Relevant bibliographies by topics / Film tourism

Academic literature on the topic 'Film tourism'

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Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Film tourism"

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Abd Rahman, Noridawati, Zairul Anwar Dawam, and Jennifer Kim Lian Chan. "THE CHARACTERISTICS OF FILM PRODUCTS TO INDUCE TOURISM." Journal of Tourism, Hospitality and Environment Management 4, no. 16 (September 15, 2019): 84–99. http://dx.doi.org/10.35631/jthem.416007.

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Film products to induce tourism is a new phenomenon for tourists to visit a destination that inspired by films and television. For example; film The Beach (Thailand), Tomb Raider (Cambodia), Entrapment (Malaysia), Lord of The Rings trilogy (New Zealand), Harry Potter trilogy (UK) and others. Many of this destination has turned into a popular tourist attraction. However, film products to induce tourism can also be unpredictable. The success of any film or television is not guaranteed, and the effects on inducing visits can be complex. Thus, this paper will analyze six of the characteristics of film products namely on location, off location, storyline, celebrity, film genres and film festivals. By understanding these characteristics of film products, this paper can help to increase a better understanding of the context of film products to induce tourism. Indeed, this paper also opens an opportunity for future researchers to study film products as a new strategy to induce the tourism industry where it can increase the number of tourists visiting.
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Sahoo, Shwetasaibal Samanta, and Sarat Kumar Lenka. "Destination Marketing Through Film Tourism: A Study on Western Orissa." Atna - Journal of Tourism Studies 5, no. 1 (December 1, 2010): 25–39. http://dx.doi.org/10.12727/ajts.5.3.

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Film tourism is a growing phenomenon worldwide, fueled by both the growth of the entertainment industry and the increase in international travel model for exploiting film tourism marketing opportunities. Tourism destination marketing is now widely recognized as an essential component in the management of destinations. In harmony with the general marketing literature, which understands marketing as a management tool, some researchers understand destination marketing as a form of 'market-oriented strategic planning' and hence as a strategic approach to place development rather than a promotional tool.Tourists today are more experienced and looking for new destinations and new experience. In the tourism industry, there has been a growing phenomenon that tourists visit destinations featured through films which are not directly related to DMOs' tourism promotion. This is a new form of cultural tourism called film-induced tourism which still receives little attention from both academic and practitioners due to the lack ofknowledge and understanding on the benefits of film on tourism. Recent research suggests that films can have strong influence on tourist decision-making and films do not only provide short-term tourism revenue but long-term prosperify to the destination. The primary focus of this article is to provide a theoretical insight into the relationship between films induced tourism and destination imagery, which in turn can be used to market Western Orissa.
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Herlambang, Rizqi Maulana, and I. Made Adikampana. "Pengaruh Film “Ada Apa Dengan Cinta 2” Terhadap Perkembangan Pariwisata Di Kabupaten Magelang." JURNAL DESTINASI PARIWISATA 7, no. 1 (July 1, 2019): 174. http://dx.doi.org/10.24843/jdepar.2019.v07.i01.p26.

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Tourism destinations in Indonesia have a variety of interesting tourist attractions and many of these tourist attractions become shooting locations or taking pictures of a film scene. By making a tourism destination and tourist attraction becomes a setting of shooting a film is expected to make tourism developing and films “Ada Apa Dengan Cinta 2” is one of the films that took the place of shooting for the film scene in several tourist attractions in Magelang. the purpose of this research are to know determine the influence of the film “Ada Apa Dengan Cinta 2” product development, market and marketing at the Rumah Do’a Bukit Rhema. This research uses qualitative data collected through observation , interview , documentation , informans are selected using purposive procedures. Data analysis method used qualitative data analysis.The result of the research shows are the occurrence of product, market and marketing developments at Rumah Do’a Bukit Rhema after being shooting and appearing on scene films Ada Apa Dengan cinta 2. The government especially tourism ministry is expected to choosing films as a means of tourism promotion. Keywords: Scene film, Tourism attraction, Ada apa dengan cinta 2, Rumah doa bukit rhema
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Sakellari, Maria. "Film tourism and ecotourism: mutually exclusive or compatible?" International Journal of Culture, Tourism and Hospitality Research 8, no. 2 (June 2, 2014): 194–202. http://dx.doi.org/10.1108/ijcthr-09-2013-0064.

