Relevant bibliographies by topics / Film souple

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Film souple'

Author: Grafiati
Published: 26 July 2023

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Journal articles on the topic "Film souple"

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Gegen, Gegen. "Femme Fatale in French Film Noir." Advances in Humanities Research 1, no. 1 (December 21, 2021): 1–5. http://dx.doi.org/10.54254/ahr.2021001.

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The term film noir was coined by two French film critics Borde and Chaumenton in 1956 to describe American detective stories mode in the 1940s. Noir films were seen as a counter-cultural movement within Hollywood at that time, and the French new wave continued this feature in the 1960s. Therefore, the term noir itself connects the Frenchness and Americanness. This paper tends to map out the film noir sensibilities in French content through unfolding the characteristics of femme fatale in two French noir films Jean-Luc Godards A bout de souffle (Breathless) (1960) and Jean-Jacques Beineixs Diva (1981).
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Gwizdała, Karolina, Paweł Szarlej, Przemysław Gnatowski, Edyta Piłat, Maciej Sienkiewicz, and Justyna Kucińska-Lipka. "Determination of Liquid Detergent Pods as a Potential Microplastic Source." Chemistry & Chemical Technology 17, no. 2 (June 1, 2023): 365–72. http://dx.doi.org/10.23939/chcht17.02.365.

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Washing pods became a popular way to add detergent to washing machines. Despite the claims about the degradability of the pod film, the sludge in pipes can be observed after the usage of such pods. This study fo-cused on a quantitative and qualitative analysis of washing pod films as a source of microplastic.
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Christol, Florent. "Le gore, modalité virale du cinéma hollywoodien." Cinémas 20, no. 2-3 (January 7, 2011): 97–117. http://dx.doi.org/10.7202/045146ar.

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À partir d’une série de films post-hollywoodiens qui font de l’irruption de l’abject un motif privilégié, cet article se propose de mettre en évidence l’existence d’une modalité « virale » qui, se propageant à partir d’un film souche (The Masque of the Red Death de Roger Corman, sorti en 1964), allait infiltrer et contaminer nombre de films à venir. Afin d’éclairer l’émergence de cette modalité, l’auteur revient dans un premier temps sur la logique socioculturelle de décontamination amenée par le puritanisme et sur les thèses développées par Jean Baudrillard sur l’apparition de virus dans un milieu aseptisé. La modalité virale est ainsi présentée comme le symptôme d’une culture qui, à force d’éliminer les « souillures », génère ses propres pathologies. Dans un deuxième temps, cette modalité virale est saisie dans sa dimension métaphorique, comme reflet des soubresauts sociopolitiques qui ébranlent l’Amérique des sixties. À partir de thèses de René Girard, l’apparition du virus dans le cadre du cinéma américain est appréhendée dans sa dimension démystificatrice. Au terme de ce travail, il s’agit de voir en quoi cette modalité peut être envisagée comme une pathologie typiquement filmique. Le film d’horreur « viral » enregistrerait, en effet, la lutte entre un virus et le corps filmique dans lequel il se développe.
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Noel, Laurent, Amine Khitous, Quentin Kirscher, Céline Molinaro, Dominique Berling, and Olivier Soppera. "Écriture laser de materiaux fonctionnels inorganiques preparés par voie sol-gel." Photoniques, no. 112 (2022): 43–47. http://dx.doi.org/10.1051/photon/202211243.

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Les matériaux semi-conducteurs ont des propriétés optoélectroniques intéressantes pour de nombreuses applications microélectroniques. Leur introduction sous forme de films minces sur des substrats fragiles, tels que du verre fin, des feuilles de plastique souple ou des pièces imprimées en 3D, permet de créer de nouveaux matériaux intelligents en introduisant des capteurs ou des photodétecteurs. Dans cet article, nous illustrons l’intérêt de nouvelles approches basées sur des technologies laser et une chimie sol-gel pour intégrer des matériaux fonctionnels inorganiques semi-conducteurs ou diélectriques, dans des procédés rapides, agiles, avec des résolutions spatiales aux échelles micro et nanométriques.
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Müller, Jürgen E. "Pragmatique historique du film : Nouvelle Vague et conception de l’auteur. La réception d’À bout de souffle aux Pays-Bas." Cinémas 2, no. 2-3 (March 8, 2011): 56–87. http://dx.doi.org/10.7202/1001078ar.

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Partant de la théorie de la pragmatique historique du texte, l’auteur développe un modèle heuristique d’une pragmatique historique du film. Basé sur l’esthétique de la réception, sur la phénoménologie et sur la sociologie de la connaissance, ce modèle s’attarde aux processus de production et de réception, c’est-à-dire au réseau d’activités qui constituent l’existence des « textes filmiques ». Dans la deuxième partie de l’article, l’auteur s’applique à démontrer les possibilités de son approche en analysant le rôle du concept de l’« auteur » (comme élément historique du savoir) dans la première réception du film À bout de souffle aux Pays-Bas.
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Mérida Serrano, Rosario, and Tarxilias Heras Peinado. "Análisis de Género del Cine de Animación Infantil como Recurso para una Escuela Coeducativa." Pixel-Bit, Revista de Medios y Educación, no. 62 (2021): 183–208. http://dx.doi.org/10.12795/pixelbit.86062.

