Relevant bibliographies by topics / Folk media

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Folk media'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Folk media"

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Ramesh Jain. "Media vision - folk computing." IEEE Multimedia 9, no. 3 (July 2002): 96. http://dx.doi.org/10.1109/mmul.2002.1022863.

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Svec, Henry Adam. "FCJ-183 iHootenanny: A Folk Archeology of Social Media." Fibreculture Journal, no. 25 (November 10, 2015): 115–34. http://dx.doi.org/10.15307/fcj.25.183.2015.

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Höivik, Susan, and Kurt Luger. "Folk Media for Biodiversity Conservation." International Communication Gazette 71, no. 4 (June 2009): 321–46. http://dx.doi.org/10.1177/1748048509102184.

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Gupta, Vandana. "FOLK MEDIA IN DEVELOPMENT COMMUNICATION." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (January 31, 2015): 1–4. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3385.

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The human urge to express, communicate, and share something beautiful gave birth to performing arts such as folk and traditional media. Folk performing arts have changed structure continuously over centuries according to the needs of changing situations but without losing their functional relevance to society.
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Valbuena, Victor T. "Using Folk Media in Development Programmes." Media Asia 15, no. 3 (January 1988): 150–54. http://dx.doi.org/10.1080/01296612.1988.11726286.

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Sentevska, Irena. "All that turban-folk: Orientalism and neo-folk music in Serbia." Bulletin de l'Institut etnographique 68, no. 3 (2020): 641–60. http://dx.doi.org/10.2298/gei2003641s.

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In this paper I look at the ?oriental controversy? of the neo-folk music in Serbia, focusing on the changes in the perception of the longstanding Serbian-Bosnian ensemble Juzni vetar (Southern Wind) in the academic circles, media and various segments of the music industry. The affirmative attitude towards the performers and music legacy of Juzni vetar, which has in recent years gradually entered the media from the alternative (non-commercial) music and art circles, may be observed in the context of the contemporary globalized music industry which constantly challenges orientalist assumptions and divisions between East and West. The key turning point in this process is the newly-embraced understanding of Juzni vetar (and ?turban-folk? in general) as part of Serbia?s cultural heritage. Using a representative sample of academic and media comments, in this paper I shed some light on the shifts in the reception of Juzni vetar primarily as an indication of the wider changes in the reception of the Ottoman legacy and contemporary influences of the ?Orient? in the contemporary Serbian culture, not excluding the wider context of Southeastern Europe.
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Fauteux, Brian. "Understanding Media through the American Folk Revival." TOPIA: Canadian Journal of Cultural Studies 43 (September 1, 2021): 178–82. http://dx.doi.org/10.3138/topia-43-br03.

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Erdem, B. K. "Use of Folk Culture Products in Social Media Humor." Turkology 4, no. 102 (October 15, 2020): 125–43. http://dx.doi.org/10.47526/2020/2664-3162.008.

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The rapid exchange of culture, which began with the Industrial Revolution, when technological developments brought people closer to each other in all respects, and with it the consuming structure of society outstripped the producing model of society 20.century. as it is observed. This change has also had an impact on the elements of humor and laughter. The function of laughing has also changed the purposes and facts that make up laughing. One of the important reasons for this change is that the internet-based communication network, which emerged after 1950, created a virtual world that changed the traditional media by changing its size after entering the millennium era. In this virtual reality, where laughter is seen more with the function of protest, rapid consumption, caps and video-based laugh elements that suddenly rise and disappear in an instant are at the forefront. In this study, it was tried to reveal the frequency of use of folk culture products, the purpose for which they are used and the change they undergo according to the era among the elements of social media-based humor that have virtual fluidity and unlimited space through the reasons underlying humor.
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Phukon, Pranab, and Satyakam Borthakur. "‘Third Theatre’: A Media Closer to the Folk." Asian Journal of Research in Social Sciences and Humanities 5, no. 2 (2015): 148. http://dx.doi.org/10.5958/2249-7315.2015.00032.5.

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Khan, Nawaz, and Nabam Tadi. "Nyishi Burial System and Aspect of Folk Media." Asian Journal of Research in Social Sciences and Humanities 10, no. 3 (2020): 1. http://dx.doi.org/10.5958/2249-7315.2020.00003.9.