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Purpose – This paper aims to look at the relationship between film tourism and ecotourism and questions whether the two are compatible or mutually exclusive. Design/methodology/approach – Entertainment films are making a deep impact on international tourism development, with popular movies playing an increasingly influential role in tourists’ choice of holiday destination. Areas with high natural value are frequently used as film locations, their image as a nature-loving escape paradise emerges and is coincided with a growth of film-induced visitors, willing to participate in nature-based activities. Tourism has always been a fundamental component of the areas of high natural value concept, and with this unparalled growth of the film tourism and ecotourism, it was inevitable that one day they will meet and interact in natural areas. This paper provides case studies where filmic intervention shapes tourist nature-loving imaginings, triggers ecotourism activities but also raises environmental concern of locals, and films like The Beach (2000) and Deliverance (1972) and the TV series Pride and Prejudice (1996) are subject to discussion. Findings – In many cases, the natural areas have not the carrying capacity to cope with large increases in film-induced visitors, and this results in a number of possible undesirable consequences, from the loss of privacy to the destruction of the natural environment. This paper suggests that film tourism and ecotourism are compatible if tourism policy planners follow strategies, such as environmental education initiatives, that engage film tourism stakeholders and the film industry in creating solutions to environmental challenges. Originality/value – Film tourism planning hasn’t yet focused on the tools for environmentally sound management of a destination. This paper argues that film tourism literature needs to develop marketing and policy perspectives to inform appropriate environmental management of film tourism planning and enhance environmental sustainability of a destination.
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Cudny, Waldemar. "Film Festivals in Łódź as a Main Component of Urban Cultural Tourism." Bulletin of Geography. Socio-economic Series 15, no. 15 (January 1, 2011): 131–41. http://dx.doi.org/10.2478/v10089-011-0009-6.

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Film Festivals in Łódź as a Main Component of Urban Cultural TourismIn the early 19thcentury Łódź became a huge centre of textile production. However, the transformations in Poland after 1989 led to the decline of this industry. At present the city is looking for new forms of development, such as services, including tourism and culture. One of the most important elements of the cultural function in Łódź are film festivals, based on over 50 year long tradition of film making in this city. The aim of this article is to present the film festivals organized in Łódź, which are a tourist asset and a kind of tourist product (an event). They are at the same time an element of cultural tourism, part of which is event tourism, connected with festivals and film tourism.
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Martin-Fuentes, Eva, Jorge Nieto Ferrando, Estela Marine-Roig, and Berta Ferrer-Rosell. "From Blockbuster to Neighbourhood Buster: The Effect of Films on Barcelona." Sustainability 12, no. 6 (March 15, 2020): 2290. http://dx.doi.org/10.3390/su12062290.

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In recent years, cities such as Venice, Dubrovnik, Paris and Barcelona have experienced an exponential increase in visitor numbers leading to episodes of tourismphobia by anti-tourism movements, or even the decline of the destination. Among other solutions, some destinations see film-induced tourism as a possible way of diversifying tourism supply and demand. Through the analysis of the locations of six thematic film routes in Barcelona compared to the same locations on the largest online travel review platform, TripAdvisor, it is concluded that, far from spreading out tourist flows, fiction-induced tourism in Barcelona has concentrated tourism at the main attractions of the city. Only a few exceptions of films with minor audiences lead tourists off the beaten track. Overall, this paper provides a set of recommendations, strategies and challenges for destination managers to help alleviate overtourism and to offer more sustainable tourism away from spots that attract mass tourism.
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Suryawati, I. Gusti Agung Alit. "Symbolic Communication of Tourism Images in Soap Opera Televisions." Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia 6, no. 2 (December 3, 2021): 220–28. http://dx.doi.org/10.25008/jkiski.v6i2.604.