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Esta investigación analiza la figura femenina y masculina en 11 películas de animación de las factorías Disney, Pixar y DreamWorks. Se busca aportar información sobre la existencia de roles sexistas y discriminatorios en películas que pueden ser utilizadas como recurso didáctico y comprobar si son un modo de transmisión de contravalores que comprometan la socialización en igualdad de género de la infancia. La investigación se ha llevado a cabo utilizando un enfoque cualitativo de análisis de contenido, a través de un registro analítico elaborado ‘ad hoc’, para conocer en qué porcentaje está representada la figura femenina, su relación con otros personajes y las tramas argumentales asociadas a cada protagonista en función de su género. Los resultados revelan que existe un desequilibrio en la representación femenina y masculina y que se identifican comportamientos sexistas que perpetúan la tradicional imagen social de mujeres y hombres. Se muestran dos nuevos estereotipos: la rebeldía de género y el alarde de excepcionalidad. Se concluye que estas películas no son un recurso óptimo para potenciar los valores de igualdad propios de una escuela coeducativa, a menos que los docentes junto al alumnado, realicen un análisis crítico con perspectiva de género durante su proyección en el aula.
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Laborde, Barbara. "Guillaume Soulez, Quand le film nous parle, rhétorique, cinéma et télévision." Questions de communication, no. 20 (December 31, 2011): 397–99. http://dx.doi.org/10.4000/questionsdecommunication.2187.

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Smith, Steve. "Godard and film noir: a Reading of A bout de souffle." Nottingham French Studies 32, no. 1 (March 1993): 65–73. http://dx.doi.org/10.3366/nfs.1993.007.

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Menezes Ferro, Andressa Liz. "IMBRICAÇÕES FOTONARRATIVAS NO FILME ACOSSADO (À BOUT DE SOUFFLE), DE JEAN-LUC GODARD." PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 6, no. 12 (January 10, 2018): 105–14. http://dx.doi.org/10.26512/pl.v6i12.11769.

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Buscou-se nesse artigo um diálogo entre visualidade e textualidade a partir da análise do filme Acossado, de Jean-Luc Godard. Esse filme foi um dos pioneiros da “Nouvelle Vague”, movimento cinematográfico da década de 60 que instaurou uma nova linguagem do cinema. Essa nova linguagem nasce a partir da proposta de um cinema autoral e inovações de técnicas narrativas que proporcionam uma diversidade de interpretações e diálogos que se dão pela quebra da narrativa tradicional cinematográfica. O filme de Godard apresenta um contínuo interstício entre imagens que dialogam diretamente com o espectador fazendo com que sua ação de ver o filme se torne ativa, e não passiva.
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Kendall, James. "Planting the Seeds of Artistic Subversiveness in À Bout De Souffle: Godard’s Trailblazing Cinematic Language." Studies in Logic, Grammar and Rhetoric 65, no. 1 (December 1, 2020): 57–70. http://dx.doi.org/10.2478/slgr-2020-0046.

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Abstract The following article frames a particular case study: Jean-Luc Godard’s À bout de souffle (1960), referenced in the paper with its American title, Breathless. Foraging through the dense and sophisticated thicket of narrative, visual and textual features, the present study will attempt to untangle the overall intrinsic complexity of Godard’s film, as it exceeds simple commonalities between genre conventions or traditional stylistic approaches. The abrasive dialectical opposition that Breathless enacts against classical storytelling is indeed central to the specific cluster that can be examined under the labels of “experimental cinema”, “auteur cinema”, “art cinema”, predicated on Godard’s abundant departures from cinematic (mainstream) norms. The methodology adopted in the article will encompass both a cultural studies approach and the visual strategies of textual analysis from the perspective of film studies. This will spur a close examination of Godard’s directorial style, paying attention to a rich plethora of technical devices inscribed within salient sequences and offset against the matrix of creative options presented by the French Nouvelle Vague.
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Dissertations / Theses on the topic "Film souple"

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PERRIN, GERALDINE. "Elaboration par pvd et caracterisation de couches minces ferromagnetiques sur film souple pour des applications hyperfrequence." Université Joseph Fourier (Grenoble), 1996. http://www.theses.fr/1996GRE10199.

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Ce travail concerne l'elaboration et l'etude de nouveaux materiaux magnetiques destines a des applications radiofrequences et hyperfrequences entre 1 mhz et 20 ghz. Jusqu'a present, les materiaux preferes dans les applications radiofrequences et hyperfrequences ont ete les ferrites. Il s'agit de materiaux isolants mais ferrimagnetiques donc a faible aimantation spontanee. Or les alliages ferromagnetiques ont des proprietes bien superieures aux ferrites en particulier des aimantations 3 a 4 fois superieures. Mais ce sont des conducteurs metalliques qui ne peuvent etre utilises sous forme massive aux frequences elevees a cause de l'effet de peau. Le present travail transpose la solution du feuilletage aux hyperfrequences et demontre que des composites stratifies du type metal ferromagnetique - isolant peuvent concurrencer les ferrites et meme etre plus performants dans nombre de cas a condition de realiser des taux de charge convenables. Dans ce but, nos composites sont constitues d'empilements de films minces de polymere revetus du depot magnetique. Nous demontrons la possibilite de recouvrir par pulverisation magnetron au deroule de grandes surfaces de polymere (mylar ou kapton d'epaisseur 12 microns voire 3. 5 microns) par des alliages amorphes a base de cobalt, ayant en particulier une anisotropie uniaxiale planaire bien definie et controlee. Les proprietes dynamiques prevues (notamment la violation de la limite de snoek) sont verifiees et differentes solutions sont proposees pour modifier a volonte le spectre de permeabilite. Enfin, deux exemples de realisation de composants hyperfrequences utilisant ces materiaux sont donnes. Sur le plan theorique, nous corrigeons le modele classique de rytov et donnons les caracteristiques electromagnetiques effectives du composite. Nous calculons la contribution magneto-elastique a l'anisotropie dans le cas ou les contraintes sont anisotropes et la rigidite du substrat du meme ordre de grandeur que celle de la couche
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Auvray, Loïc. "Mise en évidence de structures bicontinues et aléatoires dans les microémulsions de Winsor à film interfacial souple : relations structure-courbure du film-basses tensions interfaciales." Paris 11, 1985. http://www.theses.fr/1985PA112060.

