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Journal articles on the topic 'Fine art'

To see the other types of publications on this topic, follow the link: Fine art.

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

San Choon Kim. "Fine Art? Ugly Art?" Sogang Journal of Philosophy 37, no. ll (May 2014): 9–29. http://dx.doi.org/10.17325/sgjp.2014.37..9.

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2

Weinstein, Nicole. "Fine art." Nursery World 2016, no. 4 (February 22, 2016): 30–31. http://dx.doi.org/10.12968/nuwa.2016.4.30.

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3

KHUJANIYAZOV, Rashid K. "FINE LINES IN UZBEKISTAN PAINTING ART." Art and Design: Social Science 02, no. 03 (June 1, 2022): 8–11. http://dx.doi.org/10.37547/ssa-v2-i3-03.

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This article provides a general overview of the elegant lines of artists in the art of painting in Uzbekistan on a scientific basis, detailing the appearance of the art of painting in the early stages of its formation. In addition, the restoration of historical memories by Uzbek artists, the re-observation of our artistic heritage, as well as the latest achievements of world culture in their creative research, the artist clearly demonstrates the results of this process. and observing the work from a certain distance.

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4

Harper, Catherine. "Damn Fine Art." Circa, no. 88 (1999): 63. http://dx.doi.org/10.2307/25563413.

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5

Kumar, Vinay. "Fine Art Pedagogy in India And Impact of New Media Art." Paripex - Indian Journal Of Research 3, no. 1 (January 15, 2012): 80–82. http://dx.doi.org/10.15373/22501991/jan2014/23.

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6

Marinković, Slobodan, Tatjana Stošić-Opinćal, and Oliver Tomić. "Radiology and Fine Art." American Journal of Roentgenology 199, no. 1 (July 2012): W24—W26. http://dx.doi.org/10.2214/ajr.11.7934.

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7

White, Hilary. "It's a fine art." Practical Pre-School 2008, no. 92 (September 2008): 13–14. http://dx.doi.org/10.12968/prps.2008.1.92.37971.

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8

ATKINSON, R. L. "Geology and fine art." Geology Today 5, no. 6 (November 1989): 198. http://dx.doi.org/10.1111/j.1365-2451.1989.tb00667.x.

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9

Fortnum, Rebecca, and Christine Pybus. "Challenging fine art pedagogies." Art, Design & Communication in Higher Education 13, no. 1 (April 1, 2014): 3–6. http://dx.doi.org/10.1386/adch.13.1.3_2.

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10

Brus, Viktor V., Marc Gluba, Jörg Rappich, Felix Lang, Pavlo D. Maryanchuk, and Norbert H. Nickel. "Fine Art of Thermoelectricity." ACS Applied Materials & Interfaces 10, no. 5 (January 28, 2018): 4737–42. http://dx.doi.org/10.1021/acsami.7b17491.

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11

Berte, Lucia M. "Quality as Fine Art." Laboratory Medicine 38, no. 6 (June 2007): 345. http://dx.doi.org/10.1309/7renltb6xf7va4xt.

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12

Sandhu, Vijay Kumari. "Inspection—A Fine Art." JAMA Dermatology 154, no. 5 (May 1, 2018): 630. http://dx.doi.org/10.1001/jamadermatol.2018.0307.

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13

Shavkatovich, Khalilov Ruslan. "PENCIL IN FINE ART THE PLACE OF COMPOSITION." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 03, no. 04 (April 1, 2022): 67–72. http://dx.doi.org/10.37547/pedagogics-crjp-03-04-15.

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The article is devoted to the theoretical analysis of academic painting and the basics of graphic drawing in the practical studies of fine art as well as the methodology of teaching the role of drawing in painting.

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14

Aliev, T. T. "Street-Art as a Work of Fine Art." Intellectual property law 2 (July 1, 2021): 28–32. http://dx.doi.org/10.18572/2072-4322-2021-2-28-32.

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Purpose. Street art has exploded: it pervades our back alleys, surrounds us at bus-stops, covers billboards, competes with advertising and generally serves as urban wallpaper in most cities. But what is street art? A far cry from mere graffiti, street art has gained some social acceptance, but it remains neither officially sanctioned like public art, nor institutionally condoned, like its more traditional artistic cousins in museums. Somewhere in between these two extremes, street art has emerged, occupying a metaphysically suspect grey area between illegal activity and bona fide art. This paper explores the nature of this emerging art form. Methods. The basis of the presented research was the following methods: analysis, synthesis, system analysis, deductive method and the method of comparative law. Results. Street art in modern society is a fairly popular type of activity, but there is no legal regulation of this area directly. The question is raised about the need to improve the methods of protecting the rights of authors to modern works of art and, in particular, to street art. There is a need for regulatory legal regulation in the field of copyright protection in the field of street art. It is proposed to clarify the existing legal norms in the field of intellectual property law, and in particular in the category of copyright, or to fill in the gaps by using the general principles of civil law. The problems of the implementation of copyright on the works of street art are studied, a distinction is made between legal and illegal works of street art. Discussion. The issue of creating separate regulations governing street art is quite controversial today. Taking into account the popularization of this area every day more and more, this problem is becoming more acute, it is necessary to understand how street art figures protect their violated rights and legitimate interests

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15

Dawes, Daniel. "Lasers and the Fine Art of Art Conservation." Optics and Photonics News 15, no. 9 (September 1, 2004): 16. http://dx.doi.org/10.1364/opn.15.9.000016.

