Relevant bibliographies by topics / Flute

Academic literature on the topic 'Flute'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Flute"

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Zhang, Zhiguo, Tao Qiu, Riheng Song, and Yaoyu Sun. "Nonlinear Finite Element Analysis of the Fluted Corrugated Sheet in the Corrugated Cardboard." Advances in Materials Science and Engineering 2014 (2014): 1–8. http://dx.doi.org/10.1155/2014/654012.

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The choice of corrugated medium, flute size, combining adhesive, and linerboards can be varied to design a corrugated board with specific properties. In this paper, the nonlinear finite element analysis of the fluted corrugated sheet in the corrugated cardboard based on software SolidWorks2008 was investigated. The model of corrugated board with three or more flutes is reliable for stress and displacement measurement to eliminate the influence of the number of flutes in models. According to the static pressure test, with the increase of flute heightHor arc radius of flute, the maximum stress in the models decreased and the maximum displacement increased. However the maximum stress and maximum displacement in the models increase nonlinearly in the static pressure test with the increase of the flute angleθ. According to the drop test, with the increase of flute heightH, the maximum stress of goods on the upper board in the drop test decreased. The maximum stress of the model in the drop test decreases firstly and then increases with the increase of flute angle, and the optimal flute angleθcould be 60° for corrugated board. All the conclusions are consistent with experimental data or product standards.
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Bholuram Gurjar, P. K. Sahoo, and Adarsh Kumar. "Design and Development of Variable Rate Metering System for Fertilizer Application." Journal of Agricultural Engineering (India) 54, no. 3 (February 7, 2024): 12–21. http://dx.doi.org/10.52151/jae2017543.1627.

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A variable rate fertilizer metering mechanism was designed by changing the speed of the feed shaft for use in variable rate fertilizer applicator. A micro-controller unit programmed with a Pulse Width Modulation (PWM) motor driver was used to run the feed shaft for varying speeds. Two types of fluted rollers (straight and helical flute) were used with varying number of flutes having same volume for each fluted roller. No significant difference in discharge rate between helical and straight fluted roller was observed with varying number of flutes (6, 8, 10, and 12). However the discharge rate of SSP fertilizer was significantly higher than that for DAP. Also, significant difference was observed in applied torque and power requirement for straight and helical flute.
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Srinivasan, Vijayaragham, Kambiz Vafai, and Richard N. Christensen. "Analysis of Heat Transfer and Fluid Flow Through a Spirally Fluted Tube Using a Porous Substrate Approach." Journal of Heat Transfer 116, no. 3 (August 1, 1994): 543–51. http://dx.doi.org/10.1115/1.2910905.

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An innovative approach was opted for modeling the flow and heat transfer through spirally fluted tubes. The model divided the flow domain into two regions. The flutes were modeled as a porous substrate with direction-dependent permeabilities. This enabled modeling the swirl component in the fluted tube. The properties of the porous substrate such as its thickness, porosity, and ratio of the direction-dependent permeabilities were obtained from the geometry of the fluted tube. Experimental data on laminar Nusselt numbers and friction factors for different types of fluted tubes representing a broad range of flute geometry were available. Experimental data from a few of the tubes tested were used to propose a relationship between the permeability of the porous substrate and the flute parameters, particularly the flute spacing. The governing equations were discretized using the Finite Element Method. The model was verified and applied to the other tubes in the test matrix. Very good agreement was found between the numerical predictions and the experimental data.
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Wang, Zhaosen. "Evolution of Chinese Bamboo Flutes and Flute Music from Six-Hole to Eight-Hole Flutes." Lecture Notes in Education Psychology and Public Media 42, no. 1 (March 14, 2024): 32–41. http://dx.doi.org/10.54254/2753-7048/42/20240622.

