Journal articles: 'Film-induced tourism'

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Reichenberger, Ina. "Film-Induced Tourism." Journal of Tourism Futures 4, no. 1 (March 9, 2018): 107–8. http://dx.doi.org/10.1108/jtf-11-2017-0048.

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Andereck, Kathleen L. "Film-Induced Tourism." Annals of Tourism Research 33, no. 1 (January 2006): 278–80. http://dx.doi.org/10.1016/j.annals.2005.10.001.

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Beeton, Sue. "Understanding Film-induced Tourism." Tourism Analysis 11, no. 3 (October 1, 2006): 181–88. http://dx.doi.org/10.3727/108354206778689808.

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Frost, Warwick, Glen Croy, and Sue Beeton. "Introduction: Film-Induced Tourism." Tourism Review International 13, no. 2 (October 1, 2009): 83–84. http://dx.doi.org/10.3727/154427209789604615.

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Yeo, Dennis. "The virtual cultural tourist: Film-induced tourism and Kubo and the Two Strings." Mutual Images Journal, no. 10 (December 20, 2021): 3–20. http://dx.doi.org/10.32926/2021.10.yeo.virtu.

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Over the past two decades, there has been growing research in film-induced tourism. Much of this research is focused on how film influences tourist destination choices. There has been less emphasis, however, on the nature and types of movies that may induce this attraction to such locations. By examining Kubo and the Two Strings (Knight, 2016), a stop-motion animation produced by Laika Studios, this paper aims to apply film studies to explore current understandings of film-induced tourism. This paper argues that Kubo is itself a form of film-induced tourism by positioning the viewer as a virtual cultural tourist whose cinematic experience may be likened to a veritable media pilgrimage through Japanese culture, history and aesthetics. The movie introduces the viewer into an imagined world that borrows from origami, Nō theatre, shamisen music, obon rituals and Japanese symbolism, philosophy and mythology. The resulting pastiche is a constructed diorama that is as transnational and postmodern as it is authentic and indigenous.

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Curtis, Simon. "Film-induced tourism (aspects of tourism), 2nd Ed." Tourism Planning & Development 14, no. 3 (February 20, 2017): 443–45. http://dx.doi.org/10.1080/21568316.2017.1291160.

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Liu, Yong, Wei Lee Chin, Florin Nechita, and Adina Nicoleta Candrea. "Framing Film-Induced Tourism into a Sustainable Perspective from Romania, Indonesia and Malaysia." Sustainability 12, no. 23 (November 26, 2020): 9910. http://dx.doi.org/10.3390/su12239910.

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This paper is particularly focused on film-induced tourism investigation as well as its cultural promotion and cultural change effect that impact on both the tourist destinations and the tourist demands. The case studies include the famous Transylvania, Romania as well as the two comparative destinations in Southeast Asia namely Bali in Indonesia, and Penang in Malaysia. Although tourism planners have limited control over the content of the films produced in the respective destinations and how the destinations are being portrayed in films, it is reflected in our studies that, the imaginary, visual representations of the destinations, albeit negative or distorted from their original identities, are still useful and viable to promote the tourist destinations. The three discussion cases form up the stratification of multiple stages in terms of implementing film-induced tourism strategies to promote their destinations, spanning from one of the oldest film-induced tourist destinations Transylvania, to an over decade-long film-induced destination Ubud in Bali, to a sprouting film-induced destination George Town in Penang. Such a stratification of three comparable destinations leads to both the vertical and horizontal evaluation of the effectiveness of film-induced tourism strategies. Hence, a methodology of multiple-case study with mixed-methods characterised by a set of differing qualitative research approaches will be adopted to the three distinctive destinations, respectively. Emerging markets require new techniques and strategies of marketing, especially in the unsettled post-COVID-19 era. Findings may be useful to destination managers in planning an effective destination image strategy in order to achieve the most sustainable positive impacts and aligning the films’ image of the destination with the desired image and the potential audience reach.

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Zulkifli, Nurul Deeyana, and Nur Hidayah Abd Rahman. "Malaysian Youth Motivational Factors of Film-Induced Tourism for Indonesian Film." Journal of Indonesian Tourism, Hospitality and Recreation 4, no. 2 (October 1, 2021): 135–46. http://dx.doi.org/10.17509/jithor.v4i2.39284.

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There are lots of efforts require in maintaining the sustainability of the tourism business, including promoting and marketing tourism destinations world widely. One of the alternatives recently used by the tourism industry around the world in promoting and marketing the places is through film tourism. In Indonesia, the film of Laskar Pelangi sparked the tourism industry in Indonesia. However, research on motivational factors of film-induced tourism in Indonesian film is limited. Thus, the study aims to identify the motivational factors that influence Malaysian youth to visit Indonesia after watching Indonesian films. To achieve the aim, the push and pull factors of film-induced tourism for Indonesian film have been investigated. This study using quantitative method for collecting the data and the questionnaires have been distributed to Malaysian youth who had watched Indonesian films as the target respondents. A total of 117 respondents were influenced to visit Indonesia after watching Indonesian films have participated in this research. This results show that novelty, entertainment and film location influenced Malaysian youth to visit Indonesia. The study suggests exploring other factors, such as accessibility, which could influence Malaysian youth to visit film location. Thus, this study provides a clear insight to research academic on motivational factors from Indonesian films that influence Malaysian youth to visit Indonesia. Further, it gives benefit to the tourism and film industry in Indonesia.Keywords: Film-Induced Tourism, Indonesian Film, Travel Motivation, Push and Pull Factors

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Vinklere, Daina, Ilze Kasa, and Ingrida Ludzina. "The film industry in Latvia as a potential resource for tourism development." Folia Geographica 18 (2020): 53–61. http://dx.doi.org/10.22364/fg.18.7.

