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Relevant bibliographies by topics / Film production / Dissertations / Theses

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Dissertations / Theses on the topic 'Film production'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Wille, Kirstin. "Film production in Cambodia conditions and structure of the Cambodian film production market, demand and supply in consideration of film genre." Erfurt Thüringisch-Kambodschan. Ges, 2009. http://www.tkgev.org/film-production-in-cambodia.html.

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2

Kieran, Jonathan P. "For Want Of: A Punk Rock Short Film." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1992.

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In light of the specific challenges of assessing a thesis film—a project which contains artistic and academic components—the author examines his own short film For Want Of as a prototype for future work in film and as an opportunity for introspective investigation into the nature of filmmaking and personal artistic process. Reference is made to specific episodes during the film’s conception and production, as well as higher-level insight gained from following the film through an 18-month production cycle.

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3

Goksu, Emel Iraz. "Hemicellulose Based Biodegradable Film Production." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12605940/index.pdf.

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Xylan was extracted from cotton waste, characterized by DSC and TGA analysis and used in biodegradable film production. Pure cotton waste xylan did not form film. The presence of an unknown compound, as an impurity, yielded composite films. The unknown compound was determined as a phenolic compound, and most probably lignin, by using DSC and TGA analysis and Folin-Ciocalteau method. The effects of xylan concentration of the film forming solutions, glycerol (plasticizer) and gluten additions on thickness, mechanical properties, solubility, water vapor transfer rate, color and microstructure of

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4

Theuer, Timothy. "Submit: A Narrative Film Production." ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/232.

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This thesis documents the production of a seventeen-minute narrative film production, Submit. It includes chapters outlining the development, pre-production, production and post-production stages. In addition, the script, shot lists, equipment request form, budget, and camera reports are included. Written, produced, and directed by the author, Submit is the story about a man's desire to right his life by winning back a former love. The story involves deceit and plays with notions of identity and place. The film was shot in seven days throughout the City of New Orleans. The goal of thi

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5

Song, Dae Hyun. "Pre-Production, Production and Post-Production on Short Film "Draw Me Invisible"." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321962.

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6

Harmon, Joseph C. "The Cuddle Club." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1970.

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With The Cuddle Club, I intended to make a film that sought to examine intimacy as it relates to the extremes; in the film I subvert expectations of intimacy to make the audience reconsider why we draw our physical boundaries where we do. And while everybody may need a little cuddle every now and then, men have no right to touch women without their express permission. This paper will be an examination of the story behind the story. Of my thoughts on the process of creating my thesis film The Cuddle Club as it pertains to the screenwriting, preproduction, production and postproduction process.

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7

Carter-Hansen, Jill, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride." THESIS_FVPA_XXX_CarterHansen_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/680.

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This paper examines the background, development and production of the film ‘Songs of the immigrant bride’ and explains the general decisions made throughout the creation of the film. It proposes the idea that visuals, combined in an abstract narrative with music/sound, can create a language outside that generally accepted in real-time film (generally) and animation (specifically) to create a communicating ‘mythopoetic’ film-style from combined, selected elements, of both genres. Some of the issues presented and examined are: how relevant background experiences and influences directed the image

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8

Stratton, Sabra. "Get Out of My Hair." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/978.

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The documentary, "Get Out of My Hair, " engages in the dialogue of hair removal and its relationship to femininity, specifically looking at how the media has taught young women to fear the affects of puberty. The piece features ten women between the ages of eleven and twenty-two with ranging demographics who are all brought together by their experiences with their body hair. Applying media effects theory and psychoanalytic theory, this project examines how advertising portrayals of female body depilation contribute to the increase in hair removal and further align the concept of femininity wit

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9

Thomas, M. "Gelatin film formation related to capsule production." Thesis, Cardiff University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372355.