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Dissertations / Theses on the topic "Folk media"

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Borovoy, Richard Daniel. "Folk computing : designing technology to support face-to-face community building." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/8326.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2002.
Includes bibliographical references (leaves 119-122).
Creating common ground in a community of people who do not all know each other is a chicken-and-egg problem: members do not share enough common ground to support the kinds of conversations that help build it. "Folk Computing" technology is designed to help build community in informal, face-to-face settings by giving users a playful way of revealing shared assumptions and interests. Drawing on the communicative process of folklore, Folk Computing devices facilitate the creation, circulation and tracking of new, digital forms of lore. These digital folklore objects serve as social probes: they circulate among people with whom they resonate, thereby revealing the boundaries of groups who share the underlying beliefs, knowledge and experiences that give the lore meaning. Folk Computing uses technology to enhance the community building functions of folklore in three important ways: it supports the circulation of more interactive and media-rich lore, it reduces the social and cognitive costs of folklore creation and circulation, and it enables detailed visualizations of how pieces of lore circulate through a community. This thesis will explore the potential of Folk Computing through a design rationale for three new technologies, ranging from computationally augmented name tags used at conferences (the Thinking Tags and Meme Tags) to devices with which people can create, trade and track animations and simple games (the i-balls), used over several weeks by the population of a K-8 public school.
Richard Daniel Borovory.
Ph.D.
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May, Anthony. "TRAD. : an examination of narrative adaptation across popular media." Queensland University of Technology, 2007. http://eprints.qut.edu.au/20187/.

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'Trad.' is a collection of short stories and a critical essay that explores a number of issues involved in the adaptation of stories from one popular medium to another. Some problems of adaptation involve questions of the integrity or authenticity of both the original and adapted works. These problems are often made more difficult when the adaptation is made across different media forms. This thesis explores the transformation from popular song to short story in a popular mode in two ways. The first way is based on the recognition of the problems of determining authenticity when the processes of transmission are subject to such great variety as in popular song. The second way is to explore the question of the available popular forms of narrative for the adapted product. In each case, this thesis attempts its investigation in a practical mode through the variety of stories and the way in which they utilise contemporary narrative strategies.
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Björklund, Anna. "En Djupdykning i Kommunikationsstrategi : om konsten att locka folk till svenska dykvatten." Thesis, Uppsala University, Media and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-106770.

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Purpose/Aim: To create a communication strategy for PADI Nordic with the intention of getting Swedish divers, who have been certified abroad, to Swedish dive centers.

Material/Method: The study is based on a number of personal interviews conducted with a) divers who are active in Sweden, b) divers who are not active in Sweden and c) representatives from PADI and PADI affiliated dive centers.

Main results: The main reason that people who have been certified abroad do not dive in Sweden is that they regard it as being too complicated, too cold, too expensive and with nothing interesting to see. These might partly be misconceptions that can be corrected through a communication strategic effort. The best way to change this perception is by two different forms of communication. One will go from PADI Nordic straight to the divers through an email. This will have the purpose of getting their attention, making diving sound interesting and raise their awareness in preparation for the other part of the process. The other part is communication from PADI affiliated dive centres directed towards the divers. This will be in the form of more traditional marketing, and will have the purpose of making diving in Sweden sound easy, uncomplicated and price worthy. Hopefully this will bring people in to the dive centres, and in the ideal case they will in time also bring their friends along – by becoming the first link in a two step flow of communication.

 

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RezaeiSahraei, Afsaneh. "Iranian Political Humor in Social Media." TopSCHOLAR®, 2014. http://digitalcommons.wku.edu/theses/1420.

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Gelfand, Lynn. "Tales, technology, and transformations how different media environments shape the structure, style, and content of folk narratives /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319906.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.
Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3267. Adviser: Mary Ellen Brown.
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Reje, Franzén Fanny, and Saga Gardelin. "Hide and seek with algorithm : En intervjustudie av cosplay-kreatörers "folk" teorier i förhållande till TikToks algoritm." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104833.