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Nous étudions par diffusion centrale des rayons X et des neutrons la structure des microémulsions de Winsor qui contiennent des proportions comparables d'eau et d'huile et sont associées à des tensions interfaciales très petites. Nous obtenons quatre résultats expérimentaux essentiels : i) les microémulsions de Winsor sont des systèmes colloïdaux dispersés. Un film interfacial de tensioactif, mis en évidence par les comportements asymptotiques de l'intensité diffusée, sépare l'eau et l'huile à l'échelle microscopique. Ii) la structure de ces microémulsions est aléatoire. Le rayon de courbure moyen du film est proportionnel au produit des fractions volumiques d'eau et d'huile et inversement proportionnel à la concentration du tensioactif, comme le prévoient les théories de microémulsions aléatoires proposées par Talmon-Prager et de Gennes-Levinson-Jouffroy. Iii) ces microémulsions sont bicontinues : la courbure moyenne du film déduite d'expériences de variations des contrastes varie continument avec la fraction volumique d'huile et s'annule quand la microémulsion contient autant d'eau que d'huile. Iv) les corrélations à grande échelle de l'eau (ou de l'huile) sont de type volume exclus. Ces corrélations s'interprètent bien par l'existence de volumes élémentaires corrélés d'eau et d'huile dans la microémulsion, dont la taille est bien définie et est fixée par la rigidité du film. Nous relions théoriquement la structure de l'interface microémulsion­eau (ou huile) en excès et les variations des tensions interfaciales avec la salinité à des effets de courbure spontanée du film interfacial
We have studied by small angle scattering of X-rays and neutrons the structure of concentrated Winsor micro emulsions, which contain comparable proportions of oil and water and are associated to very law interfacial tensions. We have obtained four essential experimental results: i) the Winsor micro emulsions are colloidal dispersed systems. A surfactant interfacial film, evidenced by the asymptotic behaviors of the scattered intensity, separates oils from water at microscopic scales. Ii) The structure of these micro emulsions is random. The film mean radius of curvature is proportional to the product of the oil and water volume fraction and inversely proportional to the surfactant concentration, as predicted the theories of random micro emulsions proposed by Talmon-Prager and de Gennes­Jouffroy-Levinson. Iii) These micro emulsions are bicontinuous: the film average mean curvature, deduced from contrast variations experiments, varies continuously with the oil volume fraction and vanishes when the micro emulsion contains as much ail as water. Iv) The water (or oil) correlations at large scale are excluded volume like correlations. They are well interpreted by the existence in the micro emulsion of elementary correlated volumes of oil and water, whose size is well defined and fixed by the film stiffness. We theoretically relate the structure of the interface between a micro­ emulsion and an oil (or water) phase in excess and the variations of the interfacial tensions with salinity to the effects of the surfactant interfacial film spontaneous curvature
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Thérien, Francis. "Conception et calibration de capteurs de mouvement à film diélectrique pour robots souples multi-degrés de liberté." Mémoire, Université de Sherbrooke, 2015. http://hdl.handle.net/11143/8388.

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Les robots souples pourraient permettre une interaction homme-robot intrinsèquement sécuritaire car ils sont fabriqués de matériaux déformables. Les capteurs de mouvement adaptés aux robots souples doivent être compatibles avec les mécanismes déformables comportant plusieurs degrés de liberté (DDL) retrouvés sur les robots souples. Le projet de recherche propose des outils de conception pour ce nouveau genre de systèmes de capteurs de mouvement. Pour démontrer ces outils, un système de capteurs est conçu pour un robot souple existant servant pour des interventions chirurgicales guidées par imagerie. De plus, un algorithme de calibration utilisant des techniques d’apprentissage automatique est proposé pour les capteurs à plusieurs DDL. Un prototype du système de capteurs conçu est fabriqué et installé sur le robot souple existant. Lors d’essais expérimentaux, le prototype du système de capteurs atteint une précision moyenne de 0.3 mm et minimale de 1.2 mm.
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Ruellan, Alexandre. "Conception raisonnée à l’aide de la formulation et du procédé d’un film souple biosourcé et biodégradable pour l’emballage alimentaire." Electronic Thesis or Diss., Paris, AgroParisTech, 2015. http://www.theses.fr/2015AGPT0032.

