Dissertations / Theses on the topic 'Film psychoanalysis'
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Piotrowska, Agnieszka. "Psychoanalysis and ethics in documentary film." Thesis, Birkbeck (University of London), 2012. http://bbktheses.da.ulcc.ac.uk/46/.
Full textSutton, P. G. "Nachtraglichkeit in psychoanalysis and film : a paradigm for spectatorship." Thesis, University of Bradford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533260.
Full textPolihronis, Andreas. "Reclaiming the popular : perception and reception of Hollywood film." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310236.
Full textCoppel, Eva Parrondo. "Mapping textual surfaces : psychoanalytic theory, subjectivity, and 1940s Hollywood cinema." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341714.
Full textHartson, Mary T. "Masculinity in Spanish film from prohibition to commanded enjoyment /." Diss., Connect to online resource - MSU authorized users, 2008.
Find full textMargolis, Harriet Elaine. "The cinema ideal an introduction to psychoanalytic studies of the film spectator /." New York : Garland Pub, 1988. http://books.google.com/books?id=HYJZAAAAMAAJ.
Full textau, kelli fuery@arts monash edu, and Kelli Louise Fuery. "Theorising the Gift through Visual Culture." Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050810.131444.
Full textWilliams, Daniel. "The role of imagination in Bergman, Klein and Sartre." Thesis, Brunel University, 2013. http://bura.brunel.ac.uk/handle/2438/7448.
Full textMohsenzadeh, Yassaman. "A minor apocalypse : theorising the pregnant body." Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244352.
Full textSmith, Kira. "Inflicted Viewing: Examining Moral Masochism, Empathy, and the Frustration of Trauma Cinema." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/film_studies_theses/6.
Full textDownes, Sarah. "Bodily sensation in contemporary extreme horror film." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/17114.
Full textSalzberg, Ana. "Beyond the looking glass : the narcissistic woman reflected and embodied in classic Hollywood film." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5600.
Full textRostamian, Nareh. "Carmen : Voice of the Anima and its Echoes in Literature, Opera, Film and Music Video." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-362771.
Full textJennings, Morgan J. ""There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6869.
Full textHofmann, Ingrid. "Deadly seductions : femme fatales in 90's film noir." Title page, table of contents and abstract only, 1998. http://web4.library.adelaide.edu.au/theses/09ARM/09armh713.pdf.
Full textSchlotterbeck, Jesse Keith. "The popular musical biopic in the post-studio era: four approaches to an overlooked film genre." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3530.
Full textFaber, Liz W. "From Star Trek to Siri: (Dis)Embodied Gender and the Acousmatic Computer in Science Fiction Film and Television." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/dissertations/731.
Full textGeal, Robert. "Writing formations in Shakespearean films." Thesis, University of Wolverhampton, 2017. http://hdl.handle.net/2436/620540.
Full textLindenmayer, Juli. "The Mother Of All Mysteries: How Mothers Are Disavowed and Undermined in Alfred Hitchcock's Rebecca (1940)." Otterbein University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=otbnhonors1620458896295263.
Full textNordle, Ryan. "Ethics in Iran: Jacques Lacan and the Films of Abbas Kiarostami's "Koker Trilogy"." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/1067.
Full textVan, Der Rede Lauren. "Reading representations of the African Child in select contemporary films." Thesis, University of the Western Cape, 2014. http://hdl.handle.net/11394/4288.
