram histologicamente analisadas com hematoxilina-eosina para quantificar a resposta inflamatória e picrossírius-red para quantificar a deposição de colágeno. Quantitativamente, não houve diferença significativa na resposta inflamatória das pregas vocais com corticosteróide em relação ao controle. A deposição de colágeno no grupo com corticóide foi estatisticamente menor em 3 dias e permaneceu menor em 7 dias após a lesão cirúrgica (p=0,002). Esses resultados sugerem que os corticosteróides diminuem a deposição do colágeno no processo agudo da cicatrização
Injectable corticosteroids have been used in phonosurgery to prevent scarring of the vocal fold due to their effects on wound healing, and to assure better voice quality. The aim of this study is to evaluate histologically the effects of dexamethasone infiltration on acute vocal fold wound healing in rabbits 3 and 7 days after surgically-induced injury, by quantification of the inflammatory reaction and collagen deposition. A standardized surgical incision was made in the vocal folds of 12 rabbits, and 0.1 ml dexamethasone (4 mg/ml) was injected into the left vocal fold. The right vocal fold was not injected and served as the control. The larynges were collected 3 and 7 days after surgery. For histological analysis, the vocal folds were stained with hematoxylin-eosin for quantification of the inflammatory response and with picrosirius red for quantification of collagen deposition. There was no quantitative difference in the inflammatory response between vocal folds injected with the corticosteroid and the control folds. However, collagen deposition was significantly lower in the corticosteroid-treated group at 3 and 7 days after the injury (p = 0.002). The present results suggest that dexamethasone reduces collagen deposition during acute vocal fold wound healing

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Федосенко, М. М. "Технологічне підготовлення заготівельного виробництва вилок карданних валів." Thesis, Чернігів, 2021. http://ir.stu.cn.ua/123456789/25308.

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Федосенко, М. М. Технологічне підготовлення заготівельного виробництва вилок карданних валів : випускна кваліфікаційна робота : 131 "Прикладна механіка" / М. М. Федосенко ; керівник роботи О. П. Космач ; НУ "Чернігівська політехніка", кафедра технологій машинобудування та деревообробки. – Чернігів, 2021. – 108 с.
У кваліфікаційній роботі магістра на основі сформульованих завдань здійснено технологічне підготовлення заготівельного виробництва вилок ковзання карданних валів. В конструкторському розділі запропоновано удосконалення конструкції попереднього штампа для створення сприятливих умов формування кованки. Запропоновано модернізацію ковочного пакету, що полягає в розміщенні поряд з ковочними штампами обрізного блоку. В технологічному розділі розроблено технологічний процес виготовлення нижньої вставки попереднього рівчака та технологічний процес виготовлення кованки вилки ковзання. В організаційному розділі проаналізовані організаційні аспекти технологічного підготовлення виробництва, здійснено організаційне проектування робочого місця коваля-штампувальника. В заключних розділах роботи наведено розрахунки техніко-економічної ефективності проектних розробок. Запропоновані інженерні рішення з питань охорони праці.
In the master's qualification work, on the basis of the formulated tasks, the technological preparation of procurement production of sliding forks of cardan shafts was carried out. In the design section, it is proposed to improve the design of the previous stamp to create favorable conditions for the formation of the forge. The modernization of the forging package is proposed, which consists in placing an edging block next to the forging stamps. In the technological section the technological process of manufacturing the lower insert of the previous stream and the technological process of manufacturing the fork of the sliding fork were developed. In the organizational section the organizational aspects of technological preparation of production are analyzed, the organizational design of the workplace of the blacksmith- puncher is carried out. The final sections of the work provide calculations of technical and economic efficiency of project development. Engineering solutions on safety were proposed.

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Murta, Alexandre Antonio. "Implante de fáscia lata e de gordura na prega vocal de coelho: análise quantitativa do processo inflamatório." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/5/5143/tde-03102014-101228/.

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Vários materiais têm sido introduzidos nas pregas vocais na tentativa de solucionar a incompetência glótica, porém poucos são os estudos que avaliam o processo cicatricial decorrente da enxertia destes materiais. O objetivo desta pesquisa foi quantificar o processo inflamatório celular na prega vocal de coelhos submetidos a enxerto unilateral de gordura ou fáscia muscular. Estudamos 24 coelhos, divididos em 2 grupos, nos quais gordura ou fáscia foi enxertada. O grupo controle foi formado pela prega vocal contralateral, a qual foi submetida ao mesmo procedimento, excetuando-se a colocação do enxerto. Metade dos coelhos de cada grupo foi sacrificada após 90 dias, enquanto a outra metade foi sacrificada após 180 dias da cirurgia. A densidade celular inflamatória peri-enxerto foi avaliada em todas as pregas vocais. Houve um aumento do infiltrado inflamatório no grupo submetido à enxertia de gordura, quando comparado ao submetido à enxertia de fáscia. Bem como ao grupo controle, após 90 dias. Quanto aos coelhos sacrificados após 180 dias, não houve diferença entre os grupos entre si e em relação ao grupo controle. Esse estudo sugere que o enxerto de fáscia parece ser mais aceitável que o enxerto de gordura para a prega vocal, uma vez que origina menor reação inflamatória tecidual
Several material have been introduced into the vocal folds in attempt to solve glottic incompetence, however just a few studies are related with the consequent inflammatory process. The aim of this article was to quantify the cellular inflammatory process in rabbit vocal fold, which have undergone unilateral fat or muscular fascia introduction. Twenty-four rabbits were allocated into two groups, in which muscular fascia or fat were implanted. The control group, formed by the contra-lateral vocal fold, underwent the same surgical procedure, except for the grafting. Half the rabbits from each group were sacrificed after 90 days from the surgery, while the other half was sacrificed after 180 days. The inflammatory cellular density around the graft was measured in all vocal folds. There was a higher cellular inflammatory reaction in the group submitted to fat grafting when compared to the group submitted to muscular fascia grafting, and to the control group, after 90 days. As for the rabbits sacrificed after 180 days, there was no significant difference between the implanted groups with each other, and with the control group. This study suggests that muscular fascia graft seems to be more acceptable than fat grafts for the vocal fold, as it produces a lower local inflammatory reaction

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Shaddock, Ann, and n/a. "Factors affecting metamemory judgements." University of Canberra. Schools & Community, 1995. http://erl.canberra.edu.au./public/adt-AUC20050712.102157.