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Tourism in Bali is growing so rapidly that it continues to increase every year. The increasing number of foreign and domestic tourist arrivals leads to an increase in domestic services and promotions. Arief Yahya assessed that film had become a useful medium and contributed greatly to promoting Indonesian tourism. The aim of this research is to know how soap opera and film could be used as a means of promotion to know about Tourism in Bali and other state problems: (1) How Broadcasting as a mass communication activity functions as a medium of information, education, entertainment, health, control and social control; (2) How to carry out the function of soap opera and film as a means of promoting Tourism inBali;(3), How broadcasting also has economic and cultural functions. Theory and Method: Symbolic Theory and Method use perception and qualitative analysis which explore by watching the eat, pray, and love films and some soap operas whose shooting take place in Bali. They can serve as a reference for the industrial world to make films that can inspire audiences to come to the place or location of the film, and also a reference for tourists who would come to Bali.
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Vinklere, Daina, Ilze Kasa, and Ingrida Ludzina. "The film industry in Latvia as a potential resource for tourism development." Folia Geographica 18 (2020): 53–61. http://dx.doi.org/10.22364/fg.18.7.

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During a time of increasing competition in the tourism sector and growing demand for new tourism products, all stakeholders must more actively utilise non-traditional tourism resources. The film industry certainly counts as one of them. Although film-induced tourism has become quite popular round the world and maintains significant influence, these developments and research into this area have not gained enough attention in Latvia. The objective of this research is to examine the film industry as a tourism resource based on an analysis of the available public information on film production locations, related promotions for tourists in Latvia and the interest and experience of the general public in these types of tourist attractions. The results of the research prove the potential of the film industry, the existence of certain pieces of groundwork and at the same time the moderate interest of potential clients in engaging these resources and adding to Latvia’s tourist turnover.
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Irimiás, Anna. "Missing Identity: Relocation of Budapest in Film-induced Tourism." Tourism Review International 16, no. 2 (November 1, 2012): 125–38. http://dx.doi.org/10.3727/154427212x13485031583902.

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The Hungarian capital city has been the protagonist or at least the supporting actress of numerous feature films; however, Budapest cannot be identified with a unique image to promote herself in film-induced tourism. The visual representations of the city's symbolic economy play an important role in the creation of place identity. The purpose of this study is to analyze the identity of Budapest and its cultural landscape depicted in international and Hungarian movie productions. The article highlights the consequences of this specific use of the urban place and how these images can influence Budapest's role in film tourism. In order to explore the potential of Budapest in the film tourism niche market, an analysis of tourists' perception of the capital city and tourists' attitude towards film-induced tourism was undertaken. The results of the visitor survey show that international tourists staying in Budapest would be interested to discover the film locations in the city; however, they were not able to link the titles of films set in Budapest to the real film location. Hosting international film productions clearly has a positive impact on the economy as a whole, but tourism destination marketing cannot benefit from the motion pictures' success when Budapest interprets somewhere else.
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Kusumawardhana, Indra, and Ekky Imanjaya. "Film Tourism Indonesian Style: The Cases of Laskar Pelangi and Eat Pray Love." Communicare : Journal of Communication Studies 3, no. 2 (March 21, 2018): 9. http://dx.doi.org/10.37535/101003220162.

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Film-induced tourism becomes a new emerging issue in tourism and scholarly research for the last 10 years. London’s “Harry Potter” series and New Zealand’s “Lord of the Rings” are among the best practices of the trend. On the other hand, Indonesia is a country with many beautiful places to visit by both local and international tourists. The number of visitors increases significantly every year. However, there is no contribution from film industry, both from local or international production, related to this increasing numbers of tourists, not before national movie production “Laskar Pelangi, 2008” (Rainbow Troops, 2008) by Riri Riza, and international box office movie production “Eat, Pray Love, 2010”. The study research will discuss about film induced tourism issues in Indonesia, particularly on why and how the two films--so far, until recently, only those two films--became phenomenon in film tourism--and why other films did not.
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Dissertations / Theses on the topic "Film tourism"

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Tooke, Nichola Carole. "Tele-tourism : investigating the inter-connections between television and tourism." Thesis, University of Bristol, 1999. http://hdl.handle.net/1983/423caed8-6927-400b-b857-d0a2c45ec8b5.