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This essay aims to study the relationship between cosplay content creators and TikTok’s algorithm. To study this relationship the essay will conduct a qualitative semi-structured interviews with creators from the cosplay community on TikTok. Since the rise of digital plattforms the media and the role of producer as well as consumer has changed drastically. TikTok has been growing rapidly in popularity since its entry on the market, and by 2020 it had 500 million active users. Since many of today's digital platforms have consumer produced content, the consumer of today has taken on a mixed role between consuming and creating content, which creates a new relationship. The content consumers produce vary vastly on TikTok but one kind that has been present in much of TikTok’s existence is cosplay content. Cosplayers are creators who design costumes to already established characters or franchises. Since a discourse has started in the cosplay community on TikTok about the algorithm suppressing their content the study found it to be a good way to start examining content creators as individuals and how they behave towards an algorithm in their content creation process. The study aims to use algorithmic “folk” theory to examine what theories have been created in the community and how the theories affect the creators. The study also applies gatekeeping theory and social cognitive theory (SCT) to paint a clearer picture in how these creators view the algorithm. Seven interviews with cosplay content creators were conducted and with the help of a thematic analysis method the study found several themes in how the creators view and behave in relation to TikTok and its algorithm. The results of our study shows that there’s a definite present of “folk” theories created inside of the community. The most distinct behaviour relating to “folk” theory among the creators was that they can’t use the hashtag cosplay in the belief that the algorithm would suppress the content. This study concludes that the creators are more aware of the algorithm then they themself know and have different ways of working with and around it.
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Martinsson, Teija. "Är svensktalande ett bättre folk? Om finsktalande utrikeskorrespondenters syn på mötet med det svenska samhället." Thesis, Högskolan i Borås, Institutionen för Pedagogik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19945.

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Abstrakt: Det är i mötet mellan utrikeskorrespondenter och främmande samhällen som utrikesnyheter uppstår. Dessa nyheter har ett stort inflytande på hur vi ser på världen. Somingredienser i dessa möten kan det sätt på vilket utrikeskorrespondenter bemöts påverka den bild de förmedlar till sina respektive hemländer.Huvudsyftet med denna uppsats är att öka förståelsen för hur finsktalandeutrikeskorrespondenter upplever mötet med det svenska samhället. Ett annat syfte är också att undersöka om de stereotypa föreställningar, som svenskar och finländare har om varandra, samt om övriga förutsättningar i deras vardag i Sverige, påverkar deras arbete och den bild som de sedan förmedlar till Finland.Totalundersökningen omfattar en kvalitativ intervjuundersökning avseende alla de sexfinsktalande utrikeskorrespondenter som för närvarande är verksamma i Sverige varvat medstudier av litteratur, uppsatser samt tidningsartiklar och elektroniska källor. Den teoretiska referensramen omfattar bl. a. Pierre Bourdieus, Norbert Elias, John L. Scotsons, Erving Goffmans och Max Webers sociologiska teorier som behandlar samspelet och relationerna mellan individer och olika samhällsgrupper. Författarens utgångspunkter baseras även på en mångårig yrkeserfarenhet som journalist.Undersökningen visar att finsktalande utrikeskorrespondenter generellt sett blir väl bemötta i Sverige även om att de kan bedömas tillhöra en invandrargrupp. Intervjupersonerna hade inte upplevt diskriminering och svenskarnas stereotypa föreställningar om finländare uppfattades inte som ett problem. Utrikeskorrespondenterna ansåg sig även ha bra status i det svenska samhället. Detta kan förklaras genom att de har en så hög position i samhället samt makt, genom sitt yrke, att detta påverkar det sätt på vilket de blir bemötta.Resultaten visar också att det har skett en positiv förändring på svenskarnas syn på Finland och därmed också på finsktalande utrikeskorrespondenter på grund av den ekonomiska utveckling som skett i Finland under de senaste åren. Bemötandet samtutrikeskorrespondenternas egna stereotypa föreställningar om svenskar och om Sverigeverkar dock, enligt undersökningen, inte ha någon större betydelse för hur utrikeskorrespondenternas produktion ser ut och således inte heller på den bild de förmedlar av Sverige till Finland. Dåligt bemötande syns mest i tv- och radioproduktion eftersom de ärkänslomedier.Produktioner påverkas däremot av utrikeskorrespondenternas hemmaredaktioner i Finland som har ett stort intresse av att publicera produktioner som förstärker gamla, negativa stereotypa föreställningar om Sverige. Hemmaredaktioner har till och med specifika nyhetskriterier endast för Sverige som t.ex. att kunna känna skadeglädje mot Sverige eller att kunna jämföra Finland och Sverige i nyhetsrapportering som om det skulle finnas en tävlingssituation mellan de två länderna.Undersökningen visar också att svenskar i allmänhet inte har ett intresse av att bliuppmärksammade i finsk media med ett undantag för de företag som har ekonomiskaintressen i Finland.
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Karlsson, Elin. ""Vad ska folk tro? Att jag är gift med en rösträttskvinna?" : En kvalitativ innehållsanalys av TV-serien Fröken Frimans krig." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104123.

