Relevant bibliographies by topics / First appropriation

Academic literature on the topic 'First appropriation'

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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Journal articles on the topic "First appropriation"

Levine, Norman. "Marx's First Appropriation Of Hegel." Critique 33, no. 1 (June 2005): 125–56. http://dx.doi.org/10.1080/03017600509469490.

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Messerschmidt, James W. "Engendering Gendered Knowledge." Men and Masculinities 15, no. 1 (January 12, 2012): 56–76. http://dx.doi.org/10.1177/1097184x11428384.

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The appropriation of concepts long established as salient contributions to gender theory and research recently has come under scholarly scrutiny. In this article, the author contributes to this dissection of crucial gender concepts by assessing the recent academic appropriation of the reformulated concept of “hegemonic masculinity” and how this appropriation engenders gendered knowledge. The author first briefly revisits the concept of hegemonic masculinity as reformulated by Connell and Messerschmidt. Following this, the author examines selected studies to illustrate how hegemonic masculinity has been appropriated differently, how this dissimilarity is significant for the production of gendered knowledge, and how several new directions in the appropriations extend gendered knowledge on hegemonic masculinity. Finally, the author discusses the relevance of all his conclusions to the wider debates over the concept of hegemonic masculinity and posits how these conclusions arguably impact future feminist/gender research and theory construction.

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Edmundson, William A. "First Force." Journal of Ethics and Social Philosophy 1, no. 3 (June 1, 2017): 1–9. http://dx.doi.org/10.26556/jesp.v1i3.16.

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The state’s very existence seems morally problematic: there may be a justification, but there had better be. A vivid way of putting this is to say that gunmen, and the state as “gunman writ large,” threaten first force, while individuals who make conspicuous their readiness to defend what is theirs threaten not first but second force. But the “No First Force” maxim–originally Kant’s–must be relaxed if any institution of private property is to get off the ground. Property begins not in nature but in acts of appropriation, which in turn involve the use and threatened use of force against persons who might carry off the thing that has become property. Is it possible to relax the stricture against first force in a way that allows appropriation and transfer while maintaining a moral presumption against compulsory redistributive measures like those characteristic of modern welfare states? I argue that it is not.

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Simic, Marina, and Milos Nicic. "From alienation to irony: Critical film studies and kynical subversion in Serbian film." Bulletin de l'Institut etnographique 70, no. 2 (2022): 177–98. http://dx.doi.org/10.2298/gei2202177s.

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In this paper, we will discuss two issues. First, the relation between political theory and film studies is discussed as the basis for the emergence of critical film studies and its contemporary transformation. Second, we consider the kynical subversion and ironic appropriation as a set of frameworks for understanding the social reality and politics in the Yugoslav Black Wave cinema as well as in the movies of the contemporary Serbian cinematography. New forms of popular appropriations of cinematographic heritage show the ways through which both the very movies and critical film studies have disassociated themselves from Althusserian social critique and embraced contemporary ideas of kynical appropriation and irony as forms of social critique.

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Ellegaard, Chris, Christopher J. Medlin, and Jens Geersbro. "Value appropriation in business exchange – literature review and future research opportunities." Journal of Business & Industrial Marketing 29, no. 3 (March 4, 2014): 185–98. http://dx.doi.org/10.1108/jbim-03-2012-0039.

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Purpose – Value appropriation is a central, yet neglected aspect in business exchange research. The purpose of the paper is to generate an overview of research on active value appropriation in business exchange and provide the foundation for further research into value appropriation, as well as some initial guidance for managers. Design/methodology/approach – Literatures investigating value appropriation were identified by the means of a systematic review of the overall management literature. Findings – The authors provide an overview and comparison of the literatures and find that they apply diverse understandings of the value appropriation process and emphasize different mechanisms and outcomes of value appropriation. Research limitations/implications – Based on the literature comparison and discussion, in combination with inspiration from alternative business exchange literature, the authors propose four areas with high potential for future research into value appropriation: network position effects, appropriation acts and behaviors, buyer-seller relationship effects, and appropriation over time. Practical implications – Boundary spanning managers acting in industrial markets must master the difficult balance between value creation and appropriation. This review has provided an overview of the many managerial options for value appropriation and created knowledge on the effects of the various appropriation mechanisms enabling managers to secure company rents while not jeopardizing value creation. Originality/value – To the authors' knowledge, this paper represents the first attempt at reviewing the management literature on value appropriation in business exchange. The authors provide overview, details, comparisons, and frame a research agenda as a first step towards establishing value appropriation as a key phenomenon in business exchange research.

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Puy, Nemesio García-Carril. "Ethical Issues on Musical Appropriation." Disputatio 13, no. 62 (December 1, 2021): 329–54. http://dx.doi.org/10.2478/disp-2021-0017.

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Abstract This paper aims to shed light on the question of whether musical appropriation is ethically unobjectionable. James Young (2021) has recently advanced a position on this topic, according to which, whereas the appropriation of a whole work is uncontroversially non-permissible, the appropriation of parts of a work is usually permissible. He grounds this view in ontological matters and in a criterion of fair use in terms of economic harm to the source work’s composer. I argue that, pace Young, we cannot make general ethical claims about musical appropriation because their truth is sensitive to the musical genres that the involved works belong to. First, I clarify the scope of musical appropriation by means of considerations on musical practices and ontology. This will reveal that versions and covers are not genuine cases of musical appropriation. In a second step, I consider a specific kind of musical appropriation: using the first measures of a source work as the first measures of a secondary work. I show that, even if we assume Young’s ontological framework and his criterion on fair use, the instances of this kind of musical appropriation count as fair or unfair depending on the musical genres of the involved works due to their normative implications for the composition and appreciation of those works.

