Journal articles on the topic 'Fiume/Rijeka'
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1
Žagar-Šoštarić, Petra, and Irvin Lukežić. "Eine europäische transkulturelle und mehrsprachige Stadt – Rijeka und die deutschsprachige Kultur." Informatologia 54, no. 1-2 (February 8, 2021): 35–45. http://dx.doi.org/10.32914/i.54.1-2.4.
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Rijeka/Fiume war im 19. Jahrhundert eine der führenden Industriestädte Europas. Damals entwickelte sie sich, sowohl im Bereich der Politik als auch der Wirtschaft und Kultur. Der bekannte Industrielle aus England beispielsweise, Robert Whitehead, erweitert seine Produktion und entwirft Skizzen für die ersten Torpedo-raketen. Es werden die ersten Banken und Handelskammern in Rijeka gegründet. Wohltätigkeitsbälle werden organisiert und Bibliotheken ausgestattet. Wissenschaftler (Naturwis-senschaftler), Künstler, Großindustrielle, Politiker nehmen an Debatten teil, um den Ausbau der Stadt zu planen und um die Lebensqualität aller Bürger zu verbessern. Eine direkte Zugverbindung von Wien über Opatija (Abbazia) nach Rijeka (Fiume), mehrere überozeanische direkte Schiffsverbindungen aus Rijeka nach Amerika, Neuseeland und Australien ermöglichen die Erkundung neuer Welten, anderer Sprachen und den Import dergleichen während der Rückkehr eigener Bewohner/Seefahrer oder der Ankunft von Fremdlingen/Migranten als neuen Bewohnern der Stadt. Rijeka/Fiume war und ist es bis heute geblieben: ein europäisches transkulturelles und mehrsprachiges Zentrum. Aus diesem Grund soll die Transkulturalität in diesem Beitrag anhand bekannter Persönlichkeiten deutschsprachiger Herkunft in dieser Stadt veranschaulicht werden. Dieser Beitrag stützt sich und ergänzt die bisherigen Forschungsergebnisse von Ervin Dubrović, Gerhard Dienes und Irvin Lukežić. Dabei stehen Aspekte der Mehrsprachigkeit/Translation als auch Multikulturalität im Vordergrund dieser Untersuchung.
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Reill, Dominique Kirchner. "Post-Imperial Europe: When Comparison Threatened, Empowered, and Was Omnipresent." Slavic Review 78, no. 3 (2019): 663–70. http://dx.doi.org/10.1017/slr.2019.228.
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The article examines how the post-WWI, post-Habsburg city-state Fiume (today known as Rijeka in the Republic of Croatia) tried to shore up loyalty and diminish local discontent by providing welfare and economic initiatives, in direct conjunction with how much neighboring states offered. Of particular concern were comparisons with how the Fiume state dealt with the Krone currency crisis, especially as locals in Fiume were very aware of and traded in currencies of neighboring lands using the same base money. The article calls for more work to be done on the dynamic of “on-the-ground” post-imperial Europeans questioning their new governments based on how they compared their lot with their other post-Habsburg neighbors.
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Hamerli, Petra. "A corpus separatum elszakadása a Magyar Királyságtól: Fiume 1918. november 4." Acta Scientiarum Socialium, no. 48 (February 15, 2018): 27–34. http://dx.doi.org/10.33566/asc.2751.
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After the Great War, in autumn 1918 the nationalities of the Austro–Hungarian Monarchy proclaimed their independence. Croatia, which formed a personal union with the Hungarian Kingdom for centuries, was recognized to be an independent state by the Hungarian Government. The Croatian Committee formed in London in 1915 expressed its willing to be part of a federalist South-Slavic state. In this way Hungary lost its only one port, the city of Fiume, as territorically it was part of the Istria. Nevertheless, it was not obvious that Croatia could keep Fiume – Rijeka –, as the Italian National Council of the city formed on 30 October 1918 proclaimed its belonging to Italy through a petition written on 4 November 1918 to the prime minister Vittorio Emanuele Orlando, as the majority of the Fiumean citizens were Italians. This petition made Italy to claim Fiume on the Paris Peace Conference held in 1919, although it was not judged or promised to the Italians in the secret Treaty of London of 1915 that made Italy to enter into the war. The question of Fiume caused serious conflict among Italy and Yugoslavia, and – as the Peace Conference gave the city to the Yugoslavian Kingdom – in autumn 1919 the Italian poet Gabriele D’Annunzio decided to annex Fiume and create a city state. In my paper I will present, through the case of Fiume, what consequences an only day – in this case the 4 November 1918 – can have in history.