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The TV series Fröken Frimans Krig is about the struggle for women's voting rights in Sweden during the beginning of the 20th century. The purpose of this study is to examine, through a content analysis, which pros and cons are shown in the TV series. The study also discusses how these arguments differ from those that are highlighted in historic research involving women’s right to vote. The material consists of selected scenes from the TV series. The scenes were selected with a goal-oriented selection where selected characters, gender theory and arguments for and against women’s right to vote are most strongly portrayed. The scenes have been analyzed using an analysis scheme that has been shaped according to Keith Selby and Ron Cowdery's narrative analysis model. In addition, rhetorical analysis has been used in the analysis to be able to answer the research questions. The results showed that the arguments used in the TV series are based on the arguments presented by historical research. It was possible to see clear signs that the women used logical reasoning when they argued, while the men argued based on their feelings to strengthen their opinions. This shows that the series’ creators have done their due diligence since the arguments in the series gave clear signs of the categories that the research represents. The study concluded that the TV series Fröken Frimans krig is a fictional story with elements of real history that represents the arguments for and against women’s rights to vote.
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Raja, Irfan Azhar. "Reporting British Muslims : the re-emergence of 'folk devils' and 'moral panics' in post-7/7 Britain (2005-2007)." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/31087/.

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On 7 July 2005, Britain suffered its first ever suicide attack. Four young British-born Muslims, apparently well-educated and from integrated backgrounds, killed their fellow citizens, including other Muslims. The incident raised the vision that British Muslims would be seen as the ‘enemy within’ and a ‘fifth column’ in British society. To examine how this view emerged, this thesis investigates the representation of British Muslims in two major British broadsheets, The Guardian and The Daily Telegraph, over a two-year period (7 July 2005-8 July 2007). A corpus of 274 news items, including editorials, comments, interviews, and news reports on the London bombings, has been collected and analysed using the inductive approach based upon thematic analysis. The thesis asks a significant question: How did these broadsheets present British Muslims in the wake of the London bombings? This thesis aims to present a narrative of how the London bombings (hereafter 7/7) emerged in these broadsheets based on their reaction to an interpretation and perception of the 7/7 event. This research indicates that the two broadsheets shared a similar cultural approach in combating Islamist terrorism, by encouraging the embracing of British values, although their different political orientations led to them differing attitudes over the precise manner in which this should be achieved. The Guardian was more concerned about individual liberty and human rights, while The Daily Telegraph emphasised the adaptation of tough legislation to combat terrorism. Given modern Britain’s secular moral fibre, the supremacy of British values dominated the debates on British Muslims which somehow reflected a manifestation of a systematic campaign to redefine Islam as a religion that fits into secular Western society, validating terms such as ‘Moderate Muslim’, ‘Islamic terrorists’, ‘Islamic extremists’, ‘Islamic militants’ and ‘Islamic terrorism’. Although both newspapers argue that radicalisation is a foreign-imported dilemma that has its roots in “Islamic ideology”, they differ in their attitudes on how to deal with it. This thesis uses Cohen’s (1972) text, which suggests that the media often portray certain groups within society as “deviant” and “folk devils” and blames them for crimes. This research into the reactions of two broadsheets permits a contemporary discussion of the London bombings and British Muslims in the light of Cohen’s concept. It aims to locate the presence of a nexus of the four Ps - political parties, pressure groups, the press, and public bodies - that influence reporting and shape the debates (Ost, 2002; Chas, 2006, p.75). It is evident that the reporting of the two broadsheets blends three significant components: the views of self-proclaimed Islamic scholars, experts and hate preachers; the use of out-of-context verses of the Quran; and the use of political language to represent British Muslims. Arguably, the press transformed the 7/7 event, suggesting that it was driven by religious theology rather than being a politically motivated act.
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Plummer, Stephanie C. "Food Contamination Narratives in United States News Media." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237761803.