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Moscaliuc, Mihaela. "Accessorizing (with) “Gypsyness” in the Twenty-first Century." Critical Romani Studies 2, no. 1 (November 15, 2019): 92–114. http://dx.doi.org/10.29098/crs.v2i1.35.

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Prefaced with a brief discussion of representation and cultural appropriation, this article examines how the fashion industry recycles and revamps hackneyed tropes that cast Roma into narratives of wanderlust, mystique, and transgression. Such tropes perpetuate epistemic injustice, compromise understandings ofRoma and their culture(s) within non-member groups, and curtail Roma designers’ rhetorical agency. I flesh out the discussion with the case of Mexican American designer Rio Uribe and his line Gypsy Sport and argue that, despite Uribe’s investment in social justice and much touted effort toward inclusiveness, he fails to acknowledge the unethical and harmful dimensions of his work. I turn to the fashion studio Romani Design (founded by Hungarian Roma designers Erika and Helena Varga) as an example of Roma initiatives that counter appropriative practices through reclaiming the heritage for self-representation and empowerment, then envision ways of intervening in the fashion industry’s co-option and misuse of Roma’s cultural heritage.

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Lankina, Tomila V., Alexander Libman, and Anastassia Obydenkova. "Appropriation and Subversion." World Politics 68, no. 2 (February 23, 2016): 229–74. http://dx.doi.org/10.1017/s0043887115000428.

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Twenty-five years after the collapse of communism in Europe, few scholars disagree that the past continues to shape the democratic trajectories of postcommunist states. Precommunist education has featured prominently in this literature’s bundle of “good” legacies because it ostensibly helped foster resistance to communism. The authors propose a differentcausal mechanism—appropriation and subversion—that challenges the linearity of the above assumptions by analyzing the effects of precommunist literacy on patterns of Communist Party recruitment in Russia’s regions. Rather than regarding precommunist education as a source of latent resistance to communism, the authorshighlight the Leninist regime’s successful appropriation of the more literate strata of the precommunist orders, in the process subverting the past democratic edge of the hitherto comparatively more developed areas. The linear regression analysis of author—assembled statistics from the first Russian imperial census of 1897 supports prior research: precommunist literacy has a strong positive association with postcommunist democratic outcomes. Nevertheless, in pursuing causal mediation analysis, the authors find, in addition, that the above effect is mediated by Communist Party saturation in Russia’s regions. Party functionaries were likely to be drawn from areas that had been comparatively more literate in tsarist times, andparty saturation in turn had a dampening effect on the otherwise positive effects of precommunist education on postcommunist democracy.

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Sarsfield, Donal. "LOVE AND APPROPRIATION." Tempo 71, no. 279 (December 20, 2016): 60–82. http://dx.doi.org/10.1017/s0040298216000711.

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It is now six weeks since I stepped between the train and the platform at Frankfurt am Hain, rushing to catch the slightly delayed 17:34 train to Darmstadt Hauptbahnhof. I'm not sure why I was rushing – the first concert was not until 20:00, so I had plenty of time. My right foot fell through, and the front of my leg hit the step of the train quite hard. I thought it would bleed, but it didn't. It just turned to a very hard bruise (haematoma I was later told). You couldn't really see the raised bump with the eye, it wasn't sore, but if you ran your hand over my leg you could feel it. I had booked my train from Liverpool specifically so I could see Anne Teresa De Keersmaeker's Vortex Temporum once more. I had seen it at Sadler's Wells and had been pleased, but was lucky enough to see Rosas performing Work/Travail/Arbeid as an installation at the Turbine Hall at Tate Modern. There, it was a revelation. Whether it was the space, the extra forces, or just the freedom to walk away, I was entranced. Best of all it was free. She was there herself, making comments, keeping an eye on things.

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Kogelmann, Brian. "Lockeans against labor mixing." Politics, Philosophy & Economics 20, no. 3 (June 22, 2021): 251–72. http://dx.doi.org/10.1177/1470594x211027256.

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The idea that labor mixing confers property in unowned resources is, for many, the very heart of the Lockean system of property. In this essay I shall argue that this common view is mistaken. Lockean theorists should reject labor mixing as the preferred method of first appropriation, and should adopt a different account of first appropriation instead. This is because labor mixing does not serve the central justification for the institution of property embraced by Lockeans. Thus, my argument is internal to the Lockean system; I rely only on premises that (many) Lockean theorists embrace. Though Lockeans should forsake labor mixing, that does not mean they should give up on property rights and the idea of first appropriation. In the paper’s final section, I sketch an account of first appropriation that Lockeans should embrace.

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Dissertations / Theses on the topic "First appropriation"

Armstrong, Janet M. "A political economy of native marginalization, a study of the appropriation of aboriginal water rights, the case of the Mishkeegogamang First Nation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ56072.pdf.

