Journal articles on the topic 'Film script'
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Admaja, Yoan Hadi Kusuma, and Anisya Sonita. "Multimedia development life cycle method for script making in the film kultur." Borobudur Informatics Review 2, no. 1 (August 29, 2022): 36–46. http://dx.doi.org/10.31603/binr.6139.
Full textFoster, Kieran. "Repurposing the Archive: Unmade Films, Vampirella and Adaptation." Journal of British Cinema and Television 19, no. 4 (October 2022): 518–35. http://dx.doi.org/10.3366/jbctv.2022.0645.
Full textKorshunov, Vsevolod Vyacheslavovich, and Vsevolod Vyacheslavovich Korshunov. "A Film as an "Unfinished Script": theProblem of Composition." Journal of Flm Arts and Film Studies 2, no. 4 (December 15, 2010): 112–28. http://dx.doi.org/10.17816/vgik24112-128.
Full textMałgorzata Hendrykowska, Małgorzata Hendrykowska. "Ważyk – Ford – Starski. Historia pewnego scenariusza." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 26, no. 35 (December 15, 2019): 35–61. http://dx.doi.org/10.14746/i.2019.35.02.
Full textGrayston, K. "Book Reviews : Imaginative Film Script." Expository Times 109, no. 8 (May 1998): 245. http://dx.doi.org/10.1177/001452469810900809.
Full textHenschen, Jan. "Die Filmprimadonna (The Film Primadonna, 1913): A case study of the fiction of a screenplay and the process of filmmaking in German early cinema." Journal of Screenwriting 10, no. 3 (September 1, 2019): 247–59. http://dx.doi.org/10.1386/josc_00002_1.
Full textWibowo, Ridha Mashudi, and Rudi Ekasiswanto. "Penulisan Naskah Film Pendek Komunitas Saba Eksploit SMAN I Bantul, DIY." Bakti Budaya 5, no. 2 (October 31, 2022): 216–29. http://dx.doi.org/10.22146/bakti.5604.
Full textLiutianska, N. I. "FILM SCRIPT IN THE ASPECT OF FILM TRANSLATION." Тrаnscarpathian Philological Studies 2, no. 23 (2022): 188–91. http://dx.doi.org/10.32782/tps2663-4880/2022.23.2.37.
Full textMichalovič, Michal. "The Miraculous Virgin: Journey from Novella to Shooting Script." Slovenske divadlo /The Slovak Theatre 66, no. 1 (March 1, 2018): 52–66. http://dx.doi.org/10.2478/sd-2018-0004.
Full textHaryati, Haryati. "Presupposition in The Mystery and Thriller Film of “Escape from Pretoria"." Journal of Pragmatics Research 4, no. 1 (August 10, 2022): 122–36. http://dx.doi.org/10.18326/jopr.v4i2.122-136.
Full textSitumeang, Asima Trismawati, Saidin ., and T. Keizerina Devi A. "Legal Protection on the Moral Rights and Economic Rights of the Author of Film Script Writing Pursuant to Law No. 28 of 2014 Concerning Copyright (Analysis of Copyright Infringement Case by a Production House of the “ Benyamin Biang Kerok” Film)." International Journal of Research and Review 8, no. 8 (August 29, 2021): 731–39. http://dx.doi.org/10.52403/ijrr.20210896.
Full textBolton, Jonathan. "Mendacity, Rule Consequentialist Ethics and The Ploughman's Lunch." Film-Philosophy 26, no. 1 (February 2022): 26–43. http://dx.doi.org/10.3366/film.2022.0188.
Full textWahab, Azrin, and Noraini Abu Talib . "Malaysian Film Projects Network Mobilization." Journal of Social and Development Sciences 4, no. 2 (February 28, 2013): 61–68. http://dx.doi.org/10.22610/jsds.v4i2.736.
Full textJaroszuk, Grzegorz. "Otwarcie filmu fabularnego, jego funkcje i znaczenie." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 20, no. 29 (March 15, 2017): 233–51. http://dx.doi.org/10.14746/i.2017.29.14.
Full textOgudov, S. A. "Narrative Distance in Screenplay: “The Heir to Genghis Khan” by Vsevolod Pudovkin." Critique and Semiotics 39, no. 1 (2021): 383–402. http://dx.doi.org/10.25205/2307-1737-2021-1-383-402.
Full text류훈. "Storytelling in film script - Focus on industrial feature films -." 한국문예비평연구 ll, no. 33 (December 2010): 7–40. http://dx.doi.org/10.35832/kmlc..33.201012.7.