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Juhász, Imre. "Fiume és a nemzetiségi egyenjogúság tárgyában hozott 1868. évi XLIV. törvénycikk." Erdélyi Jogélet 3, no. 2 (October 27, 2020): 107–23. http://dx.doi.org/10.47745/erjog.2020.02.05.
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Fiume (current official name: Rijeka) became part of Hungary in 1779 as a “corpus separatum”. At the time of the so-called provision, after 1870, the legal system of the port city developed in a special way. Although the Hungarian government took over the administration of the city again, this did not mean the automatic reception and application of the entire Hungarian legal system. Some Hungarian laws were not later enacted in Fiume. The article prepared on the basis of the conference lecture in Cluj-Napoca (Sapientia Hungarian University of Transylvania) intends to review the issues of legal interpretation of the applicability of Act XLIV of 1868 on National Equality by using descriptive method, taking into account legal history and legal theory aspects.
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Ordasi, Ágnes. "Borderline Syndrome in Fiume: The Clash of Local and Imperial Interests." Hungarian Historical Review 11, no. 2 (2022): 387–421. http://dx.doi.org/10.38145/2022.2.387.
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As the only seaport city of the Hungarian Kingdom, Fiume (present day Rijeka, Croatia) was a key area for policies implemented by the central government in the Austro-Hungarian Monarchy. It was a multi-ethnic hub, an economic, social, political and cultural center, and a highly intensive contact zone where people from various parts of world with different interests and aims met. Fiume was a border, a filter, and a frontier. Moreover, it was an important area in the Hungarian state-defense system. Three important factors deserve particular attention. First, that Fiume was physically enclosed within the Croatian Kingdom, and very much as if it had been an enclave, it did not have common borders with Hungary. Second, due to the way the Hungarian government exercised power and devised its strategies to create a support base (and also because of a fear of efforts towards expansion by Slavs), the government created an Italian-speaking political elite that ruled over Fiume. Third, Fiume enjoyed extraordinarily wide municipal autonomy which included the right to maintain public order and security in the city. The local elites wanted to preserve these rights from the encroaching state. My study has two purposes. First, I discuss the main reasons for the establishment of the border police. Why was it such a vital question for the Hungarian state at the national and the local level, and why did Fiume became the most problematic element in this issue? I highlight how and why the problem of the border police emerged as one of the most crucial conflicts in relations between the state and its port city.
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Lazzarich, Marinko. "La memoria del confine. Il motivo della patria perduta nel romanzo Il cavallo di cartapesta di Osvaldo Ramous." Quaderni d'italianistica 37, no. 2 (January 27, 2018): 125–48. http://dx.doi.org/10.33137/q.i..v37i2.29232.
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Nei testi letterari degli anni 1945–1956 che parlano dell’esodo degli italiani dalla città di Fiume il motivo del confine diventa il simbolo della conservazione di un’identità nazionale divisa. Al contempo, il tema della terra natale perduta lega direttamente la letteratura fiumana a quella mondiale coeva. In questo testo si propone un’analisi della letteratura della migrazione italofona e della questione dell’esodo dalla sponda orientale dell’Adriatico; in particolare, sarà osservato il costituirsi di identità individuali e di gruppo attraverso l’esperienza letteraria di convivenza propria della città di Rijeka (la Fiume di un tempo). Punto focale dell’analisi sarà il multiculturalismo nella scrittura di Osvaldo Ramous (1905–1981), autore che rappresenta la continuità della letteratura italiana autoctona di Fiume, i cui scritti portano la testimonianza dei traumi storici che hanno segnato il destino dei suoi concittadini. Attraverso una lettura critica del romanzo Il cavallo di cartapesta (1969) si tenterà un esame della dimensione estetica e sociologica dell’interpretazione delle doppie identità di questa città di frontiera, cosa che, nel contesto di un’Europa contemporanea senza confini interni, rende attuale la questione della tolleranza verso l’altro. di confine, storia, identità repressa, rapporti letterari italo-croati, la questione adriatica.