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L'utilisation de ressources renouvelables et la production de matériaux biodégradables sont des solutions adaptées afin de diminuer l'impact environnemental du secteur des plastiques. Il existe donc une demande du marché pour des produits écoresponsables, à condition que ces derniers soient techniquement et économiquement compétitifs par rapport aux matériaux classiquement utilisés. Dans le domaine de l'emballage alimentaire, une technique très employée permettant la réalisation de matériaux performants est la création de structures multicouches combinant avantageusement les propriétés de différents thermoplastiques. Néanmoins, de tels matériaux multi-matières sont difficilement recyclables, leur biodégradabilité devient alors une propriété pertinente. Cette étude propose la réalisation de films souples biosourcés et biodégradables pour l'emballage alimentaire, à partir du polylactide et de coproduits de l'huilerie en tant qu'additifs, notamment les condensats de désodorisation. Parmi ces derniers, la solubilité partielle de leurs molécules ainsi que l'effet synergique des constituants liquides et solides à température ambiante, en fonction de la longueur et du degré d'insaturation de leurs chaînes alkyles, ont été montrés comme responsables de l'augmentation de la ductilité du PLA, permettant néanmoins de conserver sa vitrosité à température ambiante et son intéressante rigidité. L'ajout de PHBV au PLA formulé avec les coproduits de l'huilerie a également été étudié, engendrant principalement une amélioration significative de la tenue thermomécanique du matériau. Des essais d'accroissement d'échelle comprenant la production de granulés, l'extrusion à plat de films ainsi que leur impression sur des machines industrielles ont été réalisés. Enfin, avec l'aide du Laboratoire National de Métrologie et d'Essais (LNE), la conformité du film développé avec les exigences légales concernant les matières thermoplastiques destinées au contact des aliments, mais également son aptitude à la biodégradation selon la norme EN 13432, ont été vérifiées
The use of renewable resources and the production of biodegradable materials are appropriate solutions to reduce the environmental impact of the sector of plastics. There is thus a demand for eco-friendly products on the market provided they obtain performance equal or superior to synthetic materials currently used. One possibility, widely used in the food sector, to achieve efficient packaging film is the creation of multilayer structures by combining advantageous properties of different plastics. In this case, recycling of materials is difficult and the biodegradability of the packaging becomes relevant. This study proposes designing biobased and biodegradable films for food packaging from polylactide and co- products of the oil mill industry as additives, in particular the deodorization condensates. Among these lasts, the partial solubility of their molecules and the synergetic effect of the liquid and solid fat components at room temperature, depending on their alkyl chain length and unsaturation ratio, have both been observed to be responsible for the ductility increase, while the higher than room temperature glass transition of PLA and its interesting rigidity were retained. Addition of PHBV to the formulated PLA with oil by-products has also been studied, mainly leading to a significant improvement in the thermomechanical resistance of the material. Scaled-up trials comprising the production of formulated pellets, cast extruded films and their printing using industrial devices were performed. Finally, with the help of the “Laboratoire National de Métrologie et d’Essais” (LNE), the compliance with requirements of Food Contact Material regulation of a formulated film of PLA, as well as its biodegradability according to the EN 13432 standard, have both been proved
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Tricot, Fanny. "Films réinscriptibles sur supports souples." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSES007/document.

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Les travaux précédents du laboratoire Hubert Curien ont permis d’élaborer des films photosensibles Ag : TiO2 sur verre, support de marquage de motifs actualisables ou permanents. Une adaptation de ces travaux aux supports plastiques et papiers est ici proposée afin d’élargir les domaines d’application potentiels au marquage sécurité des produits par exemple. Des techniques d’élaboration de films Ag : TiO2 compatibles avec les substrats considérés ont donc été développées. Deux voies ont été envisagées. La première utilise la chimie du Sol-Gel combinée à la méthode EISA et des procédés de dépôt tel le spin-coating, le jet d’encre ou la flexographie pour former un film mésoporeux de TiO2 sur les supports. Des traitements basés sur une extraction par solvant ou un recuit infrarouge ont été imaginés afin de libérer la porosité du film sans dégradation du support. Pour réaliser les films sur papier, un sel d’argent est ajouté au Sol avant son dépôt. Dans les cas des films élaborés sur plastique, l’argent est incorporé par imprégnation du matériau dans une solution de sel d’argent. La deuxième voie d’élaboration propose de formuler une encre aqueuse jet d’encre de nanoparticules de TiO2 et d’ions argent, en adaptant la composition d’une suspension commerciale de TiO2 aux exigences du jet d’encre. Après dépôt, l’encre est séchée par recuit infrarouge. Le comportement photochromique sous expositions lumineuses UV et visible des différents films permet leur coloration et décoloration de façon réversible. Les films Sol-Gel déposés sur plastique peuvent également être support de photo-inscriptions permanentes générées par irradiation par une lumière visible d’une certaine intensité
Previous research conducted at laboratory Hubert Curien led to the development of photosensitive Ag: TiO2 films on glass as support for updatable or permanent patterns. An adaptation of this work to plastic and paper substrates is proposed here to broaden the possible application areas such as goods secure labeling, for example. Fabrication techniques of Ag: TiO2 films compatible with flexible substrates have been developed, using two different paths. The first uses the combination of Sol-Gel chemistry with the EISA method. Deposition processes such as spin coating, inkjet or flexographic printing are used to form a mesoporous film of TiO2 on substrates. Treatments based on solvent extraction or infrared annealing have been devised to release the porosity of the film without damaging the supports. Silver salt is either introduced into the titania pores by soaking the films into a silver salt solution or added to the sol before its coating. The second developed option proposes formulating an aqueous ink jet ink made of TiO2 nanoparticles and silver ions by adapting the composition of a commercial suspension of TiO2 with the requirements of the ink jet process. After printing, the ink is dried by infrared annealing. The photochromic behavior under UV and visible light exposures of fabricated films allows to get coloring and bleaching reversibly. Sol-Gel films coated on plastic can also be a support for permanent colored patterns realized by irradiation with a visible light of certain intensity
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Mackay, Jem. "www.swarmtv.net : non-hierarchy through open source approaches to distributed filmmaking." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8756/.