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During a time of increasing competition in the tourism sector and growing demand for new tourism products, all stakeholders must more actively utilise non-traditional tourism resources. The film industry certainly counts as one of them. Although film-induced tourism has become quite popular round the world and maintains significant influence, these developments and research into this area have not gained enough attention in Latvia. The objective of this research is to examine the film industry as a tourism resource based on an analysis of the available public information on film production locations, related promotions for tourists in Latvia and the interest and experience of the general public in these types of tourist attractions. The results of the research prove the potential of the film industry, the existence of certain pieces of groundwork and at the same time the moderate interest of potential clients in engaging these resources and adding to Latvia’s tourist turnover.

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Mitta, Nitin, and G. Anjaneyaswamy. "Film Induced Tourism: A Study in Indian Outbound Tourism." Atna - Journal of Tourism Studies 8, no. 2 (July 1, 2013): 37–54. http://dx.doi.org/10.12727/ajts.10.3.

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It is widely believed that nothing unites India more than Cricket and Bollywood. Indian spending on foreign travel has increased to four fold as compared to that in the year 2000. While entire Europe and USA are still struggling to come out of recession, as per an estimate, Indian travellers are expected to grow to 50 million from 9 million. These statistics have enticed tourism boards across the world to find multiple avenues to have maximum share of this ever growing pie. Indian middle class is riding high on its growing affluence, and is exploring new locales and destinations to satisfy its craving for the distinct holiday experience. Indian outbound market is sending strong growth signals to the Tourism Boards and National Tourism Boards (NTBs) globally, who have been experimenting for novel ways to tap this market within their restricted resources. Recent studies by global researchers have established the positive influence of films, on people‟s travel decisions, especially to the respective locations and destinations featured on the silver screen. With its glossy and larger than life portrayal in the films, some of these destinations have successfully captured the imagination of movie goers and enticed them to visit the places where films are believed to be shot. Unlike the promotional films made for tourism boards, films are considered more authentic as coming from a third party, hence portrayed with a neutral approach. Through this paper, we have tried addressing the concerns in quantifying the impact of film-induced tourism. We have also covered the factors responsible for hindrance or limiting the impact on destination promotion, which was shown in the particular film.

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Macionis, Niki, and Beverley Sparks. "Film-induced Tourism: An Incidental Experience." Tourism Review International 13, no. 2 (October 1, 2009): 93–101. http://dx.doi.org/10.3727/154427209789604598.

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최정수. "Boosting Film-Induced Tourism in Gyeongbuk." Journal of the Economic Geographical Society of Korea 11, no. 2 (June 2008): 203–15. http://dx.doi.org/10.23841/egsk.2008.11.2.203.

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Mori, Hiroaki. "The Power of Anime: A New Driver of Volunteer Tourism." Tourism and Hospitality 3, no. 2 (March 31, 2022): 330–44. http://dx.doi.org/10.3390/tourhosp3020022.

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In Japan, many academics and practitioners have focused on anime-induced tourism as one of the new alternative forms of tourism in the 21st century. Many fans have visited locations that have appeared in anime as film-induced tourists. Regarding the behavior of anime-induced tourists, many tend to be willing to contribute to the destinations they visit as eco-oriented volunteers, different from purely film-induced tourists. Therefore, anime-induced tourists possess a complex character that entails both an interest in film-induced tourism and volunteer tourism, which may conceptually be opposed to one another. This study reveals anime’s potential as a driver of new volunteer tourism and theoretically contributes to tourism research by redefining anime-induced tourism by relying on the concept of film-induced voluntourism. Using a comparative case study of the behavior of anime-induced volunteer tourists at three destinations, this study found that while anime-induced volunteer tourists have a feeling of gratitude for their host communities with a vacationer’s mindset, they can realize positive outcomes, including economic benefits and problem solutions by engaging in cleaning-up activities at the destinations they visit. In conclusion, this study clarifies that anime tourism is one of the significant alternative forms of tourism that can achieve community development associated with film-induced voluntourists, resolving the negative effects of film-induced tourism and volunteer tourism.

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Sakellari, Maria. "Film tourism and ecotourism: mutually exclusive or compatible?" International Journal of Culture, Tourism and Hospitality Research 8, no. 2 (June 2, 2014): 194–202. http://dx.doi.org/10.1108/ijcthr-09-2013-0064.