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Bruneau, Aurélie. "Apprendre le français, s'approprier, s'intégrer au féminin dans le Val-de-Marne : Enjeux éthiques, politiques et institutionnels." Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2025/document.

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Cette thèse, réalisée dans le cadre d’une CIFRE au sein du Conseil départemental du Val-de-Marne, propose un état des lieux et réflexion sur la place accordée à l’appropriation du français par des femmes migrantes inscrites dans des parcours d’insertion complexes, et au sein d’un programme de formation de français langue professionnelle, initié et soutenu par le Département, dont la doctorante était cheffe de projet. Ce travail de recherche soulève la question de la place et du rôle de la langue française dans la conception intégrative des étrangers par l’Etat français mais également par les personnes migrantes elles-mêmes. De manière concomitante, les missions réalisées dans le cadre de la CIFRE au sein d’une collectivité territoriale ont permis de mettre en évidence une gestion et un aménagement linguistique implicite, territorialisé. Cette recherche, ancrée dans les champs de la didactique des langues et de la sociolinguistique, s’est développée à partir d’une orientation épistémologique interprétative, compréhensive, informée par les points de vue herméneutiques, interrogeant tout à la fois l’histoire, l’expérience et les projections des témoins et du chercheur
This PhD, written while working at the Departemental council for Val-de-Marne (CIFRE structure), offers a survey and reflexion on the place given to learning French by migrant women, with complex insertion histories, within a training program of French as a professional language. This program has been initiated and supported by the Department, for which the PhD candidate was project manager. This research raises the question of the place and role of French language in the integrative vision of foreigners by the French State, but also by migrating persons themselves. In the same time, the missions accomplished at CIFRE have allowed to shed the light on a linguistic management and development that appears to be both implicit and territorialized. This research, rooted in the fields of didactics of languages and sociolinguistic, has been developed from a comprehensive and an interpretative epistemological orientation, informed by the hermeneutical points of view, questioning all together the notions of history, experience and projection (of the witnesses, as well as the researcher)

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Froschauer, Christina. "Talking Back to the West: Contemporary First Nations Artists and Strategies of Counter-appropriation." Thesis, 2011. http://spectrum.library.concordia.ca/35902/1/Froschauer_MA_F2011.pdf.

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Over a twenty-year period, renowned artists such as Edward Poitras, Robert Houle, Jim Logan, Kent Monkman, among others, appropriate renowned colonial landscape paintings and art historical canonical works, and then alter them to include First Nations narratives, as methods of critiquing the exclusionary nature of grand colonial narratives and their associated historical, art historical and, by extension, anthropological discourses. Using counter-appropriation as an artistic strategy, they critique: the West’s disregard for First Nations histories in North America; Art History’s past failures to classify their art objects as Fine Art; and contemporary cultural constructions of “Indianness” originating from colonial history and ideologies about the “Vanishing Race.” With their works, the artists offer their viewers insight into First Nations histories and stories, thereby enriching the multiple narratives and pluralist discourses existent in North America.

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Ivankovic, Zeljko. "The Transformation of the Property Regime in Croatia and Slovenia." Phd thesis, 2009. http://hdl.handle.net/1885/11949.

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The transition from socialism in Eastern Europe during the last decade of 20th century could be rightly observed and analysed as a chapter of the great battle between ideologies such as liberalism, libertarianism, socialism and communism, or as a competition between the political programs of liberal democracy, social democracy, orthodox socialism and so on. Both politics and ideologies use such terms as a “free market” or “fair trade” routinely. In contrast to this approach a philosopher doesn’t take these ideas for granted; “freedom” in “free market” and “fairness” in “fair trade” are complex concepts that should be analysed, their meaning put in a context, understood and explained. The same is true of notions of property, private property as opposed to public property and of the definition of a competitive market. These concepts are the subject of my research; how the ideas of property and market were understood and implemented during the process of transformation of socialism in Croatia and Slovenia. The intention of this research is to be a positive analysis of the transition in Slovenia and Croatia. My criticism that the distinction between private and public property was not entirely adequate in the context of transition, doesn’t imply that the process of privatisation of socialist property should have been avoided. Rather I found that the distinction between private and public property was analytically less adequate than the distinction between individual and collective property and open access for the explanation of the transformation of the property regime inherited from socialism (self-management) in Croatia and Slovenia. This later distinction was based on the concept of the costliness of property, which was initiated by the work of Ronald Coase and developed by Yoram Barzel. The concept of the costliness of property enabled me to conclude that privatisation in Croatia shared some substantial characteristics with initial appropriation of nobody’s property and to understand why ownership arrangements with a dominant shareholder were favoured. Privatisation in Slovenia represented an evolution of a property regime while the dispersed shareholding that included employees and former employees was preferred. The finding that the exchange of goods and services is influenced by an implicit norm of behaviour (customary norms, or moral norm or even legal norms) and the insight that exchange would even fail to occur without an implicit assumption of norms on the part of all sides in an exchange, doesn’t amount to the imposition of a universal absolute norm of “fair trade” by the government. This would be an ideological interpretation of my arguments. The development of market institutions depends on numerous factors and influences, ideologies and political programs among them. My description of the transition in Slovenia and Croatia takes into account the influence of interest groups, political parties and also the ideologies which they used to legitimise their intentions. However, my focus is on two theoretical explanations, the neoclassical and the property rights explanation of a market economy that contributed to the formulation of the policies of privatisation in Croatia and Slovenia and participated in the creation of expectations about what would follow from future arrangements. Although I believe that my conclusions are clear and precise I feel obliged to emphasise that the criticism of neoclassical view is by no means a plea for governmental regulation as a solution for shortcomings of a particular market. Rather, I would like to point to the need to take institutions, traditions and cultural factors seriously and also that the adequate functioning of a market economy itself depends on institutions and cultural factors. Therefore I expect that my thesis, over and above its value as a detailed treatment of privatisation in Croatia and Slovenia, should be a contribution to the understanding of basic concepts of property and market and to the explanation of the development of market institutions.

