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Relevant bibliographies by topics / Fin de Siècle Literature

Academic literature on the topic 'Fin de Siècle Literature'

Author: Grafiati

Published: 10 December 2022

Last updated: 10 March 2023

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Journal articles on the topic "Fin de Siècle Literature"

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Potolsky, Matthew. "Fin de Siècle." Victorian Literature and Culture 46, no. 3-4 (2018): 697–700. http://dx.doi.org/10.1017/s1060150318000591.

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Griffin, Susan M. "Fin-de-Siècle James." Henry James Review 20, no. 3 (1999): 215–16. http://dx.doi.org/10.1353/hjr.1999.0026.

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Lowrie, Michèle. "Horace, Fin de Siècle." Classical Review 49, no. 2 (October 1999): 386–88. http://dx.doi.org/10.1093/cr/49.2.386.

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Brix, Michel. "L'idéalisme fin-de-siècle." Romantisme 34, no. 124 (2004): 141–54. http://dx.doi.org/10.3406/roman.2004.1263.

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Brix, Michel. "L'idéalisme fin-de-siècle." Romantisme 124, no. 2 (2004): 141. http://dx.doi.org/10.3917/rom.124.0141.

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Neubauer, John. "The Fin de Siècles in literature." European Review 2, no. 3 (July 1994): 221–31. http://dx.doi.org/10.1017/s1062798700001125.

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Jacques Derrida's remark, ‘What is proper to a culture is to not be identical to itself,’ serves as a point of departure for a discussion of artistic and ethnic identities in late-19th and late 20th century literatures. The first part of this paper studies the images of the European and the colonized ‘Other’ in Joseph Conrad's The Heart of Darkness and J. M. Coetzee's Waiting for the Barbarians. The second part examines notions of artistic and ethnic identity in the culture of fin de siècle Vienna. The ‘crisis of liberalism’, which plays a pivotal role in Carl Schorske's study of that culture, gains new and urgent meaning through the ethnic conflicts that arose in the wake of the dissolution of the Soviet empire. Studying artistic identity today, we must distinguish between notions of diffuse identity in post-modern culture and the ethnic identity that writers not infrequently assume in Middle-and Eastern Europe.

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Georgieva, Tsvetana. "Pan in the Bulgarian literature of Fin de siècle." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 64, no. 1 (February 9, 2022): 17–28. http://dx.doi.org/10.53656/bel2022-2-tg.

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In the age of the Fin de siècle, the mythological Pan was the subject of numerous interpretations in painting, literature, and the performing arts. The article examines for the first time how the image of Pan fits into the modern Bulgarian literature of the early 20th century - in the works of Emanuil Popdimitrov, Trifon Kunev, Hristo Yassenov and Lyudmil Stoyanov. As an expression of the ideas of the epoch (in the Jugendstil and Secession currents), both in Europe and in Bulgaria, Pan and pantheism apologize for nature, the vegetative principle, youth and childhood, love fire, music and intoxication. The original in the Bulgarian interpretation is the sentimental, sensitive autumn Pan, the parodied Pan / Faun and the old wise man, master of music, and devoid of passion Pan.

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Calè, Luisa, and Stefano Evangelista. "Introduction: literature and sculpture at the fin de siècle." Word & Image 34, no. 1 (January 2, 2018): 1–6. http://dx.doi.org/10.1080/02666286.2017.1330092.

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Mercier, Franck. "Les gens de savoir en Bretagne à la fin du Moyen Âge (fin xiiie siècle-xve siècle)." Annales de Bretagne et des pays de l'Ouest, no. 129 (December 14, 2022): 210–11. http://dx.doi.org/10.4000/abpo.8033.

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Cousseau, Anne. "Ophélie : histoire d'un mythe fin de siècle." Revue d'histoire littéraire de la France 101, no. 1 (2001): 105. http://dx.doi.org/10.3917/rhlf.011.0105.

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Dissertations / Theses on the topic "Fin de Siècle Literature"

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Spoiden, Stéphane. "Malade et maladie : dégradation physique et écriture fin-de-siècle /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487935125880514.

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Cope, Eleanor Elizabeth. "Remedial discourses : men, madness and mental management in fin-de-siècle literature." Thesis, University of Hull, 2015. http://hydra.hull.ac.uk/resources/hull:12293.

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The period between 1880 and 1913, commonly known as the fin de siècle, was a time of great social, political and industrial change, an era in which the Victorian man saw his position within his society, his workplace and his family home undergo a radical transformation. It was also a period of evolution within the realm of mental medicine, which saw the development of radical new treatments across Europe and America. The methods, discourses and ideologies that underpinned these novel practices played a key role in the conception of mental illness, as well as the reconfiguration of the curative practices employed in its management. This thesis seeks to explore the depiction both of mental illness and of these new remedial discourses within the popular fiction of the period. Focusing specifically on the presentation of male madness, it seeks to extend the growing number of studies on masculinity and insanity in the nineteenth century, by considering its position at this late point of the period. It also breaks new ground by studying the depiction in fin de siècle literature not of illness, but of treatments for disorder, an area that has been considerably neglected critically. Divided into chapters based on genre, this thesis examines the portrayal of various types of madness in middle class male literary characters, arguing for a distinctive link between social anxieties and mental breakdown. It also explores how the fictional text engages with the scientific advancements of the period in treating mental illness, the key role played by narrative in both the creation of the story and the creation of the cure, and the clear interrelation and reciprocal influence between psychology and fiction at the end of the nineteenth century.