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An increasing number of filmmaking projects borrow approaches from open source programming methodologies in the practical process of film production. The potential benefits of open filmmaking include fast development times, customizable storytelling, less-biased reportage and a rich learning environment for future filmmakers, among others. There has been very little academic study about the challenges of this approach and the opportunities it affords for distributed filmmaking. This thesis explores the possibility of incorporating open source programming methodologies into the practice of distributed filmmaking. It develops a number of emergent policies and procedures that relate to this practice, and tests them out using an interactive website called “Swarm TV”. This online environment acts as a prototype for these policies and procedures, as well as functioning as a probe, testing their effectiveness in the filmmaking projects. Data is collected from the website and has been used from a number of projects over the last nine years, to reflect on how these emergent policies and procedures affect the dynamics of a filmmaking community. From the context of open source programming, the digital revolution has emphasized three main characteristics that are significant in open source methodologies: Openness, Non-hierarchy & Collaboration. These concepts are explored in this thesis to define guidelines for distributed filmmaking projects where open source methodologies are implemented. Analysis of the effectiveness of these policies and procedures is provided for filmmaking projects using Swarm TV, and conclusions are developed focused on the effectiveness of open source approaches to filmmaking projects in distributed communities. The practical research in this thesis demonstrates the extent to which open source methodologies are effective for the filmmaking process, and also, identifies the emergent policies and procedures that might facilitate distributed filmmaking in an online environment.
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Tomlinson, Andrew Simon. "Windows and souls : contrary imaginations in film." Thesis, University of Ulster, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268547.

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Gregori, Damia. "Revêtements photocatalytiques pour substrats organiques souples." Thesis, Lyon 1, 2014. http://www.theses.fr/2014LYO10060/document.

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Ces dernières années, la photocatalyse hétérogène a connu un essor important comme technique de dépollution de l'eau et de l'air. L'application de ce procédé sur des substrats organiques souples, comme les textiles, présente de nombreux challenges. Les revêtements doivent être photoactifs sans pour autant dégrader les supports. Avec l'utilisation du TiO2 comme photocatalyseur, une bonne fixation des particules est primordiale pour éviter tout relargage dans l'environnement. La structuration des matériaux est également un point important. La porosité des films favorise les interactions polluants/photocatalyseurs mais doit être obtenue à faibles températures pour ne pas décomposer les textiles. Pour se faire, nous avons choisi de synthétiser des revêtements composites en insérant des particules commerciales de TiO2 dans une matrice hybride silicatée, celle-ci servant à la fois de liant au substrat et de couche protectrice. La matrice est préparée par le procédé sol-gel qui permet d'insérer aisément des groupements organiques au réseau silicaté. Ces modifications permettent d'apporter de la flexibilité aux revêtements afin de conserver les propriétés mécaniques des supports. Notre étude s'est consacrée à l'élaboration et à l'optimisation de ces systèmes. Une première partie a été réalisée sur des supports inorganiques afin de définir des comportements modèles, avant de transférer la technologie sur les textiles. L'efficacité des revêtements a été évaluée en phase aqueuse et gazeuse par la dégradation de l'acide formique, du bleu de méthylène et du toluène. La stabilité des supports et des films par rapport aux UV a été suivie par plusieurs techniques analytiques (MEB, XPS, ToF-SIMS, RMN, angle de contact, IR, colorimétrie) en accélérant le photovieillissement des matériaux. Diverses caractérisations mécaniques (abrasion, arrachage, rigidité) sont venues compléter notre étude
Heterogeneous photocatalysis was widely developed these last years for water and air depollution. Applications on organic and flexible substrates, like textiles, induce many challenges. The coating must be photoactive without damaging the media. With the use of TiO2 as photocatalyst, a good fixation of the particles is essential to prevent their release into the environment. The material structuration is also an important point. Film porosity promotes pollutants/photocatalysts interactions but must be obtained at low temperatures to avoid textiles degradation. In this context, we chose to synthesize composite coatings inserting commercial TiO2 particles into a silica matrix used as binder and protective layer. The matrix is prepared by the sol-gel process that allows adding organic groups into the silicate network. Such modification of the structure provides flexibility to maintain the mechanical properties of the supports. Our study is devoted to the development and optimization of these systems. The first part was conducted on inorganic substrates to define models behavior before transferring the technology on textiles. Film efficiency was evaluated in gas and aqueous phase degrading formic acid, methylene blue and toluene. The UV stability of the media and the film was followed by several analytical techniques (SEM, XPS, ToF-SIMS, NMR, contact angle, IR, colorimetry) accelerating the photoaging of the materials. Various mechanical characterizations came to complete our study
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Ivana, Maraš. "Percepcija i imaginacija urbanog pejzaža u XX i XXI veku: kinematografske projekcije grada." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110272&source=NDLTD&language=en.

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U radu su istražene brojne i različite veze između grada i medija filma.Razmatrano je kako su filmski prikazi urbanih pejzaža postali njihovintegralni, neodvojivi deo i kako navedeno utiče na promene u sagledavanjuarhitektonskih prostora i urbanog okruženja, kao i na promene u načinu nakoji se sa istima stupa u interakciju. Kroz ispitivanje prikaza gradova ufilmovima, istraživani su tokovi urbanog razvoja i analizirane su iinterpretirane društveno-prostorne promene koje se odvijaju od početka XXveka do danas u velikim evropskim i severnoameričkim gradovima.
The thesis explores numerous and different relations between the city andfilm medium. It has been considered how cinematic images of urbanlandscape have become their integral, inseparable part, and how thisinfluences changes in the perception of architectural spaces and the urbanenvironment, as well as changes in the way in which people interact withthem. By examining the representation of cities in films, urban developmenttrends have been studied and socio-spatial changes taking place in largeEuropean and North American cities from the beginning of the 20th centuryto the present day have been analyzed and interpreted.
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Beam, Brooke W. "Lights, Cameras, and Agricultural Documentaries: Understanding viewers’ interpretation of source credibility in food documentary films." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500448684766755.

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Books on the topic "Film souple"

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Richard, David Evan. Film Phenomenology and Adaptation. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722100.

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Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of the embodied imagination and memory thicken and make tangible an adaptation’s source. In doing so, this book not only conceives adaptation as an intertextual layering of source material and adaptation, but also an intersubjective and textural experience that includes the materiality of the body.
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illustrator, Duchesne Séverine, ed. Si tu ne manges pas ta soupe ... Montrouge]: Frimousse, 2015.