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Purpose – This paper aims to look at the relationship between film tourism and ecotourism and questions whether the two are compatible or mutually exclusive. Design/methodology/approach – Entertainment films are making a deep impact on international tourism development, with popular movies playing an increasingly influential role in tourists’ choice of holiday destination. Areas with high natural value are frequently used as film locations, their image as a nature-loving escape paradise emerges and is coincided with a growth of film-induced visitors, willing to participate in nature-based activities. Tourism has always been a fundamental component of the areas of high natural value concept, and with this unparalled growth of the film tourism and ecotourism, it was inevitable that one day they will meet and interact in natural areas. This paper provides case studies where filmic intervention shapes tourist nature-loving imaginings, triggers ecotourism activities but also raises environmental concern of locals, and films like The Beach (2000) and Deliverance (1972) and the TV series Pride and Prejudice (1996) are subject to discussion. Findings – In many cases, the natural areas have not the carrying capacity to cope with large increases in film-induced visitors, and this results in a number of possible undesirable consequences, from the loss of privacy to the destruction of the natural environment. This paper suggests that film tourism and ecotourism are compatible if tourism policy planners follow strategies, such as environmental education initiatives, that engage film tourism stakeholders and the film industry in creating solutions to environmental challenges. Originality/value – Film tourism planning hasn’t yet focused on the tools for environmentally sound management of a destination. This paper argues that film tourism literature needs to develop marketing and policy perspectives to inform appropriate environmental management of film tourism planning and enhance environmental sustainability of a destination.

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Sahoo, Shwetasaibal Samanta, and Sarat Kumar Lenka. "Destination Marketing Through Film Tourism: A Study on Western Orissa." Atna - Journal of Tourism Studies 5, no. 1 (December 1, 2010): 25–39. http://dx.doi.org/10.12727/ajts.5.3.

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Film tourism is a growing phenomenon worldwide, fueled by both the growth of the entertainment industry and the increase in international travel model for exploiting film tourism marketing opportunities. Tourism destination marketing is now widely recognized as an essential component in the management of destinations. In harmony with the general marketing literature, which understands marketing as a management tool, some researchers understand destination marketing as a form of 'market-oriented strategic planning' and hence as a strategic approach to place development rather than a promotional tool.Tourists today are more experienced and looking for new destinations and new experience. In the tourism industry, there has been a growing phenomenon that tourists visit destinations featured through films which are not directly related to DMOs' tourism promotion. This is a new form of cultural tourism called film-induced tourism which still receives little attention from both academic and practitioners due to the lack ofknowledge and understanding on the benefits of film on tourism. Recent research suggests that films can have strong influence on tourist decision-making and films do not only provide short-term tourism revenue but long-term prosperify to the destination. The primary focus of this article is to provide a theoretical insight into the relationship between films induced tourism and destination imagery, which in turn can be used to market Western Orissa.

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Hoorina, Jessica, and Vishnuvardhana Soeprapto. "THE IMPACT OF INDONESIAN FILM TOWARDS PROMOTING RANU KUMBOLO LAKE IN EAST JAVA, INDONESIA." Emerging Markets : Business and Management Studies Journal 2, no. 2 (March 13, 2018): 30–42. http://dx.doi.org/10.33555/ijembm.v2i2.23.

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A phenomenon called film-induced tourism which lately been increasing the amount of visitor towards a destination that appear through a movie. Watching movie is an intangible visual experience, but it could be change into an actual experience by visiting the film locations. It will give tourist an involvement and recreate their own feeling by experiencing themselves into a destination. In this research, evaluate the correlation of film-induced tourism towards the effectiveness of promotional destination tool. By using a novel-based movie from Indonesia, ‘5 Cm’ movie and Ranu Kumbolo Lake, which is located in Mount Semeru in East Java, Indonesia; as the location which will be promoted as the result of watching ‘5 Cm’ movie. The research methods will be using quantitative data and also questionnaires as research techniques. This research shows a strong relationship between film-induced tourism and the effectiveness of promotional destination tool, which shown by Structural Equation Modeling (SEM).

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Martin-Fuentes, Eva, Jorge Nieto Ferrando, Estela Marine-Roig, and Berta Ferrer-Rosell. "From Blockbuster to Neighbourhood Buster: The Effect of Films on Barcelona." Sustainability 12, no. 6 (March 15, 2020): 2290. http://dx.doi.org/10.3390/su12062290.

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In recent years, cities such as Venice, Dubrovnik, Paris and Barcelona have experienced an exponential increase in visitor numbers leading to episodes of tourismphobia by anti-tourism movements, or even the decline of the destination. Among other solutions, some destinations see film-induced tourism as a possible way of diversifying tourism supply and demand. Through the analysis of the locations of six thematic film routes in Barcelona compared to the same locations on the largest online travel review platform, TripAdvisor, it is concluded that, far from spreading out tourist flows, fiction-induced tourism in Barcelona has concentrated tourism at the main attractions of the city. Only a few exceptions of films with minor audiences lead tourists off the beaten track. Overall, this paper provides a set of recommendations, strategies and challenges for destination managers to help alleviate overtourism and to offer more sustainable tourism away from spots that attract mass tourism.

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Sushartami, Wiwik, and Mario Albert Arif Hardian. "The Perceived Authenticity of The Bumi Manusia Film-set at Gamplong Studio Alam Sleman as a Film-Induced Tourist Attraction." ASEAN Journal on Hospitality and Tourism 20, no. 1 (June 7, 2022): 106–22. http://dx.doi.org/10.5614/ajht.2022.20.1.08.