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Books on the topic "Folk media"

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Svec, Henry Adam. American Folk Music as Tactical Media. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.
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Valbuena, Victor T. Philippine folk media in development communication. Singapore, Republic of Singapore: Asian Mass Communication Research and Information Centre, 1986.

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Rani, N. Usha. Folk media for development: A study of Karnataka's traditional media. Bangalore: Karnataka Book Publishers, 1996.

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Mukhopadhyaya, Rajatsubhra. Folk media and communication in India: Trends and perspectives. West Bengal: Dept. of Sociology and Social Anthropology, University of North Bengal, 1988.

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Johal, Navjit Singh. Media ethics, issues, and concerns. Edited by Punjabi University. Department of Journalism and Mass Communication. Patiala: Publication Bureau, Punjabi University, 2012.

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Vijaya, N. The role of traditional folk media in rural areas: A sociological analysis. Delhi: Gian Pub. House, 1988.

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Las dos sirenas y otros estudios de literatura tradicional: De la Edad Media al siglo XX. Madrid, España: Siglo XXI de España Editores, 1995.

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Yadav, Y. Prabhanjan Kumar. The voice of the voiceless, use of folk media in communication: A case study of Jana Natya Mandali (JNM). Hyderabad: Maitreya Publications, 2006.

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La globalizzazione delle cattive idee: Mafia, musica, mass media. Soveria Mannelli (Catanzaro): Rubbettino, 2005.

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Jayaweera, Neville. Folk media and development communication: Myths and realities : a report on experiences in people's communication in Mexico, India, and the Philippines. Manila: Asian Social Institute, 1991.

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Book chapters on the topic "Folk media"

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Martin, Greg. "Moral panics, folk devils and trial by media." In Crime, Media and Culture, 58–77. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315671055-3.

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Kabaji, Egara. "The role of folk media in peacebuilding." In Media, Conflict and Peacebuilding in Africa, 70–83. Abingdon, Oxon ; New York, NY : Routledge, 2021. |: Routledge, 2021. http://dx.doi.org/10.4324/9780429344862-7.

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Davis, Michael T. "The British Jacobins: Folk Devils in the Age of Counter-Revolution?" In Moral Panics, the Media and the Law in Early Modern England, 221–44. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274679_12.

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Liu, Shi, Tingting Li, and Xinming Zhang. "Inheritance and Development of Folk Art Based on Multi-media Platform Technology." In Advances in Intelligent Systems and Computing, 817–22. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25128-4_100.

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Nigussie, Hagos. "Back to the Village: Integrating Folk Media into Rural Food Security Communication in Ethiopia." In Re-imagining Communication in Africa and the Caribbean, 273–92. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-54169-9_15.

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Chari, Tendai. "Harnessing Folk Media for Effective Environmental Communication: The Case of Biomass Burning in Sub-Saharan Africa." In Biomass Burning in Sub-Saharan Africa, 107–19. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-007-0808-2_9.

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Zhou, Shiqing, and Wengao Sun. "Computer Media and Communication of Folk Culture in Shaanxi Literary Works Under the Background of Big Data." In Lecture Notes on Data Engineering and Communications Technologies, 86–94. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5854-9_11.

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Führer, Karl Christian. "Two-Fold Admiration: American Movies as Popular Entertainment and Artistic Model in Nazi Germany, 1933–39." In Mass Media, Culture and Society in Twentieth-Century Germany, 97–112. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230800939_6.

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"Folk and alternative media." In Routledge Library Editions: Communication Studies, 3853–70. Routledge, 2018. http://dx.doi.org/10.4324/9781315670522-199.

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"From Folk to Social Media." In The Media in Lebanon. I.B.Tauris & Co. Ltd, 2019. http://dx.doi.org/10.5040/9781788318013.ch-005.

