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Books on the topic 'Film mine'

Author: Grafiati

Published: 13 September 2022

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1

1894-, Renoir Jean, ed. This land is mine: Screenplay. New York: F. Ungar, 1985.

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2

Ianuş, Marius. Ursul din containăr: Un film cu mine. Bucureşti: Editura Vinea, 2002.

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3

Clark, Tom. Rock Hudson: Friend of mine. New York, N.Y: Pharos Books, 1990.

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4

Abbott, Megan E. The street was mine: White masculinity in hardboiled fiction and film noir. New York: Palgrave Macmillan, 2002.

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5

Eunson, Dale, Sam Wiesenthal, and Allen Reisner. All mine to give. Burbank, CA: Warner Home Video, 2008.

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6

Stéphanie, Moisdon, ed. Mike Mills: Graphics, films. Bologna, Italy: Alleged Press/Damiani, 2009.

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7

Rajczak, Kristen. Instagram: Kevin Systrom and Mike Krieger. New York: Rosen Publishing, 2015.

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8

Hammelef, Danielle S. Mind-blowing makeup in special effects. North Mankato, Minnesota: Capstone Press, A Capstone imprint, 2015.

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9

Hongjiaonang, ed. Qiang wei zhi lian: Ming yun zhi hua = The rose. Taibei Shi: Da tian chu ban you xian gong si, 2003.

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10

Martin, Mike. Noddies: The film extra's guide : by Mike Martin. [U.K.?]: Arlon House Publishing, 1997.

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11

Aaron, Rose, ed. Thumbsucker: Photography from the film by Mike Mills. [New York ]: Iconoclast, 2005.

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12

Image and mind: Film, philosophy and cognitive science. Cambridge [England]: Cambridge University Press, 1995.

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13

Mind over media: Essays on film and television. Berkeley, Calif: Cayuse Press, 1988.

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14

Mike Leigh. Urbana: University of Illinois Press, 2011.

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15

Anchor, Bay Entertainment Inc. Wow! Wow! Wubbzy!: Wubbzy be mine. United States]: Distributed by Anchor Bay Entertainment, 2011.

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16

Vinuesa, Margarita Utrera. Historia de Mino Films: Mino Films S.A., cortometrajes. Sevilla: Junta de Andalucía. Consejería de Cultura, 1998.

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17

Whitehead, J. W. Mike Nichols and the Cinema of Transformation. Jefferson, USA: McFarland & Company, 2014.

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18

America reflected: Language, satire, film, and the national mind. Washington, DC: New Academia Pub., 2010.

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19

Stephan, Marcus. Your choice or mine?: Personal relationships, HIV & AIDS : fact file. Dunstable: Folens, 1991.

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20

Enchantment of the mind: Manmohan Desai's films. New Delhi: Roli Books, 2006.

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21

Japanese animation: Time out of mind. New Barnet, Herts: John Libbey, 2010.

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22

Zhongguo dian ying ming xing yan jiu: Chinese film star studies. Beijing: Zhongguo dian ying chu ban she, 2012.

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23

Dian ying li de sheng ming jiao yu: Life in film. Taibei Shi: Tian xia za zhi gu fen you xian gong si, 2010.

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24

Wilson, Frederic H. Adak quadrangle: Alaska resource data file. [Anchorage, AK]: U.S. Geological Survey, 1996.

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25

Zhong wai dang dai dian ying ming zuo jie du. Beijing: Zhongguo dian ying chu ban she, 2007.

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26

United States. Bureau of Mines. Mineral resource films & videos. [Washington, D.C.?]: Bureau of Mines, U.S. Dept. of the Interior, 1991.

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27

Mines, United States Bureau of. Mineral resource films & videos. [Washington, D.C.?]: Bureau of Mines, U.S. Dept. of the Interior, 1991.

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28

The films of Nicolas Roeg: Myth and mind. London: Macmillam, 1992.

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29

Leonard, Quart, ed. The films of Mike Leigh: Embracing the world. Cambridge, UK: Cambridge University Press, 2000.

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30

Izod, John. The films of Nicolas Roeg: Myth and mind. New York: St. Martin's Press, 1992.

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31

Kelley, John S. Mount Michelson quadrangle: Alaska resource data file. [Anchorage, AK]: U.S. Geological Survey, 1997.

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32

Kelley, John S. Mount Michelson quadrangle: Alaska resource data file. [Anchorage, AK]: U.S. Geological Survey, 1997.

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33

Inc, ebrary, ed. Frames of mind: A post-Jungian look at film, television and technology. Bristol: Intellect, 2007.

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34

Movies and the mind: Theories of the great psychoanalysts applied to film. Jefferson, N.C: McFarland, 2004.

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35

The American cinema of excess: Extremes of the national mind on film. Jefferson, N.C: McFarland, 2009.

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36

SAS Institute. Getting started with SAS Enterprise Miner 5.3. Cary, N.C: SAS Pub., 2008.

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37

Pilcher, Steven H. Attu quadrangle: Alaska resource data file. [Menlo Park, Calif.]: U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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38

Berg, Henry C. Ketchikan quadrangle: Alaska resource data file. [Menlo Park, Calif.]: U.S. Dept. of the Interior, U.S. Geological Survey, 1999.

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39

Williams, Anita. Candle quadrangle: Alaska resource data file. [Menlo Park, Calif.]: U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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40

Williams, Anita. Shungnak quadrangle: Alaska resource data file. [Menlo Park, CA]: U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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41

Huber, Jeff. Alaska Resource Data File: Seldovia quadrangle. [Menlo Park, CA]: U.S. Geological Survey, 1999.

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42

ursul din containăr - un film cu mine. București: Editura Vinea, 2002.

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43

Nichols, Dudley, and Renoir Jean. This Land is Mine (RKO Classic Screenplays). Continuum International Publishing Group, 1985.

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44

Abbott, M. The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. Palgrave Macmillan, 2003.

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45

Thomson, C. Claire. Somethin’ about Scandinavia: Danish Shorts on the Post-war International Scene. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0007.

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Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.

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46

Nieland, Justus. Interviews with David Lynch. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036934.003.0002.

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This chapter presents interviews with David Lynch. Specifically, an interview by Kathrin Spohr published in form 158, no. 2 (1997): 44–45, and another by Mike Figgis published in Sight and Sound 17, no. 3 (2007). Topics discussed include Lynch's interest in furniture design; the role of architecture in his movies; how the notion of time as out of control was expressed in the set design of the Lost Highway; his use of his private spaces in his films; Inland Empre as his longest film; whether he had the complete film in mind when he began filming; and the reasons why he decided to concentrate on film rather than painting or writing.

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47

Elsaesser, Thomas. The Mind-Game Film. Edited by Warren Buckland, Dana Polan, and Seung-hoon Jeong. Routledge, 2021. http://dx.doi.org/10.4324/9780203879559.

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48

Whitehead, Tony. Mike Leigh (British Film Makers). Manchester University Press, 2007.

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49

Whitehead, Tony. Mike Leigh (British Film Makers). Manchester University Press, 2007.

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50

Ron, Howard, Goldsman Akiva, Universal Studios Canada, Nasar, Sylvia. Un cerveau d'exception, Crowe Russell 1964-, Connelly Jennifer 1970-, and Bettany Paul 1971-, eds. Un homme d'exception =: A beautiful mind. Willowdale, Ont: Universal Studios Canada, 2002.

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