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Contemporary theories of learning suggest that successful learners are active in the learning process and that they tend to use a number of metacognitive processes to monitor learning and remembering. Drawing on the theoretical framework of Nelson and Narens (1992), the current study examined the effect of certain variables on metamemory processes and on students' ability to recall and recognise learned material. The present study explored the effect of four independent variables on five dependent variables. The independent variables were: 1. degree of learning (responses given until 2 or 8 times correct), 2. judgment of learning (JOL) timing (given immediately after learning session or 24 hours later), 3. retention interval between study and test (2 or 6 weeks), and 4. type of material studied (sentences, in or out of context). The dependent variables were: 1. judgement of learning (JOL), 2. confidence rating, 3. feeling of knowing (FOK), 4. recall, and 5. recognition.. As ancillary analyses, the study explored, firstly, whether gender differences had an effect on meta-level and object-level memory, and secondly, whether students who recalled more also made more accurate metamemory judgements. The effects of the independent variables on recall and recognition were consistent with those found by previous studies. The most interesting new finding of the present study was that students who made JOLs after twenty four hours were more likely to take into account the effect of the interval between learning and testing. Students who made immediate JOLs did not allow for the effect of the time interval on retention. A further new finding was that gender appeared to have had an influence on JOLs. The findings about the effects of timing of JOLs and of gender effects on JOL have implications for metacognitive theory and will stimulate further research. The practical significance of this research, particularly the implications for study skills training for all students, was that educators cannot presume that students will correctly predict what they will recall after six weeks if they make that judgement immediately after learning has occurred. Therefore, the effects of the passage of time on memory, and the efficacy of delaying judgments, should be made explicit. The finding that the manipulation of JOL timing has a significant effect on the accuracy of judgements has implications in the wider area of educational policymaking and for the current debate on competencies and quality assurance. Learning cannot be considered a simple process and when a large component of learning is selfdirected, as it is in tertiary institutions and increasingly in schools, many variables are operating.

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Samyn, Mathieu. "Improved nuclear predictions of relevance to the r-process of nucleosynthesis." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211170.

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Brito, Mariana do Socorro da Silva. "A construção da performance das seis danças romenas de Béla Bártok: memorial de um processo criativo centrado no corpo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/174079.

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Esta dissertação consiste de um memorial do processo de construção da performance das Seis Danças Romenas de Béla Bártok por uma perspectiva da cognição corporificada. Fundamentada na proposição de objetos sônico-gestuais coarticulados de Godøy (2006; 2011) e na abordagem gestual de Pierce (2007) esta pesquisa investigou através da prática artística como gesto e som modelam-se mutuamente e de que maneira esse processo contínuo influencia a concepção da obra e as relações entre performer, música e instrumento. Considerando que as vivências do corpo não se limitam à prática pianística, foram trazidas perspectivas de experiências externas que contribuíram para a consciência corporal e que proporcionaram insights relevantes para a condução do processo artístico. A abordagem metodológica reúne a Pesquisa Artística e a Autoetnografia no que concerne desvelar o conhecimento corporificado inerente a um processo de criação artística através da narrativa pessoal. A documentação do processo compreendeu: 1) anotações em um diário das vivências, aulas de piano e sessões de estudo; 2) gravações de vídeo de sessões de estudo; 3) gravações de performances ao longo do processo; 4) comparação entre a gravação final da performance da obra e a primeira gravação realizada em momento anterior à pesquisa. Estes registros foram examinados com o propósito de compreender o processo artístico de uma perspectiva de corpo e música em constante estado de devir, identificando os momentos de insights mais significativos, e mapeando os recursos criativos elaborados pela performer ao longo do processo. As reflexões da performer acerca do processo conduziram a um reconhecimento de si mesma como sujeito corporificado, a perceber a música como fenômeno essencialmente corporal, e a transformações na concepção da obra. O processo artístico centrado no corpo acarretou mudanças significativas na interação da performer com o instrumento, o desenvolvimento de um maior repertório gestual, um incremento dos recursos expressivos, e o refinamento da percepção auditiva, promovendo o desenvolvimento da criatividade e da autonomia artística, bem como da maturidade emocional.
This dissertation is the performer’s account of the process of constructing a performance of Béla Bártok’s Romanian Folk Dances from the perspective of embodied cognition. Based on Godøy’s proposition of gestural-sonic coarticulation (2006; 2011), and Alexandra Pierce’s gestural approach to piano performance (2007), this research investigated how gesture and sound shape one another, and how this continuous process affects the conception of the work and the relations between performer, music and instrument. Considering that lived experience exceeds piano practice, perspectives from extra-musical activities were considered due to their contribution towards promoting bodily awareness and insights that were relevant to the artistic process. The methodological approach draws from Artistic Research and Autoethnography in regard to uncovering embodied knowledge ingrained in the process of artistic creation through personal narrative. The documentation of the process comprised: 1) a journal describing practice sessions, piano lessons and extra-musical experiences; 2) video recordings of practice sessions; 3) video recordings of performances along the process; 4) a comparison between the final performance and the first recording of the piece made prior to the present research. These records were examined with the purpose of comprehending the artistic process from the perspective of body and music in a constant state of becoming, identifying the most meaningful moments of insight, and mapping creative resources devised by the performer during the artistic process. The performer’s reflections upon the process lead to recognizing oneself as an embodied subject, to perceiving music as an essentially corporeal phenomenon, and to transformations in the conception of the musical work. The artistic process centered on the performer’s body promoted significant changes in the performer’s interaction with the instrument, the development of a broader gestural repertoire, an increment in expressive resources, and the refinement of aural perception, fostering the growth of creativity and artistic autonomy, as well as emotional maturation.

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Андрусишин, В. К. "Забезпечення технологічних показників механічної обробки деталей типу вилок в умовах багатономенклатурного виробництва." Master's thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/72448.