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10

BREA, JOANA DE OLIVEIRA. "SUBTLE RESISTANCIES: FILM CREATION AND PRODUCTION INSTANCIES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12940@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Se a tensão entre o fazer artístico e a lógica do mercado assombrou a arte em geral, desde o surgimento da cultura de massa no século XIX, ela esteve presente no cinema já no seu nascimento: para além de sua dimensão de obra de arte, a invenção do espetáculo da projeção fez do filme um bem de consumo coletivo, impondo-lhe métodos de produção industriais e finalidades comerciais. Na contemporaneidade, o declínio das grandes utopias e a expansão do papel do mercado como grande mediador cultural tem, cada vez mais, colocado em xeque o paradigm

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11

Vales, Marcela. "The Golden Ring: A Narrative Film Production." ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/285.

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This thesis documents the production of THE GOLDEN RING, a short narrative film shot on digital video. All the phases of the production, from the writing process through the post-production, are addressed in the thesis. THE GOLDEN RING is a film I wrote and directed. It tells the story of Luke Stevenson, a man who has it all on a material level, but that otherwise has a void in his life. One day something out of the ordinary happens to him. He finds a ring that belonged to a woman he used to be in love with. Now he might have a chance to recover that love and change his life forever.

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12

Gooch, Sara Anne. "Mediating the mill: steel production in film." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2879.

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Mediating the Mill: Steel Production in Film counters opinions by film scholars and critics who often see films that represent steel production and its spaces as failed aesthetic projects or as dull propaganda or educational films, and who undervalue the importance of the specificity of the steel mills and the industry represented in them. It argues that such films are aesthetically and historically rich texts for film and history, but that they can only be interpreted as such when their historical and industrial specifici

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13

Lange, Shara K. "Documentary Production & Documentary Problems." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3666.

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14

Raymond, Mark C. "Going In circles." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1938.

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15

Cheng, Alexandra. "TERMS: A Short Film." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1807.

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This project documents and reflects on the entire process from inception to execution of my short film, TERMS. Inspired by Yorgos Lanthimos’ The Lobster, my film falls under the genre of magical realism and explores the idea of reincarnation as a physical transformation, which acts as a vehicle through which my film’s protagonist comes to terms with her mother’s premature death. TERMS has been submitted alongside this written portion.

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16

Ho, Isabella Mei-yu. "The BFI and film production : a history of policy and practice from the Experimental Film Fund to the Production Board." Thesis, University of Exeter, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437470.

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17

Xing, Zishuo. "Unfolding the Spectrum of Emotions." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1243.

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Entering the era of information, video has become a popular form of media to convey human’s emotions that appeal to the audiences. As cinema intertwines with different aspects of our daily life, it also provides a space for people to emphasize their ideologies and emotional feelings. Through different genres of films, the audiences are able to experience the stories that take place at a distant location on the world, and feel the extraordinary emotions that are unusual in the daily life. Despite the diversity of cultures within the worldwide cinema, the audiences are usually able to connect to

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18

Merz, Caroline. "Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22054.

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This thesis addresses a neglected area of British national cinema history, presenting the first comprehensive study of Scotland’s incursions into narrative film production before the coming of sound. It explores both the specificity of Scottish production and its place within the broader cultural, political and economic contexts of the British film industry at key periods in the ‘silent’ era before and after the Great War. Early film production in Scotland has been characterised as a story of isolated and short-lived enterprises whose failure was inevitable. The work problematises this view, f

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19

CASEIRO, IGOR AJUZ DE ABREU. "APPLICATIONS OF RFID IN A FILM PRODUCTION COMPANY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18171@1.

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Atualmente o crescimento da competitividade de mercado exige um alto desempenho das cadeias produtivas, com prazos menores e preços mais competitivos. A logística passou, então, a ter papel estratégico nos processos industriais, sendo de fundamental importância no apoio às tomadas de decisão no gerenciamento da cadeia de suprimentos (Supply Chain Management - SCM). A tecnologia de identificação por rádio freqüência (Radio Frequency Identification - RFID) se tornou nos últimos anos uma ferramenta poderosa, que aliada à logística, oferece grandes oportunidades para as organizações responderem de

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20

Nozaic, Claire. "An introduction to audio post-production for film." Thesis, Stellenbosch : Stellenbosch University, 2006. http://hdl.handle.net/10019.1/17405.