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The flute is the oldest known musical instrument in China, with the six-hole bamboo flute representing a traditional fixed form. In the context of todays diverse musical culture, the traditional six-hole bamboo flute faces significant limitations when handling various stylistic compositions. In contrast, the eight-hole flute incorporates strengths from Western musical culture, enabling it to both maintain traditional characteristics and perform modern musical works. This paper, based on experimental and literature research methods, aims to elucidate the impact of the evolution from the six-hole to the eight-hole bamboo flute on the development of Chinese bamboo flute and flute music. The paper is divided into three parts. Firstly, it provides an overview of the basic structures of the six-hole and eight-hole bamboo flutes. Secondly, through flute music analysis, it explores the advantages of the eight-hole bamboo flute and the developmental relationship between bamboo flutes and flute music. The third part involves a new perspective on the development of bamboo flutes and flute music, contemplating how to coexist more effectively with the diverse music of the world.
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Wang, Jianxiao, Wei Sun, Petru Aurelian Simionescu, and Yuanjin Ju. "Optimization of the Fluted Force-Feed Seeder Meter with the Helical Roller Using the Discrete Element Method and Response Surface Analysis." Agriculture 13, no. 7 (July 14, 2023): 1400. http://dx.doi.org/10.3390/agriculture13071400.

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The seed metering process of a fluted force-feed seeder was simulated using the Discrete Element Method and its parameters optimized using the Box–Behnken Design of Experiments and the Response Surface Method. The rotational speed of the feed roller, the lead (helix) angle of the flutes, and the number of flutes were the independent variables, while the response value was the seeding uniformity index. Two regression models were investigated, and the following conclusions drawn. For the flute lead angle between 0 and 10 degrees, and the number of flutes between 10 and 14, it was found that the number of flutes and the lead angle influenced the seeding performance the most, with the order of importance being the (i) number of flutes, (ii) lead angle and (iii) roller speed. For the flute lead angle between 5 and 15 degrees, and the number of flutes between 12 and 16, it was found that the roller speed and the number of flutes influenced the seeding performance the most, with the order of importance being the (i) roller speed, (ii) number of flutes and (iii) flute lead angle. The two regression models were then minimized for the seeding uniformity index and the corresponding optima verified experimentally on a conveyor belt test stand fitted with an image recognition system.
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Burns, Cecilia E. "Therapeutic Uses of the Flute Within Music Therapy Practice." Music Therapy Perspectives 37, no. 2 (2019): 169–75. http://dx.doi.org/10.1093/mtp/miz003.

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AbstractThe purpose of this study was to describe flute usage among current, professional music therapists. The broad term “flute” included any instrument with sound created by blowing air across or into an aperture hole. Members of the American Music Therapy Association (AMTA) were sent an electronic survey consisting of 25 questions pertaining to the flute and music therapy. Descriptive statistics describe how flutes were being used in music therapy sessions, and chi-square tests were used to determine whether music therapists who studied flute as a primary instrument used the flute as an instrument within a music therapy setting more frequently. Results showed that 42.4% of the 387 respondents were actively using flute music in some way within music therapy sessions while 67.8% of respondents reported using flute music at some point in the past. Flute-playing music therapists reported using flutes more frequently in a music therapy context than music therapists who did not study flute as a primary instrument. It appears that the flute is a viable instrument for music therapy practice.
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Braasch, Jonas. "Sounding saxophones like flutes." Journal of the Acoustical Society of America 155, no. 3_Supplement (March 1, 2024): A151. http://dx.doi.org/10.1121/10.0027130.

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The saxophone can be modified with alternative non-single-reed tone generators, including double and free reeds and brass-instrument mouthpieces. It can also be played as a rim flute on the neck, which is a known extended technique for the saxophone. Flutes differ fundamentally from the other tone-generator types as they do not act like a valve, and their flutes are so-called open-open resonator instruments, while reeds and the lips in brass instruments effectively close one end of the resonator. As a practical consequence, all open-close hole key combinations result in fundamentally different pitches known from the regular saxophone. The fact that the saxophone is conically shaped, while the flute is typically cylindrical or inverse conical, further complicates the matter. Approaches to playing the saxophone as flute using alternative fingering combinations will be discussed along with measures of pitch accuracy, timbral, and level balance. While the achievable range aligns with many orchestral wind instruments, complex cross-fingerings make it difficult to play fast chromatic lines. The large bore of the saxophone gives the flute sound a dark character, more like a Native American flute or shakuhachi than a Western concert flute or recorder.
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Gajkowska-Swinarska, Aleksandra. "The French flute school in mid-18th century in the light of the treatises by Michel Corrette, Antoine Mahaut and de Lusse." Notes Muzyczny 2, no. 20 (December 31, 2023): 65–76. http://dx.doi.org/10.5604/01.3001.0053.9948.

