Academic literature on the topic 'Folk dancing'
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Journal articles on the topic "Folk dancing"
Sprague, Marty. "Folk Dancing." Journal of Dance Education 13, no. 2 (April 2013): 64. http://dx.doi.org/10.1080/15290824.2012.709430.
Full textFebles, Jorge. "Spanish Folk Dancing." Hispania 71, no. 2 (May 1988): 446. http://dx.doi.org/10.2307/343098.
Full textRhone, Jeffrey. "The Challenge and Benefit of Evaluating Folk Dancing Quality." General Music Today 31, no. 1 (June 16, 2017): 10–15. http://dx.doi.org/10.1177/1048371317713068.
Full textS. Javina , MAED, Freddie. "STUDENTS AWARENESS AND PERFORMANCE INPHILIPPINE FOLK DANCES." International Journal of Advanced Research 9, no. 01 (January 31, 2021): 730–42. http://dx.doi.org/10.21474/ijar01/12350.
Full textKunej, Drago, and Rebeka Kunej. "Dancing For Ethnic Roots:." Musicological Annual 55, no. 2 (December 13, 2019): 111–31. http://dx.doi.org/10.4312/mz.55.2.111-131.
Full textYi, Gina J. "Teaching about the Korean Ganggangsullae Folk Tradition in General Music Class." Music Educators Journal 105, no. 3 (March 2019): 45–53. http://dx.doi.org/10.1177/0027432118815961.
Full textPalmer, Bob. "Winding up … except incest and folk dancing." European Eating Disorders Review 6, no. 4 (December 1998): 290. http://dx.doi.org/10.1002/(sici)1099-0968(199812)6:4<290::aid-erv267>3.0.co;2-c.
Full textKaya, M., and A. Yilmaz. "Analysis on the effects of folk dance training on players’ spatial expectation levels." Physical education of students 23, no. 5 (October 26, 2019): 249–55. http://dx.doi.org/10.15561/20755279.2019.0506.
Full textTaylor, Mary. "Does folk dancing make Hungarians?Táncház, folk dance as mother tongue, and folk national cultivation." Hungarian Studies 22, no. 1-2 (September 2008): 9–29. http://dx.doi.org/10.1556/hstud.22.2008.1-2.2.
Full textBroyer, Nili R. "Reinforcing Zionist ableism in Israeli wheelchair folk dancing." Research in Drama Education: The Journal of Applied Theatre and Performance 22, no. 3 (June 26, 2017): 332–38. http://dx.doi.org/10.1080/13569783.2017.1326807.
Full textDissertations / Theses on the topic "Folk dancing"
Kaschl, Elke. "Dance and authenticity in Israel and Palestine : performing the nation /." Leiden : Brill, 2003. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.
Full textWu, Wei-Chi. "Dancing Within Taiwanese-ness| International Folk Dancing Communities in Taiwan and California." Thesis, University of California, Riverside, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10935353.
Full textThis research investigates Taiwanese dancers? practice of international folk dancing through interviews and participant-observation. International folk dancing is a specific dance genre, in which its practitioners explore various regional folk dances around the world, regardless of their ethnicities. I define this practice as a transnational embodiment, because it not only covers folk dances from different countries, but also was a government-sanctioned exercise during the Taiwanese Martial Law Period (1945-1987). Furthermore, many Taiwanese immigrants in California are still practicing this dance for the purpose of connecting with people with similar backgrounds. In this regard, international folk dancing is a historical product from Taiwan?s Martial Law Period, and it also functions as an instrument to scrutinize some Taiwanese immigrants? conceptions of national and cultural identity in California. My dissertation starts from post-World War II Taiwan, when international folk dancing was introduced from the United States and became a mass exercise of the Taiwanese people during Martial Law. For the National Government at this time, international folk dancing was a means of presenting Taiwan?s political alignment with the United States. For the Taiwanese people, however, this dance form was a way to understand the outside world under extreme limitations on information access outside Taiwan during Martial Law. My investigation then shifts to Taiwanese immigrants? current practice of international folk dancing in California. Though these immigrants do not limit their practice to Taiwan-specific dances and are embodying cultures of others, international folk dancing is a strong transnational embodiment that enables these Taiwanese immigrants to reconstruct their idea of home in the United States and to present a new definition of Taiwanese identity through practicing others? nationalisms. Furthermore, I demonstrate that Taiwanese dancers of different generations in both regions are constantly constructing the notions of ?folk? and ?international? through their diverse living and dancing experiences. I argue that international folk dancing challenges these concepts when compared to previous scholars? examinations. Additionally, this dance form demonstrates its practitioners? cultural awareness that even though the practice seems to be inclusive, its dancers are much aware of issues of authenticity, appropriation, and cross-cultural politics. Finally, this sub-genre of self-choreographed dancing indicates a Taiwanized international folk dancing practice. Self-choreographed dancing was developed by the Taiwanese international folk dancing community during the Martial Law Period, and in California, it is practiced more in the Taiwanese international folk dancing groups but is missing in Western dancers? community. As this sub-genre stretches the ideas of ?folk,? ?international,? and the sense of cultural awareness, the dissertation also explores this difference between Taiwanese and Western international folk dancing communities to emphasize the notion of Taiwanese-ness. International folk dancing serves to scrutinize relationships between Taiwan and the United States after World War II. Meanwhile, California-based Taiwanese immigrants apply their past dancing memories to their current practice of international folk dancing, suggesting new definitions to existing conceptions of Taiwanese identity. Moreover, the unstableness in the dance form?s translations in Mandarin Chinese?tu-feng-wu or shi-jie min-su wu-dao?indicates that there is no consistent understanding of ?folk,? ?international,? and even ?international folk dancing? itself. The lack of coherent translation furthermore signals varied interpretations of Taiwanese-ness by Taiwanese people from different places and of different generations.
