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Books on the topic 'Flute – Construction'

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Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Price, Lew Paxton. Secrets of the flute: The physics, math, and design of non-mechanical folk flutes. [United States]: L.P. Price, 1991.

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2

Price, Lew Paxton. More secrets of the flute: More of the physics, math, and design of non-mechanical folk flutes. Garden Valley, CA: L.P. Price, 1997.

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3

Kurpan, Vincent E. Making the recorder flute. Hillsboro, OR: Vincent Kurpan, 1998.

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4

I flauti traversi rinascimentali in Italia =: The Renaissance transverse flutes in Italy. Firenze: SPES, 1995.

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5

Giannini, Tula. Great flute makers of France: The Lot and Godfroy families, 1650-1900. London: Tony Bingham, 1993.

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6

Emer, Buckley, Möhlmeier Susi, and Yamagami Haru, eds. Les flûtes de Claude Rafi: Fleustier lyonnais au XVIe siècle. Courlay, France: J. M. Fuzeau, 2000.

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7

Johnstone, Robert. The Johnstone flute: How to make and play it : with some general notes on the acoustics of flutes. London: Adelphi Press, 1993.

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8

Price, Lew Paxton. Creating and using very small Native American flutes. Garden Valley, CA (P.O. Box 88, Garden Valley 95633): L.P. Price, 1998.

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9

Rockstro, Richard Shepherd. A treatise on the construction, the history, and the practice of the flute: Including a sketch of the elements of acoustics and critical notices of sixty celebrated flute-players. Buren, The Netherlands: F. Knuf, 1986.

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10

Simple flutes: How to play or make a flute of bamboo, wood, clay, metal, plastic, or anything else. Los Angeles: Shepard Publications, 2002.

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11

Demmler, Fritz. Johann George Tromlitz (1725-1805): Ein Beitrag zur Entwicklung der Flöte und des Flötenspiels. Buren, The Netherlands: F. Knuf, 1985.

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12

Rockstro, Richard Shepherd. A treatise on the construction, the history and the practice of the flute, including a sketch of the elements of acoustics and critical notices of sixty celebrated flute-players: The greater part of the biographical information collected and the whole of the extracts from the German and the Italian translated by Georgina M. Rockstro. Buren: Frits Knuf, 1986.

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13

Price, Lew Paxton. Creating and using the Native American concert flute. Garden Valley, CA: Lew Paxton Price, 1996.

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14

Price, Lew Paxton. Creating and using the Native American love flute. Garden Valley, CA (P.O. Box 88, Garden Valley 95633): L.P. Price, 1994.

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15

Boje, Schmuhl, and Lustig Monika, eds. Geschichte, Bauweise und Spieltechnik der Querflöte: 27. Musikinstrumentenbau-Symposium Michaelstein, 6. bis 8. Oktober 2006. Augsburg: Wissner, 2008.

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16

Symposium, zu Fragen des Musikinstrumentenbaus (12th 1991 Michaelstein Germany). Flöten, Oboen und Fagotte des 17. und 18. Jahrhunderts: Bericht über den 1. Teil des 12. Symposiums zu Fragen des Musikinstrumentenbaus, Michaelstein 08./09. November 1991. Quedlinburg: Das Institut, 1994.

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17

Price, Lew Paxton. Native North American flutes. Garden Valley, CA: L.P. Price, 1990.

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18

Acht, R. J. M. van. Niederländische Traversos und Klarinetten des 18. Jahrhunderts: Sammlung Gemeentemuseum Den Haag = Dutch traversos and clarinets of the 18th century : collection Gemeentemuseum Den Haag. Bergkirchen: PPVMedien, Edition Bochinsky, 2004.

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19

Price, Lew Paxton. Creating and using larger native American flutes. Garden Valley, CA (PO Box 88, Garden Valley 95633): L.P. Price, 1998.

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20

Price, Lew Paxton. Creating and using smaller Native American flutes. Garden Valley, CA: L.P. Price, 1995.

