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Books on the topic 'Film sonore'

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Author: Grafiati

Published: 22 June 2024

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1

Mannoni, Laurent, and Maurice Gianati. Alice Guy, Léon Gaumont et les débuts du film sonore. New Barnet, Herts, United Kingdom: JL, 2012.

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2

Mari, Jean-Claude. Quand le film se fait musique: Une nouvelle ère sonore au cinéma. Paris: Harmattan, 2007.

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3

Callu, Agnès. Patrimoine sonore et audiovisuel français: Entre archives et témoignages : guide de recherche en sciences sociales. Paris: Editions Belin, 2004.

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4

1941-, Abel Richard, Altman Rick 1945-, and Domitor Conference (5th : 1998 : Library of Congress), eds. The Sounds of early cinema. Bloomington, IN: Indiana University Press, 2001.

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5

Casadio, Gianfranco. Opera e cinema: La musica lirica nel cinema italiano dall'avvento del sonoro ad oggi. Ravenna: Longo Editore, 1995.

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6

Calabretto, Roberto. Lo schermo sonoro: La musica per film. Venezia: Marsilio, 2010.

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7

Jullier, Laurent. Le son. [Paris]: Cahiers du cinema, 2006.

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8

Posadas, Abel. Cine sonoro argentino: 1933-1943. Buenos Aires: El Calafate Editores, 2005.

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9

Canada. Multiculturalism and Citizenship Canada., ed. Film, video, and audio productions =: Productions cinématographiques, vidéos et sonores. Ottawa: Multiculturalism and Citizenship Canada = Multiculturalisme et citoyenneté Canada,$cc1992., 1992.

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10

Chion, Michel. L' audio-vision. Paris: Nathan, 1990.

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11

Pinel, Vincent. Filmographie des longs métrages sonores du cinéma français. S.l: s.n, 1985.

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12

Holman, Tomlinson. Sound for film and television. Boston, Mass: Focal Press, 1997.

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13

Holman, Tomlinson. Sound for film and television. 2nd ed. Boston, Mass: Focal Press, 2002.

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14

Carabinieri, Italy Esercito. Carabinieri nel cinema: Dal cinema muto al sonoro. Roma: Ente editoriale per l'arma dei Carabinieri, 2000.

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15

Purcell, John. Dialogue editing for motion pictures: A guide to the invisible art. 2nd ed. Burlington, MA: Focal Press, 2014.

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16

Comuzio, Ermanno. Colonna sonora: Dizionario ragionato dei musicisti cinematografici. Roma: Ente dello spettacolo, 1992.

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17

Rose, Jay. Audio postproduction for film and video. 2nd ed. Burlington, MA: Elsevier/Focal Press, 2009.

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18

Quargnolo, Mario. La parola ripudiata: L'incredibile storia dei film stranieri in Italia nei primi anni del sonoro. Udine: Le Cineteca del Friuli, 1986.

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19

Yewdall, David Lewis. Practical art of motion picture sound. 4th ed. Waltham, MA: Focal Press, 2012.

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20

Wyatt, Hilary. Audio post production for television and film: An introduction to technology and techniques. 3rd ed. Oxford [England]: Focal Press, 2005.

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21

Dolfi, Anna, ed. Stabat mater. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-688-0.

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Abstract:

Lo stabat mater, come pochi altri oggetti della tematologia, vede una stessa postura tradursi in linguaggi diversi, registra il modificarsi e il persistere di una gestualità che dà voce all’inaccettabilità della perdita e alla durata immobile del dolore. Dalle mères en deuil dell’antichità classica al venir meno di Maria ai piedi delle crocifissioni che hanno scandito la storia dell’arte, da Jacopone da Todi, dal Giotto degli Scrovegni ad oggi, rilievi in pietra e in marmo, pannelli lignei, affreschi, vetrate, incisioni, tempere, olii, manoscritti, scrittura, accanto alle note di Palestrina, Vivaldi, Scarlatti, Pergolesi, Boccherini, Rossini…, hanno riproposto la figura della madre dolente. In questo libro si è cercato di registrare le costanze e le alterazioni del topos, sottolineando le differenze che esistono tra espressioni verbali, musicali, visive in relazione al mutamento dei tempi, al rovesciamento del ruolo. Se la narrativa, soprattutto italiana, è presente con Manzoni, Fogazzaro, D’Annunzio, Gadda, Vittorini, Pavese, Dessí, la Morante, Calvino…; la poesia con Gatto, Jaccottet, la Szymborska, la Merini, Yves Bichet…, quanto intriga, in questo complesso volume ideato e curato da Anna Dolfi , è il tentativo di muoversi su terreni quasi di confine, facendo parlare il cinema (Pasolini), l’architettura, facendo interagire la musica con la letteratura e i libretti d’opera, intrecciando colonne sonore con film di successo, dando modelli figurativi alla fotografi a (con gli scatti di Letizia Battaglia). Testi poetici di De Signoribus e Vegliante, per l’occasione ricondotti al tema, sigillano una ricerca che si interroga su modelli e tipologie, mostrando anche l’esistenza di un ulteriore recente rovesciamento, quello, inedito, che vuole che sia la pietas del figlio a posare accanto alla madre.