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The purpose of this study is to examine tourists’ perceptions of authenticity at Gamplong Studio Alam Sleman (GSAS) as a film-induced tourism attraction. Theoplacity, a theoretical framework proposed by Belhassen, et al (2008), was adapted as a guide in developing interview questions. The research was conducted using a descriptive-qualitative approach, with six tourists from outside the Province of Daerah Istimewa Yogyakarta (DIY) serving as informants. The findings revealed that the tourists’ perceptions of authentic experience at GSAS as a film-induced tourism attraction are influenced by the interrelationship between tourists’ understandings of the film Bumi Manusia (The Earth of Mankind), the filming set at GSAS as a place component, and the activities carried out by tourists at these tourist attractions. According to the research findings, the experiences of authenticity felt by the informants during a tour at GSAS include riding the Old Train ride as seen in the film, posing like the characters in the film, and re-imagining unique scenes in the film. Authenticity is important in terms of the tourist experience, so tourists’ understanding of the film Bumi Manusia must be compatible with tourist attractions and activities at GSAS.

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Янкович, А. И. "FILM-INDUCED TOURISM RESOURCES AND THEIR CLASSIFICATION." Vestnik of Russian New University. Series "Man and society", no. 2 (May 6, 2022): 75–84. http://dx.doi.org/10.18137/rnu.v9276.22.02.p.075.

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Рассмотрены различные подходы к классификации туристских ресурсов. Представлены различные определения данного термина. Уточнена разница в различных подходах к классификации ресурсов, подробно описана каждая их группа. На основе анализа классификаций туристских ресурсов предложена классификация ресурсов кинотуризма. Уточнены особенности, присущие именно объектам ресурсной базы кинотуризма. Th e article discusses various approaches to tourism resources classifi cation. Various defi nitions of this term are examined. Th e diff erence of diff erent approaches to resources classifi cation is clarifi ed, each resource group is described. Based on the analysis of tourism resources classifi cation, the author has described classifi cation of fi lm-induced tourism. Th e aspects related to fi lm-induced tourism base are clarifi ed.

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Graça, André Rui, Francisco Banha, and Francisco Miguel Banha. "Video-Induced Tourism in Central Portugal: Production and Impact of Promotional Videos." tourism & Management Studies 18, no. 1 (January 31, 2022): 41–50. http://dx.doi.org/10.18089/tms.2022.180104.

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The concept of film-induced tourism refers to travel activities to certain destinations motivated by films, TV series, and promotional videos. The exposure to enticing images allures tourists and boosts local economies and entrepreneurship. The strand of film-induced tourism, video-induced tourism (which concerns mainly promotional videos) needs to be further explored. The Portuguese case, concerning both film- and video-induced tourism, also needs to be mapped. Thus, the purpose of this study is twofold: it will discuss and explore the topics of film-induced tourism and video-induced tourism in Portugal; and it will provide insights into promotional videos released by the Turismo do Centro de Portugal Association. We will start by presenting an overview of these two concepts. Subsequently, we will tackle the Portuguese case and explain the strategies adopted to boost film- and video-induced tourism phenomena. Finally, we will carry out an overview of the Turismo do Centro videos and see how they fit into the organisation’s broader communication context. Exploring this case study will help us project how the strategy in which these videos are inserted may help the region in the post-pandemic economic recovery.

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Cardoso, Lucília, Cristina Estevão, Cristina Fernandes, and Helena Alves. "Film induced tourism: a systematic literature review." Tourism & Management Studies 13, no. 3 (July 31, 2017): 23–30. http://dx.doi.org/10.18089/tms.2017.13303.

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Cortón, Maria Luisa, and Maling Ebrahimpour. "Research Note:Forecasting Film-Induced Tourism — TheDolphin TaleCase." Tourism Economics 20, no. 6 (December 2014): 1349–56. http://dx.doi.org/10.5367/te.2013.0339.

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Croy, W. Glen, and Anne Buchmann. "Film-Induced Tourism in the High Country: Recreation and Tourism Contest." Tourism Review International 13, no. 2 (October 1, 2009): 147–55. http://dx.doi.org/10.3727/154427209789604642.

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Strielkowski, Wadim. "Promoting Tourism Destination through Film-Induced Tourism: The Case of Japan." Market-Tržište 29, no. 2 (December 2017): 193–203. http://dx.doi.org/10.22598/mt/2017.29.2.193.

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Wu, Xiaohong, and Ivan Ka Wai Lai. "The acceptance of augmented reality tour app for promoting film-induced tourism: the effect of celebrity involvement and personal innovativeness." Journal of Hospitality and Tourism Technology 12, no. 3 (June 23, 2021): 454–70. http://dx.doi.org/10.1108/jhtt-03-2020-0054.