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Grimm, Gunter E. "Orientalismus in der Literatur des fin de siècle." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-09082002-153911/.

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Simmons, Alexander. "Erik Satie's Trois Gnossiennes in the French fin de siècle." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4344/.

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A majority of modern studies of Erik Satie’s Trois Gnossiennes seem to consider the French composer’s early piano music as a form of anti-Wagnerian nihilism. This view is misinformed. From Ravel’s first staging of Satie’s early piano music at the Société Musicale Indépendante in 1910, to John Cage’s lecture on the ‘Defence of Satie’ in 1948, composers from both waves of the modernist period (1890-1914 and post 1940s) have often given too much attention to Satie’s apparently anti-romantic and anti-Germanic mentality, failing to consider his early symbolist identity in the French fin de siècle. As a result, numerous studies today examine Satie as a precursor to the light-hearted nihilism of Les Six, Dadaism and the later John Cage. However, this dissertation argues that Satie’s initial behaviour in the fin de siècle period may have been influenced by mysticism, closely associated with the ideals of late-romanticism. Examining the period 1886-1893 (the years of Satie’s youth), this thesis offers a reinterpretation of some of the primary characteristics of Satie’s early piano music, taking into consideration the contextual evidence available on the anti-establishment of Montmartre. In this case, Satie’s aim was to use symbolist means to resist modern rationality, while also ascetically restraining himself from the grandiose subjectivity of late-romantic rhetoric.

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Muto, Hiroshi. "The 'disembodied voice' in fin-de-siècle British literature : its genealogy and significances." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/3938/.

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A particular kind of voice recurs in fin-de-siècle British literature. It is a voice without a human body, a voice whose source is either invisible or non-human. This study explores the historical factors underlying the literary representation of such a voice. Chapter 1 examines Arthur Symons' phrase, 'the disembodied voice of a human soul,' and sets up the context for the subsequent discussion by teasing out the four major implications of the fin-de-siècle disembodied voice: the socio-political, the aesthetico-linguistic, the techno-scientific, and the sexual-somatic. Chapter 2 first outlines the modern origin of the disembodied voice in the Gothic-Romantic culture of the late eighteenth century, where the frequent description of the disembodied voice is linked to the rise of the nostalgia for premodernity; the chapter then analyzes the disembodied voice in Joseph Conrad's Heart of Darkness both in terms of Gothic culture and of the fin-de-siècle situation. The Romantic aesthetico-linguistic prioritization of the aural-oral, which we call 'melocentricism,' the fin-de-siècle consumerism and colonialism, and the then influential scientific concept of ether receive scrutiny. Chapter 3 addresses Oscar Wilde's Salome. Apart from the factors that this play shares with Conrad's novella, the disembodied voice in Salome secretly expresses a longing for the homosexual-cum-communal. Chapter 4 explores the fin-de-siècle imperial and homosexual implications, and the 'melocentric' pre-history, of the phonographic voice in Bram Stoker's Dracula. Chapter 5 teases out the hidden political dimension of the technological voice, phonographic and wireless, in Kipling's Kim and '"Wireless".' Chapter 6 compares the fin-de-siècle voice with an instance of the early twentieth-century, the wireless voice in D. H. Lawrence's Ladv Chatterley's Lover, a voice now involved in the global network of broadcasting. It is concluded that the disembodied voice is inseparable from important aspects of fin-de-siècle British culture as well as the question of modernity.

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Machado, Laura Cielavin 1984. "Cartas da Malásia, de Paul Adam = uma utopia fin-de-siècle." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269934.