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Books on the topic "First appropriation"

Great Britain. Parliament. House of Commons. Procedure Committee. Estimates and appropriation procedure: First report of session 2003-04. London: Stationery Office, 2004.

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Marks, Susan. First came marriage: The rabbinic appropriation of early Jewish wedding ritual. Piscataway, NJ: Gorgias Press, 2013.

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Great Britain. Parliament. House of Commons. Procedure Committee. Estimates and Appropriation Procedure: The government's response to the Committee's first report : first special report of session 2003-04. London: Stationery Office, 2004.

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United, States Congress Senate Committee on Commerce Science and Transportation Subcommittee on the Consumer. Reauthorization of the National Highway Traffic Safety Administration: Hearing before the Subcommittee on the Consumer of the Committee on Commerce, Science and Transportation, United States Senate, One Hundred Second Congress, first session, on S. 1012 ... April 11, 1991. Washington: U.S. G.P.O., 1991.

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United, States Congress House Committee on the Judiciary Subcommittee on Courts Civil Liberties and the Administration of Justice. Executive Office for U.S. Attorneys and U.S. Marshals Service: Oversight hearing before the Subcommittee on Courts, Civil Liberties, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One hundredth Congress, first session ... March 11, 1987. Washington: U.S. G.P.O., 1987.

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United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Civil Liberties, and the Administration of Justice. Executive Office for U.S. Attorneys and U.S. Marshals Service: Oversight hearing before the Subcommittee on Courts, Civil Liberties, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One hundredth Congress, first session ... March 11, 1987. Washington: U.S. G.P.O., 1987.

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Executive Office for U.S. Attorneys and U.S. Marshals Service: Oversight hearing before the Subcommittee on Courts, Civil Liberties, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One hundredth Congress, first session ... March 11, 1987. Washington: U.S. G.P.O., 1987.

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United States. Congress. Senate. Committee on the Judiciary. Department of Justice appropriation authorization act for 1986: Hearing before the Committee on the Judiciary, United States Senate, Ninety-ninth Congress, first session ... March 26, 1985. Washington: U.S. G.P.O., 1985.

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Book chapters on the topic "First appropriation"

Raffoul, François. "The Ex-appropriation of Responsibility." In Heidegger in the Twenty-First Century, 83–99. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9679-8_6.

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Greiner, Rasmus. "Appropriation and Configuration." In Cinematic Histospheres, 183–204. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_8.

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AbstractThis chapter will seek to demonstrate that the process of appropriation also irrevocably inscribes the aesthetic parameters of a cinematic-historical way of thinking into our historical consciousness. Building on theories of the phenomenological relationship between the spectator’s body and the world, the first section develops a model of incorporative appropriation of history, which it connects to constructivist and cognitive approaches. The second section raises the specific experience of historical films described in the previous section to the status of paradigmatic core of a historical film genre, which it fleshes out based on a phenomenological conception of genre. Its systematic account of this genre integrates the theoretical discussion of the distinctive characteristics of historical films from the preceding chapters.

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Yoshihara, Yukari. "“Raw-Savage” Othello: The First-Staged Japanese Adaptation of Othello (1903) and Japanese Colonialism." In Shakespeare and the Ethics of Appropriation, 145–59. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137375773_9.

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Toledo López, Virginia. "Territorial Changes Around Biodiesel: A Case Study of North-Western Argentina." In Bioeconomy and Global Inequalities, 239–61. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68944-5_12.

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AbstractAs part of a recent global agrofuel boom, Argentina became one of the leading producers and exporters of biodiesel. To understand the socioecological implication of this growth, the first chapter considers the national context by exploring the legal framework and agrofuels initiatives. It then focuses on the territorial changes that occurred in north-western Argentina through a case study on the local impacts of the agroindustry. The research shows that biodiesel production in the north-western province of Santiago del Estero is associated with the expansion of monocropping and pesticides, forest destruction, the risk of water pollution and the appropriation of common goods. These processes contribute to the deterioration of the material basis of peasants and local communities and affect the ecological distribution of environmental costs. The research also shows that territorial changes involve symbolic dimensions that are connected to environmental appropriation as part of the process of accumulation.

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da Costa, Natália Meireles Santos, Maria Clotilde Rossetti-Ferreira, and Ana Maria de Araujo Mello. "Providing Outdoor Experiences for Infants and Toddlers: Pedagogical Possibilities and Challenges from a Brazilian Early Childhood Education Centre Case Study." In International Perspectives on Early Childhood Education and Development, 43–59. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72595-2_3.