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Thesis (M.Mus.)--University of Stellenbosch, 2006.<br>ENGLISH ABSTRACT: In South Africa there has been an increase over the last few years in audio engineering courses which include modules of study in audio post-production or even offer audio post-production as a major focus of study. From an academic standpoint however, and despite the growth in the local film industry, very little study of this field has been undertaken in South Africa until recently. In 2005, a MMus thesis was submitted at the University of KwaZulu-Natal entitled Acoustic Ambience in Cinematography: An Exploration of the

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21

El, Khachab Chihab. "Technology, labor, and mediation in Egyptian film production." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3968411a-84aa-4478-887b-b2c59be71522.

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This thesis examines the way in which imponderable problems are mediated in the everyday work of commercial film production in Egypt. By 'imponderable problem', I mean a working problem encountered in an extended production process whereby the individual worker, in the present, cannot account for all courses of action leading onto the process's expected outcome. I argue that workers in film production can never entirely solve this kind of problem: they 'mediate' it. They rely on various assumptions and material mediators to break this overall imponderability into a series of contingent tasks,

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22

Mynatt, Trenton T. "Splitting Maul." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2176.

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23

Crockett, Emmett J. III. "Timelocked: A Thesis." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2600.

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Abstract The goal of this paper is to provide insight into the development and execution of the short film, Timelocked. I will focus on the complete process of the film’s creation, from the first inspiration of the idea through its planning, its production and, finally, its use beyond submission to my thesis committee for consideration. The most significant challenge for this project was remaining true to the story’s genre, tone, and theme throughout each iteration of its development. Therefore, the structure of the paper will serve to describe the entire process with respect to the preservati

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24

McNamee, Robert V. "Writing for film : the role of the Production Board of the British Film Institute." Thesis, University of Oxford, 1994. https://ora.ox.ac.uk/objects/uuid:bf4bcf2d-4120-4c59-a196-05d9f771a9dc.

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This thesis provides detailed textual analysis of four films made (with BFI Production Board assistance) by two important, though contrasting, British writer/directorsâ My Childhood, My Ain Folk and My Way Home (Bill Douglas, 1972-77); and The Draughtsman's Contract (Peter Greenaway, 1982). Though the thesis is focused on those films, its form and substance have been governed by the fact it is text-based and presented within the Faculty of English. The first chapter briefly considers early national and governmental concerns about the role of film in British life, includes a survey of films l

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25

Ationu, A. "Comparison of fixed Acetobacter film fermenter systems." Thesis, University of Strathclyde, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.382281.

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26

Norwood, Tracy L. "The Blanket of the Dark." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2389.

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The Blanket of the Dark is a psychological thriller that explores the horrors of postpartum psychosis, a rare but serious illness a new mother can experience in the days and weeks following the birth of her child. The film is an intimate portrayal of the psychology of a new mother suffering from the hallucinations and delusions that are symptoms of this horrific and oftentimes undiagnosed illness. In the end, motherhood for women with undiagnosed postpartum psychosis is anything but joyful, and can lead to suicide and murder. This paper is a candid analysis, a production report as it were, of

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27

Beaudet, Madison. "Can the Good Man Be Happy? The Production of "Beyond Memory"." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2129.

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28

Meiser, Cory. "Documentary Film: Love's Story." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5312/.

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Abstract Love's Story is a documentary journey into the storytelling world, where the themes of love and memory connect the audience to a unique set of film interviewees. Marie and Alexis provide interesting recollections about their individual pasts, while Cherie guides the course of the film with her expert theories about the nature of storytelling. What initially appears a simple film, actually provides a multi-tiered commentary tackling issues of memory, love, and perseverance. The film equally highlights the nature of storytelling to encourage audiences to critically dissect the stories

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29

Ziemsen, Eva. "Developing a learning model for teaching film production online." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/63862.