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Orientador: Carlos Eduardo Ornelas Berriel
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-20T01:51:15Z (GMT). No. of bitstreams: 1 Machado_LauraCielavin_M.pdf: 60795145 bytes, checksum: ba3db9c3401629ec222d420cbedf7032 (MD5) Previous issue date: 2012
Resumo: Este trabalho apresenta a tradução e estudo de Lettres de Malaisie, obra publicada em 1896, por Paul Adam, e reimpressa em 1908 com o novo título La cité prochaine. Pode-se afirmar que esta obra, considerada um ensaio à sua época, insere-se no quadro do gênero literário utópico, pois reúne elementos que o caracterizam: depois de uma viagem pelos mares, um viajante desembarca em um local insular e nos descreve uma outra forma de vida em uma comunidade com diferentes política, religião, educação. Esta comunidade busca a igualdade entre seus habitantes, a extinção da fome, a inexistência de propriedade privada, a eliminação de relacionamentos que possam fomentar sentimentos de posse. Ela é a criação de um homem que, descontente com sua realidade histórica, deseja organizá-la de outra maneira. No entanto, a obra não se propõe a ser ideal. Ela expõe ao leitor o desejável e o temível ao mesmo tempo, desenvolvendo uma possibilidade potencializada pelo curso da história da França do fim do século XIX. Para compreender as particularidades que o autor imprimiu em sua utopia, primeiramente desenvolvi uma reflexão sobre a escolha do autor por este gênero em específico. Em seguida, passei à análise do contexto histórico em que a obra foi escrita, buscando analisar de que maneira o autor adaptou o gênero às influências literárias de seu tempo, e à influência da metafísica que lhe chegou por meio da Cabala
Abstract: This work presents a commented translation study of Lettres de Malaisie by Paul Adam, first published in 1896 and reprinted in 1908 bearing the title La cité prochaine. Considered a literary essay in its time, we can infer that this opus belongs to the utopian literary genre due to some features: after a journey through the sea, a voyager lands in an island and presents a different life style in its political, religious and educational way. The community presented in the story seeks for equality among its inhabitants, the extinction of starvation, the inexistent private property and the abolition of social relationship that might affect the feeling of ownership. It is an art piece of a man who, unhappy with his own historical reality, wishes to start a new society. However, Adam's work does not intend to be an ideal community. He exposes to the reader the suitable and the fearful at the same time, developing its possibilities in parallel to the French historical course of the XIX century. To understand the peculiarities that the author convey in his utopia, it was developed a study about the choice of this specific literary genre. Following this, it was made an analysis of the historical context in which the work was placed and written, searching the manner that the author adapted the utopian features to its literary influences of his own time, such as the metaphysical influence of Cabala's principles
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária

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Krausz, Luis Sergio. "Exílio entre o Shtetl e o crepúsculo: Joseph Roth e o judaísmo no fin-de-siècle austríaco." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-09112007-154121/.

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Este tese aborda a obra do escritor judeu austríaco Joseph Roth, buscando entender a crítica que ele faz à modernidade como resultante de um ponto de vista singular, determinado pelo encontro entre dois mundos: o mundo do tradicionalismo judaico no Leste europeu e o mundo da monarquia habsburga, em seus anos finais. Pretende-se demonstrar que é tomando como referência os parâmetros destes dois universos que Roth dirige um olhar cético para a modernidade e para o mundo pós-1ª. Guerra Mundial. Ao mesmo tempo, pretende-se demonstrar como o conceito de exílio está inextricavelmente ligado a uma obra crítica com relação a seu tempo, embasada na memória de dois mundos em extinção. Trata-se, porém, de um exílio que se configura mais como a expulsão de um tempo do que como uma simples expulsão geográfica - o que o torna, de certa maneira, mais trágico. O exílio é também uma das categorias centrais da reflexão mística e filosófica judaica, e neste sentido busco apontar para as coincidências entre o tema do exílio em Roth e nas doutrinas desta tradição. Ao conceito de exílio corresponde, como seu duplo e seu oposto, o conceito de Heimat (terra-mãe), que em Roth se torna uma categoria abstrata, pertencente ao universo da metafísica e da memória, e ,como tal, objeto de culto e paradigma, à luz dos quais ele interpreta a realidade do universo europeu entre-guerras. Diante do que foi discutido sobre os temas acima, conclui-se que esta Heimat imaginária afigura-se como uma das suas obsessões literárias, em torno da qual ele construirá uma obra que é, sobretudo, a tentativa de restauração de uma paisagem humana desaparecida e um retrato profundamente nostálgico da memória de uma civilização, ancorada na Idade Média, e sepultada pelo tempo e pelas guerras.
This thesis discusses the oeuvre of the Jewish Austrian writer Joseph Roth, and aims at an understanding of his critique of modernity, which is seen as a result of a unique point of view, determined by the encounter between two worlds: the traditional world of Eastern European Jewry on one hand and the world of the final years of the Habsburg Monarchy on the other. I try to show that Roth takes a skeptical look at modernity and at post-World War I Europe using the paradigms of these two lost worlds.At the same time I aim at demonstrating how the concept of exile is deeply rooted in his critique of modernity. However he is dealing with an exile in time here, as opposed to a purely geographical exile - an exile that is far more tragic, since it is irreversible. Exile is also a core theme in traditional Jewish mystical and philosophical thought and I try to point to coincidences in the treatment of this topic in Roth and in traditional Jewish doctrines.The concept of exile has the idea of Heimat or homeland as its opposite, and in Roth Heimat becomes an abstract category, pertaining to the universe of metaphysics and memory, in the light of which he interprets European civilization of the 1920´s and 1930´s.I conclude by showing how this fictive Heimat turns into one of his literary obsessions, around which he will build an oeuvre, which is, more then anything else, an attempt at restoring a vanished human landscape, anchored in the Middle Ages and buried by time and by wars.