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Purpose The purpose of this paper is to examine the factors that influence mainland Chinese film tourists’ behavioural intention in accepting an augmented reality (AR) feature film character-related tour APP (an IfilmAR-tour-APP) based on an extension of unified theory of acceptance and use of technology (UTAUT) model. Design/methodology/approach Systematic sampling was used to collect data; 360 valid questionnaires were collected from mainland Chinese film tourists visiting Macau. Partial least squares structural equation modelling (PLS-SEM) was applied to analyse the data. Findings The findings indicated that performance expectancy, effort expectancy, social influence, celebrity involvement and personal innovativeness have a significant impact on mainland Chinese film tourists’ behavioural intention in accepting the IfilmAR-tour-APP, while facilitating conditions do not significantly affect tourists’ behavioural intention. Furthermore, the study revealed that effort expectancy, celebrity involvement and personal innovativeness positively influence performance expectancy in the use of an IfilmAR-tour-APP. Practical implications The findings of this study provide implications for AR tour APP developers which will help them to enhance their designs, and for the governments of tourist destinations to formulate their promotion strategies in developing niche tourism. Originality/value This study extended the application of UTAUT to tourism technology by introducing two personality traits in the context of AR tour APPs for film-induced tourism. This research contributes to niche tourism research by linking niche tourism and tourism technology.

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Di Cesare, Francesco, Anthony A. La Salandra, and Elena Craparotta. "Films and Audiovisual Potentiality in Tourism Destination Promotion: A European Perspective." Tourism Review International 16, no. 2 (November 1, 2012): 101–11. http://dx.doi.org/10.3727/154427212x13485031583867.

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The audiovisual medium represents a tool that is able to influence the perception and the decision-making process of a large potential tourist demand. This can be commonly observed but is also confirmed, year by year, by a wide variety of empirical research studies worldwide. In some of them it emerged that the mere portrayal of a destination in an audiovisual production is not enough to reap the benefits of film-induced tourism. Tourism destinations need to work proactively to orient this phenomenon and to promote their territory and resources, among a whole and articulated destination strategy. In recent years, several tourism organizations worldwide recognized the opportunities associated with film tourism, but the lack of a clear strategy allowing the destination to benefit from such opportunities has often resulted in missing good chances. It is still unclear how much tourism development managers believe in the potential of audiovisual productions as a tool to be included in their destination management and marketing strategy. Furthermore, it is not clear whether such destination managers consider audiovisual and film productions among their tourism promotion tools at all. This article's aim is to shed light on this situation. In order to understand what is, or is not, happening, a significant and heterogeneous panel of 30 European tourism destinations has been surveyed with a quantitative research approach through a questionnaire-based web survey. It emerged that, as indicated by 100% of the respondents, European destination managers are aware of the relationship between film and tourism and mostly keen to work on it. But it is also possible to notice—among the results—that it seems movie-induced tourism is used just through sporadic attempts and therefore not approached in a strategic way. The survey explores both existing attitudes towards the phenomenon, and the commitment to develop it, using film in tourism communication strategies. The results of this article provide a new foundation for further research, as well as operative suggestions for worldwide tourism professionals committed to tourism development.

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Irimiás, Anna. "Missing Identity: Relocation of Budapest in Film-induced Tourism." Tourism Review International 16, no. 2 (November 1, 2012): 125–38. http://dx.doi.org/10.3727/154427212x13485031583902.

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The Hungarian capital city has been the protagonist or at least the supporting actress of numerous feature films; however, Budapest cannot be identified with a unique image to promote herself in film-induced tourism. The visual representations of the city's symbolic economy play an important role in the creation of place identity. The purpose of this study is to analyze the identity of Budapest and its cultural landscape depicted in international and Hungarian movie productions. The article highlights the consequences of this specific use of the urban place and how these images can influence Budapest's role in film tourism. In order to explore the potential of Budapest in the film tourism niche market, an analysis of tourists' perception of the capital city and tourists' attitude towards film-induced tourism was undertaken. The results of the visitor survey show that international tourists staying in Budapest would be interested to discover the film locations in the city; however, they were not able to link the titles of films set in Budapest to the real film location. Hosting international film productions clearly has a positive impact on the economy as a whole, but tourism destination marketing cannot benefit from the motion pictures' success when Budapest interprets somewhere else.

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Mulyadi, Rd Muhammad, and Linda Sunarti. "FILM INDUCED TOURISM DAN DESTINASI WISATA DI INDONESIA." Metahumaniora 9, no. 3 (February 12, 2020): 340. http://dx.doi.org/10.24198/metahumaniora.v9i3.25810.

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Sektor pariwisata merupakan salah satu sumber penting bagi devisa negara. Hal tersebut menyebabkan negara-negara di dunia berlomba-lomba untuk mempromosikan pariwisatanya karena ketatnya persaingan pariwisata dalam dunia internasional. Berbagai cara dilakukan untuk meningkatkan kunjungan wisatawan ke negaranya masing-masing. Salah satu cara yang dilakukan adalah melalui film yang dipandang cukup efektif dalam mempromosikan daerah-daerah tujuan wisatanya. Berdasarkan penelitian-penelitian sebelumnya, beberapa negara dengan jumlah wistawan yang besar mengakui bahwa salah satu faktor pendorong wisatawan untuk berwisata ke negaranya adalah melalui film. Film dipandang sebagai media yang lebih efektif daripada menggunakan cara-cara tradisional seperti brosur dan iklan-iklan khusus lainnya, karena film dapat menjangkau jutaan orang, bertahan lama, dan memengaruhi orang-orang tanpa menyadari bahwa hal tersebut merupakan suatu promosi.Penelitian ini bertujuan untuk melihat perkembangan film sebagai promosi pariwisata, dampak film terhadap peningkatan kunjungan wisatawan, terutama dampak mengenai film dan promosi pariwisata di Indonesia.Sumber yang digunakan dalam penelitian adalah tulisan tulisan ilmiah dalam bentuk artikel maupun proseding seminar dan film-film yang terkait erat dengan pokok kajian penelitian. Penelitian ini memperlihatkan bahwa adanya dampak film terhadap beberapa destinasi wisata di Indonesia.Yogyakarta, Belitung dan Bali adalah destinasi wisata yang diinduksi oleh film.