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AbstractIntense urbanization process in Brazil and Latin America has increasingly limited young children, since birth, to access outdoor spaces, especially green areas. Moreover, as conceptions of babies in domestic care support confinement practices, apprehending infants’ constitutive specificities as being intertwined with broader socio-cultural contexts requires further investigation. Notwithstanding the challenges, Early Childhood Education and Care (ECEC) institutions can be promising places to provide babies with daily contacts and appropriation of external areas amid an expanded collective experience. This chapter tackles the process of insertion and appropriation of outdoor spaces for infants and toddlers. We bring a case study from a Brazilian daycare centre with planned multiple outdoor environments, diversified spatial arrangements and natural elements. The empirical material, referring to the transition year of a group of under-twos, includes monthly recordings of everyday routine, interviews, field notes, institutional documents. We describe and analyze various outdoor spaces and socio-spatial practices of the daycare centre based on the cultural-historical perspective of the Network of Meanings. In the first semester, environments organized in semi-open areas connected to closed spaces were more frequently used. Whereas mainly in the second semester, given walking onset and greater motor resourcefulness, the going and appropriation of green areas unfolded as a gradual process not short of struggles. Substantial planning, projects and educational situations put forward by multiple social actors within a multidisciplinary approach modulated alternation of spaces and facilitated exchanges with peers, older children and adults – including family members.

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Hargrave, Jocelyn. "The First Appropriation of Editorial Style: Philip Luckombe’s A Concise History of the Origin and Progress of Printing." In The Evolution of Editorial Style in Early Modern England, 153–83. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20275-0_6.

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De Angeli, Aglaia. "Lodovico Nocentini: A Rereader of Modern Italian Travellers to China." In Rereading Travellers to the East, 103–23. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-579-0.07.

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In 1882, Nocentini published Il primo sinologo: P. Matteo Ricci. The first secular biography of the famous Italian Jesuit to China, it posed important questions about the origins of sinology and the role of Matteo Ricci as an early modern Italian traveller in Sino-western relations. Nocentini’s rereading of Matteo Ricci and travel literature in Italy in the late nineteenth century is examined through theories proposed by Derrida, Barthes and Nabokov. These theories provide an interpretative approach to understand the rereading carried out in Nocentini’s work, as they are intended as a process of interpretation and reinterpretation, as well as appropriation of the original meaning.

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Horky, Phillip Sidney. "Our Common Breath: ‘Conspiration’ from the Stoics to the Church Fathers." In The Life of Breath in Literature, Culture and Medicine, 55–68. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_3.

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AbstractThis essay tracks a brief history of the concept of ‘co-breathing’ or ‘conspiration’ (συμπνοία), from its initial conception in Stoic cosmology in the third century BCE to its appropriation in Christian thought at the end of the second century CE. This study focuses on two related strands: first, how the term gets associated anachronistically with two paradigmatic philosopher-physicians, Hippocrates and Pythagoras, by intellectuals in the Early Roman Empire; and second, how the same term provides the early Church Fathers with a means to synthesize and explain discrete notions of ‘breath’ (πνεῦμα) through a repurposing of the pagan concept. Sources discussed include figures associated with Stoic, Pythagorean, and early Christian cosmologies.

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Quintero-Ángel, Mauricio, Andrés Quintero-Ángel, Diana M. Mendoza-Salazar, and Sebastian Orjuela-Salazar. "Traditional Landscape Appropriation of Afro-Descendants and Collective Titling in the Colombian Pacific Region: Lessons for Transformative Change." In Fostering Transformative Change for Sustainability in the Context of Socio-Ecological Production Landscapes and Seascapes (SEPLS), 175–93. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6761-6_10.

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AbstractThe Colombian Pacific region is one of the most biodiverse areas in the world, but several anthropic pressures threaten its ecosystems and the ethnic groups who live there. Since the colonial era, the region has experienced two different key strategies of landscape appropriation: (1) diversification of activities in the landscape; and (2) specialisation focusing on a few landscape products. These two strategies fall at opposite ends of a modified continuum over time, including a range of intermediate situations that combine elements of the diversified and specialised strategies. The first strategy is characteristic of Afro-descendant communities, based on harmony with nature and favoring human well-being, while providing multiple ecosystem services and cultural or spiritual values.In this context, this chapter reviews the relationship of Afro-descendants with their environment in the Colombian Pacific region, taking as an example the San Marcos locality. Through interviews with key informants and participant observation, we investigate the productive and extractive practices in San Marcos. Results show that the appropriation strategy combines different sources of income. This denotes a great local ecological knowledge geared to maintenance of biodiversity. Despite Law 70 (1993) stipulating Afro-descendant communities to have guaranteed autonomy and the right to collectively manage their ancestral lands, this socio-ecological production landscape is endangered due to pressures from the dominant society towards conversion to a specialised strategy. Finally, we also analyse “transformative change” in the context of governance of San Marcos. Such change could guide a profound transformation in conservation strategies based on a fundamental reorientation of human values.

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Schwartz, Daniel B. "From the Heights of Mount Scopus." In The First Modern Jew. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691142913.003.0006.