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Кваліфікаційна робота магістра викладена на 77 сторінках, в тому числі 31 рисунок, 6 таблиць, бібліографії з 40 джерел на п’яти сторінках та п’ять додатків. Однією з найголовніших задач у сучасному виробництві є підвищення конкурентоздатності виробів. Цього можна досягти, оптимізувавши технологічні показники виробництва, а саме: підвищенням продуктивності виробництва, зменшивши час виробництва продукції, забезпечуючи відповідну якість продукції. Мета роботи: підвищення ефективності механічної обробки деталей типу «вилка» в умовах багатономенклатурного виробництва за рахунок впровадження гнучких верстатних пристроїв. Об’єкт дослідження: технологічний процес багатокоординатної обробки деталей типу «вилок». Предмет дослідження: механічна система «верстатний пристрій – заготовка» Наукова новизна: ‒ запропоновано та розроблено методику розрахунку жорсткості механічної системи «верстатний пристрій – заготовка», що дозволяє визначати похибки обробки деталей типу «вилка», що сприяє скорочення витрат часу на проектні процедури при технологічній підготовці виробництва; ‒ обґрунтовано та запропоновано нову конструкцію верстатного пристрою, що забезпечує багатокоординатну обробку деталей типу «вилок» у певному діапазоні типорозмірів за рахунок автоматизованого переналагодження установлювально-затискних елементів, що сприяє інтенсифікації технологічного процесу та забезпеченню точнісних показників механічної обробки. Практичне значення: розроблена конструкторсько-технологічна документація на верстатний пристрій, інженерна методика розрахунку механічної системи «верстатний пристрій – заготовка».
Квалификационная работа магистра изложена на 77 страницах, в том числе 31 рисунок, 6 таблиц, библиографии из 40 источников на пяти страницах и пять приложений. Одна из главных задач на современном производстве – повышение конкурентоспособности изделий. Это достигается оптимизацией технологических показателей производства, а именно: повышается производительность производства, уменьшается время производства продукции, обеспечивая соответствующее качество продукции. Цель работы: повысить эффективность механической обработки деталей типа «вилки» в условиях многономенклатурного производства за счет внедрения гибких станочных приспособлений. Объект исследования: технологический процесс многокоординатной обработки деталей типа «вилки». Предмет исследования: механическая система «станочное приспособление – заготовка». Научная новизна: ‒ предложена и разработана методика расчета жесткости механической системы «станочное приспособление - заготовка», что позволяет определить погрешности изготовления деталей типа «вилки», что способствует сокращению потерь времени на проектные процедуры технологической подготовки производства; ‒ обоснована и предложена новая конструкция станочного приспособления, что обеспечивает многокоординатную обработку деталей типа «вилок» в определенном диапазоне типоразмеров за счет автоматизированной переналадки установочных и зажимных элементов, что способствует интенсификации технологического процесса и обеспечению точностных показателей механической обработки. Практическое значение: разработана конструкция гибкого станочного приспособления с возможностью автоматизированной переналадки, и подготовлена конструкторская документация для его изготовления.
The master's qualification work is presented on 77 pages, including 31 drawings, 6 tables, bibliographies from 40 sources on five pages and five applications. One of the most important goals in modern manufacturing is increasing the competitiveness of production. This can be achieved by optimizing the technological parameters of machining, namely the productivity of manufacturing increases with a decrease in time for production. The purpose of this work is to increase the efficiency of machining of fork–type parts in the conditions of diversified productions due to the introduction of flexible fixture. The object of research is manufacturing process of multi-axes machining of fork–type parts. Subject of research is mechanical system «fixture – workpiece». Scientific novelty: ‒ proposed and developed methods for calculating the rigidity of the mechanical system «fixture – workpiece», which allows to determine the errors of machining of fork–type parts, which helps to reduce the loss of time for design procedures for technological preparation of production; ‒ justified and proposed a new design of the fixture that provides multi-axis machining of fork-type parts in a certain range of sizes due to automated re-adjustment of mounting and clamping elements, which contributes to the intensification of the manufacturing process and ensure engineering drawings for manufacturing the fixture. The practical significance: the design flexible fixture with automated re-adjustment has been developed and engineering drawings for manufacturing the fixture has been created.

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CARDINALE, SARA. "IL BALLO DI COPPIA IN STRADA A MILANO: SOCIEVOLEZZA E APPARTENENZA NELL'INTIMITA' DELLO SPAZIO PUBBLICO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/35575.

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Il ballo sociale di coppia è una forma di svago che è tornata ad essere praticata da giovani e adulti soprattutto dagli anni Novanta. Questa ricerca sociologica ha per oggetto gli eventi di ballo sociale di coppia che hanno luogo attualmente a Milano in spazi pubblici, soprattutto nel centro città, senza autorizzazioni formali e privi di finalità di lucro. L’ipotesi di base è che questi eventi, organizzati da gruppi di ballerini attraverso reti sociali online, siano parte di un fenomeno sociale unico. I tipi di ballo coinvolti sono il tango argentino, la mazurka francese neotrad, lo swing e i balli del sud Italia. Questo lavoro, attraverso l’osservazione partecipante in situazione e interviste in parte semistrutturate e in parte biografiche, mira ad individuare i significati specifici che distinguono tale pratica urbana dal ballo di coppia in luoghi istituzionali e quale sia il ruolo giocato dello spazio pubblico nel differenziare i due oggetti. Nell’analisi delle interviste, l’ambito di significato relativo alla socialità collettiva si è distinto rispetto agli altri per corposità e complessità, è stato perciò scelto come chiave interpretativa del fenomeno. Questa pratica si rivela, infine, una forma di socievolezza e un ambiente sociale in cui esperire un’intimità di gruppo generata da interazioni estemporanee tra conoscenti, e trova negli spazi pubblici della città il suo teatro di espressione privilegiato.
In Western culture, social partner dances have re-emerged as a leisure activity for young and adults since the 90’s. This sociological research concerns social partner dancing events taking place in public spaces in Milan nowadays, especially in the city centre. They are organized through online social networks by groups of dancers who occupy the public space without any formal license and any profit-mindedness; Argentinian tango, French mazurka, swing, and Southern Italian dances are the types of dances involved. The underlying assumption is that these street events are part of a unique social phenomenon. By means of an at home perspective to participant observation, semistructured, and in-depth interviews, this work aims, firstly, to find specific meanings to this practice by comparing it to partner dances performed in institutional places; and secondly, to identify the role of public space in this framework. The collective sociality dimension of meaning has been chosen as a key to interpretation, since it stood out for complexity and relevance. This urban practice turns out to be a kind of simmelian sociability and an environment to experience a group intimacy produced by extemporary interactions of acquaintances; of which urban public spaces, furthermore, prove to be a perfect theatre to its full expression.

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Liu, Tung Kuei, and 劉同貴. "The research of the director's creative process of Taiwanese (folk) opera." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/97976213754711717423.