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Conference papers on the topic "Folk media"

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Kumar, Neha, and Tapan S. Parikh. "New media and folk music in rural India." In the 28th of the international conference extended abstracts. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753846.1754013.

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Wilkes, Gil, Jaigris Hodson, and Brian Traynor. "Folk classification of social media platforms: Preliminary findings." In 2016 IEEE Professional Communication Society (ProComm). IEEE, 2016. http://dx.doi.org/10.1109/ipcc.2016.7740478.

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Medentzidou, Paschalina, and Constantine Kotropoulos. "Restoration of missing data in Greek folk music by interpolation techniques." In 2016 Digital Media Industry & Academic Forum (DMIAF). IEEE, 2016. http://dx.doi.org/10.1109/dmiaf.2016.7574912.

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Chau, Ma Thi, and Nguyen Thanh Thuy. "A labanotation based ontology for representing Vietnamese folk dances." In 2018 International Conference on Digital Arts, Media and Technology (ICDAMT). IEEE, 2018. http://dx.doi.org/10.1109/icdamt.2018.8376499.

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Phonkhet, Yothin, and Tanaporn Phonkhet. "The Development of Media Isan Folk Music Education for Student." In International Academic Conference on Teaching, Learning and Education. Global, 2019. http://dx.doi.org/10.33422/tleconf.2019.09.570.

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Song, Qianwen. "Analysis of Shaanxi Folk Music Teaching Method Based on New Media." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.139.

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Yang, Jing. "Research on Communication of Chinese Folk Dance Art in Mass Media Era." In 2014 2nd International Conference on Education Technology and Information System (ICETIS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icetis-14.2014.89.

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Kieu Trung, Son. "The Phenomenon of Writing new Lyrics for Folk Songs to Broadcast on Mass Media in Vietnam." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.5-3.

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The phenomenon of creating new lyrics for folk songs provides an interesting combination between the two fields of linguistics and ethnomusicology (or performing arts) and is highly applicable for life in Vietnam. This research aims at the meaning of choosing folk melodies to express language and to express an ideological content. Based on the thesis of linguistic anthropology, considering language to be a reflection of the human being, this study considers the choice of the way language is transmitted as part of that reflection. To conduct this study, we will look at the Voice of Vietnam Radio. From the material found, the number, content, purpose, context analysis and frequency of creating new lyrics for folk songs were broadcast during the history of anti-American war to teh preent date. The results of the study indicate that language has a number of ways of expressing each of its strengths and cultural and social meanings. This research refers to an innovation in the use of familiar folk melodies to express and promote language content in Vietnam that has been applied effectively in the mass media.
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Dang Thi Dieu, Trang. "Modern Folk poetry (Ca Dao): A Form of Folklore Linguistic Composition on the Internet." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-2.

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The context of globalization along with the development of electronic media has opened a new era for folklore in general as well as forms of linguistic composition of folk literature in particular. In addition to the form of composing and keeping media documents in the traditional way, the Internet explosion has dominated the main spaces of communal life and has gradually changed the mode of human interaction. Cyber space is considered as a tool to convey traditional values, to create many new cultural activities, and to be a place to circulate folk cultural works in contemporary society, in which folk poetry (Ca dao) is one. Modern folk poetry studies are still a controversial issue in academic circles in Vietnam, but with the dominance of today's Internet communication technology, the emergence of lyrics rhymes circulated on the Internet is a remarkable and inevitable phenomenon in the context of development of various forms of "reformed", "processing", "parody" lyrics, songs, poems according to the direction of humor and entertainment rather than focusing on aesthetics and art. From a linguistic cultural approach, this article aims to discuss modern folk poetry on such issues as: Why did such folk poetry come about? How would we circulate or share this poetry on the Internet and to approach folk culture in an era of dominance of visual culture (TV, video, film, photography) and Online culture; how does socio-economic change on modern folk poetry impact on the Internet in terms of thinking innovatively, and how does it tend to break traditional cognitive structures due to the diverse forms of reflection and reality in modern society?
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"Research on the Influence of Network Media on the Spread of Traditional Folk Music Culture." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.28.

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