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Flutists performing the French music of the 18th century on historical instruments rely on various written sources published in that time to get as close as possible to the original sound of the music performed in that period. One of the most popular French-language textbooks from the early 18th century on flute playing known today is the treatise entitled Principes de la flûte traversière ou flûte d'Allemagne, de la flûte à bec ou flûte douce et du hautbois by Jacques-Martin Hotteterre’. In the mid-18th century the French style of woodwond instrument playing changed very much as compared to the beginning of that century, especially due to the singificant influence of Italian music. A lot of information on the performance of embellishments, ways of fingering and blowing as well as modes of articulation and ornamentation can be found in three treatises dating from a similar time: Méthode pour apprendre aisément à jouer de la flûte traversière avec les principes de musique by Michel Corrette, Nouvelle méthode pour apprendre en peu de tems à jouer de la flûte traversière by Antoine Mahaut, and L’art de la flûte traversière by de Lusse. Even though they are commonly known to scholars dealing with flute music of the 18th century, they have not yet received an in-depth comparatice analysis. The aim of the present cycle of articles is to systematise the knowledge on the performance practice described in these three treatises and to point out similarities and differences between the styles of playing outlined in them. The first part of the cycle presents the profiles of the authors of the mentioned treatises, as well as a general characterization of each flute school. It lists the most important performance topics included in them, which will be touched on in details in subsequent parts of the article cycle, including the information on the tuning pitch at that time or the construction of flutes.
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Quan, Xue, Meng-Yuan Zhang, and Zhi-Guo Wang. "The frequency spectrum of the flutes." International Journal of Modern Physics C 29, no. 06 (June 2018): 1850042. http://dx.doi.org/10.1142/s0129183118500420.

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As one type of lip-driven wind instruments, although flutes have a very long history, the acoustics of flutes is still unclear. Here, using the admittance matching method, the resonance frequencies of different tones for a flute are calculated with the precise correction for geometrical sizes. The result shows that the given frequency spectra of the flute are almost the same as the designed values.
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Powell, Ardal. "The Hotteterre Flute: Six Replicas in Search of a Myth." Journal of the American Musicological Society 49, no. 2 (1996): 225–63. http://dx.doi.org/10.2307/831990.

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Three instruments attributed to "Hotteterre" are considered the earliest baroque flutes. But two of these, once in the collection of César Charles Snoeck, prove to be copies, made at different times in the nineteenth century in La Couture-Boussey, Normandy. These, and other replicas made for the Brussels Conservatory and Dayton C. Miller collections, have fostered the growing myth of the "Hotteterre flute." Recently discovered flutes by Richard Haka and others argue against the presumption that the baroque flute was a sudden invention. New and wider studies of seventeenth-century woodwind instruments throughout Europe are beginning to indicate that the flute underwent a process of change far more complex than previously thought.
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Dissertations / Theses on the topic "Flute"

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LaCroix, M. Lynne. "Flute recital." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/28872.

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Petterson, Jill. "Extended flute techniques in three culturally different solo flute pieces." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12652.

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Includes bibliographical references.
Extended playing techniques on the flute have long since captured the interest of flute players and composers alike. Whilst the physical development of instruments from different cultures took place independently of each other, it has been found that to some extent there have been lasting and mutual influences between different flute playing cultures, specifically (for the purposes of this dissertation) with regard to Western, Africa and Asian flutes and flute playing.
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Gomes, Dos Santos Junior Osvaldo. "The Flute Inside-Out: Tracking Internal Movements in Flute Playing." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17992.