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This chapter contends that the issue of Spinoza's Jewish or even proto-Zionist credentials was only the surface of the debate over the appropriation of him for Jewish nationalism. It examines three contexts for the appropriation of Spinoza by Russian Zionist scholar and Hebrew literary critic, Yosef Klausner (1874–1958). The chapter begins by tracing the origins and early development of the Zionist recovery of Spinoza, focusing on the major trends and ideological frames in this reception to which Klausner was heir. It then turns to Klausner's own intellectual biography, focusing in particular on his conflicted feelings over the course a secularization of Hebrew culture should take. Finally, the chapter studies the shadow cast on Klausner's lifting of the herem (ban) on Spinoza by concomitant developments in the reception of Spinoza outside the realm of Jewish nationalism.

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Conference papers on the topic "First appropriation"

Nyssen, Florence, Régis Viguié, Daniel Simon, and Jean-Claude Golinval. "A Methodology for the Appropriation and the Isolation of Nodal Diameter Modes in Cyclic Symmetric Structures." In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-12919.

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This paper presents a methodology enabling the appropriation and the isolation of a chosen nodal diameter modes in cyclic symmetric structures. In particular, a study about the minimum number and the optimized location of the excitation sources required in laboratory conditions to isolate a specific nodal diameter mode is conducted. This work includes a theoretical approach based on energy concepts. It is followed by the numerical and experimental validations on a stator stage of an axial compressor. The concept of modal appropriation is investigated here as the first step of the calibration procedure before engine tests.

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Nyssen, Florence, Jean-Claude Golinval, Régis Viguié, and Daniel Simon. "Excitation of Nodal Diameter Mode-Shapes of a Stator Ring of a Turbojet Engine Using a Limited Number of Excitation Sources." In ASME Turbo Expo 2013: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/gt2013-94779.

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When considering engine tests, the sensors used to monitor the rotor parts mainly consist in strain gauges whose information is very sensitive to the gauge positioning, especially in high stress gradient regions. Therefore, to reduce the risk of misinterpreting the response given by the gauges, their calibration is required. Because strain gauges are positioned so that specific modes will be monitored, their calibration must be carried out for these modes. For cyclic symmetric structures, their high spectral density imposes the use of dedicated calibration techniques. In the present paper, the concept of modal appropriation is investigated as the first step of the calibration procedure. This paper aims at presenting the development of an experimental approach enabling the isolation/appropriation of specific nodal diameter modes of a stator stage of an axial compressor using a limited number of excitation sources. A special emphasis has been brought to the minimum number and the optimized location of the excitation sources (shakers) required in laboratory conditions to appropriate specific nodal diameter modes and thereby retrieve the related modal features needed for the gauges calibration and mechanical design.

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SOLOVIOVA, Liudmyla. "HAPPINESS AS A VALUE FOR A PRESCHOOL CHILD." In Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.57.

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The article is devoted to the explaining of the features of the terminal value of "happiness" at the stage of its appropriation by a child of senior preschool age. The applied diagnostic methods are presented: "Express diagnostics of the sphere of value orientations of a preschooler" and observation "Diagnostics of the levels of manifestation of the activity structural component of the value orientations of senior preschoolers". The structure of values of preschoolers in the unity of their cognitive, emotional and activity components is outlined. The state of formation of the structure value-goal "happiness" of the studied children is characterized. Senior preschoolers' ideas about "happiness" is presented. The level of significance of "happiness" for children in comparison with other important values is determined: "family", "health", "creativity", "friendship", "money", "beauty of nature", "beauty of technology". It is established that "happiness" ranks first among effective values. It is concluded that senior preschoolers feel happy when they are involved in meaningful, independent, creative activities. KEY WORDS: happiness, preschool child, structure of values, terminal values, value regulation.

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Flores Miranda, Margarita Beatriz. "Proposal for a systemic process: Managing the creative abilities of students pursuing the architectural studio at mexican universities." In Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3644.

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“Education´s goal is the ability to master life with self-creative forces, in order to achieve something good and beautiful.” Götze, C. (1898). Das kind als Künstler Projects at Mexican schools of architecture often focus on conventional issues of dimension and function; in a country with the largest number of students in the architectural discipline there is an existing disinterest in the appropriation of knowledge, exploration of complexity, and expression of ideas. Such a disinterest calls for the evolution of architectural education. This research proposes it is possible to manage the creative forces of individuals. A working model composed of distinct components will be generated to stimulate areas related to artistic development. In preparation, essential components of the model have been extracted by analysis from the Bauhaus Preliminary Course developed by Johannes Itten, considering its influence on sequential tutors as well as its moment of historic implementation (1918-1923). The objective is to transform Itten´s pedagogy by means of a systemic design process focusing on the development of creative skills. The first methodological approach has been extracted from three of Itten’s thematic fields, each structured by a set of common elements: principle, objective, common material, exercises, and phases (Fig. 1). The sets are related according to their role in the development of talent as a means to discern and reveal artistic character: - BEING UNDER CONSTRUCTION: A physical-soul-spiritual unity that incorporates artistic education through exercises for awakening the body and intellectual harmonization (Fig. 1a). - BALANCED COMPOSITION: Refinement of the senses through intuitive analysis of artistic structures and a critical drawing of reality (Fig. 1b). - CONTRAST: The art of objectivity through the study of opposites: feeling-thinking, intuition-intellect, expression-construction (Fig. 1c). A responsible party, acting as structural element, directs the capacities stimulated within the group and materialized by cohesive exercises, guiding students to define an authentic trajectory: - FAMILIARIZATION: Understanding the bases. - EXPERIMENTATION: Articulation of new configurations. - APPROPRIATION: Creation from the unknown. - OPERATION: Execution in real-time. - REDIRECTION: Return to the origin to adjust and resume. By asserting the student is the center of his or her unique working model the implementation of this method in architectural studios allows for the assignment of any creative exercise and is suitable for all levels of investigation.DOI: http://dx.doi.org/10.4995/IFDP.2016.3644