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Beeton, Sue 1956. "Film-induced tourism impacts and consequences." Monash University, National Centre for Australian Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7570.

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Bolan, Peter. "Film-induced tourism : motivation, authenticity and displacement." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551562.

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Films or movies provide us with a window into other places that broaden our knowledge and can fuel our desire to travel. What has become known as film-induced tourism has begun to gather momentum as an area of both academic research and industry interest. However, the phenomenon is wide-ranging and according to Beeton (2005), still a largely untapped and little-understood field of tourism research. Much of the literature to date has focused on the promotional aspects and the impacts of the phenomenon with little research into the motivations of the film-induced tourists themselves. Further, films are not always shot in the place where they are portraying on screen. This has become a common occurrence and it is not unusual for a film to be made in a completely different country from that it portrays. This form of displacement creates issues of authenticity and implications as to where the tourist influenced by such a film will choose to visit. This aspect in film tourism has been mentioned briefly by authors such as Beeton (2005), Hudson and Ritchie (2006) and Shandley et al. (2006) but they have not conducted investigations themselves and to date there have been no in-depth research studies into this aspect of the phenomenon. The overall aim of this thesis was to investigate what the author has termed displacement theory within the larger phenomenon of film-induced tourism and to present a clearer understanding of the inherent implications and opportunities for economic development this may bring. Within this the author sought to examine film influence on tourist motivation, tourist views on displacement and authenticity as well as industry opinion on these matters. An interpretivistic research approach was taken utilizing the power of the internet and harnessing the use of specially created blogs to collect qualitative data. The approach was designed to extract data in depth with a select set of bloggers rather than at a superficial level across a wider number of respondents through quantitative survey work. This was then followed up by semi-structured interviews with respective tourism and film organizations throughout the UK and Ireland. Findings reveal that these issues do matter to tourists and that there are three distinct markets in existence which comprise three distinct tourist types in relation to film- induced tourism. This has enabled the author to develop a model of displacement (the first such model in this field of study) which conveys the motivational factors at play on the tourist and what is happening when displacement in film tourism occurs in relation to the three distinct markets. This is then utilized to make key recommendations as to how industry can maximize future potential from film-induced tourism, especially when displacement occurs. The thesis has covered new ground in its contribution to knowledge through addressing a gap in the film-induced tourism literature and providing new theories culminating in a newly developed model to represent what is occurring. Further contribution has been made through the use of innovative methodologies. In this case the use of specially designed blogs to gather qualitative data for the research.
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Carvalho, Susan Belinda. "Film-induced tourism: the case of Portugal." Master's thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/12391.

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Mestrado em Gestão e Planeamento em Turismo
The following dissertation discusses the topic of film-induced tourism in Portugal from the perspective of the Portuguese destination marketing organisations. As research concerning film tourism in Portugal was unavailable due to the novelty of the topic, primary research was developed through online survey questionnaires, case studies and interviews. The primary research conducted found that Portugal has all the necessary resources and attributes required to develop film tourism; however DMOs and film commissions need to work together to ensure that films are promoted in a way which can be beneficial to both the tourism sector and the film industry.
O presente trabalho aborda o tema do cineturismo em Portugal pela perspetiva das associações de promoção turística portuguesas. Dada a escassez de investigação sobre cineturismo em Portugal, devido à novidade do tema, foi desenvolvida investigação primária através de inquéritos por questionário, estudos de caso e entrevistas. A investigação primária conduzida concluiu que Portugal detém todos os recursos e atributos necessários para desenvolver o cineturismo, no entanto as associações de promoção turística e as film commissions necessitam de trabalhar em conjunto para garantir que os filmes são promovidos de uma forma que pode ser benéfica para o setor do turismo e para a indústria do cinema.
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Leotta, Alfio. "Touring the screen : New Zealand film geographies and the textual tourist /." e-Thesis University of Auckland, 2009. http://hdl.handle.net/2292/5762.