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Analyses in the past have revealed that flute sound production is a complex procedure involving internal movements of the body. The larynx and pharynx in particular play a crucial role. Some authors, advocate for the abdominal muscles, while others, draw attention to the lips and the oral cavity. However, despite the various studies, the physiology of flute playing is limited by lack of empirically-derived information about what happens when a player carries out musical tasks. The present study is an empirical investigation of the role of the larynx and pharynx in flute playing from the perspective of a flute specialist. Specifically, the study aims to determine vocal fold involvement in vibrato, epiglottis movements, arytenoids and epiglottis involvement in articulation, and glottal aperture in tone and dynamics production (soft to loud, loud to soft). A detailed analysis of the relationship between standard flute techniques and the larynx and pharynx mechanisms is presented, making a significant contribution to the flute pedagogical literature. Two male and three female experienced players (referred to in the study as “the participants”) participated in a video-nasendoscopy procedure. The behaviour of the participants’ larynxes and pharynxes while playing a performance protocol specifically designed for this research was observed by a qualified speech pathologist. Specifically, the observer analysed true vocal fold adduction, false vocal fold adduction, laryngeal height, pharyngeal space, epiglottis movement, and arytenoid adduction. This study reveals that laryngeal/pharyngeal participation in flute playing is not limited to vibrato production or specific techniques, such as singing and playing or flutter tongue (tongue rolling effect while playing). The larynx plays a major role in producing flute tone and dynamics and should be considered by pedagogues, performers and health specialists. These findings can assist flute professionals in their daily practice, performances and teaching. Knowing the role of the larynx in vibrato, articulation, pitch control, and dynamics control, reveals a new tool for flute players to use with assurance when preparing any piece of the standard repertoire, or teaching a student.
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Ryan, Shana Marie. "Master's flute recital." Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/285.

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Reyes, Lidayne. "Graduate Flute Recital." FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/544.

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These extended program notes place the repertoire of my Master’s recital in historical context and analyze the structure. The works discussed are Johann Sebastian Bach’s Sonata in E Minor for Flute and Continuo, BWV 1034; Paul Taffanel’s Andante Pastoral et Scherzettino for Flute and Piano; Sergei Prokofiev’s Sonata for Flute and Piano, op. 94; Aaron Copland’s Duo for Flute and Piano; and Olivier Messiaen’s Le Merle Noir (The Blackbird). I provide an individual essay for each piece, and the entries are chronologically organized according to the composition’s dates. This document aims to give the reader an overview of these works and assist in the understanding of the pieces’ most significant characteristics. This analysis was useful to me in preparing my graduate recital. It is my intention to elicit from the reader a similar appreciation of this repertoire.
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Real, Nicolas. "Flute Concerto [Score]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252808.

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Music Performance
D.M.A.
A doctoral thesis based on the Concerto No. 1 for Flute, String Orchestra and Percussion by Nicolas Real. Historic background and musical analysis of the work.
Temple University--Theses
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Kim, Yoon Hee. "THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366280963.

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CHANDLER, BETH E. "The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085004413.

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Chandler, Beth E. "The "arcadian" flute late style in Carl Nielsen's works for flute /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085004413.

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Treat, William Phelps. "A survey of flutists and flute activities in eighteenth-century America /." Thesis, Connect to this title online; UW restricted, 1991. http://hdl.handle.net/1773/11423.

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Books on the topic "Flute"

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Skilling, Raymond. Cycloïdes: Flûte seule = solo flute = Flöte solo. Saint-Nicolas, Québec: Doberman, 1985.

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Galway, James. Flute. London: Khan & Averill, 1990.

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Bédard, Denis. Sonate, flûte et piano =: Flute and piano = Flöte und Klavier. Saint-Nicolas, Qué., Canada: Doberman-Yppan, 1988.

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Clardy, Mary Karen. Classic duets for flute. Wien: Universal Edition, 1997.

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Bronwyn, Law-Viljoen, and Mozart Wolfgang Amadeus 1756-1791, eds. Flute. Parkwood, South Africa: David Krut, 2007.

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Ramaya, Shona. Flute. London: Abacus, 1990.

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Galway, James. Flute. London: Kahn & Averill, 1990.