Full textFramed by theories of childhood, psychoanalysis, postcolonial theory, trauma theory, film theory, and literary theory, this thesis investigates representations of the African child in three contemporary films about Africa. This thesis puts forward the argument that in E. Zwick‘s Blood Diamond Dia, the film‘s primary child character, is split into Dia Vandy (his subjectivity) and See-me-no-more (his performed identity within the Revolutionary United Front). Furthermore it will be shown that this split is paralleled by the boy‘s transition from filiation to re-filiation. With regard to K. MacDonald‘s The Last King of Scotland, this thesis will demonstrate how, via the effects of cinematic doubling, the narrative antagonist Ugandan dictator Idi Amin Dada is represented as a child. It will also be illustrated that the narrative, consequently, perpetuates not only the myths surrounding Amin but the colonial myth that the savage is a child. Finally, this thesis will show that, of the tree texts, N. Blomkamp‘s District 9 boasts the most authentic representation of the African child and childhood in postcolonial Africa, albeit via a child figure that is literally alien. In each case study the child will be shown to be a liminal personae (Turner 1969), who is an ambiguous and often paradoxical figure who allows us to see more clearly the ethical tensions within the narrative. This thesis will also show that these texts may be considered socially aware trauma narratives, which are relatively critical of western involvement in the traumatic histories of African locales and peoples. Ironically though, these texts, and others similar to them, have been criticised for being Afropessimistic (Evans & Glenn 2010). The tension created by this paradox will be investigated during this thesis, which will attempt to establish to which extent these texts may be considered postcolonial, and whether or not they should be labelled Afropessimistic.
Zhai, Yu. "Against Interpretation : dream work and film work in Susan Sontag's Death Kit." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586621.
Full textStamm, Gina M. "The Context of Loss: Contextualization of the Language of Traumatic Memory in Hiroshima Mon Amour and Le Ravissement de Lol V. Stein." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1279639764.
Full textFinley, Ethan Andrew. "In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1385495386.
Full textSilas, Elizabeth J. "THEMES OF AWAKENING IN MAINSTREAM FILMS: FEMALE SUBJECTS AND THE LACANIAN SYMBOLIC." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133495057.
Full textTitle from first page of PDF document. Document formatted into pages; contains [1], iv, 63 p. Includes bibliographical references (p. 58-63).
Melko, Jennifer A. "Identity, Desire and Spectatorship: An Examination of Germaine Dulac’s La Coquille et le Clergyman." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/397.
Full textParrish, Jordan G. "The Undead Subject of Lost Decade Japanese Horror Cinema." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.
Full textSaperstein, Stefanie. "The Vision of Reality as a Paradox: Salvador Dali's Creative Process from 1927 to 1939." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/111.
Full textFrançóis, Ana Paula Wilke. "Os desertos de Breaking Bad : sobre as novas séries televisivas, a adolescência e o mal-estar na cultura." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/186105.
Full textThis study addresses the link between adolescents and new audiovisual series. The questions raised about the theme came from listening to young students who sought psychological care in a student assistance sector of a Federal Institute of Education. This research is based on the bet that the study of these cultural productions may allow us to know a little more about these young people that access them. To delimit the research object, only one of these series was chosen: Breaking Bad. It drew attention because of its appeal to the public, as well as for its plot that points to a certain malaise, unusual for the series usually accessed by adolescents until recently. Due to this, alongside working with the concept of Adolescence (understood here, according to the presuppositions of psychoanalytic theory, as a psychic operation, a period of recapitulation, an afterwards the mirror stage), there is a theoretical articulation with the Freudian concept of Malaise in culture. Also, as a methodological reference for the analysis of the work, we use studies that establish dialogues between Psychoanalysis and Cinema, conceiving Cinema as language and taking the cinematographic work as filmic text. Thus, although some articulations about the narrative are made, we prioritized the analysis of the operations through which filmic signs refer to each other, provoking effects of meaning. For this analysis fragments of the Pilot Episode of Breaking Bad were used in its possible associations to other scenes from other episodes. Finally, this analysis looks at film elements that stood out during the series and how they make it possible to think about the malaise in the culture and the subject of the contemporary adolescence. Those reflections highlight the spatial and temporal dimensions, which are profusely explored through formal resources present in the work and allow various points of dialogue with the theme of adolescence. It is also observed that, according to the approach given to some scenes, these appear to be able to evoke the issue of malaise (here understood as topological, mark of a place, something of the spatial order), which is already widely present in narrative aspects of the series. Thus, we bring a discussion that reveals some interweaving between Breaking Bad, Malaise in Culture and Adolescence.