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Thesis (PhD--Film, Television and Media Studies)--University of Auckland, 2009.
"A thesis submitted in fulfilment of the requirements for the degree of Dotor of Philosophy in Film, Television and media Studeis, the University of Auckland, 2009." Includes bibliographical references.
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Kork, Yuri. "The influence of film genres on the tourist's decision making process." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14868.

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The principal purpose of this thesis is to investigate the relationships between film genres and the decision-making process of the tourist. Within the tourism industry, the specific type of tourism-Film Tourism-has recently been recognised and approached in several research projects and case-studies. As a result of these efforts, the researchers agree that, in certain conditions, a film may influence the decision of the viewer to travel to the destination that such film portrays. However, due to the recent recognition of this type of tourism and consequent low number of explanatory research in this area, there is an evident lack of understanding about the underlying reasons why films may have such a stimulating effect on tourist decisions. To develop deeper understanding of this newly emerged type of tourism, it is vital to research different elements of the film and their possible effects on tourism-related decisions of the viewer. This pioneering study focuses on the previously neglected “genre” element of the film and the role of this element in the overall influence of the film on the tourist’s decision making process. Accordingly, an extensive survey (n=241) was conducted, implemented via the Internet and to randomly selected Exeter residents. The survey was followed by a series of in-depth semi-structured interviews (n=10) of randomly selected respondents from Exeter. The results suggest that film genres may affect the motivational factors, such as Exciting and Achievement (Yoon and Uysal, 2005). Moreover, emotions are an important factor in the decisions of Film Tourists (Kim, 2012), and films of specific genres may infuse destination with such emotions, alter the destination image and create an interest in the destination. The major contribution of this study is the discovery that the effect of film genres on the Film Tourist is but a small subconscious part of the overall film influence, which encompasses a wider range of elements such as visual beauty, plot, actors, credibility and the atmosphere. Moreover, it would appear that, for most tourists, film is an additional and not a primary factor which creates a wish to travel. The visual portrayal of the destination is the key element which determines whether the film will affect the decision of the viewer to travel, but the genres of the film may allow the prediction of tourist type and possible travel behaviour.
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Ahlm, Caroline. "Film- & Litteraturturism : Fakta och fiktion i en lättsam blandning." Thesis, Södertörns högskola, Institutionen för ekonomi och företagande, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10683.