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Ramaya, Shona. Flute. London: Joseph, 1989.

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Holliger, Heinz. Sonate (in)solit(air)e: Pour flûte seule = for flute solo = für Flöte solo : (1995/96). Mainz: Schott, 1998.

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Müller, August Eberhard. Journal pour la flûte: Für 2 Flöten = for two flutes. Wien: Universal Edition, 1985.

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Book chapters on the topic "Flute"

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Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Flute." In The Teaching of Instrumental Music, 207–20. Fifth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-16.

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Fabre, Benoît. "Flute-Like Instruments." In Modern Acoustics and Signal Processing, 559–606. New York, NY: Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4939-3679-3_10.

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Stein, Alexandra. "The flute player." In Terror, Love and Brainwashing, 196–213. New York : Routledge, [2017]: Routledge, 2016. http://dx.doi.org/10.4324/9781315559223-11.

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Sharma, Aparna. "The Bamboo Flute." In Documentary Films in India, 212–36. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137395443_9.

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Lorusso, Lorenzo, Francesco Brigo, Antonia Framcesca Franchini, and Alessandro Porro. "Flute and Mind." In The Musical Neurons, 137–45. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08132-3_10.

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Keller, Carl. "FLUTe Calculational Models." In Hydrologic Measurements with Flexible Liners and Other Applications, 281–96. Boca Raton: CRC Press, 2022. http://dx.doi.org/10.1201/9781003268376-16.

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Ely, Mark C., and Amy E. Van Deuren. "Flute." In Wind Talk for Woodwinds, 81–187. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195329186.003.0002.

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Abstract Acoustical Properties: The acoustical and physical tonal characteristics of an instrument that affect its sound quality. Although the head joint is slightly conical, the flute is essentially a cylindrical tube that is open on both ends. Sound is produced when air is blown against the sharp edge of the embouchure hole, causing the air column inside the instrument to vibrate. Players can produce different octaves or partials by changing air speed and direction. Harmonically speaking, the flute produces the purest tone of any wind instrument; that is, the sound wave is almost sinusoidal at times. The flute’s tone quality blends well with other instruments; however, it is also easily masked by the complex tones (i.e., tones that contain many partials) produced by other wind instruments. Modern flutes are most commonly made of nickel silver (also called German silver, an alloy consisting of copper, zinc, and nickel), silver plate, or solid silver. Many professional flute makers use a wide variety of metal and wood in their flutes, including yellow gold, rose gold, platinum, and grenadilla wood. These materials offer players the option of choosing an instrument that inherently produces a particular quality of sound.
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Clark, Kate, and Amanda Markwick. "Playing Together." In The Renaissance Flute, 26–37. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190913335.003.0004.

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Chapter 4 covers aspects of playing that become important in the ensemble context, in particular, tuning within the flute consort including practical tips on how to recognize and play pure intervals, temperaments used by the polyphonic instruments (spinets, lutes, and harps) with which flutes are sometimes paired, and possible combinations of flutes with other melody instruments. Finally, this chapter addresses transposition—whether for reasons of necessity or preference—in the flute consort setting.
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Solum, John, and Anne Smith. "The Baroque Flute." In The Early Flute, 34–49. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198162537.003.0003.

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Abstract The baroque flute emerged around 1670 and gradually evolved through several stages before becoming the classical flute in the second half of the eighteenth century. While it is easy to describe this evolution in general terms, it is more difficult to be very explicit about its development. Almost no surviving baroque flutes are dated. No baroque flute-maker’s diary is known to exist. No patents were issued. We must depend almost entirely upon known working dates of makers, iconography, and a few written commentaries to trace this development.
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"flute." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik, 547. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_62076.

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Conference papers on the topic "Flute"

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Kim, Young-Mi, and Jong-Soo Choi. "Bamboo flute." In the International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1690388.1690496.

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Jie, Yang, Li Haitao, Rui Chengjie, Wei Wenjun, and Dong Xuezhu. "Research on a Generating Method of Spiral Flutes of Hourglass Worm Gear Hob." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67053.