Full textWahana, Agung, Diena Rauda Ramdania, Dhanis Al Ghifari, Ichsan Taufik, Faiz M. Kaffah, and Yana Aditia Gerhana. "Breakdown film script using parsing algorithm." TELKOMNIKA (Telecommunication Computing Electronics and Control) 18, no. 4 (August 1, 2020): 1976. http://dx.doi.org/10.12928/telkomnika.v18i4.14849.
Full textClose, Ronnie. "More Out of Curiosity (Film Script)." Architecture and Culture 3, no. 1 (March 2015): 1–2. http://dx.doi.org/10.2752/205078215x14236574274104.
Full textمحمد توم, أ. د. مجذوب بخيت, and أ. بهاء الدين محمد إبراهيم. "Documentaries and environmental issues in Sudan." علوم الاتصال 7, no. 3 (October 5, 2022): 1–42. http://dx.doi.org/10.52981/cs.v7i3.2699.
Full textLonngren, T. P. "‘...Insured against the tyranny of time’.Knut Hamsun’s last play and an unknown Russian film script." Voprosy literatury, no. 5 (December 19, 2018): 76–102. http://dx.doi.org/10.31425/0042-8795-2018-5-76-102.
Full textArcana, Judith. "Poem as Notes for a Film Script." Affilia 18, no. 2 (May 1, 2003): 229–33. http://dx.doi.org/10.1177/0886109903251423.
Full textSmith, C. Jason. "Film Voices: Interviews from Post Script (review)." Film & History: An Interdisciplinary Journal of Film and Television Studies 36, no. 1 (2006): 74–76. http://dx.doi.org/10.1353/flm.2006.0017.
Full textMarini, Fitri, and Pardi Pardi. "MORAL VALUES IN JUSTIN ZACKHAM’S MOVIE SCRIPT THE BUCKET LIST." JOURNAL OF LANGUAGE 4, no. 1 (May 29, 2022): 119–29. http://dx.doi.org/10.30743/jol.v4i1.5209.
Full textMartianova, Irina A. "The presence of the possible world of cinema text in the modern screenplay." Vestnik of Saint Petersburg University. Language and Literature 19, no. 3 (2022): 546–58. http://dx.doi.org/10.21638/spbu09.2022.309.
Full textNathansohn, Regev. "A Film Never Completed." Anthropology of the Middle East 14, no. 1 (June 1, 2019): 108–24. http://dx.doi.org/10.3167/ame.2019.140107.
Full textWalsh, Richard. "Ready for His Closeup? Pasolini’s San Paolo and Paul, Apostle of Christ (2018)." Journal of the Bible and its Reception 6, no. 1 (April 24, 2019): 1–37. http://dx.doi.org/10.1515/jbr-2019-1004.
Full textHairi, Sohibul. "THE PORTRAIT OF CHARACTER BUILDING IN ‘TWILIGHT’ FILM SCRIPT THROUGH ETHICAL VALUES." Journal of English for Academic and Specific Purposes 2, no. 1 (June 22, 2019): 33. http://dx.doi.org/10.18860/jeasp.v2i1.7262.
Full textBarnard, Timothy P. "Film Melayu: Nationalism, modernity and film in a pre-World War Two Malay magazine." Journal of Southeast Asian Studies 41, no. 1 (December 21, 2009): 47–70. http://dx.doi.org/10.1017/s0022463409990257.
Full textDart, Jon, and Philip McDonald. "A Perfect Script? Manchester United’s Class of ’92." Journal of Sport and Social Issues 41, no. 2 (December 23, 2016): 118–32. http://dx.doi.org/10.1177/0193723516685272.
Full textLotfy Mahmoud SAAD, Reem. "STORY TELLING AND ITS RELATION WITH FILM SCRIPT." International Journal of Creativity and Innovation in Humanities and Education 1, no. 1 (June 1, 2018): 1–23. http://dx.doi.org/10.21608/ijcihe.2018.182840.
Full textJones, Kip. "On a Train from Morgantown: A Film Script." Psychological Studies 57, no. 2 (October 15, 2011): 224–35. http://dx.doi.org/10.1007/s12646-011-0123-9.
Full textAaltonen, Jouko. "Script as a hypothesis: Scriptwriting for documentary film." Journal of Screenwriting 8, no. 1 (March 1, 2017): 55–65. http://dx.doi.org/10.1386/josc.8.1.55_1.
Full textMaras, Steven. "The Film Script as Blueprint: Collaboration and Moral Rights." Media International Australia 93, no. 1 (November 1999): 145–60. http://dx.doi.org/10.1177/1329878x9909300114.