Holden, Patsy. "Civilized Dancing: The Evolution of Ballroom Dancing from African Trance and Folk Dance." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1173.
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Arts and Humanities
Philosophy
Ballantyne, Patricia H. "Regulation and reaction : the development of Scottish traditional dance with particular reference to Aberdeenshire, from 1805 to the present day." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230127.
Full textLaVita, James A. "Theorizing dance practice : toward an ethnography of movement /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Full textYuen, Lai-fong. "Teacher's self-efficacy : the determining factor for Hong Kong folk dance teaching /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25755328.
Full textSchmidt, Hans. "Die Sardana Tanz der Katalanen /." Hamburg : [s.n.], 1985. http://catalog.hathitrust.org/api/volumes/oclc/23645743.html.
Full textPee, Mary Teresa Lay Hoon. "The development of Chinese, Indian and Malay dance in Singapore to the 1970s." Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/35808/7/35808_Digitised%20Thesis.pdf.
Full textGenet, Coline. "Dialogues between a violin and a body : How to be a dancing musician on stage ?" Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4217.
Full textGodula, Olga. "Echoes and memories of Poland music and dance in the Polish community of Toledo, Ohio /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1213008130.
Full textBooks on the topic "Folk dancing"
Storey, Rita. Irish dancing. North Mankato, MN: Sea to Sea Publications, 2006.
Find full textFajardo, Libertad V. Visayan folk dances. Metro Manila, Philippines: National Book Store, 1992.
Find full textDavis, Susanne J. Recreational folk dance. 2nd ed. Dubuque, Iowa: Kendall/Hunt Pub. Co., 2009.
Find full textSuhr, Moon Ja Minn. Korean folk & ethnic dance. San Luis Obispo: California Polytechnic State University, El Corral Publishers, 1985.
Find full textPlater, Ormonde. Cajun dancing. Gretna, La: Pelican Pub. Co., 1993.
Find full textSolway, Andrew. Country and folk dance. Oxford: Heinemann Library, 2008.
Find full textBeijing zhong ti yin xiang chu ban zhong xin. Shi jie wu dao da shang. Beijing: Beijing zhong ti yin xiang chu ban zhong xin --, 2006.
Find full textStorey, Rita. Line dancing. North Mankato, MN: Sea to Sea Publications, 2006.
Find full textMartin, György. Hungarian folk dances. 2nd ed. New York: Puski, 1988.
Find full textPatnaik, Dhirendranath. Folk dances of Orissa. Bhubaneswar: Orissa Sangeet Natak Akademi, 2000.
Find full textBook chapters on the topic "Folk dancing"
Ashley, Linda. "Folk Dance a Survival Story." In Dancing with Difference, 25–33. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-985-5_2.
Full textWood, Brent. "Dancing to fateful folk tales." In The Tragic Odes of Jerry Garcia and the Grateful Dead, 88–123. 1. | New York : Routledge, 2020. | Series: Ashgate popular folk and music series: Routledge, 2020. http://dx.doi.org/10.4324/9780429198380-4.
Full textTambe, Anagha. "Folk dance/vulgar dance: erotic lavani and the hereditary performance labour." In The Dancing Body, 39–52. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-3.
Full textGeorgiev, Plamen K. "Chalga,Turbo Folk and Manele: Dancing “Unleashed” Liberties." In Self-Orientalization in South East Europe, 49–62. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93271-2_3.
Full textBjörk, Anna, and Petri Hoppu. "18. Minuet Constructions and Reconstructions." In The Nordic Minuet, 481–96. Cambridge,UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0314.18.
Full textRossen, Rebecca. "Dancing Folk." In Dancing Jewish, 140–88. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199791767.003.0007.
Full textBudd, C. J., and C. J. Sangwin. "Dancing with mathematics." In Mathematics Galore!, 38–61. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198507697.003.0003.
Full textKapper, Sille. "11. Continuity and Reinvention." In Waltzing Through Europe, 317–42. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.11.
Full text"APPENDIX: LIST OF SOCIAL AND FOLK DANCES." In It Could Lead to Dancing, 185–88. Stanford University Press, 2021. http://dx.doi.org/10.1515/9781503627802-010.
Full textIyer, Usha. "From the Cabaret Number to the Melodrama of Dance Reform." In Dancing Women, 139–78. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938734.003.0005.
Full textConference papers on the topic "Folk dancing"
Videnova, Julieta, Silviya P. Nikolova, and Desislava Vankova. "FOLK DANCING AND HEALTH PROMOTION." In 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.0108.
Full textSousa, João Paulo, Patricia Cordeiro, Rogério Tavares, and João Victor Gomide. "Dancing Into the Digital Age: Experimenting the Digitization of the Pauliteiros Folk Dances." In 2023 18th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2023. http://dx.doi.org/10.23919/cisti58278.2023.10211933.
Full textYoung, Choi So. "A STUDY ON THE ORIGIN OF CHEOYONG: THE ANCIENT CULTURAL EXCHANGE BETWEEN CENTRAL ASIA AND KOREA." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-18.
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