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Books on the topic 'Flute'

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Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Skilling, Raymond. Cycloïdes: Flûte seule = solo flute = Flöte solo. Saint-Nicolas, Québec: Doberman, 1985.

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2

Galway, James. Flute. London: Khan & Averill, 1990.

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3

Bédard, Denis. Sonate, flûte et piano =: Flute and piano = Flöte und Klavier. Saint-Nicolas, Qué., Canada: Doberman-Yppan, 1988.

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4

Clardy, Mary Karen. Classic duets for flute. Wien: Universal Edition, 1997.

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5

Bronwyn, Law-Viljoen, and Mozart Wolfgang Amadeus 1756-1791, eds. Flute. Parkwood, South Africa: David Krut, 2007.

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6

Ramaya, Shona. Flute. London: Abacus, 1990.

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7

Galway, James. Flute. London: Kahn & Averill, 1990.

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8

Ramaya, Shona. Flute. London: Joseph, 1989.

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9

Holliger, Heinz. Sonate (in)solit(air)e: Pour flûte seule = for flute solo = für Flöte solo : (1995/96). Mainz: Schott, 1998.

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10

Müller, August Eberhard. Journal pour la flûte: Für 2 Flöten = for two flutes. Wien: Universal Edition, 1985.

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11

Snell, Keith. Belwin master duets: Flute advanced : graded duets for the developing musician. Miami, Fla: Belwin Mills Pub. Corp., 1986.

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12

Telemann, Georg Philipp. Fantasien für Flöte solo =: Fantasies for flute solo. Wien: Wiener Urtext Edition, 1999.

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13

Françaix, Jean. Sonate pour flûte et piano =: Für Flöte und Klavier = for flute and piano (1996). Mainz: Schott, 1997.

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14

Harper, Linda Lee. Blue flute. Easthampton, Mass: Adastra Press, 1999.

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15

Olsen, Dale A. Flute Origin Myths and Flute-Playing Heroes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037887.003.0008.

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Flutes get much of their power from the breath of their players, and that breath is transformed into whistle tones that are manipulated by the player's fingers or tongue to produce all sorts of patterns of sound, from bird imitations to beautiful melodies and more. In addition, flutes derive power from the “proper” culturally determined materials used in their construction, from animal bones or rustic bamboo to precious metals or stone, giving each instrument its desired tone quality or voice. Whether used for meditation, fertility, courting, protection, or just playing a melody, the sounds and music of flutes have the power to go beyond the mortal world into immortal realms. This spiritual nature of flutes is like a thread that weaves through the fabric of world flutelore and flute musical performance. This chapter explores more stories and narratives that bring out the spiritual connection of flutes and flute music, especially as it relates to origin myths and heroes.

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16

Flute Flute. Weigl Publishers, Incorporated, 2018.

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17

V, JAN DE HAAN_ROBERT. BLASERKLASSE GLOBUS - FLOTE FLUTE TRAVERSIERE. HASKE, 2013.

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18

Olsen, Dale A. The Aesthetics and Power of Flute Sounds, Timbres, and Sonic Textures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037887.003.0014.

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This chapter discusses flute timbres and sonic textures. Flute timbres or tone colors, especially, are what characterize the flute and make it such a unique musical instrument. Small flutes are noted for their shrill and piercing tone colors, and in many cultures, the sounds of small flutes pierce the hearts, souls, and perhaps other areas of the human body of many listeners because of the high pitches. In some situations, the sound of the flute is like the wind, or is sad, lonely, and pensive. Like the Japanese shakuhachi and the Persian nay, most flutes are capable of a great variety of timbres that can imitate sounds of nature or evoke many emotions. The term “sonic texture,” refers to the “simultaneous sounding” of two or more instruments or voices. Throughout the stories presented in this book, flutes have mostly been played as solo instruments in a single-part texture. In many regions of the world, however, especially in the South American rainforest and Andes mountains, Africa, New Guinea, Japan, and Java, just to name a few, flutes are played in ensembles that create multipart textures.

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19

(Composer), Toshio Takahashi, ed. Suzuki Flute School, Flute: Flute Part (Suzuki Flute School). Alfred Publishing Company, 1999.