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碩士
國立臺灣師範大學
創造力發展碩士在職專班
97
This study was designed to understand why the creations of the directors of Taiwanese opera are uniquely “creative.” There are multiple causes for the personal creativity system, for example the personal characteristics of the director, their growth process, the environment and experiences during creation, and the cultural influences on their perspective. There are eight major Taiwanese opera directors participating in this study as well as their relatives, friends, students, and peers. They are all well known directors with rich experiences in creativity. The researcher and the eight directors have co-created opera music; they often discussed how to allow Taiwanese opera to be more sophisticated, are normally zealous about opera education, and have similar interests. The researcher is highly interested in researching the source of the director’s creativity, in this research; structured interviews, individual interviews, and telephone interviews are used to collect information; accompanied by periodicals, newspapers, media reports, and documents. Through qualitative research analysis, the summarized findings are as follows: I. The growth environment and personality traits of the Taiwanese opera director The deprived background and bad environment allow the directors to work harder and strive to learn; to be more focused and often self-examine; to have sincere attitudes, be more amiable, and have consideration for others; but have personality conflicts, and often think in isolation. The bad environment allows them to build endurance, and often care about the community; to not forget the function of social education in their works; they try to strive for novelty in their creations; they have good memory, agile thinking, and can think in multiple directions; they are both emotional and rational. They are constantly learning, always collecting materials; have unique observations and independent actions; they have goals, visions, and put a lot of effort into carrying on the culture and guiding newcomers. II. The creation process of the Taiwanese opera director The accumulation of normal day creation sources has enriched different creative processes; observing other types of art and normal day reading strengthens creative inspirations; the considerations of the theme direction, and conceiving themes stimulate new connections; the feelings toward the human limbs and the integration of various elements, allow the manifestation of creative content that teaches the heart; determining the structure and getting rid of the extra material; accumulating long term thoughts and developing the creative work; showing a concrete stage image, correcting the piece, and showing the final piece; the audience support and confirmation of the external environment. III. The crisis faced by Taiwanese opera director and the encouragement of the community In today's society, parents satisfy the needs of their children, under the impact of the environment, the education of children trigger the worries of creating and the hard work of inheriting the family business. The fierce competition in society, and the hope they have toward the inheritance; they always use themselves as examples, correcting the errors in life and in the opera; their brave spirits receive the encouragement of society. At last, through the famous words of a famous master, an appeal to the related industries of Taiwanese opera: “have the courage to create, there are boundless chances for life.” Categorization of the creative processes of the eight opera directors, in the creation of their works, a big portion is from the formation of their personality traits through persistence in difficult circumstances. In the future, though they get satisfaction and joy through their creations, but the changing times and the impacts of society have caused economic recession; and the directors face another hard challenge. At the end, focusing on the research results, we have reflections from the findings; we also give suggestions to the later generations, schools, and parents about artistic education and developing interests; and also give recommendations for future research.

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Massey, Rachel Helen. "Landscapes of Participation and Tradition: The Australian Folk Festival as Process and Public Event." Thesis, 2021. https://hdl.handle.net/2440/135373.

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Every year, more than eighty self-designated ‘folk festival’ events are staged throughout Australia. Mainly held in regional and rural towns, these are leisure events characterised by the presentation of formal folk music concerts, the staging of folk dance events as well as oral performances, street performance, and both formal and informal opportunities for music-making and folk engagement with a significant emphasis on attendee participation. Australian folk festivals are modern ‘public events’ – grounded phenomena in their own right, with internal structures of intentionality. This thesis draws upon multi-sited fieldwork conducted at fourteen Australian folk festivals spanning three years and five Australian states and territories, including deep involvement on the organising committee of one local festival. Examining and comparing the internal technologies of these events and how these structures create eventmental landscapes and generate folk atmospheres that affect participants’ sensory experience of folk, offers a unique anthropological theoretical insight into festivals as process. Theorising folk festivals as public events and interrogating their logics of design provides an innovative analysis of how folk festival structures operate on individual and community experience of folk practice in Australia and perform folk as a process. Folk process has long been utilised as a method of defining ‘folk’. Folk process refers to the oral transmission of music (and other folk performance) providing continuity between past and present, and in which community selection and variation or evolution by individuals or the community are key aspects. I argue that as an intentional eventmental landscape, the folk festival acts as the primary site of folk process in Australia, and that this process is facilitated and shaped by participant movement within this landscape. I also argue that the concept of oral transmission should be expanded to include bodily transmission, the body-to-body sharing of folk.
Thesis (Ph.D.) -- University of Adelaide, School of Social Sciences, 2021

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Durham, Frank Dallas. "Opposition in process the press, Highlander Folk School, and radical social change /." 1993. http://catalog.hathitrust.org/api/volumes/oclc/31099555.html.

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1993.
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 226-228).

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Wu, Hsiang-chuan, and 吳相權. "The study Content Promotion on Taiwan Folk Belief of Religious Based on Business Process Reengineering." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/07790786890447819064.

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碩士
中臺科技大學
健康產業管理研究所
100
Taiwanese folk religions have assimilated people’s beliefs and lives through the temples. Besides, increasing operational efficiency, the folk religion organizations have to preach religious doctrines to people and increasing the value of religion. The G-folk religion organization applied process re-engineering, implemented the guiding system of folk beliefs and constructed the system of religions knowledge. This research take this organization as the research object of single case study and probe the relationship between “Business process re-engineering (BPR)” and “religious connotation growth”. The major findings of this study were: 1.The efficiency of folk religion organizations could be improved effectively by integrating information technology to apply BPR. 2.The key factor of successful organization revolution is implementing the information system to assist volunteers transfer their work pattern and improve human resource management. 3.The organizations could accomplish knowledge management/ transfer and increase religious connotation through building database and digital archive.

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TSAI, RUNG-YING, and 蔡容英. "Study of Folk Religion“Wu Xiang Tai Zi”: A Process of Making a Cross-neighborhood Community." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/06011378483473596781.

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碩士
國立金門大學
閩南文化研究所
102
Study of Folk Religion Wu Xiang Tai Zi: A Process of Making a Cross-neighborhood Community TSAI,RUNG-YING Abstract Dayang is a coast village in Jinsha Township of Jinmen County in Taiwan consisting of seven zi ran cun, or traditional villages. Historically, the villagers had started by making a living through farming and fishing, and with the high risk of safety at sea, gradually shifted to farming as their main economic means. However, precarious and uncontrollable weather and other environmental challenges made desperate villagers turn to folk religion Wu Xiang Tai Zi as spiritual resource, to which they prayed for good harvest, as well as good health and safety. I had chosen to take Wu Xiang Tai Zi in Dayang as the subject of my thesis and the methods I used to conduct the research include literature review and field study. The literature that supports my work includes local chronicles, family genealogies, epigraphs, demographic data, and previous research on local temples. As for the field study, it is composed of my long-term observation of the religious belief as practiced in Dayang, my participation in the annual procession of Wu Xiang Tai Zi’s “territory inspection,” and interviews with reporters of the event, experts of religious rituals, villagers of different age and gender who participated in the procession, and other members of the societal territory formed by the religion. For more than one hundred years, religious ceremonies related to Wu Xiang Tai Zi have brought people of Dayang together and cemented community solidarity. It remains the core belief shared by five neighborhoods till today. The purpose of this paper is to document the process of Wu Xiang Tai Zi’s annual procession so as to reveal the development and status quo of this regional belief, to understand its organizational structure, and to observe the process of making of this religion-based cross-neighborhood community. Key word: Kinmen, Wu Xiang Tai Zi Ye, inspection of the territory by the main god in a parade, religious parade, religious process, folk religion

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LI, CHING-FANG, and 李靜芳. "Preliminary Study on the Establishment of Digital Collection Process and Platform for Old Folk Songs Collecting." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/jhxm92.