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Dupras, Elyse. "Rôle des diables dans les mystères hagiographiques français (de la fin du XIVe siècle au début du XVIe siècle)." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82861.

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Masks, actions, words. These three elements provide a starting point for a study of the devil figure as represented in Middle French saint's plays (mysteres hagiographiques).
An urban, popular art, mediaeval French theatre addressed a broad public that it was considered useful to both edify---particularly in the case of the mysteres---and divert. The mysteres represented and interpreted the world. In this theatre, the devil figures embody Evil and adversity, but also alterity. Placed in opposition to the saints and the sublime inhabitants of Heaven, they appear grotesque, crude and carnivalesque. Often the mainspring of the action, they are essential to the plot of the saint's play; noisy and garrulous, they are a no less necessary element of the mysteres' discourse on the world (tangible or intangible, earthly or celestial). The devil, ever ill-intentioned, concocts evil plots and engages in infernal dialogues---which the mystere presents in order to further its edifying goals and propagate its unifying and didactic message.
This dissertation examines some of the most important aspects, in terms of the mystere's reception, of the devil figure. The first part, which deals with diabolical masks, discusses their external features (scenery, costumes, gestures, disguises) and certain of their linguistic characteristics. The second part studies the actions of the devils themselves. Their principal activities are identified and defined, and divided into three broad categories, according to whether the devils attempt to draw human beings and their activities into their sphere of influence, or commit evil deeds, or fail in their baleful plans and end up serving God despite themselves. The third part of the thesis studies diabolical discourse. More specifically, it analyses the relationship between the speech of devils (traditionally perceived as deceitful) and truth. Using the concepts of place and authority, we can read certain instances of this speech as illegitimate, while an examination of the workings of the discourse of diabolical seduction reveals the twisted nature which the mysteres attributed to devils.
A study of the devil figure thus provides an opportunity to understand in some measure the role the mysteres hagiographiques played in relation to the mediaeval public, whose perception of the other (as well as of the same) the saint's plays represented even as they helped construct it.

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Tanner, Jessica Leigh. "Mapping Prostitution: Sex, Space, Taxonomy in the Fin-de-Siècle French Novel." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11008.

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This dissertation examines representations of prostitution in male-authored French novels from the later nineteenth century. It proposes that prostitution has a map, and that realist and naturalist authors appropriate this cartography in the Second Empire and early Third Republic to make sense of a shifting and overhauled Paris perceived to resist mimetic literary inscription. Though always significant in realist and naturalist narrative, space is uniquely complicit in the novel of prostitution due to the contemporary policy of reglementarism, whose primary instrument was the mise en carte: an official registration that subjected prostitutes to moral and hygienic surveillance, but also “put them on the map,” classifying them according to their space of practice (such as the brothel or the boulevard). It is this spatial and conceptual taxonomy, I contend, that makes the prostitute a fulcrum for authorial mapping – for the assertion of mastery over both the prostitute and the city. The first chapter reads the inscription of the tolerated brothel in novels by Huysmans and Goncourt as the mark of a nostalgic longing for old Paris and a desire for stability in a resistant urban present. Analyzing the representation of the brasserie à femmes in lesser-known works by Tabarant and Barrès, Chapter Two posits that the brasserie prostitute fuels the desires of a generation of aspirational Rastignacs by selling stories alongside beer and sex, adopting a writerly role and troubling authorial mastery of the prostitute and the city. The mobilization of prostitutional metaphors in the Rougon-Macquart is the subject of the third chapter, which argues that Zola deploys the prostitute’s entropic force to dismantle the Paris of his predecessors, Balzac and Haussmann, and clear the ground for the construction of a proper city. The final chapter demonstrates that fin-de-siècle novelist Charles-Louis Philippe makes use of the clandestinity of street prostitution in order to locate a breed of urban mapping that is not contingent on mastery. By remapping the prostitute, the dissertation proposes a new model for understanding both the nineteenth-century novel of prostitution and the lived and represented experience of a Paris that Zola termed “le mauvais lieu de l’Europe.”
Romance Languages and Literatures

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Ramday, Morna B. "Man up : a study of gendered expectations of masculinity at the 'fin de siècle'." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5551.

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The main themes of this thesis are masculinities, fluctuations in socially constructed gender roles at the fin de siècle and how a number of cathartic issues influenced these. The strongest of these issues was the New Woman Question which, while demanding developments for women, threatened the stability of Victorian gender norms. This forced both sexes to rethink and renegotiate their positions within society. Women sought options that would free them from the vagaries of the marriage market and looked to move into a more public sphere. Many saw this as a threat to the patriarchal status quo and the debates that ensued were many and vociferous. In response to this, men had to look within and question various modes of masculinity and manliness that they had previously taken for granted and that they now viewed as under threat. The fin de siècle was a time of major gender upheaval which, I propose, is reflected in its literature. I intend to explore the anxieties of both genders by examination of the selected texts which cover pertinent aspects of the similarities and contrasts in the way male and female authors negotiate masculinities in relation to social and gendered spaces. In this way, I hope to investigate the underlying themes which inform the novels. I aim to research reasons for disparity in approaches to gender issues, to highlight the importance of masculinities in relation to gendered positions in fin-de-siècle discourses and to show why relations between the sexes had to evolve.