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Mulyadi, Rd Muhammad, and Linda Sunarti. "FILM INDUCED TOURISM DAN DESTINASI WISATA DI INDONESIA." Metahumaniora 9, no. 3 (February 12, 2020): 340. http://dx.doi.org/10.24198/mh.v9i3.25810.

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Sektor pariwisata merupakan salah satu sumber penting bagi devisa negara. Hal tersebut menyebabkan negara-negara di dunia berlomba-lomba untuk mempromosikan pariwisatanya karena ketatnya persaingan pariwisata dalam dunia internasional. Berbagai cara dilakukan untuk meningkatkan kunjungan wisatawan ke negaranya masing-masing. Salah satu cara yang dilakukan adalah melalui film yang dipandang cukup efektif dalam mempromosikan daerah-daerah tujuan wisatanya. Berdasarkan penelitian-penelitian sebelumnya, beberapa negara dengan jumlah wistawan yang besar mengakui bahwa salah satu faktor pendorong wisatawan untuk berwisata ke negaranya adalah melalui film. Film dipandang sebagai media yang lebih efektif daripada menggunakan cara-cara tradisional seperti brosur dan iklan-iklan khusus lainnya, karena film dapat menjangkau jutaan orang, bertahan lama, dan memengaruhi orang-orang tanpa menyadari bahwa hal tersebut merupakan suatu promosi.Penelitian ini bertujuan untuk melihat perkembangan film sebagai promosi pariwisata, dampak film terhadap peningkatan kunjungan wisatawan, terutama dampak mengenai film dan promosi pariwisata di Indonesia.Sumber yang digunakan dalam penelitian adalah tulisan tulisan ilmiah dalam bentuk artikel maupun proseding seminar dan film-film yang terkait erat dengan pokok kajian penelitian. Penelitian ini memperlihatkan bahwa adanya dampak film terhadap beberapa destinasi wisata di Indonesia.Yogyakarta, Belitung dan Bali adalah destinasi wisata yang diinduksi oleh film.

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Raj, M. Prasanna Mohan. "Film induced tourism Model-A qualitative research study." Asian Journal of Research in Marketing 7, no. 2 (2018): 28. http://dx.doi.org/10.5958/2277-6621.2018.00005.1.

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Pratt, Stephen. "The Borat Effect: Film-Induced Tourism Gone Wrong." Tourism Economics 21, no. 5 (October 2015): 977–93. http://dx.doi.org/10.5367/te.2014.0394.

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Bąkiewicz, Justyna, Anna Leask, Paul Barron, and Tijana Rakić. "Management Challenges at Film-Induced Tourism Heritage Attractions." Tourism Planning & Development 14, no. 4 (March 31, 2017): 548–66. http://dx.doi.org/10.1080/21568316.2017.1303540.

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Mendes, Raquel, Laurentina Vareiro, and André Rafael Ferreira. "Residents’ perceptions of film-induced tourism: A Portuguese case study." Tourism and Hospitality Research 17, no. 4 (May 2, 2016): 424–33. http://dx.doi.org/10.1177/1467358416646624.

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Film-induced tourism has various socio-cultural, economic and environmental impacts on local destinations. Considering that destination managers and tourism development authorities aim to plan for optimal tourism development, and at the same time wish to minimize the negative impacts of this development on the local communities, monitoring residents’ opinions of perceived impacts is a good way of incorporating their reaction into tourism planning and development. This study’s main objective is to explore residents’ perceptions of film-induced tourism and the impacts of filmmaking on the development of a destination. Specifically, the research examines residents’ perceptions of filmmaking impacts on two Portuguese municipalities (Arcos de Valdevez and Estremoz) given their features in two popular television soap operas. Data is collected by means of an Internet survey, in which residents’ perceptions of these impacts are solicited. Residents generally agree that the recording and exhibition of the television soap operas are important to the municipality, and contribute to the increased number of tourists. Given that residents consider that the positive impacts are more significant than the negative impacts, they would support the recording of other television series in their municipalities. Although perceptions of residents from Arcos de Valdevez and Estremoz were similar, some significant differences were found.

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Astorino, Claudia Maria. "Cinema and Tourism." Revista Turismo em Análise 30, no. 3 (December 20, 2019): 539–61. http://dx.doi.org/10.11606/issn.1984-4867.v30i3p539-561.

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It is not a recent phenomenon that films encourage viewers to visit the places where they are set. This movement is called film-induced tourism and it has been gaining more and more studies and supporters. The associations that can be established between cinema and tourism, however, go far beyond this type of tourism, and this essay intends to present one of these associations: the one that investigates how films can be tools for teaching and learning in a Bachelor’s Degree in Tourism Course. With this scope, an eclectic study corpus was carried out, from which 40 films were selected in order to stimulate the discussion about the tourism practice. To optimize this discussion, topics that cover tourism market segmentation, tourism elements, jobs in the tourism industry, film-induced tours and the relationship between tourists and residents were established. The analysis of the findings showed that the films discussed along this essay can be used in the scope of different subjects in the context of Tourism undergraduate courses, as tools to illustrate and debate various aspects of the tourism activity.