22

Giusy, Pisano, Pozner Valérie, and Association française de recherche sur l'histoire du cinéma, eds. Le muet a la parole: Cinéma et performances à l'aube du XXe siècle. Paris: Association française de recherche sur l'histoire du cinéma, 2005.

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23

Asociación Española de Historiadores del Cine. Congreso. El paso del mudo al sonoro en el cine español: Actas del IV congreso de la A.E.H.C. Madrid: Editorial Complutense, 1993.

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24

Christensen, James. Sonar 5 overdrive!: Expert quick tips. Boston, MA: Thomson/Course Technology, 2006.

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25

Anderton, Craig. Sonar 2. Bremen: Wizoo Publishing, 2002.

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26

Anderton, Craig. Sonar. Bremen, Germany: Wizoo, 2001.

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27

Smithers, Brian. Sonar 4 ignite! Boston, MA: Thomson/Course Technology, 2004.

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28

Anderton, Craig. The guitarist's guide to Sonar. Boston: Course Technology, 2012.

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29

Garrigus, Scott R. Sonar 7 power!: The comprehensive guide. Boston, MA: Thomson Course Technology, 2007.

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30

Garrigus, Scott R. Sonar X3 power!: The comprehensive guide. Boston, MA: Cengage Learning, 2015.

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31

Casadio, Gianfranco. I mitici eroi: Il cinema ʺpeplumʺ nel cinema italiano dall'avvento del sonoro a oggi (1930-1993). Ravenna: Longo, 2007.

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32

Garrigus, Scott R. Sonar X1 power!: The comprehensive guide. Boston, MA: Course Technology Cengage Learning, 2012.

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33

Chion, Michel. Le son au cinéma. Paris: Editions de l'Etoile, 1985.

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34

Chion, Michel. Le son au cinéma. Paris: Éditions de l'Étoile, 1992.

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35

Pinel, Vincent. Filmographie des longs métrages sonores du cinéma français: Produits et présentés commercialement sur grand écran entre 1930 et 1984, à l'exception des films classés "X". Paris: La Cinémathèque française, 1985.

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36

Sasse, Susan. Historia general del cine: Volumen XII: El cine en la era del audiovisual. Madrid: Cátedra, 2000.

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37

Canada. Multiculturalism and Citizenship Canada., ed. Film, video, and audio productions supported by multiculturalism programs 1973-1992 =: Productions cinématographiques, vidéoset sonores subventionnées par les programmes du multiculturalisme 1973-1992. Ottawa: Multiculturalism and Citizenship Canada, 1992.

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38

Ament, Vanessa Theme. The foley grail: The art of performing sound for film, games, and animation. Amsterdam: Focal Press, 2009.

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39

William, Edstrom. The power in Cakewalk SONAR. Montclair, NJ: Hal Leonard Books, 2013.

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40

Sarris, Andrew. You ain't heard nothin' yet: The American talking film : history & memory, 1927-1949. New York: Oxford University Press, 1998.

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41

Garrigus, Scott R. Sonar 4 power! Boston, MA: Thomson Course Technology, 2005.

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42

Costa, Román Oltra. Seixanta anys de cinema català, 1930-1990: Un índex de films i directors des dels inicis del sonor fins avui insert en el seu context històric. Barcelona: Institut del Cinema Català, 1990.

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43

Archivists, Society of American. SAA yellow pages: 1994 directory of individual and institutional members. Chicago, IL: Society of American Archivists, 1993.

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44

Landro, Monica, and Abel Posadas. Cine Sonoro Argentino. El Calafate Editores, 2005.

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45

Landro, Monica, and Abel Posadas. Cine Sonoro Argentino 1933- 1943 Tomo II. El Calafate Editores, 2006.

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46

Sound for film and television. 2nd ed. Boston, Mass: Focal Press, 2002.

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47

Market leader elementary business english : practice file [grabación sonora]. Longman, 2008.

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48

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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49

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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50

Rose, Jay. Audio Postproduction for Film and Video. Taylor & Francis Group, 2012.

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