Full textHall, Ann C. "The Act of Interpretation." Thornton Wilder Journal 3, no. 1 (July 1, 2022): 45–55. http://dx.doi.org/10.5325/thorntonwilderj.3.1.0045.
Full textDawson, Jonathan. "Dazzled by the Sun: Corporatising Queensland Film Culture." Media International Australia 89, no. 1 (November 1998): 109–23. http://dx.doi.org/10.1177/1329878x9808900112.
Full textPerelshtein, Roman Maxovich. "The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme." Journal of Flm Arts and Film Studies 3, no. 1 (February 15, 2011): 67–77. http://dx.doi.org/10.17816/vgik3167-77.
Full textKirsch, Griseldis. "POST-SCRIPT FROM FILM STUDIES: Whose choice? Watching non-English language films in the UK." Multilingua 38, no. 5 (September 25, 2019): 619–24. http://dx.doi.org/10.1515/multi-2018-0118.
Full textGurina, EKATERINA. "“ANNA KARENINA”- T. STOPPARD VS. L. TOLSTOY." Journal of Education Culture and Society 9, no. 2 (September 5, 2018): 218–25. http://dx.doi.org/10.15503/jecs20182.218.225.
Full textO’Halloran, Kieran. "Creating a film poem with stylistic analysis: A pedagogical approach." Language and Literature: International Journal of Stylistics 24, no. 2 (May 2015): 83–107. http://dx.doi.org/10.1177/0963947015571022.
Full textBrown, Daniel. "Wilde and Wilder." PMLA/Publications of the Modern Language Association of America 119, no. 5 (October 2004): 1216–30. http://dx.doi.org/10.1632/s0030812900101701.
Full textKusuma, Shinta, Hirwan Kuardhani, and Rukman Rosadi. "Penciptaan Peran Tokoh Xiau Mei dalam Naskah Senja dan Penantian Karya Hernandes Saranela Terinspirasi dari Film The Chinese Widow." Dance and Theatre Review 3, no. 2 (October 20, 2020): 82. http://dx.doi.org/10.24821/dtr.v3i2.4420.
Full textProkhorova, Elizaveta V. "From script to film: Renata Litvinova’s Non-Love and Valerii Rubinchik’s film." Studies in Russian and Soviet Cinema 14, no. 2 (April 21, 2020): 156–69. http://dx.doi.org/10.1080/17503132.2020.1751389.
Full textSasongko, Hario. "Menciptakan Karakter yang Menarik dalam Penulisan Naskah Film." Humaniora 4, no. 2 (October 31, 2013): 1176. http://dx.doi.org/10.21512/humaniora.v4i2.3559.
Full textLee, Sung-Ae. "Lures and Horrors of Alterity: Adapting Korean Tales of Fox Spirits." International Research in Children's Literature 4, no. 2 (December 2011): 135–50. http://dx.doi.org/10.3366/ircl.2011.0022.
Full textBalčus, Zane. "ANSIS EPNERS’ FILM “ALIVE”: FROM DOCUMENTARY TO FICTION." Culture Crossroads 14 (November 9, 2022): 54–62. http://dx.doi.org/10.55877/cc.vol14.90.
Full textToba, Koji. "On the Relationship between Documentary Films and Magic Lanterns in 1950s Japan." Arts 8, no. 2 (May 17, 2019): 64. http://dx.doi.org/10.3390/arts8020064.
Full textHidayat, Didin Nuruddin, Leny Hikmah Rentiana, Alek Alek, and Yudi Septiawan. "THE USE OF DEIXIS IN WONDER WOMAN MOVIE (Penggunaan Deiksis dalam Film Wonder Woman)." Sirok Bastra 9, no. 1 (August 30, 2021): 35–44. http://dx.doi.org/10.37671/sb.v9i1.276.
Full textEnyedi, Delia. "Janovics’ Menace: inquiries into a duplicated silent film script." Studies in Eastern European Cinema 12, no. 2 (March 22, 2021): 109–20. http://dx.doi.org/10.1080/2040350x.2021.1898115.
Full textSzekely, George. "Teaching Students to Become Independent Artists: A Film Script." Art Education 58, no. 1 (January 1, 2005): 41–54. http://dx.doi.org/10.1080/00043125.2005.11651527.
Full textMcGovern, Timothy Michael. "Visions of Mexican Cinema and the Queer Film Script." Discourse 26, no. 1 (2004): 127–47. http://dx.doi.org/10.1353/dis.2005.0018.
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