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碩士
稻江科技暨管理學院
動畫遊戲設計學系碩士班
106
The singing of traditional operas is very different from pop songs. The “CheGu Tunes” have rich story and regional characteristics. The early collections are all carried out on paper, but they can not express the special charm of traditional opera. In the reservation of the aria and the subtle changes in the music, it still depends on the production of the film, but if it is preserved by video and audio, the problem of file storage and transmission is unresolved. This study sees the preservation of traditional culture and expects to use digital archive method to make a contribution for traditional culture and avoid the loss of traditional Taiwanese art. This study designs digital collection process, first collects old singing tunes, and then uses the digitally written software and arranger software to create digital files and store in digital platforms, so that traditional art can be fully recorded and permanently preserved, and the storage and dissemination of culture can be introduced into the new era through the Internet. Spread, not to lose.

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Chang, Ying-Hsin, and 張瀛心. "Dancing with Innovation: A Case Study on the Organizing Process for a Folk Sports Team in Taiwan." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/10937676442875758062.

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碩士
臺北市立體育學院
運動教育研究所
99
This case study explored the organizing process of a sports team of a college in the northern Taiwan. The sports team consisted of performers of rope skipping, diabolo, acrobatics, and shuttle cock kicking. Since this sports team belonged to a department at an urban college in Taiwan, it was closely related to the college policy of student recruitment. There were 6 research participants in the study, including a department chair, coaches and team captains. Through three-month face-to-face as well as group interviewing, observing, document collecting, and journal taking, the researcher built up research data. After collecting data, narrative analysis, interpretative phenomenological analysis, and thematic analysis were used to analyze the data. We found that the organizing process of the team was shown in the relationship between its goals and its identities to the environment, especially its efforts in seeking innovations. We found that the organizing process of the team was shown in the relationship between its innate quality and its reactions to the environment, especially its efforts in seeking innovations. Besides, we named seven phases for its development: “Sand,” “Round,” “Peak,” “Low tide,” “Resume,” “Second Round,” and “Second peak.” Each of the phases unrolled various styles and features of the team. Finally, there were meanings proposed by the participants. For department leader: fostering students’ professional capacities. For the coach: spreading Taiwan’s folk sports culture. For team members: creating a home and a diploma.

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Cheng, Shih-Yi, and 鄭仕一. "Creation Memories Reconstructed – An Analysis of Folk Dance Creation Process of Min-Shan Hu and Chun-Ling Hsiao." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/6y8rbw.

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博士
國立臺灣師範大學
體育學系
103
Abstract This study based on the aesthetics of narrative and dialogue is trying to reconstruct the memories of folk dance creation of Min-Shan Hu and Chun-Ling Hsiao for decades. Firstly, the study regards “perception of beauty” as essential base level, takes the two creators creations as examples to approach the issues concerning “struggle and insistence”, “a focus of unconsciousness/consciousness”, and “involvement of multiple art fields”. As a result, the two creators’ artistic value orientations and creative styles are induced. 1. Both of the creators were thinking highly of contemporary folk dance creation, and strenuously develop the cultural atmosphere and artistic styles imbued with Taiwanese homeland fertility. 2. Min-Shan Hu’s creations of the “style of zen” endowed with the characteristics of “calm, coincidence, slow motion, and solitude”. 3. Chun-Ling Hsiao developed the characteristics of “iconic breathing”, “strenuous touching”, and “infiltrative simulation” in her works. 4. Many of the “unexpected” situations could occur in the process of creation, and the insistence of creators toward “unexpected” will lead to many struggles. These struggles may obstruct creation, or sometimes, lead to a new opportunity. 5. The long-term practice of creation has cultivated a habit of seizing “beauty” and became one of their lifetime customs. The accumulation of creation energy have embodied in their individuality. 6. Both of them aspire to achieve “free space” in creation and don’t like to be constrained by mundane, narrow views. Therefore, they have motive to acquire inspirations from multidisciplinary resources and continuously renovate their works. The study concluded with the discourse of “fascinated absorption” and “emotional complex”. “Fascinated absorption” means “perception of beauty” through “insistence, focus, and tradeoff” in the process of creation. Beauty attributed to one’s fascination, and absorption initiate creation. The creators’ inner “entangled persistence” caused “emotional complex”, and accumulated “images” in the diversified differentiated fertile soil of “perception of beauty”. These were come from the creators’ socialized emotion, thinking of arts, appreciation of beauty, and desire of creation.

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Lin, Wei-Yan, and 林維彥. "Correlation analysis between reading process and learning performance in augmented reality context: An application of Taiwanese folk belief cultural exhibition." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/23b5a5.

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碩士
國立臺灣科技大學
數位學習與教育研究所
103
The purpose of this study was to explore the relationships among prior knowledge, belief, technology acceptance, visual behavior, and reading comprehension of a Taiwanese folk belief exhibition using augmented reality (AR) technology on a smart phone. Thirty-five graduate students and undergraduate students participated in this study. A mobile eye-tracking system was used to record the participants’ reading process. Prior knowledge, belief of Taiwanese folk religion, technology acceptance, cognitive load, and reading performance were collected by questionnaires and tests. Results showed that videos linked by the augmented reality on a smart phone were acceptable for the participants in this study. In addition, the participants’ prior knowledge, belief and technology acceptance could predict their perceived cognitive load. Belief and technology acceptance could also predict their visual behaviors while watching the exhibition; and their visual behaviors could predict their reading comprehension significantly. Meanwhile, there were significant relationships between participants’ perceived cognitive loads and visual attention distributions. Furthermore, there were different visual behavior patterns for participants who held different attitudes toward AR technology in terms of material characteristic, perceived ease of use, perceived usefulness, and attitudes toward use. Finally, according to the results, several suggestions were provided for future studies and designs of Taiwanese folk belief cultural exhibitions.

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Huang, Pei-Ting, and 黃珮婷. "A Study on the Process of Becoming Spiritual Mediums and Family's Support of the Spiritual Mediums of Taiwan Folk Belief." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/32873139093499428483.

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碩士
南華大學
生死學系碩士班
104
The purposes of this research are to discuss the history of the process of becoming spiritual mediums, the views of spirit mediums on life, and the influence of being spirit mediums on the family as well as the degree of support from their family and the responeses mode of them. 　　This thesis utilized "Folk beliefs" , "Spirit mediums" and "family" as keywords to search the database in periodicals, theses in Taiwan and other academic documents, and select their contents related to "spirit mediums and the support of the families " as reference. However, a few reseaches about processes of becoming spirit mediums which have something to do with the family shock and family supportive situation are availiable, so this study highlights the importance more. 　　This study adapts the Qualitiative Rearch, In-depth Interview Method, and 3 experienced spirit mediums are classified as research subjects. The results indicate： 1. Before becoming a spirit medium has relevance to religious background. The different degree of devout and pious. The process of becoming a spirit medium is an unique subjective feeling and experience. Becoming spirit mediums is because of his/her different karma conditions, there is no certain context existed. Nevertheless, there is always a connect to the fate of the people who bind the fate between God and people. 2. The views of life of spirit mediums has changed since they became spirit mediums. They all emphasize on the practice of life and devote themselves to accpmplishing the mission of Gods with holding the faith of help, and keeping on salvation. 3. The impact of becoming spirit mediums on their family varies. Each family has individual spportive situation. Even within the same family, the different response styles will be formed because of the different roles in the family, different standpoints and the way of thinking.