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All of the cutting edges on an hourglass worm gear hob have different shapes and spiral angles. If the spiral angles are small, straight flutes are usually adopted. But for the hob with multiple threads, the absolute values of the negative rake angles at one side of the cutting teeth will greatly affect the cutting performance of the hob if straight flutes are still used. Therefore, spiral flutes are usually adopted to solve the problem. However, no method of determination of the spiral flute of the hourglass worm gear hob has been put forward till now. Based on the curved surface generating theory and the hourglass worm forming principle, a generating method for the spiral flute of the planar double enveloping worm gear hob is put forward in this paper. A mathematical model is built to generate the spiral flute. The rake angles of all cutting teeth of the hob are calculated. The laws of the rake angles of the cutting teeth of four hobs with different threads from one to four threads are analyzed when straight flutes and spiral flutes are adopted respectively. The laws between the value of the negative rake angles of the hob with four threads and the milling transmission ratio are studied. The most appropriate milling transmission ratio for generating the spiral flute is obtained. The machining of the spiral flutes is simulated by a virtual manufacturing system and the results verify the correctness of the method.
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Yang, Liuqing, Richard E. DeVor, and Shiv G. Kapoor. "Analysis of Force Shape Characteristics and Detection of Depth-of-Cut Variations in End Milling." In ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-43608.

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This paper proposes an analytical approach to detect depth-of-cut variations based upon the cutting force shape characteristics in end milling. Cutting forces of a single-flute end mill are analyzed and classified into three types according to their shape characteristics. Cutting forces of a multiple-flute end mill are then classified by considering both the cutting types of the corresponding single-flute end mill and the degree of overlap of successive flutes in the cut. Force indices are extracted from the cutting forces and depth-of-cut variations are detected based upon the changes of the force shape characteristics via the force indices in an end-milling process. The detection methodology is validated through cutting experiments.
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"Deep Development of Yuping Flute Products and Development of Xiao Flute Culture." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29182.

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d'Andréa-Novel, B., C. Joly, T. Noël, and J. Senpauroca. "Control of a slide flute." In MOCO'16: 3rd International Symposium on Movement and Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2948910.2948921.

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Lee, Jung-Chul, Jae-Young Kim, and Seungho Lee. "Development of a Flute Self-Learning Tool Using an Electronic Flute and PC Software." In 2013 International Conference on IT Convergence and Security (ICITCS). IEEE, 2013. http://dx.doi.org/10.1109/icitcs.2013.6717824.

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Merdol, S. Doruk, and Yusuf Altintas. "Mechanics and Dynamics of Serrated End Mills." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-39114.

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Mechanics and dynamics of serrated milling cutters are presented in the article. The serrated flute design knots are fitted to a cubic spline, which is then projected on helical flutes. Cutting edge geometry at any point along the serrated flute is represented by its immersion angle and tangent vectors in radial, tangential and helix directions. The chip thickness removed by each cutting edge point is determined by using previously proposed exact kinematics of dynamic milling. The cutting forces are evaluated by orthogonal to oblique cutting mechanics transformation. The experimentally proven model is able to predict the cutting forces and chatter stability lobes in time domain.
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Johanna, Katherine, Galeano Romero, David Andres, Rincon Lopez, Lely Adriana Luengas, Juan Carlos, and B. Guevara. "Virtual flute: Electronic device that uses virtual reality to teach how to play a flute." In IEEE EDUCON 2010 Conference. IEEE, 2010. http://dx.doi.org/10.1109/educon.2010.5492577.

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Liang, L., S. Iyengar, H. Cruickshank, Z. Sun, C. Kulatunga, and G. Fairhurst. "Security for FLUTE over Satellite Networks." In 2009 WRI International Conference on Communications and Mobile Computing (CMC). IEEE, 2009. http://dx.doi.org/10.1109/cmc.2009.165.

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Liang, L., H. Cruickshank, Z. Sun, C. Kulatunga, and G. Fairhurst. "TESLA with FLUTE over Satellite Networks." In 2008 IEEE International Conference on Communications. IEEE, 2008. http://dx.doi.org/10.1109/icc.2008.367.