Bohlmann, Markus P. J. "Moving Rhizomatically: Deleuze's Child in 21st Century American Literature and Film." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23140.
Full textDouglas, John Anthony Art College of Fine Arts UNSW. "Aberations of self : manifestations in cinema histories." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/43254.
Full textHjelm, Zara Luna. "Blood, Sperm, and Tears in Extreme Cinema : A phenomenological study in hegemonic masculinity through Gaspar Noé's Love from a psychoanalytical perspective." Thesis, Linköpings universitet, Tema Genus, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-166936.
Full textWanas, Al Hussein. "Narrowing the Gap Between Imaginary and Real Artifacts: A Process for Making and Filming Diegetic Prototypes." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3142.
Full textProfitt, Blue Aslan Philip. "In Luke More Than Luke: Family Romance and Narcissism in the 'Star Wars' Saga." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555689565560614.
Full textDa, Silva Jose. "Fault Lines: Queer Skinheads and Gay Male Subjectivity in the Film Praxis of Bruce LaBruce." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15836/.
Full textHölzer, Henrike. "Geblendet Psychoanalyse und Kino." Wien Turia und Kant, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2606693&prov=M&dok_var=1&dok_ext=htm.
Full textDudenhoeffer, Larrie. "Corruptions of the Flesh: The Body, Subjectivity, Postmodernity." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/communication_diss/20.
Full textJunior, Péricles Pinheiro Machado. "Psicanálise, cinema e fantasia: a análise de filmes pela perspectiva de Melanie Klein e autores pós-kleinianos." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-19112014-154551/.
Full textBased on a documentary research of papers published by psychoanalysts and academics associated with the Kleinian thought, this study aims at describing the ways in which theories of Melanie Klein and post-Kleinian authors have been used in the analysis of films, revealing the main characteristics and methodological contingencies that result from such an approach. The work begins with a contextualization of the intersections between the fields of psychoanalysis and cinema, emphasizing the propositions of Christian Metz on the psychoanalytic study of film. The central argument of this research is developed from Melanie Kleins unfinished analysis of Orson Welles Citizen Kane, followed by Laura Mulveys comments on Kleins essay. The notion of unconscious phantasy a central element of Kleinian thought is discussed in light of the theories of Hanna Segal on the aesthetic experience afforded by the arts, followed by the accounts of Graham Clarke and Michael OPray on the experience of the analyst as a spectator in the movie theatre. A critical review of the works published by psychoanalysts and scholars who analyse seven films under a particularly Kleinian perspective was performed. Based on the results of the review, it was possible to discern elements of Kleinian approach deployed by these authors in their analysis of the filmic thematic complex, especially the notion of inner world, the potency of unconscious fantasies and the aesthetic experience of the analyst as a spectator, who offers her/his subjectivity to voice the emotional effects elicited by the film
Porter, Whitney. "Monstrous Reproduction: The Power of the Monstered Maternal in Graphic Form." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1493050047052178.
Full textMamiko, Masuda. "Le regard des femmes cinéastes sur la femme dans la société française contemporaine : fonction du discours cinématographique féminin dans les films d'Agnès Varda, Chantal Akerman et Catherine Corsini." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080018/document.