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Baratti, Alessandro. Tutte le ore feriscono, l'ultima uccide!: (La deuxième souffle, 1966) di Jean Pierre Melville. Roma: Gremese, 2018.

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Le premier souffle: Roman. Paris: Calmann-Lévy, 2003.

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VIVIENNE, BLATTEIS ANGELA VELLA. SOUP CLEANSE: Eat your way to a clean, lean, nourished body in less than a week. [Place of publication not identified]: QUERCUS Publishing, 2016.

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Comprendre Godard: Travelling avant sur À bout de souffle et Le mépris. Paris: Colin, 2006.

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(Firm), Blue Source, ed. Blue Source. Tokyo, Japan: DesignEXchange Co., 2002.

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Perrier, c'est nous!: Histoire de la source Perrier et de son personnel. Paris: Atelier, 2005.

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Perrier-Nestlé, histoire d'une absorption: Histoire sociale d'une entreprise à l'heure des changements culturels, 1990-2000. Paris: Atelier, 2008.

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Schäfer, Christoph, and Gregory Pittman. Scribus: Open source desktop publishing : the official manual. Great Britain: FLES Books, 2009.

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Book chapters on the topic "Film souple"

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Weik, Martin H. "source file." In Computer Science and Communications Dictionary, 1620. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_17744.

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Chapman, James. "Film as a Historical Source." In Film and History, 73–89. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-36732-7_5.

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Brotherton, S. D. "Source-Gated Transistors." In Introduction to Thin Film Transistors, 453–80. Heidelberg: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-00002-2_12.

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Cooper, Sarah. "Classical Souls." In The Soul of Film Theory, 23–67. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137328588_2.

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Cooper, Sarah. "Signifying Souls." In The Soul of Film Theory, 68–107. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137328588_3.

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Dalrymple, Mark, and Scott Knaster. "Source File Organization." In Learn Objective-C on the Mac, 87–100. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1816-6_6.

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Knaster, Scott, Waqar Malik, and Mark Dalrymple. "Source File Organization." In Learn Objective-C on the Mac, 79–90. Berkeley, CA: Apress, 2012. http://dx.doi.org/10.1007/978-1-4302-4189-8_6.

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Bennesved, Peter, and Casper Sylvest. "Embedding Preparedness, Assigning Responsibility: The Role of Film in Sociotechnical Imaginaries of Civil Defence." In Cold War Civil Defence in Western Europe, 103–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84281-9_5.

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AbstractThis chapter examines the role of film and television in embedding sociotechnical imaginaries of civil defence during the early nuclear age (c. 1949–1965) by zooming in on Sweden and Denmark, two neighbouring countries that differed both in terms of their political position in the Cold War and in the scale of their civil defence efforts. Following a theoretical discussion of the psychosocial effects of films and their manner of circulation, we analyse Swedish and Danish films in two periods demarcated by the thermonuclear disruption of civil defence during the mid-1950s. The analysis highlights how films were used to frame technologies and script and perform social norms. We argue that films constitute an important source for understanding the difficulties of embedding sociotechnical imaginaries of civil defence.
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Bassetti, Nanni, and Denis Frati. "Selective File Dumper." In Open Source Software for Digital Forensics, 117–24. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-1-4419-5803-7_8.

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Leonard, Andy, Tim Mitchell, Matt Masson, Jessica Moss, and Michelle Ufford. "Flat File Source Patterns." In SQL Server Integration Services Design Patterns, 135–69. Berkeley, CA: Apress, 2014. http://dx.doi.org/10.1007/978-1-4842-0082-7_7.

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Conference papers on the topic "Film souple"

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Monleón Domínguez, Ana. "Traversées migratoires: Des étoiles (2013) de Dyana Gaye." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3179.

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Dyane Gaye (1975) apporte à l’espace du cinéma franco-sénégalais une nouvelle perspective. Tout en prenant appui sur la référence dakaroise, elle accorde un regard plus ample sur les situations de migration où l’élément aquatique et la traversée (au sens physique et symbolique) sont très présents.Des étoiles est son premier long métrage qui a reçu des mentions et des opinions très favorables de la part de la critique. Dans le film, nous pouvons suivre le parcours de trois personnages, de trois destins qui déplacent le spectateur de Dakar à Turin et finalement à New York. Les paysages et les espaces que traversent les personnages sont une toile de fond qui les fixe dans un réel, sans pour cela les restreindre, car il s’agira bien plus de les appréhender dans la transformation qu’ils éprouvent lors de leur déplacement. Dyane Gaye fait preuve à nouveau dans ce premier film d’une efficace maîtrise narrative souple et sobre à la fois. On y retrouvera également, comme dans ses courts métrages antérieurs et notamment Deweneti (2006), un point de vue où se mêlent empathie et tendresse.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3179
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Zhang, Su-ying, Ge-ya Wang, and Tian-Shen Shi. "Microstructure of the source material for PbTe film deposition." In Thin Film Physics and Applications: Second International Conference, edited by Shixun Zhou, Yongling Wang, Yi-Xin Chen, and Shuzheng Mao. SPIE, 1994. http://dx.doi.org/10.1117/12.190732.

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Eres, Gyula. "Kinetic Modeling of the Atomic Layer Epitaxy Window in Group IV Semiconductor Growth." In Microphysics of Surfaces: Nanoscale Processing. Washington, D.C.: Optica Publishing Group, 1995. http://dx.doi.org/10.1364/msnp.1995.mthc3.