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Gruber, F. "Skrljevo disease-two centuries of history." International Journal of STD & AIDS 11, no. 4 (April 1, 2000): 207–11. http://dx.doi.org/10.1258/0956462001915651.
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Skrljevo disease, also called Rijeka (Fiume) or Grobnik disease, by some physicians was first identified in the village of Skrljevo in Croatia in 1790. From texts dating back to the beginning of the 19th century it is clear that it was a nonvenereal (endemic) form of syphilis and represented a great calamity for the local people and a problem for the physicians. The disease was considered by some to be lepra, scurvy, scabies or others. The occurrence of the disease in the region around Rijeka was closely associated with the poor socioeconomic conditions present at that time in the region. It is interesting to note that many of the greatest physicians of the time such as Alibert, Frank, Hebra, Sigmund were acquainted with the disease and dealt with it in their writings. This paper gives a brief chronology of the major political events in the region since that time, underlying the measures used in fighting the disease.
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Jesné, Fabrice. "Fiume/Rijeka 1919 : question nationale, expérimentations politiques et contrôle social dans un cadre urbain." Cahiers de la Méditerranée, no. 86 (June 15, 2013): 85–96. http://dx.doi.org/10.4000/cdlm.6850.
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Lamour, Christian. "The scientific discourse circulated during a national-populist commemoration: Dannunzian Fiume and the ‘Italo-cosmopolitan’ field of history." Modern Italy 28, no. 1 (January 4, 2023): 35–50. http://dx.doi.org/10.1017/mit.2022.54.
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AbstractIn today's Europe, commemorations can be times at which to affirm international reconciliation, based notably on the knowledge produced by historians who are becoming progressively cosmopolitan. However, commemorations are also used by national-populist political parties for electoral purposes and can lead to tensions with neighbouring states. This was the case in Trieste in September 2019, when the city council executive (controlled by a right-wing national-populist coalition) decided to erect a statue of Gabriele D'Annunzio, 100 years after he had occupied the nearby city of Fiume (now Rijeka) in Croatia. This commemoration led to a series of debates among historians, especially in Italy. Based on a critical discourse analysis and an interdiscursive approach to narratives produced by historians for colleagues and for the broader society, the current research investigates the use of cosmopolitanism in the field of history when in parallel a commemoration is coordinated by national-populist forces in a public space.
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Eszik, Veronika. "A Small Town’s Quest for Modernity in the Shadow of the Big City : The Case of Senj and Fiume." Hungarian Historical Review 10, no. 4 (2021): 706–36. http://dx.doi.org/10.38145/2021.4.706.
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Most of the theories concerning modernization and a number of trends in the historiography treat the big city as the most important arena of modernization, an arena which, thanks to our grasp of an array of social and economic transformations, can be made the ideal subject of studies on the processes and consequences of modernization. From this perspective, the small town becomes a kind of abstraction for backwardness, failed attempts to catch up, or a community that simply has remained unaffected by modernization. Thus, the study of the dynamics of modernization in smaller urban settlements from a new perspective which attributes genuine agency to them may well offer new findings and insights. In the historiography concerning the Austro-Hungarian Monarchy, the recent imperial turn has shown a perfectly natural interest in the peripheries of the empire, as it has striven to untangle the intertwining strands of local, regional, national, and imperial loyalties found there. The research on which this article is based, which focuses on Senj (Zengg), a small seaside Croatian city, is shaped by this dual interest. Senj’s resistance and adaptation to top-down initiatives of modernization can be captured through its conflict with the city of Fiume (today Rijeka, Croatia), which is not far from Senj and which before World War I belonged to Hungary. In this story, Fiume represents the “mainstream” manner of big-city modernization: it became the tenth most active port city in Europe over the course of a few decades. The area surrounding the city, however, was not able to keep up with this rapid pace of development. In this article, I present the distinctive program for modernization adopted by the elites of Senj, as well as their critique of modernization. Furthermore, the history of the city towards the end of the nineteenth century sheds light on the interdependencies among the cities of Austria–Hungary, interdependencies which were independent of legal or administrative borders. By analyzing relations between Senj and Fiume, I seek to offer a nuanced interpretation of the conflict between the two cities, which tends to be portrayed simply as a consequence of national antagonisms.