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Books on the topic "Fin de Siècle Literature"

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Edelman, Nicole. Psychologies fin de siècle. Nanterre: RITM, 2007.

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Le Christ fin de siècle. Tusson, Charente: Du Lérot, 2002.

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Décadence fin de siècle. Paris]: Gallimard, 2017.

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Lyn, Pykett, ed. Reading fin de siècle fictions. London: Longman, 1996.

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Eshima, Yasuko. Le Christ fin de siècle. Tusson, Charente: Du Lérot, éditeur, 2002.

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1959-, Haupt Sabine, and Würffel Bodo 1944-, eds. Handbuch Fin de siècle. Stuttgart: A. Kröner, 2008.

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Fin de Siècle: Epoche, Autoren, Werke. Darmstadt: WBG, Wissenschaftliche Buchgesellschaft, 2013.

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York-Gothart, Mix, ed. Naturalismus, Fin de siècle, Expressionismus, 1890-1918. München: C. Hanser, 2000.

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Murphy, Melanie A. Max Nordau's fin-de-siècle romance of race. New York: Peter Lang Publishing, 2007.

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Ahn, Bang-Soon. Dekadenz in der Dichtung des Fin de siècle. Göttingen: Cuvillier, 1996.

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Book chapters on the topic "Fin de Siècle Literature"

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Gagnier, Regenia. "Global literatures of decadence." In The Fin-De-Siècle World, 11–28. London: Routledge, 2014. http://dx.doi.org/10.4324/9781315748115-3.

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Pereira, J. C. Seabra. "Decadence and Fin-de-siècle Literature in Portugal." In A Revisionary History of Portuguese Literature, 105–23. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003248897-7.

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Stone, Jonathan. "Conclusion: Fin-de-siècle Endings and Beginnings." In Decadence and Modernism in European and Russian Literature and Culture, 209–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34452-8_7.

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Bradley, Matthew. "After Eternal Punishment: ‘Fin de Siècle’ as Literary Eschatology." In Conflict and Difference in Nineteenth-Century Literature, 228–39. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277212_16.

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Stahl, Neta. "Fin-de-Siècle Jewish writers on the God of nature." In The Divine in Modern Hebrew Literature, 16–39. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge Jewish studies series: Routledge, 2020. http://dx.doi.org/10.4324/9781315688350-2.

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Asholt, Wolfgang. "Autoren und Tendenzen des Fin de siècle." In Französische Literatur des 19. Jahrhunderts, 295–324. Stuttgart: J.B. Metzler, 2006. http://dx.doi.org/10.1007/978-3-476-05031-1_10.

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Davison, Carol Margaret. "Britain, Vampire Empire: Fin-de-Siècle Fears and Bram Stoker’s Dracula." In Anti-Semitism and British Gothic Literature, 120–57. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034_6.

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Mangham, Andrew. "How Do I Look? Dysmorphophobia and Obsession at the Fin de Siècle." In Neurology and Literature, 1860–1920, 77–96. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287884_4.

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Malton, Sara. "The Criminal Aesthetic: Recapturing the Forger at the Fin-de-Siècle." In Forgery in Nineteenth-Century Literature and Culture, 109–41. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230619746_5.

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Kennaway, James. "Singing the Body Electric: Nervous Music and Sexuality in Fin-de-Siècle Literature." In Neurology and Literature, 1860–1920, 141–60. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287884_7.

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Conference papers on the topic "Fin de Siècle Literature"

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Schuh, Julien. "Des éphémères en devenir : les petites revues fin-de-siècle." In Les éphémères, un patrimoine à construire. Fabula, 2015. http://dx.doi.org/10.58282/colloques.2929.

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Ramond, Catherine. "Fins intermédiaires ou fin unique : la double tentation des romans épistolaires au xviiie siècle." In Les fins intermédiaires dans les fictions narratives des XVIIe et XVIIIe siècles. Fabula, 2019. http://dx.doi.org/10.58282/colloques.5938.

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von Tippelskirch, grihl/ Bochum, Xenia. "Lire l’exemplaire. Lectrices en Italie à la fin du XVIe siècle : une étude de cas." In Construire l’exemplarité. Fabula, 2008. http://dx.doi.org/10.58282/colloques.367.

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AUDEBERT, Pierre. "Nouvelles tétrazines aux propriétés spectroscopiques uniques ; Leur application à la révélation des empreintes digitales." In Les journées de l'interdisciplinarité 2022. Limoges: Université de Limoges, 2022. http://dx.doi.org/10.25965/lji.654.