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Movie and literary tourism is a genre that has been recognized around the world for a long time but that has only recently got a grip on Sweden. More and more famous books are being cinematized and because of the success of these movies we can now walk in the traces of Wallander as well as the Millenniummovies. The focus of this study is mainly about the tourists’ motivation when it comes to this form of tourism and the purpose is to try understand what needs come in to play when a movie and literary tourism attraction is chosen. The study objects are two movie and literary walks which are based on books and movies with a fictitious storyline. The performed research was based on a multiple strategy with the qualitative method - consisting of respondent and informant interviews - in focus and the quantitative investigation - in the form of an one-page questionnaire - more as a complement. On the basis of the most fundamental theory of motivation in general (Maslow, 1970) and the tourism research’s more specific travel motivation theory (Pearce, 2005), the conditions for movie and literature as sorts of tourism have been made clear. Additionally, with the help of an additional motivation theory as well as several articles within the area of movie and literary tourism, this study has made an attempt to reach a more narrow theory for movie and literary tourism. The results from the research show that movie and literary tourism is a highly qualified tourism genre where the visitors’ needs are highly set and the motivation is primarily focused on self-development and the experience of new things. Also the possibility to exchange reality for a fictional surrounding and getting the opportunity to fantasize are highly prioritized motivation aspects. Movie and literary tourism is a big future area within the tourism industry, but before its potential can be fully understood and exploited, more research is needed.
Film- och litteraturturism är en genre som länge haft stort underlag i utlandet, men som först på senare år har fått fäste även i Sverige. Allt fler kända verk filmatiseras och blir till succéer och som en följd av detta kan vi idag vandra i så väl Wallanders som i Millenniumfilmernas spår. I denna studie ligger koncentrationen främst på turisternas motivation när det kommer till denna form av turism och syftet är att försöka förstå vilka behovsaspekter som spelar in när attraktioner baserade på film- och litteratur väljs. Fokus ligger på två film- och litteraturvandringar vilka bygger på böcker och filmer vars handlingar är rent fiktiva. Studien som utförts bygger på en flerfaldig strategi med den kvalitativa metoden – bestående av respondent och informantintervjuer - i fokus och den kvantitativa undersökningen – i form av en kortare enkät - mer som ett komplement. Utifrån den mest grundläggande teorin för motivation i allmänhet (Maslow, 1970) och turismforskningens mer specifika resemotivationsteori (Pearce, 2005) så har förutsättningarna för film och litteratur som turismart klarlagts, och med hjälp av ytterligare en motivationsteori samt flera artiklar inom området film- och litteraturturism har denna studie gjort ett försök i att nå fram till en mer avsmalnad teori kring just film- och litteraturturism. Resultatet av studien visar på att film- och litteraturturism är en högkvalificerad turismgenre där besökarnas behov är högt ställda och motivationen i första hand ligger i att utveckla sig själv och uppleva nya saker. Även möjligheten att byta ut verkligheten mot en påhittad omgivning och att få tillfälle att fantisera sig bort är högprioriterade motivationsaspekter. Film- och litteraturturism är ett stort framtida område inom turismen, men innan dess potential kan förstås och utnyttjas till fullo krävs mer forskning.
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Strauss, Angela L. "The economic impact of film tourism on small communities." Th author, 2003. http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=.

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Thesis (M.A.)--University of Wisconsin-Stout., 2003.
"December, 2003". "A research paper submitted in partial fulfillment of the requirements for the Master of Science Degree with major in Global Hospitality; Approved: 3 semester credits (signature) professor Lynnette Brouwer; The Graduate School, University of Wisconsin-Stout." Description based on 2005 edition printed on Aug. 2, 2007 from http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail= Bibliography p. 36-40. Also available online (viewed 2 Aug. 2007) at address: http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=
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Loedolff, Carmen. "Promoting South Africa as an international film tourism destination." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/46194.

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Film tourism is fast becoming a recognised and lucrative sector within the tourism industry. Film tourism combines knowledge from the tourism industry with that of the film industry in such a manner that it offers an attractive opportunity that can be included when marketing South Africa as a destination. The purpose of the study is to explore the attractiveness of the film tourism market for destinations, identify the unique aspects involved when marketing a destination though film tourism, explore the marketing strategies used by the local South African DMOs and local and foreign film commissions/offices in attracting international film producers, determine what local South African DMOs and local and foreign film commissions/offices perceive as important factors in attracting international film producers, determine and describe the factors influencing international film producers’ selection of a location, determine international film producers’ perceptions of South Africa as a film location in terms of these factors, develop a model for promoting South Africa as an ideal film location to international film producers and then relate the developed model to guidelines in accordance with the services marketing mix (7 Ps). The results obtained identified a number of factors that influence international film producers’ selection of a location and the model can be used to assist DMOs in developing effective marketing strategies in order to attract international film producers to South Africa. This was a qualitative study where three data collection instruments were used on four participant groups; secondary data was also analysed. It was found that South African DMOs do not yet have a working relationship with the relevant film industry leaders; that local film commissions’/offices’ current marketing activities are in line with foreign film commissions’/offices’ marketing strategies; that local DMOs and local and foreign film commissions/offices are more often than not aware of the factors influencing international film producers’ selection of a location and that South Africa has a positive image as a film destination. This research contributes to tourism literature by developing a model and suggesting guidelines that could be used by South African DMOs to attract more international film producers to the country and thus ultimately increase the number of film tourists who visit. All South African DMOs should consider the suggested guidelines when developing a marketing strategy for promoting South Africa as a preferred film destination to international film producers.
Dissertation (MCom)--University of Pretoria, 2014.
tm2015
Tourism Management
MCom
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Kwon, Hyun Jin. "The impact of cultural events on the cinema and tourism in a community, Busan Busan's alternative industry to the cinema and tourism industry after the Pusan International Film Festival (PIFF) /." Online version, 2002. http://www.uwstout.edu/lib/thesis/2002/2002kwonh.pdf.