Full textClassic films have created a stereotypical image of women by setting deterministic standards for female personality, her role and what is meant by ‘being a woman’. These standards might supplant reality, as they minimize the diversity of female figures. Feminism has long fought against gender stereotypes. This study examines films by Agnès Varda, Chantal Akerman and Catherine Corsini in order to understand the construction of femininity through intimate and social relations. In their films, each filmmaker develops unique approaches to produce images of the female body and its subjectivity. Psychoanalysis sheds light on the questions of female subjectivity related to the notions of desire, pleasure, and sexuality. It allows us to appreciate the mechanism of the camera arousing the viewers’ fantasies, as well as the possibility of a positive objectification of the complex female figure. This study first focuses on the relationships between women, such as the mother-daughter relationship and the homosexual relationship. It then explores the socio-cultural context in which the female characters live through an analysis of language, narration and space in the films, namely the filmmakers’ styles, aesthetics and narrative choices in the life of women. It examines how gender can influence the camera’s perspective and how it can question, or even produce, a new female subjectivity. Psychoanalysis, feminism, queer theory, semiology and aesthetics are all approaches which support and expand the analyses of female perspective as developed by the three women filmmakers
Jonsson, Zakarias. "Portals drömvärld : en transmedial studie av det psykologiska rummet." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-119588.
Full textQuazi, Sobia. "The spectral figure unbound : a psychoanalytic reading of female gothic literature and film." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573015.
Full textLapsley, Robert. "Where there is no path, only the travelling : psychoanalytic film theory after Deleuze." Thesis, Manchester Metropolitan University, 2018. http://e-space.mmu.ac.uk/622066/.
Full textGutiérrez-Albilla, Julián Daniel. "Re-reading Buñuel's Spanish-language films : psychoanalysis, sexual dissidence, and the visual arts." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616234.
Full textWendick, Charlotta. "Happiness? : A Psychoanalytic Reading of the character Bill Maplewood in Todd Solondz’s film, Happiness." Thesis, Högskolan Dalarna, Engelska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3995.
Full textO'Donnell, Stephen. "The revenant signifier : the zombie in comics and cinema." Thesis, University of Dundee, 2015. https://discovery.dundee.ac.uk/en/studentTheses/f415dc63-7ab3-4772-a697-54aa922547e2.
Full textCabart, Anaïs. "Cinéma analytique et transfert : l’expérience spectatorielle dans "Persona" et "L’Heure du loup" de Bergman et "Antichrist", "Melancholia" et "Nymphomaniac" de Von Trier." Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30039/document.
Full textThe simultaneous development of cinema and psychoanalysis led to many studies confronting and associating these two fields. This thesis examines more specifically transference as a phenomenon arising in the encounter between spectator and film, and is based on Jungian psychoanalytic theories. Considering an analytic cinema, which associates reflexivity and psychological themes, I hypothesised the existence of “psyche-films”, enabling the study of the psychoanalytic transference within spectator’s experience. Through their spatial and temporal constructions and their figural composition, these “psyche-films” are akin to psyches projected on screen and visually accessible. According to Jung, transference is a transpersonal phenomenon with psychological and physical consequences, involving two individuals whose unconscious communicate together. Bringing out the characteristics of such a phenomenon, this thesis explores the possibility of considering the film’s own unconscious, in particular with the help of film aesthetics theories, and questions the consequences, inside body and psyche, that might be caused by the transferential encounter between spectator and film. In order to study the possibility of such a transference in the spectator’s experience, five films regarded as “psyche-films” are analysed using a Jungian perspective: Persona and Hour of the Wolf, directed by Ingmar Bergman and Antichrist, Melancholia and Nymphomaniac, directed by Lars von Trier. To this end, this research is performed using psychoanalytic (Jung, Ferenczi, Freud, Abraham and Török), aesthetic (Brenez, Lefebvre, Vancheri) and philosophical (Damasio, Derrida) perspectives, and considering an ideal spectator
Jacobs, Howard. "Animated enchantment : a psychoanalytic exploration of the enduring popularity of Disney's first feature films." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/6859.
Full textMcDougald, Melanie. "Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-07162009-154006/.
Full textTitle from file title page. Margaret Mills Harper, committee chair; Calvin Thomas, Mary Hocks, committee members. Description based on contents viewed Oct. 14, 2009. Includes bibliographical references (p. 47-48); filmography (p. 49-51).
Kast, Corona. "Die Entwicklung des Frauenbildes im Science-Ficiton-Film eine Analyse anhand ausgewählter Beispiele /." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11675565.
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