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Through my roles as a film professor, filmmaker and PhD student, I have acquired a strong motivation to develop a learning model for the teaching of film production online. My initial interest for conducting research in this area began a few years ago when I taught a screenwriting workshop in Bhutan. On my return to Canada, I wished there was a way for me to continue teaching my students in Bhutan in the domain of film production. Further research has led me to discover that machinima, a virtual mode of recording animation, could be the solution to teaching almost all aspects of filmmaking, en

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30

Holtmeier, Matthew. "The modern political film : biopolitical production and cinematic subjectivity." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3624.

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This project uses Gilles Deleuze and Félix Guattari's concept of the minor cinema to argue for a contemporary political mode of film that critiques dominant or majoritarian ideologies. I argue that these 'modern political films' perform this critique by rupturing the sensory-motor schemata that make up official times and create a space for everyday life and labor to emerge on screen. While political theorists such as Carl Schmitt argue proper politics necessitate oppositional conflict and dialectical progression, a classical model based on the opposition between ultimately Other subjects, mode

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31

Mulligan, Talley. "Lekhost a Tize: An Experiment in Film Production Methodology." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/td/46.

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Proliferation and convergence of new technologies as well as the diverse media it has given rise to have had a dramatic impact on the theory and practice of contemporary filmmaking. This trend also holds considerable implication for the range of cinematic forms likely to be embraced in the future as well as the methodologies necessarily exploited in their making. The formal and expressive possibilities inherent in the climate of experimentation existing at this unique juncture in history encourage out-of-the-ordinary solutions to long-standing problems while begging important questions regardi

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32

Barquinha, Pedro. "Transparent oxide thin-film transistors: production, characterization and integration." Doctoral thesis, Faculdade de Ciências e Tecnologia, 2010. http://hdl.handle.net/10362/5380.

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33

Kaimal, Kiren G. "Light: Journey of a Lifetime." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/709.

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This thesis covers the lessons I've learned throughout film school and how I have applied them towards the making of my thesis film, the 12-minute narrative short, Light, shot on digital video. Every aspect of the filmmaking process is covered including my education at UNO and its application to my thesis. Areas covered include the writing process, pre-production, production, and post-production. The one area that is omitted is distribution, something that was not taught at UNO and something that I am in the process of doing. Keywords: Film Production MFA Short Film India Kerala

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34

Mackay, Jem. "www.swarmtv.net : non-hierarchy through open source approaches to distributed filmmaking." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8756/.

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An increasing number of filmmaking projects borrow approaches from open source programming methodologies in the practical process of film production. The potential benefits of open filmmaking include fast development times, customizable storytelling, less-biased reportage and a rich learning environment for future filmmakers, among others. There has been very little academic study about the challenges of this approach and the opportunities it affords for distributed filmmaking. This thesis explores the possibility of incorporating open source programming methodologies into the practice of dist

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35

Elliott, Emma M. "Damn Spot: Navigating Emotional Trauma in the Body." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1252.

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I researched the history of emotional trauma and its portrayal in modern media and Shakespearean plays and created a film based on my personal experience with the topic. This film utilizes Shakespearean song and monologue from Hamlet and Macbeth to narrate the inner journey of a girl working through emotional trauma. We follow her as she feels the impact of her trauma in her body and as she tries to hide it from her friends and maintain a normal facade. This film does contain a fictionalized portrayal of an anxiety attack, so viewer discretion is advised. This project does not claim to be a co

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36

Lopez, Laura. "BAKER:THE MAKING OF AN INDEPENDENT THRILLER." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2096.

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Baker is an independently financed low budget film that examines the ambiguous nature of compassion in the day-to-day life of hospice care personnel. The creation of the film entailed three stages: pre-production, production and post-production in which numerous artistic, financial and logistic challenges arose and threatened the completion of the picture. The complex nature of the subject matter required particular attention to the structure of the script. The budgetary restrictions enforced a minimalist approach to locations as well as other creative considerations such as the size of the ca

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37

Johnson, Jeb E. Mr. "Exploring Hollywood Cinema: A Look at Cinematic Techniques and the Classical Hollywood Ideology." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/350.