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Atomic layer epitaxy (ALE) is a method for epitaxial growth of semiconductor thin films that utilizes the adsorption kinetics of source gases for external control of the film growth process [1]. ALE takes advantage of the self-limiting nature of the chemisorption process for achieving layer-by-layer growth of semiconductors with uniform film thickness, ideally, 1 ML per adsorption cycle. The 1 ML/cycle film growth is a uniquely distinguishing feature, that makes ALE highly attractive for preparation of ultrathin films of precisely controlled thickness. Other unique characteristics of ALE growth are that the spatial homogeneity of thin films, and the film thickness per cycle are insensitive to small variations in the external process parameters. The parameter space in which ALE is independent of external conditions is known as the ALE window [2].
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Tamada, Makio, and Yuta Sunami. "Establishment of Mass Production Method of Mesoporous Silica Thin Film and Development of Porous Carbon Thin Film Using 1,4-Dihydroxyanthraquinone As Carbon Source." In ASME 2019 28th Conference on Information Storage and Processing Systems. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/isps2019-7468.

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Abstract Porous materials typified by mesoporous silica and porous carbon are expected to be applied in various fields such as adsorption, ion exchange, and engineering. In this research, we focused on mesoporous silica thin films and porous carbon thin films. For the mesoporous silica thin film, mass creation method was established the by introducing the roll-to-roll fabrication method. In this method, the pore size could be controlled by changing the molar ratio of the precursor solution, and the thickness of mesoporous silica film is controlled by changing the peripheral speed ratio. In the development of porous carbon thin film, we succeeded to express pores by using 1,4-dihydroxyanthraquinone as a carbon source. X-ray analysis and arithmetic mean roughness measurements were made on the fabricated carbon thin film. As a result, it was confirmed that the porous carbon thin film prepared in this study has a higher specific surface area than the porous carbon thin film synthesized by the conventional manufacturing method.
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Lu, Jing-Hui, Zhi-Biao Hao, Zai-Yuan Ren, and Yi Luo. "InP and InGaAsP materials grown by solid-source molecular beam epitaxy." In 4th International Conference on Thin Film Physics and Applications, edited by Junhao Chu, Pulin Liu, and Yong Chang. SPIE, 2000. http://dx.doi.org/10.1117/12.408404.

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Kuan, H., Yan-Kuin Su, and W. J. Tzou. "High-quality InP epitaxial layers grown by metal-organic chemical vapor deposition using tertiarybutylphosphine (TBP) source." In Thin Film Physics and Applications: Second International Conference, edited by Shixun Zhou, Yongling Wang, Yi-Xin Chen, and Shuzheng Mao. SPIE, 1994. http://dx.doi.org/10.1117/12.190773.

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Hu, Xiaoyong, Fengmei Liu, Longbin Tuan, Ying Yin, Taixun Zhu, and Jingshan Zhao. "Laser-induced chemical vapor deposition diamondlike film." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.mm3.

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Laser-induced chemical vapor deposition of thin films has many features, such as a low temperature reaction to produce photodissociation to deposit films, etc. Also, diamond film has the characteristics of high hardness, good heat conduction, etc., so it is of considerable practical importance in mechanical and electrical industries, semiconductor industry, etc. In our experiment, a 200-mJ/pulse 308-nm XeCl excimer laser light (EMG201) was used for irradiation. C6H6 or C7H8 was selected as a source gas, H2 was used as diluted gas. The pressure of the reactor was 10–20 torr, when it contained only a source gas; otherwise, it was ~40 torr when it had a source gas and H2. The gases were inert. The substrate was silicon wafers of (111) plane. The substrate was heated by a heating element, and its highest temperature was below 150° C. During deposition, laser-induced fluorescence and laser ionization spectroscopy were used to analyze the different photodissociated products. Also, x-ray diffraction, Raman spectra, scanning electron spectroscopy, etc., were used to analyze the composition of the film. From the above analysis, we obtained our diamondlike film.
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Dalili, A., S. Chandra, J. Mostaghimi, H. T. Charles Fan, and J. C. Simmer. "Bubble Entrapment in Sprayed Films." In ASME 2014 4th Joint US-European Fluids Engineering Division Summer Meeting collocated with the ASME 2014 12th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/fedsm2014-21763.

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A compressed air sprayer was used to spray model paint onto two glass substrates at the same time. Afterwards, one glass substrate was placed on a LED light source and still photographs were taken from the top using a DSLR camera with a timer system. The other substrate was put on a balance to record weight. Pictures and weight measurements were taken at 5 second intervals for 15 minutes. The sprayed film thickness was varied. The pictures were analyzed using ImageJ software. Bubble Count vs. Time, Sauter Mean Diameter (SMD) of Bubbles vs. Time as well as Weight vs. Time was plotted. It was seen that the pace of weight loss was faster for thinner films. The rate of bubble escape also depended on film thickness. It took a longer time for thicker films to lose the bubbles entrapped in them. In the first 30 seconds, large bubbles escaped due to buoyancy forces and afterwards surface-tension driven flows became dominant. There was also a lot of bubble movement in thicker films. The effect of gravity was studied as well. Gravity did not affect the bubble escape rate since a downward facing film had the same bubble count as an upward facing film confirming that bubble motion was not due to buoyancy forces alone. However, the SMD of bubbles in a downward facing film was larger than an upward facing film. Buoyancy is not a factor in bubble escape from the downward facing film and only surface-tension driven flows play a role.
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Morton, Dale E., and Vitaly Fridman. "Dense moisture stable titania and silica ion assisted deposited films deposited using a compact cold cathode ion source." In Optical Interference Coatings. Washington, D.C.: Optica Publishing Group, 1997. http://dx.doi.org/10.1364/oic.1998.ma.6.