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Les tétrazines sont des hétérocycles connus depuis très longtemps (premier compte rendu datant de la fin du XIXe siècle), mais ont été relativement négligées par la chimie traditionnelle, à l’exception de leurs capacités à être impliquées dans des cycloadditions spéciales de Diels et Alder à demande inverse, avec des applications exclusivement en synthèse organique, pour la production de dérivés de type pyridaziniques. Depuis le début de ce siècle, cependant, ont émergé de nouvelles tétrazines, possédant des propriétés physiques remarquables, au premier rang d’entre elles la fluorescence, mais aussi l’électroactivité. Certaines de ces familles de molécules ont permis des applications parfois inattendues, comme la révélation des empreintes digitales.

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(Université de Paris-Sorbonne), Delphine Reguig-Naya. "« Il faut estre autre chose que Grammairien » : la fable et la norme à la fin du XVIIe siècle." In Fictions classiques. Fabula, 2007. http://dx.doi.org/10.58282/colloques.432.

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Bihl, Laurent. "« Audaces fortuna Juven » : Les rires du Rire (1894‑1914). Propositions et hypothèses sur la réception publique d’un périodique fin‑de‑siècle." In Le rire : formes et fonctions du comique. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5417.

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Yellala, Venkata Pradeep, and Pradeep S. Jakkareddy. "Effect of perforated pin-fin and plate-fin heat sinks on heat transfer enhancement: A review of recent literature." In SEVENTH INTERNATIONAL SYMPOSIUM ON NEGATIVE IONS, BEAMS AND SOURCES (NIBS 2020). AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0058145.

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Koz, Mustafa, and Ali Kosar. "The Effect of Micro Pin-Fin Shape on the Heat Transfer Performance of Micro Pin-Fin Heat Sinks." In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-38581.

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Micro heat sinks currently find applications in many areas such as in aerospace engineering, micro reactors, electronics cooling, micro turbine cooling, and micro biological applications. Among different types of micro heat sinks, the ones with micro pin-fins are becoming more and more popular due to their high heat transfer performances. There is however not enough experimental data available in the literature to show the effect of pin-fin shape on heat transfer. To address to this lack of information, micro heat sinks with a pin-fin having the same chord thickness/diameter of various shapes (circular, cone shaped, diamond shaped, hydrofoil shaped, rectangular, square and triangular) are numerically modeled, and their heat transfer performances are assessed and compared. The Reynolds number is between 20 and 120 in this study. Applied heat flux to micro pin-fin bases is set to values between 1200 and 7240 W/cm2. In the current study, micro pin-fins of various shapes are three dimensionally modeled based on a one-to-one scale and evaluated based on their heat transfer performances with the use of commercially available software COMSOL 3.5a. Full Navier-Stokes equations are solved along with continuity and energy equations under steady state conditions for weakly compressible, single phase water flow. For having increased computational efficiency, half of the domain, which consists of a micro pin-fin located inside a micro channel, is modeled with the use of a symmetry plane. In order to validate the use of numerical models, parametric values from previous experimental data available in the literature are exactly taken and simulated. The numerical and experimental results show a good agreement.

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Xu, Guoping, and Henry Jung. "Validation of Analytical Methods for Parallel Plate Fin Heat Sinks." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-59811.

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Several analytical models to predict heat transfer and pressure drop performance for parallel plate fin heat sinks are available in the literature. However, the experimental data to validate these models are very limited especially for high fin density heat sinks. In this paper, a new method is proposed to predict thermal performance in both laminar flow and turbulent flow. This method and other models selected from the literature have been compared to the test data. Experimental investigations were conducted with fully-duct flow for parallel plate fin heat sinks to measure overall thermal resistance and pressure drop. Three heat sinks with different fin materials and fin configurations are tested. We conclude by recommending some of the analytical methods for engineering applications by comparing the test data with predictions.

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Dingare, Sunil V., Narayan K. Sane, and Ratnakar R. Kulkarni. "Experimental and Numerical Investigation of Natural Convection Heat Transfer From Horizontal Rectangular Plate Fin Pin Fin Arrays." In ASME 2020 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/imece2020-24376.