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Masasabi, Abigael Nancy. "Verbal-text as a process of compositional and improvisational elaboration in Bukusu Litungu music." Thesis, 2011. http://hdl.handle.net/10500/4939.

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Accompanying music files attached (mp3)
The Bukusu community is predominantly found in Bungoma district of Western Kenya. The Litungu is a word referring to a lyre among the Bukusu community. Music accompanied by this instrument is what is referred to as Litungu music. This music makes use of sung text and “verbal-text”/ silao-sikeleko (speech and speech-melody) and silao-sikeleko is the focal point of this study. Silao-sikeleko is performed in alternation with sung text in Litungu music. This study seeks to identify the cultural and compositional role of silao-sikeleko in the music. To achieve the objectives of this study I used a qualitative approach to collect and analyze data. Data collection included the use of interviews and observation. The interviewees included performers of Litungu music, whose music was audio recorded and video recorded for analysis. In addition, I made observations of the performance sites and performance behaviour, taking notes and making audio and video recording. Music for analysis was then selected on the basis that it had the silao-sikeleko component. The Bukusu cultural view of silao-sikeleko is discussed in relation to their customs and way of life. The execution of silao-sikeleko is based on a culturally conceived framework that allows the involvement of various performers in the performance composition process. Here the contexts within which silao-sikeleko is performed are identified. Analysis of the relationship between sung text and silao-sikeleko established that whereas the two are thematically unified, silaosikeleko substantiates the sung texts by facilitating an understanding of messages contained in the songs. The analysis of language use ascertained that silao-sikeleko makes use of language devices such as proverbs, idioms, symbolism, riddles and similes. I established that silao-sikeleko as a performance compositional element has its own presentational structure that influences the overall structure of the Litungu music. Litungu music has a quasi-rondoic structure whose output is not static but varies according to context and the wishes of the soloist. The soloist interprets how effectively a given message has been communicated during performance determining how much silao-sikeleko should be performed. Silao-sikeleko is in most cases composed and performed by various members of a performing group.
Arts History, Visual Arts & Musicology
D. Mus.

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Zweininger, Jakob. "Religiöse Ansprechbarkeit der Post-Sowjetischen Kirgisen : eine sozio-missiologische Fallstudie des Bekehrungsprozesses der zum Christentum konvertierten Kirgisen = Religious accountability of post-Soviet Kyrgyz people: a socio-missiological case study of the conversion process to Christianity of proselyt Kyrgyz people." Diss., 2009. http://hdl.handle.net/10500/876.

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The Kyrgyz are a Mongolian, Turkic ethno-linguistic people group. The political and social changes of the post-soviet times have led to a great religious openness among the Kyrgyz. Within one decade the nunber of Kyrgyz Christians has grown from few dozens to over 3000. The intention of this work was to analyze the conversion process of the Kyrgyz converts to Christianity and to apply the results to further missiological activity. The religious background of the Kyrgyz, which is heavily influenced by Folk Islam, was presented in the first chapter of the paper. In the second chapter, interviews collected from Kyrgyz Christians were evaluated. The third chapter summarizes the most important findings of the work and makes them applicable for missionary work. The precise knowledge of the religious background of the Kyrgyz and intercultural communication that it is based upon it can essentially dismantle barriers for the acceptance of the gospel.
Christian Spirituality, Church History and Missiology
M. Th. (Missiology)

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LU, YEN-HUNG, and 陸彥宏. "An Analysis of Forging Process for Fork Crown." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/uvuuwz.

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碩士
國立虎尾科技大學
機械與電腦輔助工程系碩士班在職專班
106
In recent years, with the rise of environmental consciousness, bicycles have changed into one of the popular recreational sports instead of the transpotation in the past.And the components of the bicycle are developig in the direction of light weight and safety.Under the premise of maintaining logical manufacturing cost and the rigid structure, the application of the forging techniques is just in accordance with the requirements which are above-mentioned. The Aluminum alloy is a preferred material for lightweight bicycle parts due to its low density, high strength and rigidity, good impact resistance, good corrosion resistance, good thermal conductivity, good recyclability, and other excellent properties. This study uses DEFORM-3D finite element analysis software at the early stage of mold development. According to the 7075 aluminum alloy material, the forging shape of the bicycle fork crown cover is simulated and analyzed to predict the optimal size of the molding material, and it is hoped to find out from the simulation analysis process. In the process of forging, defects the situation such as missing materials and wrappings materials may occur. The study’s results showed that the 7075 analog forging fork crown cover, can approach true rendering forging process by using DEFORM-3D finite element analysis software. Through the comparison of simulation analysis and experimental results, the appearance of the forging and the temperature field are very close to each other. From the above results, it was verified that DEFORM-3D finite element analysis software simulates the reliability of this process, and helps to understand the direction and speed of material flow, stress, strain, temperature, forming load, etc. in the forging process.

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Zweininger, Jakob. "Religiose Ansprechbarkeit der Post-Sowjetischen Kirgisen : eine sozio-missiologische Fallstudie des Bekehrungsprozesses der zum Christentum konvertierten Kirgisen." Diss., 2009. http://hdl.handle.net/10500/876.

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The Kyrgyz are a Mongolian, Turkic ethno-linguistic people group. The political and social changes of the post-soviet times have led to a great religious openness among the Kyrgyz. Within one decade the nunber of Kyrgyz Christians has grown from few dozens to over 3000. The intention of this work was to analyze the conversion process of the Kyrgyz converts to Christianity and to apply the results to further missiological activity. The religious background of the Kyrgyz, which is heavily influenced by Folk Islam, was presented in the first chapter of the paper. In the second chapter, interviews collected from Kyrgyz Christians were evaluated. The third chapter summarizes the most important findings of the work and makes them applicable for missionary work. The precise knowledge of the religious background of the Kyrgyz and intercultural communication that it is based upon it can essentially dismantle barriers for the acceptance of the gospel.
Christian Spirituality, Church History and Missiology
M. Th. (Missiology)

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LEE, YUNG-MING, and 李永銘. "Operational Process Of Maintenance And Repair For Used Fork-Lift Trucks." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/482t44.

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碩士
明道大學
企業高階管理碩士班
106
In recent years, in response to industrial demand, more and more companies in the used fork-lift trucks have loved them. The height demand of the used fork-lift trucks is also getting higher and higher. However, the maintenance and repair operations of the used fork-lift trucks are particularly valued. This study explores the maintenance and repair of the used fork-lift trucks. This study applies the flow chart method to establish the workflow. The results of the study show that through the operational process, the maintenance and repair of the used fork-lift trucks can meet the requirements of operation indicators.