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Books on the topic "Film tourism"

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Montana. Dept. of Commerce. Tourism & film marketing plan ... Helena, Mont: Travel Montana, Department of Commerce, 1992-, 1992.

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Kim, Sangkyun, and Stijn Reijnders, eds. Film Tourism in Asia. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-5909-4.

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Touring the screen: Tourism and New Zealand film geographies. Chicago: Intellect, 2011.

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Wilson, Samantha. Charting Scottish Tourism and the Early Scenic Film. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39153-9.

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The experiences of film location tourists. Bristol, UK: Channel View Publications, 2010.

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Donald, Stephanie. Tourism and the branded city: Film and identity on the Pacific Rim. Aldershot, Hants, England: Ashgate Pub. Co., 2007.

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Schlappner, Martin. Journalismus aus Leidenschaft. Zürich: Verlag Neue Zürcher Zeitung, 1989.

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Jones, Arthur. Travel and tourism resource file. North Walsham: Geoprojects, 1997.

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Mountjoy, R. W. The leisure and tourism fact file. 2nd ed. Ilminster, Somerset: Wessex, 1997.

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Lüönd, Karl. Weltwärts: Kuoni--die Zukunft des Reisens, seit 1906. Baden: AT-Verlag, 2006.

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Book chapters on the topic "Film tourism"

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Hao, Xiaofei. "Film, tourism." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_86-1.

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Tomala, Karolina, and Florence Faber. "Film tourism." In The Long Tail of Tourism, 149–58. Wiesbaden: Gabler, 2011. http://dx.doi.org/10.1007/978-3-8349-6231-7_16.

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Hao, Xiaofei. "Film." In Encyclopedia of Tourism, 357–59. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_86.

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Eskilsson, Lena, and Maria Månsson. "Film tourism collaborations." In The Routledge Handbook of Popular Culture and Tourism, 404–13. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315559018-35.

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Croy, W. Glen, Ina Reichenberger, and Stefanie Benjamin. "Film Tourist Tribes." In Consumer Tribes in Tourism, 53–67. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7150-3_5.

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Croy, W. Glen, Marieke Kersten, Audrey Mélinon, and David Bowen. "Film tourism stakeholders and impacts." In The Routledge Handbook of Popular Culture and Tourism, 391–403. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315559018-34.

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Beeton, Sue. "The film-induced tourism experience." In Routledge Handbook of the Tourist Experience, 315–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003219866-27.

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Kim, Sangkyun, and Stijn Reijnders. "Asia on My Mind: Understanding Film Tourism in Asia." In Film Tourism in Asia, 1–18. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5909-4_1.

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Tham, Aaron, and Sangkyun Kim. "Factors Hindering the Intention of Tourists to Visit Film Tourism Locations: The Case of the Korean TV Drama Descendants of the Sun (DOTS)." In Film Tourism in Asia, 157–70. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5909-4_10.

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Xu, Min, and Stijn Reijnders. "Inside the Chinese Film Industry: On the Motives and Experiences of Extras at Hengdian World Studios." In Film Tourism in Asia, 171–84. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5909-4_11.

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Conference papers on the topic "Film tourism"

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Zečević, Leposava, Olgica Zečević Stanojević, Ana Milenković, and Mimi Mirjana Vlaović. "THE FILM AS A CREATIVE INDUSTRY IN THE FUNCTION OF MARKETING OF DESTINATION." In Tourism in Southern and Eastern Europe 2017: Tourism and Creative Industries: Trends and Challenges. University of Rijeka, Faculty of Tourism and Hospitality Management, 2017. http://dx.doi.org/10.20867/tosee.04.25.