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Abstract Fins are commonly employed for cooling of electronic equipment, compressors, Internal Combustion engines and for heat exchange in various heat exchangers. In short fin (length to height ratio, L/H = 5) arrays used for natural convection cooling, a stagnation zone forms at the central portion and that portion is not effective for carrying away heat. An attempt is made to modify plate fin heat sink geometry (PFHS) by inserting pin fins in the channels formed between plate fins and a plate fin pin fin heat sink (PFPFHS) is constructed to address this issue. An experimental setup is developed to validate numerical model of PFPFHS. The three-dimensional elliptic governing equations were solved using a finite volume based computational fluid dynamics (CFD) code. Fluent 6.3.26, a finite volume flow solver is used for solving the set of governing equations for the present geometry. Cell count based on grid independence and extended domain is used to obtain numerical results. Initially, the numerical model is validated for PFHS cases reported in the literature. After obtaining a good agreement with results from the literature, the numerical model for PFHS is modified for PFPFHS and used to carry out systematic parametric study of PFPFHS to analyze the effects of parameters like fin spacing, fin height, pin fin diameter, number of pin fins and temperature difference between fin array and surroundings on natural convection heat transfer from PFPFHS. It is observed that it is impossible to obtain optimum performance in terms of overall heat transfer by only concentrating on one or two parameters. The interactions among all the design parameters must be considered. This thesis presents Experimental and Numerical study of natural convection heat transfer from horizontal rectangular plate fin and plate fin pin fin arrays. The parameters of study are fin spacing, temperature difference between the fin surface and ambient air, fin height, pin fin diameter, number of pin fins and method of positioning pin fins in the fin channel. Experimental set up is validated with horizontal plate standard correlations. Results are generated in the form of variation in average heat transfer coefficient (ha), base heat transfer coefficient (hb), average Nusselt number (Nua) and base Nusselt number (Nub). Total 512 cases are studied numerically and finally an attempt is made to correlate the Nusselt Number (Nu), Rayleigh Number (Ra), increase in percentage by inserting pin fins (% Area), ratios like spacing to height (S/H) and L/H obtained in the present study.

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Reports on the topic "Fin de Siècle Literature"

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Rousseau, Henri-Paul. Gutenberg, L’université et le défi numérique. CIRANO, December 2022. http://dx.doi.org/10.54932/wodt6646.