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Katalinić, Vjera. "Die opern von Ivan Zajc zwischen nationalismus und Panslawismus." Studia Musicologica 52, no. 1-4 (March 1, 2011): 189–200. http://dx.doi.org/10.1556/smus.52.2011.1-4.14.
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Ivan Zajc (Rijeka/Fiume, 1832 — Zagreb, 1914), a composer and teacher, came to Zagreb in 1870, after his schooling in Milan, and operetta career in Vienna. His task was: 1) to establish a permanent opera ensemble within the National Theatre, 2) to prepare and perform a standard operatic repertoire, and 3) to create Croatian national operas. The article deals with a segment of his operatic output in the sphere of national music, articulated in his national-historic trilogy (Mislav, Ban Leget and Nikola Šubić Zrinjski), but also in a “merry folk opera” Zlatka, and some elements can be traced in his later work Primorka. The article deals also with his three operas (Lizinka, Pan Tvardovski, Gospodje i husari), where the composer (together with his librettists) tried to approach pan-Slavic ideas. The discussed elements are the changes in ideological directions of these operas, their plots and their musical presentation, as well as opinions of both the composer and his librettists, and the reception of these works performed in Zagreb are discussed.
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Eccher, Christian. "LA FUGA DALLA STORIA: OSVALDO RAMOUS." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 2, no. 2 (December 17, 2012): 329. http://dx.doi.org/10.19090/zjik.2012.2.329-343.
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Lo scopo di questo lavoro è l’analisi della poesia di Osvaldo Ramous, un artista fiumano che ha conosciuto tutte le fasi dello sviluppo del capoluogo quarnerino nel secolo scorso. Nato nella Fiume italiana, Ramous si ritrovò a vivere nella Rijeka jugoslava a partire dal 1945, quando la città passò sotto il controllo di Tito. Ramous si è sempre battuto per l’affermazione dei diritti della Comunità italiana dell’Istria e del Quarnero, ma nella sua poesia emerge il desiderio di fuggire dalla Storia. Il poeta fiumano vorrebbe trovare nella musicalità dei versi un riparo dalle tragedie che hanno scosso il Novecento, ma i tempi nuovi sembrano non lasciare più spazio a illusioni di sorta: la poesia non può più essere la parola innamorata avulsa dal contesto esterno, e proprio per questo la Storia sembra infilarsi sottilmente nelle poesie di Ramous sotto forma di improvvisi cambiamenti di ritmo e immagini che risvegliano il poeta stesso e il lettore dall’idillio della musicalità del verso. Tutte spie nevrotiche che segnalano traumi troppo forti per essere superati e diluiti nella creazione artistica.
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Miškulin, Dolores. "Kazališne teme talijanskoga dramskog glumišta kroz riječki talijanski tisak 1900. – 1914." Fluminensia 33, no. 1 (2021): 221–38. http://dx.doi.org/10.31820/f.33.1.5.