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Ortiz dos Santos, Daniela. "Le Corbusier and The Americas: Affinities, Appropriations and Anthropophagy." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.918.

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Abstract: The paper draws attention to Le Corbusier's first trip to the American continent, with a particular focus on his visions and expectations built before the corporeal dislocation to the New World in September 1929. This approach suggests not only an investigation of one single voyage, but of multiple ones, and above all intellectual ones. Voyages that cross biographies, discourses and practices – in a public and intimate scale – which are attentive to a history embodied in its social actors allowing a confrontation of materials that transcends the so called architectural field. It examines one critical moment of ruptures in Le Corbusier's production (1925-1930), and works across the architectural discussions at that time, placing Le Corbusier in a wider web of reciprocal influences and circulation of ideas in order to help to construct a sense of the fragmented, or even silenced, discourses within the artistic and architectural debates in the late twenties. Such an approach not only allows new interpretations but also the establishment of a new periodization on Le Corbusier's knowledge of- and interests in- the Americas, as well as the narratives produced. Resumen: El artículo llama la atención sobre el primer viaje de Le Corbusier al continente americano, con un foco particular en las visiones del arquitecto y sus expectativas construidas antes del ‘desplazamiento corpóreo’ al nuevo mundo en septiembre de 1929. Desde esta perspectiva, proponemos investigar no sólo un viaje, sino múltiples viajes, y sobre todo los ‘viajes mentales’. En otras palabras, examinamos viajes que cruzan biografías, discursos y prácticas, en una escala privada y también pública. Atentos a una historia encarnada en los actores sociales, nos permitimos una confrontación de documentos que extienden el campo de la arquitectura. Analizamos así un momento crítico y de rupturas en la producción de Le Corbusier (1925-1930), situándolo en una amplia red de sociabilidad y debates en los últimos años de la década de 1920, cuyas influencias, afinidades y circulación de ideas se entrelazan. Al trabajar con este abordaje, posibilitamos nuevas interpretaciones y también el establecimiento de una nueva periodización de Le Corbusier y su relación con las Américas. Keywords: Le Corbusier; Travel; The Americas; Brazil; Blaise Cendrars; Lucien Romier. Palabras clave: Le Corbusier; Viaje; Las Américas; Brasil; Blaise Cendrars; Lucien Romier. DOI: http://dx.doi.org/10.4995/LC2015.2015.918

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Benente, Michela, Valeria Minucciani, and Gianluca D'Agostino. "Contents accessibility in archaeological museums and sites: a proposal for a neuropsychological approach." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001881.

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With specific reference to the issue of accessibility to cultural content and the inclusion of different audiences, the Authors point out an overview where museums usually tend to create educational activities and support assistive devices dedicated to specific audiences, rather than integrated solutions, that can “be usable by all people, to the greatest extent possible", as stated in the United Nations Convention on the Rights of Persons with Disabilities (2006).On the basis of previous studies on cultural accessibility and emotional appropriation, the Authors have recently carried out a survey focused in particular on archaeological museums audiences, considering their expectations, their reactions, and their prejudices. At the same time, they have conducted an extensive series of online interviews with Curators and Directors of many archaeological museums and sites in Europe and worldwide, including some in-depth site visits too. The investigations and surveys carried out have strengthened the awareness that museum spaces generate not only cognitive, but also physical and emotional reactions, and that the various publics react to cultural stimuli in very different ways. Therefore it is necessary, in designing museum communication, a disciplinary contamination involving in particular the field of neuropsychology. Such involvement would provide scientific support for the critical assessment of the effects that the environment and the cultural mediation trigger on the different publics.In particular, the Authors believe that the physical arrangement and the atmosphere are usually underestimated in the overall design of museums: on the contrary these two elements combined would allow each visitor to grasp the signals that best suit him or her, according to his/her senses and understanding. In other words, the atmosphere can play a key role in being an immersive communicative medium, in a truly inclusive way where everyone has the opportunity to "feel" and learn something.The Authors are developing a series of experiments that will be carried out first in the laboratory and then in some archaeological museums, in collaboration with a team of Neuropsychologists from the University of Turin and with the support of archaeological consultants and communication experts. By illustrating the current research and describing a series of examples (including best practices, problematic cases, ongoing projects), the paper aims at highlighting how the "design for all" in museums is a field in continuous development. Requiring an evolution in its approach, it also, and above all, represents a challenge in relation to the communication of particularly difficult cultural content, such as those related to the archaeological heritage.