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Introduction u cours des deux derniers millénaires, il y a eu plusieurs façons de conserver, transmettre et même créer la connaissance ; la tradition orale, l’écrit manuscrit, l’écrit imprimé et l’écrit numérisé. La tradition orale et le manuscrit ont dominé pendant plus de 1400 ans, et ce, jusqu’à l’apparition du livre imprimé en 1451, résultant de l’invention mécanique de Gutenberg. Il faudra attendre un peu plus de 550 ans, avant que l’invention du support électronique déloge à son tour le livre imprimé, prenant une ampleur sans précédent grâce à la révolution numérique contemporaine, résultat du maillage des technologies de l’informatique, de la robotique et de la science des données. Les premières universités qui sont nées en Occident, au Moyen Âge, ont développé cette tradition orale de la connaissance tout en multipliant l’usage du manuscrit créant ainsi de véritables communautés de maîtres et d’étudiants ; la venue de l’imprimerie permettra la multiplication des universités où l’oral et l’écrit continueront de jouer un rôle déterminant dans la création et la transmission des connaissances même si le « support » a évolué du manuscrit à l’imprimé puis vers le numérique. Au cours de toutes ces années, le modèle de l’université s’est raffiné et perfectionné sur une trajectoire somme toute assez linéaire en élargissant son rôle dans l’éducation à celui-ci de la recherche et de l’innovation, en multipliant les disciplines offertes et les clientèles desservies. L’université de chaque ville universitaire est devenue une institution florissante et indispensable à son rayonnement international, à un point tel que l’on mesure souvent sa contribution par la taille de sa clientèle étudiante, l’empreinte de ses campus, la grandeur de ses bibliothèques spécialisées ; c’est toutefois la renommée de ses chercheurs qui consacre la réputation de chaque université au cours de cette longue trajectoire pendant laquelle a pu s’établir la liberté universitaire. « Les libertés universitaires empruntèrent beaucoup aux libertés ecclésiastiques » : Étudiants et maîtres, qu'ils furent, ou non, hommes d'Église, furent assimilés à des clercs relevant de la seule justice ecclésiastique, réputée plus équitable. Mais ils échappèrent aussi largement à la justice ecclésiastique locale, n'étant justiciables que devant leur propre institution les professeurs et le recteur, chef élu de l’université - ou devant le pape ou ses délégués. Les libertés académiques marquèrent donc l’émergence d'un droit propre, qui ménageait aux maîtres et aux étudiants une place à part dans la société. Ce droit était le même, à travers l'Occident, pour tous ceux qui appartenaient à ces institutions supranationales que furent, par essence, les premières universités. À la fin du Moyen Âge, l'affirmation des États nationaux obligea les libertés académiques à s'inscrire dans ce nouveau cadre politique, comme de simples pratiques dérogatoires au droit commun et toujours sujettes à révision. Vestige vénérable de l’antique indépendance et privilège octroyé par le prince, elles eurent donc désormais un statut ambigu » . La révolution numérique viendra fragiliser ce statut. En effet, la révolution numérique vient bouleverser cette longue trajectoire linéaire de l’université en lui enlevant son quasi monopole dans la conservation et le partage du savoir parce qu’elle rend plus facile et somme toute, moins coûteux l’accès à l’information, au savoir et aux données. Le numérique est révolutionnaire comme l’était l’imprimé et son influence sur l’université, sera tout aussi considérable, car cette révolution impacte radicalement tous les secteurs de l’économie en accélérant la robotisation et la numérisation des processus de création, de fabrication et de distribution des biens et des services. Ces innovations utilisent la radio-identification (RFID) qui permet de mémoriser et de récupérer à distance des données sur les objets et l’Internet des objets qui permet aux objets d’être reliés automatiquement à des réseaux de communications .Ces innovations s’entrecroisent aux technologies de la réalité virtuelle, à celles des algorithmiques intelligentes et de l’intelligence artificielle et viennent littéralement inonder de données les institutions et les organisations qui doivent alors les analyser, les gérer et les protéger. Le monde numérique est né et avec lui, a surgi toute une série de compétences radicalement nouvelles que les étudiants, les enseignants et les chercheurs de nos universités doivent rapidement maîtriser pour évoluer dans ce Nouveau Monde, y travailler et contribuer à la rendre plus humain et plus équitable. En effet, tous les secteurs de l’activité commerciale, économique, culturelle ou sociale exigent déjà clairement des connaissances et des compétences numériques et technologiques de tous les participants au marché du travail. Dans cette nouvelle logique industrielle du monde numérique, les gagnants sont déjà bien identifiés. Ce sont les fameux GAFAM (Google, Apple, Facebook, Amazon et Microsoft) suivis de près par les NATU (Netflix, Airbnb, Tesla et Uber) et par les géants chinois du numérique, les BATX (Baidu, Alibaba, Tenant et Xiaomi). Ces géants sont alimentés par les recherches, les innovations et les applications mobiles (APPs) créées par les partenaires de leurs écosystèmes regroupant, sur différents campus d’entreprises, plusieurs des cerveaux qui sont au cœur de cette révolution numérique. L’université voit donc remise en question sa capacité traditionnelle d’attirer, de retenir et de promouvoir les artisans du monde de demain. Son aptitude à former des esprits critiques et à contribuer à la transmission des valeurs universelles est également ébranlée par ce tsunami de changements. Il faut cependant reconnaître que les facultés de médecine, d’ingénierie et de sciences naturelles aux États-Unis qui ont développé des contacts étroits, abondants et suivis avec les hôpitaux, les grandes entreprises et l’administration publique et cela dès la fin du 19e siècle ont été plus en mesure que bien d’autres, de recruter et retenir les gens de talent. Elle ont énormément contribué à faire avancer les connaissances scientifiques et la scolarisation en sciences appliquées ..La concentration inouïe des Prix Nobel scientifiques aux États-Unis est à cet égard très convaincante . La révolution numérique contemporaine survient également au moment même où de grands bouleversements frappent la planète : l’urgence climatique, le vieillissement des populations, la « déglobalisation », les déplacements des populations, les guerres, les pandémies, la crise des inégalités, de l’éthique et des démocraties. Ces bouleversements interpellent les universitaires et c’est pourquoi leur communauté doit adopter une raison d’être et ainsi renouveler leur mission afin des mieux répondre à ces enjeux de la civilisation. Cette communauté doit non seulement se doter d’une vision et des modes de fonctionnement adaptés aux nouvelles réalités liées aux technologies numériques, mais elle doit aussi tenir compte de ces grands bouleversements. Tout ceci l’oblige à s’intégrer à des écosystèmes où les connaissances sont partagées et où de nouvelles compétences doivent être rapidement acquises. Le but de ce texte est de mieux cerner l’ampleur du défi que pose le monde numérique au milieu universitaire et de proposer quelques idées pouvant alimenter la réflexion des universitaires dans cette démarche d’adaptation au monde numérique. Or, ma conviction la plus profonde c’est que la révolution numérique aura des impacts sur nos sociétés et notre civilisation aussi grands que ceux provoqués par la découverte de l’imprimerie et son industrialisation au 15e siècle. C’est pourquoi la première section de ce document est consacrée à un rappel historique de la révolution de l’imprimerie par Gutenberg alors que la deuxième section illustrera comment les caractéristiques de la révolution numérique viennent soutenir cette conviction si profonde. Une troisième section fournira plus de détails sur le défi d’adaptation que le monde numérique pose aux universités alors que la quatrième section évoquera les contours du changement de paradigme que cette adaptation va imposer. La cinquième section servira à illustrer un scénario de rêves qui permettra de mieux illustrer l’ampleur de la gestion du changement qui guette les universitaires. La conclusion permettra de revenir sur quelques concepts et principes clefs pour guider la démarche vers l’action. L’université ne peut plus « être en haut et seule », elle doit être « au centre et avec » des écosystèmes de partenariats multiples, dans un modèle hybride physique/virtuel. C’est ainsi qu’elle pourra conserver son leadership historique de vigie du savoir et des connaissances d’un monde complexe, continuer d’établir l’authenticité des faits et imposer la nécessaire rigueur de la science et de l’objectivité.

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