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20

Clark, Kate, and Amanda Markwick. The Renaissance Flute. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190913335.001.0001.

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The last four decades have seen a revival of interest in the renaissance transverse flute. The few collections of surviving original flutes from the sixteenth century have increasingly attracted musicologists, instrument makers, and players to examine, measure (and copy), perform, and record on them. Renaissance flute workshops and summer courses attract students and amateur players in several corners of Europe every year. At the same time, renaissance manuscripts and early prints have increasingly become available on the internet, providing an ever-expanding supply of materials for flutists wanting to experience renaissance music for themselves. This handbook for renaissance flute players offers all the information needed to buy, maintain, and learn to play the renaissance flute, whether alone or in consort. It explains how to read and interpret renaissance music whether from original notation or in modern editions, how to make your own transcriptions, and how to write your own diminutions. It also introduces readers to the basics of renaissance music theory, in clear and simple language. At a time when the gap between the professional “classical” music world and its public seems to have grown irrevocably, this book aims to demystify the business of making beautiful music together. It is a key to the elegant, cylindrical flute that was played all over Europe in the age of polyphony and to the gentle art of consort playing.

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21

Takahashi, Toshio. Suzuki Flute School, Flute. Birch Tree Group Ltd, 1999.

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22

How to love your flute: A guide to flutes and flute playing. Los Angeles: Shepard Publications, 1999.

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23

Weitkamp, Kristopher. Flute Playing Skills : Learn the Basic Types of Flutes: Flute Playing Skills. Independently Published, 2021.

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24

Subercaseaux, Anne. How to Love Your Flute: A Guide to Flutes and Flute Playing, or How to Play the Flute, Choose One, and Care for It, Plus Flute History, Flute Science, Folk Flutes, and More. Simple Productions, 1999.

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25

Hal Leonard Publishing Corporation (COR). Flute. Hal Leonard Corporation, 2000.

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26

Flute. Sasha Music Publishing, 2007.

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27

Flute. PO Box 10003 Van Nuys, CA 91410: Alfred Publishing Co., Inc., 2005.

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28

Flute. New York, N.Y., U.S.A: Viking, 1989.

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29

Flute. Interlink Publishing Group, Incorporated, 2024.

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30

Flute. Weigl Pub Inc, 2018.

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31

Flute. PO Box 10003 Van Nuys, CA 91410: Alfred Publishing Co., Inc., 2003.

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32

Flute. Penguin Publishing Group, 1999.

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33

Riggs, Kate. Flute. 2013.

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34

Flute. Boosey & Hawkes Music Publishers Ltd, 1995.

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35

harper, joel, and Andrew Williams. Flute. Freedom Three Publishing, 2022.

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36

Rebman, Nick. Flute. Little Blue House, 2023.

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37

Flute. PO Box 10003 Van Nuys, CA 91410: Alfred Publishing Co., Inc., 2001.

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38

Lavender, Paul, Michael Sweeney, John Higgins, and Hal Leonard Corp Staff. Flute. Leonard Corporation, Hal, 2002.

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39

Flute. 4382 Jutland Dr., San Diego, CA 92117 USA: Neil A. Kjos Music Company, 1997.

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40

Cuellar, Carol. Flute. Alfred Publishing Company, 1995.

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41

Rebman, Nick. Flute. Little Blue House, 2023.

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42

Rebman, Nick. Flute. Little Blue House, 2023.

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43

Flute. Bloomsbury Publishing Plc, 1989.

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44

Flute. Tradewind Books, 2011.

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45

Flute. PO Box 10003 Van Nuys, CA 91410: Alfred Publishing Co., Inc., 2013.

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46

Denley, Ian. Flute Time Pieces (Flute Time). Oxford University Press, 2004.

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47

Khachaturi͡an, Aram Ilʹich. Flute Concerto: Flute and Piano. Boosey and Hawkes, 2001.

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48

Takahashi, Toshio. Suzuki Flute School: Flute Part. Birch Tree Group Ltd, 1999.

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49

The Flute and Flute Playing. New York: Barnes & Noble World Digital Library, 2003.

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50

Sands, John. The Complete Flute Player (Flute). Wise Publications, 1996.

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