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Kuo, Che-Yuan, and 郭哲源. "Process Optimization and Lightweight Analysis for Manufacturing a Bike Fork with Aluminum Alloy." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/9m8txw.

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碩士
國立臺灣大學
機械工程學研究所
107
The escalating technology and the demand of lightweight in the bicycle industry let forming process of product needed to design an optimization.in this thesis, Finite Element Analysis was used to simulate the manufacturing process of aluminum-alloy fork. Different from general fork which was assembled by welding, the forming of one-piece aluminum-alloy fork contained many operations, including blank cutting, upsetting, backward extrusion, hole drilling, tube shrinkage, tube bending, preforming, hydraulic forming and side push, clip forging, lapping and polishing. First, the thesis focused on the forming process of backward extrusion. In this process, because of the influence of large strain and the flow in the material, the force of upper die and the defect of product were the important issue in this process. To decline the force of upper die, the friction between material and die and the model of the punch were the parameters which were needed to analysis. The defect of material folding was easily occurred, and this significant issue could be solved by using the design of the punch. In the manufacturing process of tube bending, in order to pursue the lightweight of aluminum-alloy fork, the defect of indentation was almost serious at bending area because of thin thickness. The flow of material and the modeling of die had significant influence on indentation. After simulating in different of thickness and die design, the result showed what effect could be improved. Observing the result of simulation could find that larger thickness would improve the flow of material and larger deformation would deteriorate indentation. The manufacturing process of clip consisted of hydraulic forming and forging. Because the material in the area was not enough to form the clip, the target of hydraulic forming was to complement and reserve material. In hydraulic forming, preforming the characteristic profile could improve the defects. Finally, the thesis analyzed Front Fork-Static Bending Test and Front Fork- Rearward Impact Test by used Finite Element Analysis. The target of analyzing these fork tests was to improve the consequent and found the optimization of lightweight. Before the simulation, confirming actual boundary condition of fork test was necessary. Taiwan Bicycle Industry Standard which was as known as TBIS only rule a fundamental regulation, so the detail of fork test would be different from each company demand. At the result of simulation, the maximum of tension stress was occurred at the place where thickness is mutative on head tube, and the necessary design of head tube would be known. Tension stress at the back of fork affect insignificantly, so designing the back of fork was the best way to get the optimization of lightweight. The research of the thesis could provide the reference of the manufacturing process optimization of one-piece aluminum-alloy fork and the design of lightweight in the future.

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Chang, Chih-Sian, and 張誌顯. "Quality Improvement in the Manufacturing Process by Six Sigma Approach – A Case Study of Fork Risers Process in the S Companies." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/pwa6md.

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Postoronca, Mihaela. "Controlo da reatividade da pasta solúvel no processo de branqueamento." Master's thesis, 2019. http://hdl.handle.net/10773/30101.

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A Caima-Indústria de Celulose, S.A., fundada em 1888, dedica-se à produção de pasta solúvel a partir do cozimento ao sulfito da espécie Eucalyptus globulus exercendo uma sequência de branqueamento TCF (Total Chlorine Free) constituída pela sequência E-O-P. A pasta solúvel define-se por apresentar um elevado grau de pureza relativamente à quantidade de α-celulose, sendo que as hemiceluloses e a lenhina necessitam de ser removidas praticamente na sua totalidade. Este tipo de pasta é procurado essencialmente para a produção de viscose e outros derivados de celulose. A reatividade é um dos parâmetros de controlo da qualidade da pasta solúvel, visando a sua acessibilidade aos reagentes químicos durante a produção de viscose e poderá ser determinada através do Método de Fock. Com este trabalho pretende-se estudar essencialmente o comportamento da reatividade ao ser introduzida uma simulação laboratorial de um Estágio de Lavagem ácida A, após a etapa de oxigénio O e após a etapa de peróxido de hidrogénio P na sequência de branqueamento da Caima. Em cada uma das etapas foram testadas diferentes condições processuais, tais como o pH da suspensão fibrosa, temperatura de reação e tempo de residência. Durante o estudo laboratorial, a pasta solúvel obtida foi caracterizada para os diversos parâmetros de qualidade aplicados na Caima, nomeadamente a viscosidade intrínseca, teor de α-celulose e grau de brancura. Na sequência E-O-A-P, conclui-se que a variável temperatura de reação representa o parâmetro de controlo, que face aos restantes, apresenta maior influência nos resultados da reatividade da pasta solúvel, atingindo para T=90ºC um valor máximo de 68% de reatividade no estágio P. Para a sequência E-O-P-A, conclui-se que com a aplicação de uma etapa de lavagem ácida após o estágio P, para qualquer que seja a temperatura de reação aplicada, ocorre um aumento de reatividade da pasta solúvel atingindo um valor máximo de 67%. Contudo, para uma temperatura de reação de 90ºC ocorre a redução do teor de α-celulose para 90,8% segundo o parâmetro de R10%, indicando a degradação da celulose pela ocorrência de reações de hidrólise ácida do polímero. Salienta-se ainda, a diminuição do grau de brancura para 90,8% indicando a formação de novos compostos cromóforos. Em suma, comparando as duas sequências estudadas, conclui-se que face à semelhança dos resultados da reatividade da pasta solúvel, a posição da etapa de lavagem ácida na sequência de branqueamento não é um fator decisivo. Além disso, independentemente da posição do Estágio A, as condições processuais ótimas são : T=70ºC, pH=2,0 e Tr=2H, uma vez que se obtém um resultado de reatividade na mesma ordem de grandeza sem afetar os restantes parâmetros de qualidade.
Caima-Indústria de Celulose, S.A. , founded in 1888, is dedicated to the production of dissolving pulp by an acid sulfite cooking process of Eucalyptus globulus, using a TCF (Total Chlorine Free) bleaching sequence with a E-OP sequence.Dissolving Pulp is defined as having a high degree of purity relative to the amount of α-cellulose, with hemicelluloses and lignin needing to be removed almost entirely. This type of pulp is mainly requested to produce viscose rayon and other cellulose derivatives. Pulp Reactivity is one of the quality control parameters of dissolving pulp, aiming at its accessibility to chemical reagents during viscose production and can be determined by the Fock’s Method. The aim of this work is to study essentially the reactivity behavior by introducing a laboratory simulation of an Acid Wash Stage A, after an Oxygen O stage and after a Hydrogen peroxide P stage in the Caima bleaching sequence. In each step, different process conditions were tested, such as the pH of the fibrous suspension, reaction temperature and residence time. During the laboratory study, the dissolving pulp obtained was characterized for the various quality parameters applied in Caima, namely intrinsic viscosity, α-cellulose, brightness, kappa number, pentosan content, filterability and copper number. In the E-O-A-P sequence, it is concluded that the reaction temperature variable represents the control parameter which, in relation to the others, has the greatest influence on the results of dissolving pulp reactivity, reaching a maximum value of 68% of reactivity at stage P for T = 90ºC.For the E-O-P-A sequence, it is concluded that with the application of an acid wash stage after the P stage, whatever the reaction temperature applied, dissolving pulp reactivity increases to a maximum of 67%. However, at a reaction temperature of 90ºC the α-cellulose content is reduced to 90.8% according to the R10% parameter, indicating the degradation of the cellulose by the occurrence of acid hydrolysis reactions of the polymer. In addition, there is a decrease of pulp brightness, indicating the formation of new chromophore compounds. In sum, comparing the two sequences studied, it can be concluded that given the similarity of the results of the reactivity of the dissolving pulp, the position of the acid wash step in the bleaching sequence is not a decisive factor. Besides that, regardless of the position of A stage, the optimal processual conditions are T=70ºC, pH=2,0 and Tr=2H, since a reactivity result of the same order of magnitude is obtained without affecting the remaining quality parameters.
Mestrado em Engenharia Química