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Irimiás, Anna. "Missing Identity: Relocation of Budapest in Film-induced Tourism." Tourism Review International 16, no. 2 (November 1, 2012): 125–38. http://dx.doi.org/10.3727/154427212x13485031583902e-issn1943-4421.

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Saltik, Isil, Yesim Cosar, and Metin Kozak Metin Kozak. "Film-Induced Tourism: Benefits and Challenges for Destination Marketing." European Journal of Tourism Research 4, no. 1 (March 1, 2011): 44–54. http://dx.doi.org/10.54055/ejtr.v4i1.61.

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This paper aims at a qualitative-based empirical investigation of how TV series influences the economic structure and stimulate the publicity of places where it was filmed and which are about to be considered as a visitor attraction in domestic tourism. In order to reach this objective, we have chosen Bozuyuk, a small town of Mugla and located in the south-west part of Turkey. Within the scope of the field study, three excursions were arranged to the town of Bozuyuk where the series was shot, and an on-site observation was made by witnessing both interviews and shooting of the series. Despite the fact that the importance of shooting a series in the region was not understood by the local people in the beginning, all the participants, whom we made interviews with, empasized the contribution of the series in terms of the local economy and publicity. There are some tradesmen approaching the issue particularly in terms of cost-benefit analysis in the light of environment and sustainability. As in Bozuyuk, TV series and movies could aid to counterbalance the lack of causal advertisements for the promotion of places and become a centre of attraction, as a single product itself or as an integrated multiple product, catering for people who like to take short visits. Choosing such a method has an equal impact of spending million dollars for publicity. A further consequence of this study is that gaining a widespread coverage in domestic media and tourism depends on the power of film producers or directors.

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Busby, Graham, Rong Huang, and Rebecca Jarman. "The Stein Effect: an Alternative Film-induced Tourism Perspective." International Journal of Tourism Research 15, no. 6 (March 1, 2012): 570–82. http://dx.doi.org/10.1002/jtr.1875.

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Kusumawardhana, Indra, and Ekky Imanjaya. "Film Tourism Indonesian Style: The Cases of Laskar Pelangi and Eat Pray Love." Communicare : Journal of Communication Studies 3, no. 2 (March 21, 2018): 9. http://dx.doi.org/10.37535/101003220162.

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Film-induced tourism becomes a new emerging issue in tourism and scholarly research for the last 10 years. London’s “Harry Potter” series and New Zealand’s “Lord of the Rings” are among the best practices of the trend. On the other hand, Indonesia is a country with many beautiful places to visit by both local and international tourists. The number of visitors increases significantly every year. However, there is no contribution from film industry, both from local or international production, related to this increasing numbers of tourists, not before national movie production “Laskar Pelangi, 2008” (Rainbow Troops, 2008) by Riri Riza, and international box office movie production “Eat, Pray Love, 2010”. The study research will discuss about film induced tourism issues in Indonesia, particularly on why and how the two films--so far, until recently, only those two films--became phenomenon in film tourism--and why other films did not.

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Cui, Xin. "From home to the film location site, from a film audience to a film tourist." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 13, no. 1 (October 25, 2020): 4–21. http://dx.doi.org/10.31165/nk.2020.131.594.

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A range of scholars in media studies suggest that film can enhance the awareness and appeal of the film locations because of its power of imagery (Macionis 2004; Beeton 2016; Riley and Van Doran 1992). Induced and motivated by film-related elements, a group of audiences are no longer merely the recipients of film contents but also the tourists, who are going to visit the film-related sites. The journey that audiences visit the film-related sites in person can be described as film-related tourism. In this paper, the basic characteristics of film-related tourism will be introduced at the beginning for demonstrating audiences’ film journey to different types of film-related tourism sites, i.e., on-location film site and off-location film site (Beeton 2005). Then, it will specifically use an off-location film tourism site Hengdian World Studios (HWS) in China as the case to see audiences’ travel experience as film tourists at the destination. For detailed describing the touristic experience, this paper is going to apply the ethnography research method to show my personal film tour from home to the film sites in HWS, and thus examine the process of people’ identity change from film audiences to film tourists in the physical movement from home to the film location sites. Finally, authenticity issues, staged authenticity and existential authenticity, in audiences’ film tour will be discussed in order to better understand audiences’ on-site activities as well as the marketing strategies at the destination.

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Pan, Steve, and Chris Ryan. "Film-Induced Heritage Site Conservation." Journal of Hospitality & Tourism Research 37, no. 1 (November 2011): 125–50. http://dx.doi.org/10.1177/1096348011425497.

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Hoa, Pham Hong, Vo Thi Thanh Truc, and Mai Ngoc Khuong. "Film-Induced Tourism — Factors Affecting Vietnamese Intention to Visit Korea." Journal of Economics, Business and Management 3, no. 5 (2015): 565–70. http://dx.doi.org/10.7763/joebm.2015.v3.247.