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Reports on the topic "Flute"

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Paila, T., M. Luby, R. Lehtonen, V. Roca, and R. Walsh. FLUTE - File Delivery over Unidirectional Transport. RFC Editor, October 2004. http://dx.doi.org/10.17487/rfc3926.

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Paila, T., R. Walsh, M. Luby, V. Roca, and R. Lehtonen. FLUTE - File Delivery over Unidirectional Transport. RFC Editor, November 2012. http://dx.doi.org/10.17487/rfc6726.

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Kotelnikov, I. A., and H. L. Berk. Finite Larmor radius flute mode theory with end loss. Office of Scientific and Technical Information (OSTI), August 1993. http://dx.doi.org/10.2172/10184780.

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Spong, D. A. Charge uncovering effects on flute instabilities in hot electron plasmas. Office of Scientific and Technical Information (OSTI), January 1985. http://dx.doi.org/10.2172/6040813.

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Lansky, I. M., and D. D. Ryutov. Generalized energy principle for flute perturbations in axisymmetric mirror machines. Office of Scientific and Technical Information (OSTI), January 1993. http://dx.doi.org/10.2172/10179879.

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Breshears, Lily. "The Avalanche" : A Cantata for Mezzo-soprano, Flute, Viola, and Harp. Portland State University Library, July 2015. http://dx.doi.org/10.15760/honors.202.

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Copland, John Robin. ER Operations Installation of Three FLUTe Soil-Vapor Monitoring Wells (MWL-SV03 MWL-SV04 and MWL-SV05) at the Mixed Waste Landfill. Office of Scientific and Technical Information (OSTI), September 2014. http://dx.doi.org/10.2172/1171569.

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Kerr, D. E. Reconnaissance surficial geology, Clarke River, Northwest Territories, NTS 65-M north. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329416.

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The Clarke River map area (north half) comprises isolated areas of glacially and meltwater scoured bedrock, till veneers and blankets, locally fluted, and strongly fluted (mega-scale glacial lineations) streamlined till in the northeast. Ridged till may overlie fluted till blanket and streamlined till. Glaciofluvial esker complexes and associated meltwater outwash sediments trend westward (some may parallel pre-glacial valleys), southwestward, and northwestward. Glaciolacustrine sediments are a minor component. An early regional warm-based diverging southwestern and southern ice flow is well preserved in the central regions across the map area. The youngest late deglacial ice flows, in the extreme southwest and broader northeast region, are both northwesterly. The latter represents the Dubawnt Lake ice stream. During ice retreat, ridged till was deposited with minor moraines and larger recessional moraines locally. Ponding meltwater formed pro-glacial lakes with deltas, beaches, and trim lines from 355 m elevation, in the southwest, to 155 m, in the northeast.
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Lepreau, Jay. The Fluke Security Project. Fort Belvoir, VA: Defense Technical Information Center, April 2000. http://dx.doi.org/10.21236/ada377234.

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Montalvo-Bartolomei, Axel, Bryant Robbins, Erica Medley, and Benjamin Breland. Backward erosion testing : Magnolia Levee. Engineer Research and Development Center (U.S.), September 2021. http://dx.doi.org/10.21079/11681/42140.

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Using a confined flume device, an experimental study investigated the critical horizontal gradient of soils obtained from a site identified as potentially vulnerable to backward erosion piping (BEP). Tests were conducted on glacial outwash material obtained from a sand and gravel quarry in the vicinity of Magnolia Levee in the community of Magnolia, OH. The two bulk samples collected from the quarry had similar grain-size distributions, grain roundness, and depositional environments as the foundation materials beneath the levee. Samples were prepared at various densities and subjected to gradual increases of flow in a wooden flume with an acrylic top until BEP was observed. The critical average horizontal gradient ranged from 0.21 to 0.30 for a bulk sample with a coefficient of uniformity of 1.6, while tests conducted on a bulk sample with a coefficient of uniformity of 2.5 yielded critical average horizontal gradients of 0.31 to 0.36. The critical average gradients measured during these tests compared favorably to values in the literature after applying adjustments according to Schmertmann’s method.
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