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Rijeka je zbog svog položaja i povijesnih zbivanja oduvijek bila mjesto dodira i ispreplitanja različitih tradicija, kultura i jezika. U razdoblju od početka dvadesetoga stoljeća, pa do Prvoga svjetskog rata u toj je multikulturalnoj i višejezičnoj sredini postojala bogata tiskarska tradicija, tako da se u navedenom razdoblju tiskalo čak 13 periodičnih publikacija na četiri jezika koja su tada bila u uporabi (hrvatskome, talijanskome, njemačkome i mađarskome), a na daskama njenih dvaju kazališta igrale su se kazališne predstave na četiri jezika. U navedenom razdoblju u Rijeci je gostovalo pedesetak talijanskih glumačkih družina s više od 950 dramskih predstava, što je za duhovna strujanja unutar njenog urbanog kulturnog života od posebnog značaja. Te su gostujuće glumačke družine ujedno odigrale značajnu ulogu u kazališnome razvitku kao poveznice s europskim kazališnim životom i šire, s tadašnjom kulturom u srednjoeuropskim razmjerima. Slijedom takvog razvoja situacije i sama se Rijeka našla u središtu civilizacijskog međudjelovanja različitih kulturnih tradicija, te je odigrala vrlo značajnu ulogu i kao posrednik između tadašnjeg hrvatskog, talijanskog, mađarskog i njemačkog kulturnog kruga.Vrijedna svjedočanstva o tome nalaze se u tadašnjem riječkom tisku talijanskog govornog izraza koji do sada nije bio dovoljno istražen. Želeći svojim skromnim prilogom doprinijeti cjelovitijoj slici riječkog kazališnog života toga doba i riječkog kulturnog identiteta, koristili smo napise iz pet riječkih talijanskih periodičnih publikacija (La Voce del Popolo, Il Popolo, La Bilancia, La Difesa i La Giovine Fiume) kao izvornu dokumentaciju za analizu kazališnih tema vezanih uz talijanski segment riječkog dramskog glumišta. Namjera nam je bila da kroz književno - kritičku analizu kazališnih osvrta i kritike u dostupnim periodičnim publikacijama oslikamo stanje riječkog talijanskog dramskog glumišta kao značajnog čimbenika unutar riječkoga kulturnog identiteta, te doprinesemo njegovoj prepoznatljivosti u međunarodnom kontekstu.
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Medved, Marko. "La gerarchia cattolica italiana e la questione linguistica in diocesi plurinazionali. Il caso della Chiesa di Rijeka (Fiume) durante il fascismo." Revue d'Histoire Ecclésiastique 108, no. 3-4 (July 2013): 931–53. http://dx.doi.org/10.1484/j.rhe.1.103807.
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Egry, Gábor. "A Comparative History of Local Resilience?" Historical Studies on Central Europe 2, no. 1 (June 16, 2022): 237–46. http://dx.doi.org/10.47074/hsce.2022-1.11.
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The classic accounts of the history of the Habsburg Empire emphasized the importance of the conflict of nationalities and alleged that national oppression was the root cause of the Empire’s dissolution in 1918. Based on new results, however, the Nepostrans ERC project has raised two important issues: caution against the idea of all-pervasive nationalisms, and the perspective that the disappearance of Austria–Hungary was not a clear and sharp break and that continuities were just as important as ruptures. Built on concepts like ‘phantom boundaries’ (Phantomgrenzen) and New Imperial History, the focus of the Nepostrans ERC project is a dual one. The first aspect centers on the transformation of imperial society, governance, and institutions that emerged due to the war effort, and the second on the transition out of the imperial framework as the key consequence of the latter, with special attention given to social and institutional consequences and the enabling of new statebuilding efforts at a local level. The fundamental issues addressed by the project—running from 2018 to 2023—are the various relations between statehood and society at the local and regional levels that are examined in nine cases: Tyrol, Hradec Králové (Königrätz), southern Banat, Znojmo (Znaim), Prekmurje (Muravidék), Rijeka (Fiume), Kolomiya (Kolomea), Baia Mare (Nagybánya), and the outskirts of Budapest. The cases were primarily selected to represent typical variations in the social and political configuration during investigated period, 1917–1930.
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BALI, Lóránt. "The Role of the Railway in Regional Development in Austro-Hungary and in Hungarian-Croatian Relations Today, Especially with Regard to the Availability of Rijeka (Fiume)." Central European Papers 2, no. 1 (March 1, 2014): 160–66. http://dx.doi.org/10.25142/cep.2014.011.
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Serventi Longhi, Enrico. "The father of ‘sovereignism’: d'Annunzio in Fiume between the crisis of liberalism and the critique of democracy." Modern Italy 27, no. 1 (January 25, 2022): 35–47. http://dx.doi.org/10.1017/mit.2021.63.
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AbstractThe essay investigates the occupation of the city of Rijeka (1919–20) by an irregular army led by Italian poet Gabriele d'Annunzio, focusing on the concepts of sovereignism and populism. While people with different mentalities and ideological horizons took part in the endeavour, it was d'Annunzio that gave the occupation its profound meaning. The poet attempted to put into practice his political vision centered around a ‘noble people’, composed of warriors and producers, opposed to the liberal elites and in competition with revolutionary socialist movements. In this sense, the Free State of Rijeka grew into the prototype of a new society based on the integration of racial, plebiscitary, corporate, aesthetic, and political themes. At the same time, the city became a beacon of opposition to the new international order proposed by US president Woodrow Wilson, since it advocated and worked towards the birth of sovereignty for small countries resisting new supranational bodies such as the League of Nations.