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Mandić, Ante, and Lidija Petrić. "FILM AS A CREATIVE INDUSTRY CONSTITUENT AND ITS IMPACTS ON TOURISM DEVELOPMENT: EVIDENCE FROM CROATIA." In Tourism in Southern and Eastern Europe 2017: Tourism and Creative Industries: Trends and Challenges. University of Rijeka, Faculty of Tourism and Hospitality Management, 2017. http://dx.doi.org/10.20867/tosee.04.14.

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Yang, Qian. "The Influence of Film and Television IP on Tourism Destination Image Perceived by Tourists." In 2020 International Conference on Management, Economy and Law (ICMEL 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.201111.027.

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Sol, Hermínia, Luís M. Grilo, and João Pinto Coelho. "A statistical contribution on the film tourism. A case study." In PROCEEDINGS OF THE INTERNATIONAL CONFERENCE OF COMPUTATIONAL METHODS IN SCIENCES AND ENGINEERING 2019 (ICCMSE-2019). AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5138002.

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Petrash, E. V., and N. D. Petrash. "Film tourism as an opportunity for successful marketing and advertising in the field of tourism and hospitality." In Scientific achievements of the third millennium. SPC "LJournal", 2021. http://dx.doi.org/10.18411/scienceconf-03-2021-52.

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Park, Hyerim, Jungi Kim, Sunyoung Bang, and Woontack Woo. "The Effect of Applying Film-induced Tourism to Virtual Reality Tours of Cultural Heritage Sites." In 2018 3rd Digital Heritage International Congress (Digital Heritage) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018). IEEE, 2018. http://dx.doi.org/10.1109/digitalheritage.2018.8810089.

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Liu, Lanlan, and Qiang Yu. "Research on the development of film-induced tourism in Heilongjiang Province." In Proceedings of the 2018 International Conference on Economics, Business, Management and Corporate Social Responsibility (EBMCSR 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ebmcsr-18.2018.25.

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Repanova, Terezia. "FILM TOURISM AND ITS POSSIBILITIES FOR DEVELOPMENT IN THE CASE OF SLOVAKIA." In 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.4/s04.040.

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Montañés-Brunet, Elvira Mª. "DEVELOPMENT OF INTERCULTURAL SKILLS IN ENGLISH FOR TOURISM THROUGH FILM-INDUCED LEARNING." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/inted.2016.0961.

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Yu, Wu, and Wu Danyu. "On the Necessity of the Development of Jingdezhen Film and Television Tourism from the Famous Japanese Tourist program qImpression of Tokyoq." In 7th International Conference on Education, Management, Information and Computer Science (ICEMC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icemc-17.2017.238.

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Reports on the topic "Film tourism"

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Wallace, Janae, Trevor H. Schlossnagle, Hugh Hurlow, Nathan Payne, and Christian Hardwick. Hydrogeologic Study of the Bryce Canyon City Area, Including Johns and Emery Valleys, Garfield County, Utah. Utah Geological Survey, August 2021. http://dx.doi.org/10.34191/ofr-733.

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Abstract:
Groundwater resources development and the threat of future drought in Garfield County, southwestern Utah, prompted a study of groundwater quality and quantity in the environs of Bryce Canyon National Park and Bryce Canyon City in Johns and Emery Valleys. Water quality, water quantity, and the potential for water-quality degradation are critical elements determining the extent and nature of future development in the valley. The community of Bryce Canyon City is an area of active tourism and, therefore, of potential increase in growth (likely from tourism-related development). Groundwater exists in Quaternary valley-fill and bedrock aquifers (the Tertiary Claron Formation and Cretaceous sandstone). Increased demand on drinking water warrants careful land-use planning and resource management to preserve surface and groundwater resources of Johns and Emery Valleys and surrounding areas that may be hydrologically connected to these valleys including Bryce Canyon National Park.
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