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The focus of this thesis is to explore the ideas behind Hollywood Cinema and techniques used to craft camera shots of today’s cinema. The movie industry is one of the United States’ biggest export profits; because of this, American movies standout above the rest. I will be exploring and demonstrating the researched techniques of American cinema.

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38

Bentley, Christina Mitchell. ""THAT'S JUST THE WAY WE LIKE IT": THE CHILDREN'S HORROR FILM IN THE 1980'S." Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyengl2002t00033/00cmbthe.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.<br>Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).

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Pinkey, Sheena. "Sidelined." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/691.

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Read-Fisher, Kathryn. "Billy the Elephant: Life In Captivity Is No Life At All." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/905.

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Animal rights activists and animal welfare advocates are the two most vocal groups dedicated towards improving the lives of animals, however they often end up fighting with each other instead of working with together. They get caught up in the small details and forget that they are both working towards the same bigger picture: living in a world where animals and humans can cohabitate happily and healthily. Both groups use the media as a tool to grab headlines and generate controversy, which sheds light on animal rights issues. While its commendable that both groups are willing to go to many ex

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Ferrer, Danielle. "Casting." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1082.

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Wang, Xiwen. "Xin Yi: A Dramatic Exploration of International Student Experience." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1081.

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The paper identifies the lack of representation of the international student experience on screen and examines how Xin Yi is a film script that explores this subject matter. The analysis provides a survey of film and television that addresses similar topics and uses the theoretical framework of exilic filmmaking by Hamid Naficy. Xin Yi revolves around a Chinese mother-daughter relationship. The mother visits her daughter who studies in the U.S during Chinese New Year and reveals her divorce before she departs.

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Brown, Elizabeth. "Ambitious Young Woman." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/919.

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Ambitious Young Woman is an hour-long dramedy layered with warmth, gravitas, and humor. With dialogue that flies by at the speed of light and a protagonist we would walk into battle with, heart and goodwill lie at the center of the series. While the premise centers around politics on a university campus, the ramifications of the students’ actions will ripple across the entire nation. Staunch liberals of Gen Z are our heroes and they give no mercy when pursuing their progressive ideals. However, it is their evolution from young men and women into adulthood that we’re returning week-to-week for.

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Horde, Candice. "The Fittest." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/968.

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THE FITTEST (Half-Hour Drama, Anime/Fantasy/Sci-fi): Newly deemed terrorists set out to prove their loyalty by capturing their country’s most-wanted, a terrorist group called Specter. However, as they spend more time with the country’s people, they start to question who the real terrorists are.

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Herman, Hannah. "Barren." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/985.

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In the aftermath of their baby’s stillbirth, eccentric couple Marlow and Dev clash with overbearing loved ones, outspoken neighbor kids, and each other while trying to reconcile unmet expectations and their newfound reality. Bottling up her emotions, Marlow begins to see inanimate objects speak, spewing out the feelings she hopes to keep suppressed.

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Ray, Preston. "No Man's Land." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/974.

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NO MAN’S LAND (One-Hour, Horror) – In a dying Dust Bowl town suffering from the outbreak of a strange disease, a headstrong epidemiologist finds herself facing off against an ancient, supernatural entity.

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Hunter, Alexis F. "Botany Bay." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/970.

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When a troubled young woman’s investigation into her high school crush’s disappearance leads her into an entirely new dimension– a failed penal colony with supernatural forces, feuding inhabitants, and mortal danger- she must find the truth while also trying to find a way back. A One-Hour YA Fantasy Adventure Pilot.

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Pittis, Patrick J. "Star Patrol Space Squad." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/690.

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Woodside, Addison. "Evangelicals." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/983.

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Evangelicals (Half-Hour Dramedy): When wannabe investigative reporter Jess Navarro goes undercover at a trendy new Evangelical church, her secular worldview turns technicolor as she experiences a wild spiritual transformation—leaving her boss and childhood best friend in utter disbelief.

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Martin, Edwin Lorenzo. "Black Men Don't Cheat." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/982.

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