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Chin, Wei Lee, and Yong Liu. "The Film-Induced Tourism Development In Brunei: Perspectives And Potentiality." Borneo Research Journal 12, no. 1 (December 31, 2018): 26–56. http://dx.doi.org/10.22452/brj.vol12no1.3.

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Qiao, Fei, Yeonhee Choi, and Timothy J. Lee. "Assessing feasibility of film-induced tourism: the case of Singapore." International Journal of Tourism Sciences 16, no. 3 (July 2, 2016): 93–105. http://dx.doi.org/10.1080/15980634.2016.1163823.

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O'Connor, Noëlle. "How can the film‐induced tourism phenomenon be sustainably managed?" Worldwide Hospitality and Tourism Themes 3, no. 2 (April 12, 2011): 87–90. http://dx.doi.org/10.1108/17554211111122952.

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Macionis, Niki, and Noe¨lle O'Connor. "How can the film‐induced tourism phenomenon be sustainably managed?" Worldwide Hospitality and Tourism Themes 3, no. 2 (April 12, 2011): 173–78. http://dx.doi.org/10.1108/17554211111123032.

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Wati, Eka Kurnia, Bambang Supriyadi, and Mokhamad Natsir. "The Effect of Film-Induced Tourism on Visit Intention to South Korea with Destination Image as Mediation." Cross Current International Journal of Economics, Management and Media Studies 4, no. 6 (November 5, 2022): 175–79. http://dx.doi.org/10.36344/ccijemms.2022.v04i06.001.

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This study aims to analyze and explain the effect of film-induced tourism on visit intention to South Korea with destination image as mediation. Respondents of this research are fans of Korean dramas in Malang, Indonesia. This study uses a quantitative approach with primary data from a questionnaire. This research used 120 respondents whose results are processed using descriptive methods, linear regression, and mediation tests. This study found that the influence of film-induced tourism on visit intention was more substantial without the destination image as mediation.

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Pérez García, Álvaro, Ignacio Sacaluga Rodríguez, and Alberto Moreno Melgarejo. "The Development of the Competency of “Cultural Awareness and Expressions” Using Movie-Induced Tourism as a Didactic Resource." Education Sciences 11, no. 7 (June 24, 2021): 315. http://dx.doi.org/10.3390/educsci11070315.

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Competence in “Cultural awareness and expressions” requires very stimulating activities for its development, and cinema can be used as an interesting enhancer of educational action. The educational potential of the so-called movie-induced tourism, which has increased in recent years thanks to the impact of major productions such as The Lord of the Rings, Star Wars or Game of Thrones, could bring extra motivation when developing any competency including the aforementioned one. This article aims to suggest some keys on film tourism as a didactic resource and how destinations might capitalize on it through entrepreneurship. In doing so, educational establishments located within film destinations can carry out projects in this sense to work on the competence of “Cultural awareness and expressions”. Thus, an example of didactic programming will be offered based on the creation of new tourist businesses to take advantage of Lord of the Rings saga filming in San Juan de Gaztelugatxe (Vizcaya, Basque Country, Spain).

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Pelliciardi, Vladimiro. "Factors Affecting International and National Tourist Arrivals (1974-2020) in Leh District (U.T. Ladakh, India)." European Journal of Sustainable Development 10, no. 1 (February 1, 2021): 736. http://dx.doi.org/10.14207/ejsd.2021.v10n1p736.

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Since 1974, tourists are attracted in Leh district for its mountainous landscape, environment, high altitude lakes, Indus River, beautiful villages and Himalayan people living in scenography valleys filled of Buddhist heritage sites. All makes this region a great place for adventure sports, sightseen, cultural and religious tourism. Tourism industry has rapidly become one of the most important aspects of District development paths. Visitors bring hard currency and spend money contributing to monetary economic boom that can have both positive and negative impacts on the society and territory. Tourism in Leh District has a short season (from May to October) but a highly profitable business especially with national visitors increasing by the day. This study, based on data collected from the Tourism Department in Leh, analyses the international and national tourist arrivals in time series to find out pattern and trends in the historical data and investigate global and local factors affecting tourist inflows (rises or falls) in the District. Yearly arrivals depends on several factors and issues as geopolitical and global economic problems, new trends in tourist destinations, film induced tourism, climate changes, natural disasters, pandemic and more. These unpredictable factors affect tourist flows, decreasing or increasing the arrivals even drastically. The long-term sustainability of the local development must not depend mainly on mass tourism because economic dependence on only one, although promising but fluctuating sector, pose several problems (e.g. impacts and pressure on infrastructures, environment and significant socio-cultural changes.

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Zhang, Yan, Zhi-wei Duan, and Hyuck-jin Lee. "A Study on the Revitalization Strategies of Chinese Film-induced Tourism." Journal of Korea Culture Industry 19, no. 1 (March 31, 2019): 49–56. http://dx.doi.org/10.35174/jkci.2019.03.19.1.49.

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O'Connor, Noëlle, and Peter Bolan. "Creating a Sustainable Brand for Northern Ireland Through Film-Induced Tourism." Tourism Culture & Communication 8, no. 3 (October 1, 2008): 147–58. http://dx.doi.org/10.3727/109830408786177515.

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Journal articles on the topic 'Film-induced tourism'

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