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16

Ibrohimovna, Yuldasheva Nilufar, and Abdullaeva Xurshida. "METHODOLOGY OF FINE ART WORK IN GENERAL SECONDARY SCHOOLS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 04, no. 06 (June 1, 2023): 42–49. http://dx.doi.org/10.37547/pedagogics-crjp-04-06-08.

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17

Makri, OlgaE, and ConstantineD Georgakopoulos. "The fine art of pseudoexfoliation." Indian Journal of Ophthalmology 66, no. 6 (2018): 852. http://dx.doi.org/10.4103/ijo.ijo_227_18.

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18

Guyer, Paul. "Kant's Conception of Fine Art." Journal of Aesthetics and Art Criticism 52, no. 3 (1994): 275. http://dx.doi.org/10.2307/431427.

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19

McCarthy, Ed. "The Fine Art of Investing." CFA Institute Magazine 21, no. 3 (May 2010): 30–32. http://dx.doi.org/10.2469/cfm.v21.n3.18.

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20

Pervez, Annie. "Review on Fine-Art photography." Asian Journal of Multidimensional Research 10, no. 11 (2021): 676–82. http://dx.doi.org/10.5958/2278-4853.2021.01052.1.

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21

de Hosson, Fred C. "The Fine Art of Retaliation." Intertax 21, Issue 12 (December 1, 1993): 578. http://dx.doi.org/10.54648/taxi1993073.

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22

Shusterman, Richard. "The Fine Art of Rap." New Literary History 22, no. 3 (1991): 613. http://dx.doi.org/10.2307/469207.

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23

Harrell, Jean G. "The Fine Art of Repetition." International Studies in Philosophy 29, no. 1 (1997): 139–40. http://dx.doi.org/10.5840/intstudphil199729120.

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24

Farrell, Helen. "The Fine Art of Narcissism." Psychiatric News 46, no. 7 (April 2011): 6. http://dx.doi.org/10.1176/pn.46.7.psychnews_46_7_6_2.

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25

Huizing, Terry E., and Günther Neumeier. "Mining Sculpture as Fine Art." Rocks & Minerals 97, no. 6 (October 5, 2022): 514–29. http://dx.doi.org/10.1080/00357529.2022.2087148.

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26

James, Philip N. "The Fine Art of Communicating." Journal of Information Systems Management 4, no. 2 (January 1987): 70. http://dx.doi.org/10.1080/07399018708962845.

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27

Widder, Edith. "The Fine Art of Exploration." Oceanography 29, no. 4 (December 1, 2016): 170–77. http://dx.doi.org/10.5670/oceanog.2016.86.

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28

Cowie, M. "The fine art of prognostication." European Heart Journal 23, no. 23 (December 1, 2002): 1804–6. http://dx.doi.org/10.1053/euhj.2002.3380.

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29

Rosa, Hartmut, and André Kaiser. "The Fine Art of Government." European Journal of Political Theory 3, no. 1 (January 2004): 99–107. http://dx.doi.org/10.1177/1474885104038992.

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30

Foster, Roxie L. "The Fine Art of Critique." Journal for Specialists in Pediatric Nursing 7, no. 2 (April 2002): 47–48. http://dx.doi.org/10.1111/j.1744-6155.2002.tb00149.x.

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31

Young, Christina. "The science of fine art." Physics World 22, no. 02 (February 2009): 42–43. http://dx.doi.org/10.1088/2058-7058/22/02/49.

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32

West, Jane. "The fine art of design." 5 to 7 Educator 2006, no. 17 (May 2006): xviii—xxi. http://dx.doi.org/10.12968/ftse.2006.5.5.20829.

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33

Taylor, Michael. "Fine Art and Good Planning." Planning Practice & Research 12, no. 4 (November 1997): 325–36. http://dx.doi.org/10.1080/02697459716356.

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34

Bates, Jane. "The fine art of diversion." Nursing Standard 31, no. 37 (May 10, 2017): 33. http://dx.doi.org/10.7748/ns.31.37.33.s37.

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35

Murase, Kei. "Art of ultra fine fabrication." Kobunshi 34, no. 4 (1985): 296–99. http://dx.doi.org/10.1295/kobunshi.34.296.

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36

Robinson, Sara C. "The Fine Art of Decay." American Scientist 102, no. 3 (2014): 206. http://dx.doi.org/10.1511/2014.108.206.

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37

Llndell, Andrea R. "THE FINE ART OF JUGGLING." Nurse Educator 14, no. 3 (May 1989): 6–7. http://dx.doi.org/10.1097/00006223-198905000-00002.