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Pokhitonov, Yury, Vasiliy Babain, Vladislav Kamachev, and Dennis Kelley. "Russia: Results and Prospects of Liquid Solidification Experiments at ROSATOM Sites." In ASME 2011 14th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2011. http://dx.doi.org/10.1115/icem2011-59112.

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Ongoing experimental work has been underway at selected nuclear sites in the Russian State Atomic Energy Corporation (ROSATOM) during the past two years to determine the effectiveness, reliability, application and acceptability of high technology polymers for liquid radioactive waste solidification. The long term project is funded by the U.S. Department of Energy’s Initiatives for Proliferation Prevention (IPP) program. IPP was established in 1994 as a non-proliferation program of DOE / National Nuclear Security Administration and receives its funding each year through Congressional appropriation. The objectives of IPP are: • To engage former Soviet nuclear weapons scientists, engineers and technicians, currently or formerly involved with weapons of mass destruction, in peaceful and sustainable commercial activities. • To identify non-military, commercial applications for former Soviet institute technologies through cooperative projects among former Soviet weapons scientists, U.S. national laboratories and U.S. industry. • To create new technology sources and to provide business opportunities for U.S. companies, while offering commercial opportunities and meaningful employment for former weapons scientists. Argonne National Laboratory provides management oversight for this project. More than 60 former weapons scientists are engaged in this project. With the project moving toward its conclusion in 2012, the emphasis is now on expanding the experimental work to include the sub-sites of Seversk (SCC), Zheleznogorsk (MCC) located in Siberia and Gatchyna (KRI) and applying the polymer technology to actual problematic waste streams as well as to evaluate the prospects for new applications, beyond their current use in the nuclear waste treatment field. Work to date includes over the solidification of over 80 waste streams for the purpose of evaluating all aspects of the polymer’s effectiveness with LLW and ILW complex waste. Waste stream compositions include oil, aqueous, acidic and basic solutions with heavy metals, oil sludge, spent extractants, decontamination solutions, salt sludge, TBP and other complex waste streams. Extensive irradiation evaluation (up to 270 million rad), stability and leach studies, evaporation and absorption capacity tests and gas generation experimentation on tri-butyl phosphate (TBP) waste have been examined. The extensive evaluation of the polymer technology by the lead group, V.G. Khlopin Radium Institute, has resulted in significant discussion about its possible use within the ROSATOM network. At present the focus of work is with its application to legacy LLW and ILW waste streams that exist in a variety of sectors that include power plants, research institutes, weapons sites, submarine decommissioning and many others. As is the case in most countries, new waste treatment technologies first must be verified by the waste generator, and secondly, approved for use by the government regulators responsible for final storage. The polymer technology is the first foreign sorbent product to enter Russia for radioactive waste treatment so it must receive ROSATOM certification by undergoing irradiation, fire / safety and health / safety testing. Experimental work to date has validated the effectiveness of the polymer technology and today the project team is evaluating criteria for final acceptance of the waste form by ROSATOM. The paper will illustrate results of the various experiments that include irradiation of actual solidified samples, gas generation of irradiated samples, chemical stability (cesium leach rate) and thermal stability, oil and aqueous waste stream solidification examples, and volume reduction test data that will determine cost benefits to the waste generator. Throughout the course of this work, it is apparent that the polymer technology is selective in nature; however, it can have broad applicability to problematic waste streams. One such application is the separation and selective recovery of trans-plutonium elements and rare earth elements from standard solutions. Another application is the use of polymers at sites where radioactive liquids are accidently emitted from operations, thus causing the risk of environmental contamination.

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Souliotou, AZ. "TRANSFORMATIONS OF MONA LISA: THE CASE OF A DISTANCE EDUCATION ART-ANDTECHNOLOGY PROJECT." In The 7th International Conference on Education 2021. The International Institute of Knowledge Management, 2021. http://dx.doi.org/10.17501/24246700.2021.7131.

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Mona Lisa by Leonardo Da Vinci has been subject to numerous and various transformations in the form of (re)interpretations, reproductions, replicas, appropriations and parodies. Mona Lisa is far more than a mere Renaissance portrait or a symbol of its time. Instead Mona Lisa is radically connected with artistic movements and practices throughout the history of art as well as with the 20th and 21st century visual culture, visual commerce and social media imagery. This paper presents an activity in a higher education Department of Early Childhood where students experimented with digital tools and made a collective artwork of digital transformations of Mona Lisa. This digital experiment was a distance education project which took place during the COVID-19 pandemic restrictions in Greece. At first, students were given examples of appropriations and parodies of Mona Lisa from the history of art as well as from the visual culture. Then students gave their own "responses" through making digitally transformed versions of Mona Lisa which they put together in a collective digital mosaic. Clones, distortions, semi-transparencies, repositions and other transformations within 75 Mona Lisa versions render this collective artwork a composition with reference to pixel structure. Students' collective artwork contributed to the deeper understanding of Da Vinci's masterpiece and increased their confidence and familiarity with Renaissance painting. The case of this activity proves that digital culture is a catalyst for art history learning and creativity in the classroom. Furthermore, this activity fosters collaborative learning through distance education and turns out to be a vehicle for empowering learners in a digital world, as well as for developing linguistic, numerical and multisensory skills through digital creativity. Keywords: Mona Lisa, Leonardo Da Vinci, distance education, higher education, digital art, participatory practices, community resilience

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