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Considerable data has been published on the benefits of ion assisted deposition (IAD) (1,2,3). The cold cathode ion source is a relatively mature device but has generally been regarded as having limited utility in applications requiring large area, uniform ion beams or improving the oxidation of reactive processes and increasing the refractive index of deposited films. A majority of the thin film community did not regard the early versions of the cold cathode ion source as equivalents to the Kaufinan gridded ion sources, end-Hall ion sources, Advanced Plasma Source (APS) or Reactive Low Voltage Ion Plating in producing high-index, moisture stable films.
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Mashwani, Syed Rahman, Azhar Rauf, Shah Khusro, and Saeed Mahfooz. "Linked file system: Towards exploiting linked data technology in file systems." In 2016 International Conference on Open Source Systems & Technologies (ICOSST). IEEE, 2016. http://dx.doi.org/10.1109/icosst.2016.7838590.

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Reports on the topic "Film souple"

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Peyghambarian, N., N. R. Armstrong, H. Hall, A. Padias, and S. Mazumdar. An Organic Thin Film Laser Diode: A Novel Light Source. Fort Belvoir, VA: Defense Technical Information Center, November 1994. http://dx.doi.org/10.21236/ada289007.

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Walko, R. J., J. G. Fleming, and J. W. Hubbs. Novel thin film field emission electron source laboratory directed research and development final report. Office of Scientific and Technical Information (OSTI), April 1997. http://dx.doi.org/10.2172/468614.

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Turner, C. NZ8 SS Source Ar-Fill B-Dot Post-Simulations Z2751 Scaled Spectrum. Office of Scientific and Technical Information (OSTI), July 2019. http://dx.doi.org/10.2172/1762949.

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Pe-Piper, G., D. J W Piper, J. Nagle, and P. Opra. Petrography of bedrock and ice-rafted granules: Flemish Cap, offshore Newfoundland and Labrador. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/331224.

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This Open File report provides petrographic information from a scanning electron microscope study of granules and small pebbles in four selected trawl samples from Flemish Cap. The mineral composition of the granules was determined by energy dispersive spectroscopy (EDS) and textures are shown in backscattered electron images (BSE). It complements Open File 8359 on the heavy mineral assemblage on Flemish Cap. Granules on the central shoals appear to be derived from outcropping Avalonian basement; those to the east and west are predominantly ice-rafted in origin. These data improve our understanding of the source of the voluminous sands on Flemish Cap and the characteristics of the Avalonian basement rocks on southern Flemish Cap.
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Chen, Xing. High-Density Plasma Source for Large-Area Chemical Vapor Deposition of Diamond Films. Fort Belvoir, VA: Defense Technical Information Center, December 1994. http://dx.doi.org/10.21236/ada289053.

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Hall, Bronwyn. Investment and Research and Development at the Firm Level: Does the Source of Financing Matter? Cambridge, MA: National Bureau of Economic Research, June 1992. http://dx.doi.org/10.3386/w4096.

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Lamontagne, M. Macroseismic information for the 1935 moment magnitude 6.1 earthquake, near Témiscamingue, Quebec. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329136.

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The November 1st, 1935, Témiscaming earthquake occurred within 20 km of the town of Témiscaming, Quebec. This earthquake was felt west to Fort William (now part of Thunder Bay), Ontario, east to Saint John, New Brunswick, and south to Kentucky and Virginia. Damaged chimneys were reported in Témiscaming, Quebec, and North Bay and Mattawa, Ontario. In the epicentral region, rockfalls were observed as well as cracks in gravel and sand along the shores of islands and lakes. Some 350 km away from the epicentre, near Parent, Quebec, earthquake vibrations triggered a 30 metre slide of railroad embankment. Numerous aftershocks were felt in Témiscaming and Kipawa during the following months, the largest rated as magnitude ML 5.4 (or mN 4.9). For the main shock and its largest aftershock, this Open File Report provides the available macroseismic information interpreted on the Modified Mercalli Intensity Scale using newspaper accounts as the main source of information for Canada. Macroseismic information from total of 126 localities in Canada and nearly 900 communities in the US (from the NOAA database of intensities) are tabulated in a Microsoft Excel spreadsheet. When available, newspaper clippings are included, together with some original damage accounts, photographs and scientific reports. The Open File also includes a Google Earth kmz file that allows the felt information reports to be viewed in a spatial tool.
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Wu, Chase Qishi. Composition and Realization of Source-to-Sink High-Performance Flows: File Systems, Storage, Hosts, LAN and WAN. Office of Scientific and Technical Information (OSTI), December 2016. http://dx.doi.org/10.2172/1312186.

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Bedzyk, Michael J. Development of instrumentation for surface, interface and thin film science at the Advanced Photon Source. Final Technical Report for period September 15, 1994 - September 14, 2000. Office of Scientific and Technical Information (OSTI), September 2000. http://dx.doi.org/10.2172/811794.

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Amaya, Ashley. RTI International’s Address-Based Sampling Atlas: Drop points. RTI Press, December 2017. http://dx.doi.org/10.3768/rtipress.2017.op.0047.1712.

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The Computerized Delivery Sequence (CDS) file contains listings for nearly all addresses in the United States. Survey researchers use the CDS as a sampling frame from which to draw an address-based sample (ABS). More than 700,000 addresses on the CDS are marked as drop points, which are mail receptacles shared by multiple housing units (drop units). Drop points are a challenge to sample and present a potential source of error because of their "one-to-many" relationships. Several techniques have been developed to overcome this challenge, including deleting them from the frame or sampling all units at a given drop point. This paper serves as an introduction to these challenges, discusses the pros and cons to each "solution," and provides a list of best practices.
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