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Almeida, Sónia Vespeira de. "A Ruralidade no processo de transição para a democracia em Portugal: campanhas de dinamização cultural e acção cívica do Movimento das Forças Armadas (1974-1975)." Doctoral thesis, 2007. http://hdl.handle.net/10071/633.

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Esta tese problematiza a equação “povo-ruralidade” no quadro da transição democrática portuguesa, tomando como corpo empírico as Campanhas de Dinamização Cultural e Acção Cívica do Movimentos das Forças Armadas. Realizada entre os anos de 1974 e 1975, esta iniciativa percorreu sobretudo o Norte e Centro de Portugal, nomeadamente as zonas rurais do Minho, Trás-os-Montes, Beira Alta, Beira Baixa e o arquipélago dos Açores. Procurando contrariar a versão folclórica do país promovido pelo estado Novo, os protagonistas desta experiência constroem um campo discursivo paradoxal, onde se entretecem conceitos como cultura, tradição, subdesenvolvimento, descentralização e cidadania. Este trabalho analisa igualmente a visão local das Campanhas de Dinamização Cultural e Acção Cívica do Movimento das Forças Armadas que tiveram como destino os distritos de Viseu e de Bragança, examinando a forma como foram recebidas e interpretadas pelas populações.
This thesis examines the representations of rural Portugal in the light of Portuguese democratic transition, taking as an empirical field the Campanhas de Dinamização Cultural e Acção Cívica do Movimentos das Forças Armadas. This initiative took place between 1974 and 1975, and covered the North and Interior of Portugal, mainly in the rural areas of the Minho, Trás-os-Montes, Beira Alta, Beira Baixa and the Azores archipelago. Trying to confront the “idea of Portugal” promoted by the Estado Novo (New State) the protagonists of this initiative construct a paradoxical discursive field, where concepts such as culture, tradition, underdevelopment, decentralization and citizenship interwined. This dissertation also analyzes the local vision of the Campanhas de Dinamização Cultural e Acção Cívica do Movimentos das Forças Armadas that targeted the regions of Viseu and Bragança, examining the way they were received and interpreted by the populations.

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Maziade, Marc. "L’élaboration d’un langage musical basé sur la musique traditionnelle québécoise et influencé par les musiques savantes." Thèse, 2009. http://hdl.handle.net/1866/4675.

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La version intégrale de ce mémoire est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (http://www.bib.umontreal.ca/MU).
Le présent travail explique et approfondit la démarche artistique d’un compositeur travaillant à partir de la musique traditionnelle québécoise et cherchant à donner un élan à son travail en s’inspirant des musiques savantes. Il est divisé en trois chapitres dans lesquels on retrouve des analyses détaillées de pièces issues du répertoire traditionnel québécois et des répertoires classique et jazz. Le premier chapitre traite d’œuvres de Joseph Allard, Louis « Pitou » Boudreault, Jos Bouchard et Aimé Gagnon en cherchant à préciser les éléments stylistiques qui caractérisent le style d’ici. Le deuxième chapitre analyse les pièces Stolen Moments d’Oliver Nelson et Waltz for Debby de Bill Evans et explore un jazz en équilibre entre conservatisme et innovation. Le troisième chapitre explore deux approches originales à la modalité dans des musiques riches en variations par l’analyse de Pagodes de Claude Debussy et de Ostinato de Béla Bartók. Le quatrième chapitre expose ma démarche.
This work explains and elaborates the artistic approach of a composer that works primarily with traditional Quebec music and wishes to give momentum to his work by inspiring himself with the jazz and classical idiom. It is divided in three chapters in which pieces of the traditional repertoire and of the classical and jazz repertoires are analyzed in detail. The first chapter describes works of Joseph Allard, Louis « Pitou » Boudreault, Jos Bouchard, and Aimé Gagnon and aims at defining some stylistic elements specific to Quebec's traditional style. The second chapter addresses the pieces Stolen Moments by Oliver Nelson and Waltz for Debby by Bill Evans and explores a jazz in balance between conservatism and innovation. The third chapter deals with original approaches to modality through the analysis of two musical pieces rich in variations: Pagodes by Claude Debussy and Ostinato by Béla Bartók. The fourth chapter presents my own creative process.

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CHEN, SHIH-FENG, and 陳世峯. "Analysis and modeling of the bending performances of the circular holes in the fold zone during the L-shape bending process." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/35394314932955043243.

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碩士
修平技術學院
精密機械與製造科技研究所
98
In this study, a series of experimental investigation focusing on the folded zone of the plates with holes in the L-bending process have been performed. On the basis of the response surface method (RSM), a set of complete, systematic experimental design and analysis method have been proposed. The experimental design adopts the central composite design (CCD). Also, four independent variables, including thickness of work pieces, die corner radius, hole diameter and the number of holes, are regarded as the design parameters in the experimental design. The value of springback angle and the shape deformation of holes in the L-bending process also have been explored in the meanwhile. The results reveal that the value of springback angle increases with increasing the size of hole and die corner radius, and decreases with increasing the thickness of work pieces. The deformation rate along the axial direction on the top surface, the tangent direction on the top surface, the axial direction on the bottom surface and the tangent direction on the bottom surface are designated as RD_A , RD_T, Rd_a, Rd_t, respectively. According to the experimental results, to reduce the die radius or increase the thickness of work pieces will cause a high deformation rate. In addition, the variation of RD_A , RD_T, Rd_a and Rd_t will decrease with the increase of the hole diameter and the number of holes. Using the RSM method with a quadratic explicit formulas, the maximum deviations of the predicted values of relevant influencing parameters in terms of the springback angle, the variation of RD_A , RD_T, Rd_a and Rd_t, which are compared with the actual experimental data, are 4.24%, 4.30%, 4.52%, 4.79% and 4.21%, respectively.

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Dissertations / Theses on the topic 'Folk process'

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