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21

Price, Lew Paxton. Creating and using the largest Native American flutes. Garden Valley, CA (P.O Box 88, Garden Valley 95633): L.P. Price, 1998.

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22

Rassol, I. R. Podvodnai︠a︡ lodka "Pochtovyĭ": Razvitie idei edinogo dvigateli︠a︡ v russkom podvodnom flote. Sankt-Peterburg: Galei︠a︡ Print, 2009.

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23

Rassol, I. R. Podvodnai︠a︡ lodka "Pochtovyĭ": Razvitie idei edinogo dvigateli︠a︡ v russkom podvodnom flote. Sankt-Peterburg: Galei︠a︡ Print, 2009.

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24

Belevit͡skiĭ, A. M. Proektirovanie gazoochistitelʹnykh sooruzheniĭ. Leningrad: "Khimii͡a," Leningradskoe otd-nie, 1990.

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25

Balichenko, I͡U P. Zamknutye sistemy vodoobespechenii͡a khimicheskikh proizvodstv. Moskva: "Khimii͡a", 1989.

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26

Zimmerman, David. Ethnographic data recovery and treatment recommendations for the proposed improvement of Navajo Route 7 (5 & 7) in the area of Fluted Rock (Dził Dah Siʾáni) (AZ-P-7-55), Apache County, Arizona. Gallup, N.M: Bureau of Indian Affairs Navajo Region, Division of Transportation, 2005.

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27

(Firm), ALSTOM, ed. Clean combustion technologies. 5th ed. Windsor, CT: Alstom Inc., 2009.

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28

Olsen, Dale A. Flute Origin Myths and Flute-Playing Heroes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037887.003.0008.

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Flutes get much of their power from the breath of their players, and that breath is transformed into whistle tones that are manipulated by the player's fingers or tongue to produce all sorts of patterns of sound, from bird imitations to beautiful melodies and more. In addition, flutes derive power from the “proper” culturally determined materials used in their construction, from animal bones or rustic bamboo to precious metals or stone, giving each instrument its desired tone quality or voice. Whether used for meditation, fertility, courting, protection, or just playing a melody, the sounds and music of flutes have the power to go beyond the mortal world into immortal realms. This spiritual nature of flutes is like a thread that weaves through the fabric of world flutelore and flute musical performance. This chapter explores more stories and narratives that bring out the spiritual connection of flutes and flute music, especially as it relates to origin myths and heroes.
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29

Welch, Christopher. History of the Boehm Flute. Library Reprints, 2001.

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30

Olsen, Dale A. The Making of World Flutes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037887.003.0002.

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All cultures have their specific ways of constructing their flutes, which fit within their particular and usually unwritten music theories, aesthetics, and practices. Folktales and mythology, like music iconography, however, offer very little reliable descriptive information about flute construction techniques or even flutes as material objects; artistic license, such as exaggeration, understatement, ambiguity, hyperbole, deception, exists in both the narrative and visual arts. To understand why cultures construct their flutes in the ways they do, the narrative arts with their use of metaphor, symbolism, double entendre, and other ways of saying (and writing or singing) things often provide indigenous perspectives about processes, including flute construction. This chapter discusses the construction of some world flutes in three case studies: the Warao of Venezuela, the Buganda of Uganda, and the Japanese.
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31

Price, Lew Paxton. Creating & Using the Native American Concert Flute. Lew Paxton Price, 1996.

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32

American Society of Civil Engineers. Air and Gas Duct Structural Design Committee., ed. The structural design of air and gas ducts for power stations and industrial boiler applications. New York: American Society of Civil Engineers, 1995.

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33

Martin, Claire. A feasibility study on constructing a flume in the main swimming pool of the Walnuts Leisure Centre and complete restructure of wet-side area. 1986.

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34

DuPont, André. An American Solution For Reducing Carbon Emissions: Averting Global Warning Creating Green Energy and Sustainable Employment. Andy DuPont, 2009.

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