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38

Davis, Cortney. "The Fine Art of Leaving." AJN, American Journal of Nursing 108, no. 5 (May 2008): 52–53. http://dx.doi.org/10.1097/01.naj.0000317997.17045.4e.

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39

Lunaas, Craig. "The fine art of restraint." Hospital Aviation 5, no. 9 (September 1986): 19–20. http://dx.doi.org/10.1016/s0740-8315(86)80056-0.

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40

GUYER, PAUL. "Kant's Conception of Fine Art." Journal of Aesthetics and Art Criticism 52, no. 3 (June 1, 1994): 275–86. http://dx.doi.org/10.1111/1540_6245.jaac52.3.0275.

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41

Ramanna, Nishlyn. "A Review of “Fine Art”." Journal of Musical Arts in Africa 7, no. 1 (December 2010): 104–6. http://dx.doi.org/10.2989/18121004.2010.576460.

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42

Francis, Rohin, and W. Bynum. "The fine art of anatomy." BMJ 325, Suppl S2 (August 1, 2002): 0208290. http://dx.doi.org/10.1136/sbmj.0208290.

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43

Elliott, Tessa. "Fine art and pure science." ACM SIGGRAPH Computer Graphics 29, no. 3 (August 1995): 23–24. http://dx.doi.org/10.1145/209914.209922.

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44

Young-Mason, Jeanine. "The Fine Art of Caring." Clinical Nurse Specialist 29, no. 2 (2015): 121–22. http://dx.doi.org/10.1097/nur.0000000000000111.

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45

Burridge, Martin. "The Fine Art of Sponsorship." International Journal of Physical Distribution & Materials Management 19, no. 3 (March 1989): 19–23. http://dx.doi.org/10.1108/eum0000000000309.

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46

Trend, David. "The Fine Art of Teaching." Review of Education, Pedagogy, and Cultural Studies 16, no. 2 (January 1994): 197–205. http://dx.doi.org/10.1080/1071441940160207.

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47

DiMingo, Edward. "The Fine Art of Positioning." Journal of Business Strategy 9, no. 2 (1988): 34–38. http://dx.doi.org/10.1108/eb039211.

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48

Cetinic, Eva, Tomislav Lipic, and Sonja Grgic. "Fine-tuning Convolutional Neural Networks for fine art classification." Expert Systems with Applications 114 (December 2018): 107–18. http://dx.doi.org/10.1016/j.eswa.2018.07.026.

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49

Akimov, Dmytro. "Segmentation of art market in the fine art’ marketing." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 27–31. http://dx.doi.org/10.32461/2226-2180.39.2021.238676.

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The purpose of the article. Research and analysis of marketing technology algorithms by means of market segmentation in fine arts marketing. The methodology of the study is to apply comparative, empirical, and theoretical methods. This methodological approach allows us to analyze the processes of segmentation of the fine arts market with the subsequent use of research results in the marketing processes of promoting works of art from artist to consumer. The scientific novelty consists in expanding the notions about the technology of segmentation of the art market. The article analyzes the algorithms of marketing technologies in the segmentation of the fine arts market. It should be noted that in the marketing of fine arts the technologies of segmentation of art markets and technologies of the positioning of works of art are purposefully and productively used. The segmentation of art markets enables to highly efficient identify and systematize groups of consumers and admirers of works of fine art in accordance with their goals and motivations. The main purpose of the article: analysis of the specifics of the implementation of classical marketing technologies (marketing researches, segmentation of art markets) in the marketing of fine arts. Conclusions. The analysis of the problems of using traditional marketing technologies in art marketing carried out in the article gives grounds to state that such technologies are used in the art market, but they differ significantly from other market areas. It should be noted that the technology of market segmentation is actively used in the art market in works of museums, galleries, auctions. The technology of market segmentation allows regulating the processes of appearance and satisfaction of demand for works of art and their implementation.

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50

L. K., Bondarenko, and Skachko A. V. "Institute of Forensic Art Examination of Fine Art Objects: Theoretical and Practical Problems." Rossijskoe pravosudie, no. 8 (July 16, 2021): 47–53. http://dx.doi.org/10.37399/issn2072-909x.2021.8.47-53.

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The problem of organizing expert activities in the field of forensic art examination of fine arts at a practical level is considered. The conditions of objectivity (reliability) of the results of a forensic art examination of fine art in law enforcement practiceare identified. In this regard, the problem of the reliability of the examination results is considered at the interdisciplinary level: substantive law – criminal and customs; criminal procedure law, as well as forensic science and expert activities. The necessity of creating, within the framework of the anti-corruption policy of the state, an independent institute of forensic art criticism of fine arts is substantiated. It is proposed: 1) to create an information base under the Ministry of Justice of the Russian Federation on the data of art historians known in different fields of fine art who can act as competent persons in legal proceedings; 2) to create a mechanism for the appointment of a commission of forensic-forensic art examination of objects of fine art examination on the basis of automatic random selection of subjects of examination. It is proved that this measure excludes the possibility of giving an unreliable conclusion as part of a forensic art examination of objects of fine art.

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