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Stojić, Biljana. "Yugoslav Ruling Of Rijeka (Fiume) in 1918, Seen by Stanislaw Krakow." Forum Historiae 15, no. 1 (June 30, 2021). http://dx.doi.org/10.31577/forhist.2021.15.1.5.
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Medved, Marko. "Una sconosciuta cappella di S. Girolamo a Rijeka (Fiume) nel contesto della tesi liburnica sull'ubicazione di Stridone." Zgodovinski časopis 76, no. 1—2 (June 28, 2022). http://dx.doi.org/10.56420/zgodovinskicasopis.2022.1-2.02.
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La storia degli agostiniani a Rijeka (Fiume), prima comunità religiosa maschile cittadina, presente nel capoluogo del Quarnero dal Trecento al Settecento, è rimasta alquanto sconosciuta. Analizzando due fonti inesplorate, il Protocollum conventus Fluminensis ed il Diplomatarium monasterii sancti Hieronymi l'autore riporta alla luce la notizia circa una sconosciuta cappella di S. Girolamo. In base ad un legato pio di messe in seno alla cappella, del successivo trasferimento delle messe dalla cappella alla grande chiesa di S. Girolamo in seguito al diroccamento della stessa, il tutto registrato nelle fonti, veniamo a conoscenza di un luogo di culto fi nora ignorato testimone della pietà popolare verso il santo di Stridone. L'autore pone i dati all'interno del contesto della tesi liburnica di ubicazione della città natale di S. Girolamo.
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Medved, Marko. "Una sconosciuta cappella di S. Girolamo a Rijeka (Fiume) nel contesto della tesi liburnica sull'ubicazione di Stridone." Zgodovinski časopis 76, no. 1—2 (June 28, 2022). http://dx.doi.org/10.56420/zgodovinskicasopis.2022.165.02.
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La storia degli agostiniani a Rijeka (Fiume), prima comunità religiosa maschile cittadina, presente nel capoluogo del Quarnero dal Trecento al Settecento, è rimasta alquanto sconosciuta. Analizzando due fonti inesplorate, il Protocollum conventus Fluminensis ed il Diplomatarium monasterii sancti Hieronymi l'autore riporta alla luce la notizia circa una sconosciuta cappella di S. Girolamo. In base ad un legato pio di messe in seno alla cappella, del successivo trasferimento delle messe dalla cappella alla grande chiesa di S. Girolamo in seguito al diroccamento della stessa, il tutto registrato nelle fonti, veniamo a conoscenza di un luogo di culto fi nora ignorato testimone della pietà popolare verso il santo di Stridone. L'autore pone i dati all'interno del contesto della tesi liburnica di ubicazione della città natale di S. Girolamo.
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"Heinz Otto Schild, 18 May 1906 - 15 June 1984." Biographical Memoirs of Fellows of the Royal Society 39 (February 1994): 381–415. http://dx.doi.org/10.1098/rsbm.1994.0022.
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Heinz Schild traced his family back to Eastern Europe. His grandfather, Adolph Schild, was a tailor. He married Caroline Mueller, a girl from Seret, his native town. They emigrated to Istanbul. They had seven children including Herman, Heinz’s father. Herman Schild was born in Istanbul in 1872 and was educated by the ‘Frères des Écoles Chretiennes’. However, he was a typical 19th-century agnostic with no interest at all in Jewish affairs. At the age of 16, he left Istanbul to avoid military service and got a job in Trieste. In 1897, he moved to Fiume (now Rijeka, Slovenia) where he joined a Hungarian navigation company called Adria, eventually becoming one of its directors. Herman Schild became an excellent linguist. He was an anglophile and so he was delighted when Heinz settled in England.
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Maritan, Mario. "National indeterminacies at the periphery of the Habsburg Monarchy: Nationalisms versus multi‐ethnic identities in Fiume/Rijeka and Trieste, 1848–1867." Nations and Nationalism, November 30, 2020. http://dx.doi.org/10.1111/nana.12666.
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